Cinch had three charges in her care once, Celestia entrusted her with the day-to-day care of Prince Blueblood, the new Princess Cadence and her student Sunset Shimmer - running a kingdom is difficult enough alone without three young ponies to look after - so when Celestia is absent (often) that means Cinch was in charge of these three ponies. And while the matron of the castle was always rigid about rules and wanted her three charges to uphold her reputation and to build their own budding reputations high, she cared about them very much. You'd have to, spending your time with the same three young ponies for so long, guiding and teaching them to be their best...

By the time Ditzy came into the picture, Cinch was down to two charges. She refused to fail them the way she failed...

Well, with one down, there were two left and she cared so much she wouldn't let anyone ruin them, especially not themselves. Surely they would come to realize Cinch was only helping.

cw: this got long sorry 😔 but creepy/perv bakugou, recording, film major bkg x art major reader, masturbation, coercion, dubcon before it just becomes con, voyeurism/exhibitionism

as an art major, you typically did some works for a few students on campus; for their plays, as background pieces while they danced, a cover for their released songs. it wasn’t out of the ordinary for people to ask you to create something for them, and you enjoyed it more often than not. but, you weren’t usually the art itself.

Bakugou is a friend’s friend that you’ve seen a few times, ran into at the library or at coffee shops. he’s a film major, and always looks so unhappy about the whole thing, as if he didn’t choose it himself. you joke to Mina that you think he’ll graduate and become one of those directors that hate everything and yell at the actors constantly and later on get sued for being a dickhead. you never say it to him though—you’ve never spoken more than a couple words to the man.

it’s why it shocks you when he approaches you one day. it’s after one of your painting classes, and he stands outside the door with a frown and his hands shoved in his pockets, his eyebrows scrunched as if pissed at the mere sight of you. he asks you, in that low and gruff tone of his, if you could star in his final project for the semester. says it’s supposed to be a film made with this criteria and that, but, you’ve kind of checked out on the conversation after the first sentence.

“You mean, you want me to create something and that be the star of your film?” you ask him, feeling so intimidated at his stature. he always seems to loom, his hair shadowing the lights above, creates a cast over a portion of his face, makes his eyes look…unsettling. like they’re looking straight through your flesh, can find the marrow in your bones. he scoffs like you’ve offended him, rolling his eyes into his skull, mouth pulled tight.

“No.” his voice is firm, gaze concentrated only on you, like the halls are empty and you’re the focus of his lens. “I want you to star in it.”

his words confuse you—you’ve never presented yourself as an actor before, never alluded to wanting to be in the spotlight if not for what you create with your hands. but he shuffles on his feet, looks desperate even. there’s some hemming and hawing for a minute or so—why not choose Mina?—she’s busy—why choose me?—‘cause you’d be perfect for my short film—what’s it about?—you’ll find out once you get the script.

and even after you hesitantly agree and get the script—you still don’t understand what you’re doing. why you’re here, why you’re the only person, why it has to be a solo film, why there’s damn near zero lines in the entirety of the have-to-be forty five minute film.

the scenes are all so long, and maybe it’s because movies aren’t your forte or chosen major, but you just don’t get it. one scene; you’re staring at yourself in the mirror while Bakugou holds a small, black camera over your shoulder. he’s eerily quiet behind you, whispers out a faint fuckin’ go when you have to wash your face in the sink, makes you do it over because your movements are too jerky and unnatural.

the rest of the scenes go that way; you doing regular at home activities, being put under a lens, quietly barked at to do this and move that way and fix your hair and remember to frown.

“Isn’t there another way to film this?” you ask him on the fifth day of shooting in his spacious loft. there’s a bubble bath scene coming up, one you dont understand the importance of, but Bakugou tells you it’s the most necessary part of the entire thing.

“No,” he grunts out, looking at you from under his lashes as he sits on the lid of the toilet. “But I’ll make it soapy, so the camera won’t see much.” the camera? much? you weren’t worried so much about what the camera captured as you were the man behind it. he looks at you with such intensity, you feel naked already despite the robe you wear that’s suspiciously already your size.

he leaves the bathroom when you sink in the hot water, returns before you can say it’s okay, hears the water splashing and thinks that’s good enough. he kneels on the floor beside you, camera pointed directly in your face, makes your chest hot and your skin feel prickly. the scene passes on regularly enough; you run the water over your arms, tilt your head back as you sigh, whisper the few lines scripted, lean back and close your eyes, sigh again. it’s almost relaxing, makes you forget about the friend of a friend recording you naked right now. almost.

“Touch yourself.” Bakugou suddenly demands, hushed and quiet behind the camera. your eyes immediately shoot open, looking to him in question, how he’s eerily still in his spot hovering over you.

“Huh?” you ask, unsure if you heard him correctly, looking around the rounded lens in your face, trying to ignore the red blinking light. but Bakugou only frowns.

“It’s a masturbation scene. Touch yourself.” he repeats, voice louder, more demanding this time. your stomach twists at the thought of doing something so intimate in front of him. he’s a handsome guy, for sure, even made you consider asking him out after this, figured he was just serious about his work and awkward about certain things. but…something had been off about this entire thing since the start.

“But—but I don’t, I’m not,” you stutter, sitting up a little, the bubbles covering your chest starting to disperse with your movements. but Bakugou only sits a little higher on his knees, finally pulling the camera away from his face for the first time since he’s asked you to do this for him.

“You want me to fail?” he asks, booming voice eerily quiet in the silent bathroom, carmine eyes dull, shaded over with something terrible. “Then do it.” he tells you when you shake your head quickly.

you stare at him until he gets back into position again, camera back pointed at you. when he doesn’t say anything else, you swallow thickly, wondering if the art that will come out of this will be worth it. so you listen, sneak a hand under the water, start touching yourself in a way you never have in front of anyone.

is it bad to say that it’s exhilarating? being watched and recorded by someone who breathes so heavily every time your voice hiccups? being directed to touch your chest next when the suds start to disappear and your nipples start to peek through? is it bad that you want him to send you this portion of his film, only, just so you can watch yourself again and again? make a portrait of yourself with your fingers on your nipples and your knees raising from the water and your head thrown back from the intensity in oil pastels?

“That’s a wrap.” Bakugou announces when you finish, head spinning and still panting. you look over to him, how he closes the camera, the obvious bulge in his pants. “I’ll get you a towel.”

you wonder when’s the next time he’ll need you. or better yet—maybe he could be the star in your final drawing project? you had finished it already but, what was the harm in starting over with him as your muse? as naked as you are? camera not blocking his face so you can paint the similarities of his blushing cheeks and eyes when you direct him to look at you? to touch his chest? to play with himself just like that?

im doing a lot better now!

phighting x slugcats (rain world) would be possibly very epic and cool maybe

Here you go :3 the silly little wawas

(+ a teensy little swocket doodle since a lot of people requested it)

but the world as she knows no longer exists. digimon survive week 2024 day 1: a new world thoughts under cut. spoilers alert. if you haven't completed the game, proceed at your own risk. you have been warned.

i feel so much for miyuki. the girl who got lost and forgotten. even the best possible ending offered in the game leaves many questions as open possibilities. how is she going to live her life now? how will she deal with living in a new world where it's nothing like the one she used to live in? pretty sure nearly all of the people she knew are no longer alive. her younger brother is now an elderly. this is why digimon survive deserves a sequel. i need to know all that lol. here is my personal headcanon / wish, though: exploring how miyuki, at the core, struggles with everything, including accepting the current reality she is in. despite starting to get used to living in the modern world, she can never, for one, imagine her younger brother dying before her. haru, her only family whom she likely can't even communicate properly with in public without people turning heads and wondering why the old man calls the young girl "big sis". that's probably when something can happen involving takuma co. as they themselves try/struggle to integrate their kemonogami partners into daily life, where it could ultimately end with miyuki getting to "catch up" or get turned into the age and appearance she is supposed to be (i'm delusional) if someone already explored and/or wrote a fic about it, please link it to me... if you who are reading this plans to write about it, please tag me when you finish it... i'm more desperate than i look haha 😭

in my head this is how Divine Inspiration works

lil sci doodle

ive made myself more wet and pathetic

YOU — “No. There is still a chance.”

DOLORES DEI — “You think so?” Her voice is weary.

EMPATHY — Everything about her is weary. She is the Innocence of weariness, of heroically borne suffering.

CONCEPTUALIZATION — That is the picture you have painted for yourself, at any rate.

YOU — “You looked back. That’s the memory, the moment, that I can’t stop returning to. You looked back. I had a chance, for just that moment…”

DOLORES DEI — She meets your eye, gaze still forever cast back over her shoulder. Time stops. The stars are stilled, the ocean silent. There is *nothing* beyond this memory. Nothing at all. All of infinity is contained in this single moment when anything and everything was possible.

“Oh, Harry…” She sighs, soft as eiderdown. “We never had any chance.”

And just like that, the wave of time collapses under its own weight, obliterating everything. This moment was six years ago. She is gone from here. Gone, gone…

PAIN THRESHOLD — You cannot leave. There was nothing outside of this moment, and now there is nothing at all. It’s all gone. There is no point. I’m sorry. I can’t do this any longer.

VOLITION — Please, don’t say that…

“Okay. Well, fuck me, then.”

“How would *you* know?! You gave up! You didn’t even try!”

“We *must* have had a chance, at some point… Doesn’t everyone get a chance, if nothing more?”

“How could you say that…?”

DOLORES DEI — “Because it’s true,” she says, matter-of-fact. “There is no moment in time that you can turn back to, no branching paths, no infinity. There is only what happened. I looked back… and then away.” She closes her eyes, turning her back to you.

“The moment ended. *We* ended. That is all.”

SHIVERS — A wave crashes against an unseen shore, ocean spray tickling the back of your neck. You shiver, but no one shivers with you. You are alone in this intersection. Why are you here?

“Why can’t *I* end?! Why can’t this all just stop? Please, make it stop…”

“Ended? I’ve barely even started! I got a chance to start completely over as somebody new! I don’t need you anymore! You’re just dead weight to me now.”

“No. That wasn’t the real ending. We’re a part of something so much bigger than this intersection, telling a story that encapsulates all of history! There’s *more* to this, it *means* something.”

“Then… What am I supposed to do now…?”

DOLORES DEI — “No, Harry.” She turns back to you again now, and she looks… sad.

“We were not metaphors. We were people. Our narrative was not intelligently designed. It simply followed the patterns of history, because those are the only patterns we *know.* We tried to create something new, but we failed. There is no narrative reward for our failure, no satisfactory ending. There is only the immutable past and the unknowable future.”

RHETORIC — There is no assurance of what is good or deserved or what may bring relief. There is no assurance of punishment, either. There is no assurance of anything. Not even of a future. I don’t know what to say to make this bearable.

VOLITION — Even so… As long as you live, *something* is promised. Can you live with that?

I can’t, I just can’t do this anymore…

I can. It’s enough.

I don’t know. I just don’t know.

I can at least try for a little longer…

VOLITION — That’s all I ask. That’s enough.

I got all these cool mech designs, or story filled weird divine metal designs

But my brain

Wants to draw a scary lying pretty man

Unenlighted: Sky and Wild don't have that good of a relationship due to Sky's guilt and Wild not feeling he's good enough when compared to any of his predecessors because he failed the kingdom once and it gets exacerbated by the events of TOTK, similar case with Flora and Sun.

Enlightened: Sky and Wild have a pretty good relationship, but it's still strained because of both their problems and the strain grows bigger after TOTK when Fi breaks, Sun likes Flora just fine as a descendant while Flora is incessantly tormented by the fact she always believed her entire life she'd never measure up to the other Zelda's because she couldn't fulfill her duty anymore than Wild could, and it causes communication.

Ascended: Sky and Twilight having a full blow custody war in the back because they both see Wild as a better successor than he believes himself to be due to the parallels to BOTW, TOTK and Skyward Sword even though it's technically Twilight Princess' spiritual sucessor (since it was originally made to be a sequel to that game) and Sky and Wild both get along well with one another, and instead of getting angry at Wild for breaking Fi he's more so worried for him and her equally (and then has to be held back by the rest of the Chain along with Twi to not eviscerate whatever's left of Ganondorf's body) meanwhile Sun all but surprise adopted Flora as a sister and is super supportive of all her pursuits and number one hype woman because she was as unhinged as her at her age and Flora is flabbergasted but really really happy and relieved she doesn't see her as a disappointment or anything and they get along like the sister she never had growing up. Specially since they can both bond over not being quite regular humans anymore and can help one another deal and learn more about it.

I will not elaborate.

seeing a post that gets some things right (interesting complex john thoughts) but other parts dead wrong (bad dean takes) has me like *eye twitch*

im happy my post is garnering discussion but honestly i wasnt around for 2018-2021 fandom on tumblr and i was mainly talking about how its kind of silly to get mad at people for portraying colonizer countries as mean, or calling it demonization and stuff. like its okay not to like personally portraying ur fav characters as mean or part of the state, but getting irritated at the fact that it exists or is popular imo kind of misses the fact that this… is the state and nation personification fandom. and its hard to say its not canon when canon did once portray the characters in uniform and at times involved in their state activities… like the early strips discussing western imperialism in china is literally ‘china being bullied by the allies’ ‘france wanting to grope china’ ‘china being treated like a maid’ etc etc like they were very much. the state LOL also china and japan’s canon relationship, as much as I have my issues with it, has an entire thing about china being stabbed by japan… i do feel like hetalia started out as a history nerd’s history exploration that blended humour with ‘what i find cute’ with satire etc etc, which inevitably involves illustrating the personifications as vessels of state and culture, and although the modern strips have deviated quite a bit… well, different people will approach this series for different reasons, right? Whether its serious or comedic content showing the characters as mean or imperialist or unpleasant, it’s not something that deviates too far from canon (if we take all canon eras into consideration) nor is it surprising given how history laden the topic is.

"Taylor swift porn deepfakes dropped and leftists are arguing it’s ok because she’s white and rich !! It doesn’t matter if she’s white and rich, because misogyny affects all of us uwu"

and yet, when brown Muslim Palestinian women struggling in their war torn country got displaced in camps and resorted to cut their tent because they didn't have menstrual products were PLEADING for help/attention, you remained quiet

...but yes, the discourse calling out the selective mobilization of western feminists who constantly cape for rich/White/Western celebrities while not displaying an ounce of this energy to speak up for women struggling & dying en masse in the biggest conflict in the world right now is just silly "leftism"

shut up. like, forever.

Question for people who are good at AO3:

Is there a way to force a search to ONLY look for your target pairing as the first listed relationship?