The antagonistic presence of men in Cléo de 5 a 7, dir. Agnès Varda, 1962

Included are my favorite thirteen films. Four are directed by Godard, three by Truffaut, two by Renais, and one each by Chabrol, Demy, Malle, and Varda.

Greg Proops Film Club

Cleo 5 to 7 -French New Wave 1961

By Agnes Varda

Starring the Fabulous Corrine Marchand

Get Arty For The 4th

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Curated by Jennifer

Antoine Bourseiller and Corinne Marchand in Cléo from 5 to 7.

Headed west now From the blighted plain It's kind of gorgeous in a georgic way Staring outside Watching every change I think it's just a type of way to explain How I miss you How I hope you're fine That I've been sad Tracing Lichtensteins with my eyes closed On the phone at night Always bummed out Cause the world's not right At this time At the drive-thru With the headlights on And now I'm feeling like I'm Roquentin In a streetcar Near Corrine Marchand I'll go Michel Legrand and set it to song How I miss you How I hope you're fine That I've been sad Tracing Lichtensteins with my eyes closed On the phone at night Always bummed out Back in New York In the August sun Wandering Greenpoint While the L still runs And I run back To a different day In the meantime You can dance, you can hit replay

vs.

Who Wore It Better: a tribute to one of tumblr’s best shuttered blogs

Corrine Marchand sings “Sans Toi” in Cleo from 5 to 7 (Agnes Varda, 1962), and Christina Ricci dances to “Moonchild” in Buffalo ‘66 (Vincent Gallo, 1998), two moments in which a character’s performance triggers a change in the lighting and non-diegetic music seems to enter the story space. P.S.: 5 + 7 = 6 + 6

Corrine Marchand in Cléo de 5 à 7 (directed by Agnès Varda, 1962).

Cléo de 5 a 7, dir. Agnès Varda, 1962

"Minute, beau papillon ! Etre laide, c'est ça la mort. Tant que je suis belle, je suis vivante et dix fois plus que les autres."