Okay so uhhh... visions came upon me and this was the result lol
Based on this absolute atrocity (affectionate... kind of)
[ID: A fourteen panel comic done in grayscale based on a Twitter thread from David Jenkins.
First panel: Neil Gaiman is surrounded by a crowd of fans, a bright spotlight is shining on top of him. One of the fans points a microphone in his direction and says "Mr. Gaiman! How would describe season two using only three words?"
Second panel: A close up shot of Neil, he smiles and says "Uhh... I'd say it's quiet, gentle, and romantic". "Romantic" is written in a flourished cursive font. There are little floating red hearts surrounding him.
Third panel: A shot of the crowd of fans saying "Awww" in unison, there are little hearts floating around. They find it adorable.
Fourth panel: A black screen titled "At David Jenkins' Twitter"
Fith panel: David Jenkins is sitting in table far away from the point of view, at the center of the image, a spotlight is shining on top of him. There is a crowd of fans forming a semi-circle around him, they are squished against one another, stoping at the little fence that is surrounding the table . A fan standing near the front says " I LOVE U... three words to describe season 2?"
Sixth panel: A close up shot of David Jenkins, he is sitting with both elbows proped up on the table, supporting his head with his hands. The harsh light is shining in on him, he looks serious and solemn. His head is tilted down but his eyes are looking directly at the camera, the whites of his eyes make a stark contrast against his shadowed figure. He says " Fucking sweet...".
Seventh panel: The shot is arranged in the same way as in fifth panel. David Jenkins is far away, sitting at his table , the fans are surrouding him in a semi-circle. The fan near the front replies "Give us one more word David"
Eight panel: A huge shock wave tilts the crowd back. All lights are out, except for the spotlight shining in on David Jenkins. David's arms are unnaturally elongated in a spider-like way, fiercely gripping the table with both hands.
Ninth panel: David lauches into the crowd. The point of view remains the same, but now his head is extremely close up the camera. He emphatically says "FUCKING"
Tenth panel: The scene is seen from the side, now we can see that David still remains sitting at his table, but his neck is extended in a long unnatural arch. He is directly looking at the fan from before, his head on top of them. The fan still has the microphone poiting in David's direction. A new spotlight is shining in on both of them. David says, "SWEET"
Eleventh panel: A close up shot of the crowd. The camera lies a little ways below David's head, only the bottom of it is visible. We see that the fan with the microphone is crouched and almost completely tilted back. The fan is looking directly at Jenkins. The crowd continues squished together, watching intently with shocked faces. David continues, saying "YOU"
Thirteenth panel: The shot is arranged in the same way as in the previous panel. David continues, saying "SLUTS". The letters are written in an emboldened font. The crowd is completely shocked, but also weirdly flattered, all of them are blushing.
Fourteenth panel: David Jenkins goes back to sitting at his table, in a movement similar to a metal spring coiling up again after being streched out. He is sitting far away from the camera, at the center of the image. The fans forming a semi-circle around him. They continue blushing, with some assorted murmurs of bafflement as in "oh my god", "dude what" and "why". /END ID]
wow I'm so happy with this scene that was totally shown after the end credits of the S2 finale and doesn't just exist in my imagination (Izzy is immortal now btw)
Say what you will about the witcher season 2 but all the "Yennefer took Jaskier in the divorce", "Geralt and Yennefer are a divorced couple rasing a kid and dating the same man", "geraskefer love triangle with an oblivious Jaskier in the middle" memes and fics were top tier
Peter Anderson: Hi, my name is Peter Anderson. I'm from Peter Anderson Studio. And we created the title sequence to Good Omens Season Two. So, we begin our journey with our angel and our demon starting again, climbing back from this enormous ending from Season One. We experiment and we don't stop experimenting.
So, you know, we built fire out of paper as a stop free emotion.
You know, our clouds are cotton wool. It's not just clever, big CGI.
It's experimenting with other ways in which we can make the world of Good Omens feel fresh and original.
And lots of the procession are the actual costumes that were in the drama.
A lot of them worn by me and other members of the Peter Anderson studio on a travelator in a green screen. Where we could almost all of the faces of our characters, even though they're dressed in costume, and build up the different roles played within the drama, their faces are built from our angel or our demon.
The crossover happens straight away with the live action. We've got live action figures that straightaway have got two-dimensional heads. But we mess with them. We give them mohicans, we cut up their faces to make them look like our various characters.
And like season one, we're building a world. We're building the universe. We playfully add storytelling elements that really are reflective of Neil's storytelling. We do our best to push and play with what animation can be...
To add 3D elements, 2D elements,
to live action elements, to really low-fly animation elements. You know, we're not just hinting and teasing at things with these tiles. We're obsessing over every part of the storytelling.