Broche" Nœud" en diamants (XVIIIe siècle) et "Portrait de Marie-Antoinette" par Jean-Baptiste Gautier Dagoty (1775) présentés à la conférence en visio “Mercy-Argenteau, dans l'Ombre de Marie-Antoinette" par Paul Paradis - Historien de l'Art et Professeur - et Léonard Pouy - Historien de l'Art et Responsable des Contenus - à L’École des Arts Joailliers, février 2024.
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Engravings of peonies (1767) by Jacques-Fabien Gautier-Dagoty (1716?-1785).
Bibliothèque nationale de France, département Estampes et photographie.
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Anatomical Angel
L’ange Anatomique, by Jacques-Fabien Gautier Dagoty, 1746
Unfastened avidly from each ivory button
of her spine, the voluntary muscles open
virtuosities of red: Cinnabar
the mutagen, and carmine from cochineal
born between fog and frost, so many little
deaths Buddhists refuse to wear
robes soaked in its thousands. Sunsets
of other centuries fade in galleries to ash.
Red is fugitive: As the voice, the blow
of gravity along a nerve opening to an ache
the body can’t unhouse: As the carnation
suffusing cheek and haunch like saucers
from the king’s porcelain rinsed in candlelight.
Gratuitous as the curl, the urn-shaped torso,
the pensive, brimming gaze of pretty
post-coital thought she half-turns over one
excavated shoulder. As if to see herself
in a mirror’s savage theater as elegy
to the attempt to fill an exhausted form,
to learn again the old ordeals of wound
and hand and eye. To find the source of burning.
[Poem by Averill Curdy, published in Poetry (June 2006)]
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FEELING REGULAR AT THE MUSEUM!
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Marie Antoinette 1775 by Jean Baptiste Dagoty
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The lungs and the heart. Colour mezzotint by J.F. Gautier d'Agoty, 1754.
Gautier Dagoty, 1717-1785
Wellcome Collection
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L'Ange Anatomique (1746) | Jacques-Fabien Gautier Dagoty
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Dagoty seashell, snail shell and swan porcelain cups and saucers ca. 1800-1815
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“Marie Antoinette Playing the Harp”, Jean-Baptiste Andre Gautier-Dagoty
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▪︎ Myologie Complette en Couleur et Grandeur Naturelle.
Author: Joseph Guichard Duverney (French, 1648–1730)
Artist: Jacques Fabien Gautier Dagoty (French, Marseille 1716–1785 Paris); Publisher: Gautier (Paris)
Date: 1746
Medium: Illustrations: color mezzotints
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"L'Ange Anatomique" gravure quadrichromique de Jacques-Fabien Gautier-Dagoty 1746) et "Portrait de Charlotte Gainsbourg" dessin à l'encre (1977) présentés au Musée Gainsbourg, Saint-Germain-des-Prés, Paris, février 2024.
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OOC pinned
I follow from @trupowieszcz || 21 years old || they/them but Melchior is a he/they || GMT+1 timezone (Poland) || other rp blogs (might not be active): @xiiistoleti @siedemzyczen @hausderluegeepilog @upiorofficial @wrongsideoftheknife @notgrim @anotimpuri @counthomosexula @honoratka
!!CONTENT WARNINGS AND RULES!! THIS BLOG IS 18+ !! IC =/= OOC
Death, gore, blood etc - untagged, I often reblog medical photos
Body horror - untagged
Abuse - untagged
Sexual content – explicit in written form, sometimes kink-related images (not explicit) - all tagged with #nsfw and sometimes community labels if it's my post. Melchior is a sadistic psychopath so the sexual content often crosses with the previous three points, might seem bordering on assault, but I will NEVER, and I repeat, NEVER even mention this kind of stuff without explicit consent of whoever I'm rping with
All of the above only applies to ADULT CHARACTERS. There will be NO mentions of anything like this with underaged characters, I will not roleplay that, the only time these topics can be mentioned is in Melchior's backstory.
I will not roleplay with people under 18, but might interact with underaged characters, briefly, and I don't want to do elaborate plots with them
I will also not roleplay overt violence against women, or any sexual content with female characters. By "overt violence" I mean torture or fights with very unbalanced power dynamics. I would not be comfortable with that.
Non-WoD blogs can interact if you fit these rules
credits for the header image bc some images are on CC license: "Crowns." by Alan on Flickr, CC BY-NC-SA 2.0; Anatomical illustration by Arnauld-Eloi Gautier-Dagoty , digitally enhanced by rawpixel-com 13.jpg by Rawpixel on Wikimedia Commons, CC BY-SA 4.0; background image by Kseniya Lapteva on Unsplash, Unsplash License
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Marie Antoinette in 1755 by Gautier-Dagoty
Marie Antoinette was now officially allowed writing materials. She used them to address a last letter to Madame Elisabeth, heading it October 16. 4:30 in the morning.
“I have just been condemned to death, not to a shameful death, that can only be for criminals, but in order to rejoin your brother. Innocent like him, I hope to demonstrate the same firmness as he did at the end. I am calm, as people are whose conscience is clear. My deepest regret is at having to abandon our poor children; you know that I only lived on for them and for you, my good and tender sister.” Believing (wrongly) that Marie Thérèse had been separated from her aunt, her mother dared do no more than send her blessing. There were instructions to both children to care for each other, and the elder in particular to look after the younger. As for Louis Charles: “Let my son never forget his father’s last words . . . never try to avenge our deaths.” Marie Antoinette then raised the anguishing matter of the boy’s allegations. “I know how much pain this child must have given you. Forgive him, my dear sister; think of his age and how easy it is to make a child say what one wants, even things he doesn’t understand.” source ; Marie Antoinette the journey - Antonia Fraser .
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Anatomy of the head by Gautier Dagoty (1717-1785)
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Netflix made an educational history show. Let's assess the clothes 👀 (ft Lilla Crawford)
Save up to 40% off Brooklinen's bundles by shopping their biggest sale of the year. Click my link to shop https://bit.ly/BernadetteBrooklinen . [*If you're watching this video after 11/29, you can still get a discount by using the code BERNADETTE for $20 off your orders over $100]
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⤠ SOURCES ⤟
[1] British painter. 1572. Portrait of Walter Devereux (1539–1576), First Earl of Essex. Oil on Wood. New York, NY. Metropolitan Museum of Art. https://ift.tt/bmw1suL.
[2] Osterkamp, Peggy. 2013. “What Is Velvet and How It Is Made? (Part One).” Peggy Osterkamp’s Weaving Blog. November 2, 2013. https://ift.tt/K5hUm8v.
[3] After Hans Holbein the Younger. c. 1537. Portrait of Henry VIII. Oil on Canvas. Liverpool, UK. Walker Art Gallery. https://ift.tt/ODiM0Se.
[4] Pickering, Henry. 1741. Sir Wolstan Dixie (1700–1767), 4th Bt, Market Bosworth. Oil on Canvas. Nottingham, UK. Nottingham City Museums & Galleries. https://ift.tt/1SanJr5.
[5] Royal Ontario Museum. 2013. “A Pair of 18th Century French Panniers Arrives at the ROM!” Royal Ontario Museum. September 13, 2013. https://ift.tt/gM3DuGN.
[6] Gautier-Dagoty, Jean-Baptiste-André. 1775. Marie Antoinette, Queen of France (1755-1793). Oil on Canvas. Versailles, France. Palace of Versailles. https://ift.tt/19biAtS.
[7] Unknown artist, European. c. 1770. Portrait of a Lady Holding an Orange Blossom. Oil on Canvas. Ontario, Canada. Art Gallery of Ontario. https://ift.tt/ViANtSW.
[8] Unknown photographer. c. 1850. Emma Gurney (1803-1860). Photograph. Durham, UK. Darlington Centre for Local Studies. https://ift.tt/e1UKwS2.
[9] Unknown photographer. c.1900. Woman with Straw Hat. Photograph. Private Collection. https://ift.tt/UMqskN5.
[10] Wirth, Frederick. 1860. Two Children and Woman. Carte-de-visite Photograph. Seattle, WA. University of Washington Libraries, Special Collections. https://ift.tt/FeHCdiy.
[11] Unknown illustrator. 1887. Susan B. Anthony. History of Woman Suffrage Volume 1 Edited by Elizabeth Cady Stanton, Susan B. Anthony, Matilda Joslyn Gage. https://ift.tt/7PS6k9s.
[12] Purtich, Kirstin. n.d. “Thomson Cage Crinoline.” Bard Graduate Center. https://ift.tt/2FeB5rz.
[13] N. Currier. 1851. The Bloomer Costume. Lithograph Print. Washington, D.C. Library of Congress. https://ift.tt/acn6Ovs.
[14] Unknown artist. c. 1855. Amelia Bloomer. Chromolithograph. Encyclopædia Britannica. https://ift.tt/uVIUh7z.
[15] Hilliard, Nicholas. 1598. Elizabeth I (1533–1603). Oil on Canvas. Derbyshire, UK. Hardwick Hall. https://ift.tt/xpBTVkR.
[16] Unknown maker. 1603. Corset from Elizabeth I’s Wax Effigy. London, UK. Westminster Abbey. https://ift.tt/QNvG4XA.
[17] Unknown maker. 1601-1800. Orthopaedic Corset to Fit Adult Male. Iron, Leather. London, UK. Wellcome Collection. https://ift.tt/KHp2WZ3.
[18] Gheeraerts the Younger, Marcus. 1592. Queen Elizabeth I (“The Ditchley Portrait”). Oil on Canvas. London, UK. National Portrait Gallery. https://ift.tt/Y9fr7jV.
[19] Unknown artist, English. 1588. Queen Elizabeth I. Oil on Panel. London, UK. National Portrait Gallery. https://ift.tt/oHKTCiX.
[20] Unknown maker, English. 1750-1780. Woman’s Corset. Linen Twill and Baleen. Los Angeles, CA. Los Angeles County Museum of Art. https://ift.tt/9xTfnGb.
[21] Unknown maker, Spanish. Late 16th Century. Verdugado. Linen, Reed. Zamora, Spain. Museo Etnográfico de Castilla y León. https://ift.tt/7shLGEQ.
[22] Rabel, Daniel. 1626. The Royal Ballet of the Dowager of Bilbao’s Grand Ball. Pen and Black ink, Watercolour. Paris, France. Musée du Louvre. https://ift.tt/9udOgzV.
via YouTube https://www.youtube.com/watch?v=y0yAN8PHc2M
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