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#community 4x11
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no you guys don’t understand. early 21st century romanticism (2x15) and basic human anatomy (4x11), arguably two of community’s Most queer coded episodes, are both credited to an actual queer writer and it means the entire world to me
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stagefoureddiediaz · 3 months
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Ok so we get this
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and this
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And I proceed to spiral about colour theory and costume theory and end up writing and expansion to this post I made about Buck in yellow ochre!!! Sorry y'all, you know what that means - my unhinged colour theory and costume meta's are Back!!!
Lets start by revisiting all of Bucks previous yellow ochre wearing shenanigans!
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3x06 the yellow ochre sweater he wears when he gets sent home by Bobby - this does after we see Buck and Eddie making up with each other - a moment when we see Buck learning more about himself and growing (read becoming less self-centred and understanding the concept of being part of a team and recognising that he needs to be better about stepping in with Eddie!)
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4x02 - Yellow ochre jumper - first in a video chat with Maddie, Chim and Albert, but then more importantly, when he is in his therapy session with dr Copeland - the whole ‘I hide my true feelings from others’ moment - yet another moment of Buck recognising something about himself. I think this is the most key scene in Bucks yellow ochre wearing - more on that in a bit.
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4x03 Bucks yellow ochre t-shirt - a t-shirt that matches the shade of the jumper from above, and a moment when Buck confesses to Maddie that he’s in therapy - about being sad and lonely and wanting to be ‘finer’ 
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4x04 - the yellow knit sweater from 3x06 is back (yes it is the same sweater) and this is when Buck has his entire life upended and he finds out about Daniel (kicking us into Buck begins)
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4x11 - Buck talks to Maddie and Josh about Sue’s hit and run, then talks to Taylor about Sue. This one is a much brighter yellow than the ochres we’ve seen up to now, but I’m including it because I think its relevant to Bucks arc here (also because it connects into the next time we see Buck wearing yellow - the will scene) the concept of being hit with information that leads to Bucks growth and the nature of most hit and runs not being solved, the perpetrator never being caught and therefore not getting closure on something (this is super relevant I promise!)
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Then we have 4x14 and two yellow ochre tops - the first is the sweater, this one is trending more towards orange brown, but its still in the ochre wheelhouse! this oe is all about communication - mostly at Buck - Taylor telling him how stupid he was for climbing the crane, receiving a phonemail from Ana to tell him Eddie is awake, facilitating communication between Eddie and Chris and then Buck communication himself - thinking it would’ve been better if he had been shot. Directly communicating to the audience (as much as Eddie) the inner monologue of Bucks own opinion of the point of his existence.
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Then we get the beloved will scene and Buck wearing a yellow ochre shirt, still lighter than the other yellow ochre we’d seen up to this point, with the exception of the previous one which is brighter still. again this is mostly about people communicating at Buck rather than him being the communicator - much like with the previous Jumper. It somewhat plays into the concept of Buck being a passive part of his life rather than actively living it - Kinda hard to explain at this point without the context of the costumes from s5&6. I also want to point out Taylor is in that dark green again here - in the scene when Buck opens the door to the Diaz house.
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5x03 gives us Buck in that same shade of yellow ochre (bear in mind we haven’t seen him in any other colour between the will reveal and this scene (beyond uniform!) and here we have Buck pushing Eddie and communicating without actually giving much of himself away - yes he uses himself as an example, but he doesn’t actually open up about himself all that much (this is important - its not the time for that and it provides space for Buck to continue his internal monologue about his self worth) after this he goes home to his loft and we get him communication to a Taylor who isn’t actually present in the space - a symbolic scene that shows that he gets just as much from her absence as her presence (a play on the idea that Buck can communicate better with her when she isn’t actually present compared with when she is - its a juxtaposition of the scene from earlier when they were in bed together and she didn’t listen to anything he was saying, or his wants/needs)
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5x04 a scene at the Buckley-Han apartment where Buck isn’t communicating with Chim - Chim is very much communication with Buck about his despair over Maddie leaving - Buck obviously knows where Maddie is at this point, but he diocesan’t take the opportunity to communicate effectively with Chim. so This is yet another example of Buck failing to communicate, while some one around him is clearly communicating and this scene has the addition of secrecy thrown into the mix.
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Then we have 5x14 - this one is a bit less obvious - its the yellow ochre and black plaid jacket - its an outlier in that its not solid yellow ochre, but it is again a scene where we get communication - this time BUck is actually the one to do some communicating, but like pretty much always, we don’t get him pushing too much and we see him continuing to deflect from making things about himself - he’s desperate to talk about the shooting and its impact on him, but Eddie resists and Buck backs off. the check here is a nice addition because it shows the concept of cross purposes, but also there is less yellow than in other outfits - the black seems to be ‘devouring’ the yellow - almost like a play on the idea that this was Bucks one big chance to communicate, but he doesn’t take it.
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That is the last time we see Buck wearing yellow ochre until the end of season 6 - 6x15 and his date with Natalia to be precise! we’re back to that same shade of yellow ochre and once again we have Buck communicating - but its very much playing into what Natalia what to hear. I don’t doubt that BUck wants to talk about his death and resurrection, but we don’t actually see the conversation beyond the superficial overtures Buck makes. This plays into the suggestion that its about him trying to impress Natalia rather than actually about what Buck needs or wants to say. Its once again Buck communicating without actually communicating. something Eddie picks up on in the later graveyard scene and tries to provide the space for him to open up - which Buck doesn’t take.
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The theme continues with the the next Buck/Natalia date in 6x17 - yellow ochre once again, this time an open shirt - again its that same shade, and we see a continuation of the Buck communicate via deflection technique he employs - this scene, like his previous date with Natalia, is more about her and the writers showing us her hang ups/ insecurities than it is about Bucks - beyond showing us that they aren’t actually all that compatible - its kind of framed in the same way as his previous relationships (especially Taylor) - Buck playing into what he thinks someone wants him to be rather than being who he actually is. 
This concept is something we see in pretty much all of the previous scenes where Buck is wearing Yellow ochre, this desire to be what people need him to be rather than who he actually is. there are a couple of exceptions - the first time we see Buck in yellow ochre is probably the only instance where we see Buck being somewhat honest with himself - there is an element of him playing the role he needs to to win back Eddies friendship, but I think its coming from a genuine place and is born out of a real desire to be better - he really did learn his lesson. The fact that the next time we see the yellow ochre used is in his therapy session scene where he literally states that he hides his true feelings from others is a big giant yellow ochre flag waving around telling us that when we see Buck in yellow ochre he will be playing into that idea - and that’s then how it transpires in every subsequent scene where he is in yellow ochre.
Which brings me to this new still
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no one can tell me there isn’t an air of conflict about that scene - the dark cool tone of the image suggests a coolness to the room - that idea of the cold shoulder or the temperature dropping when there is conflict between two people. their body language is also adding to that vibe - Chris turned in on himself, not sat with Buck, the space between them.
Whatever this scene transpires being about, based on what we've seen with Buck wearing yellow ochre, we can assume its going to continue to play into this idea of Buck not being fully truthful with people and fitting into the role he thinks people want him to pay rather than being true to himself.
I do want to add to this theory by looking at Christophers shirt as well. The grey/ yellow combination is a bit reminiscent of Breaking point (the episode that really is the gift that keeps on giving) becasue we get Chris in grey and Eddie in tan - that is yellowish toned whilst not actually being yellow
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There isn't a good screenshot of them together, but the placing of Chris and Buck in the new one has echoes of Eddie and Chris in that scene (one that is interestingly enough playing into the idea of changing family dynamics, but also the moment before and the one that happens afterwards at Bucks loft, directly placing Buck into a parental role (as an aside the idea of Buck being a miracle worker plays into the theme of Eddie looking for magic, just saying!))
Anyone want to play a game of whose shirt does this look like??!!!
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Oh you do! well what if I leave these two pictures just here...
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yes, yes that is a Chris sized version of that shirt - you know the one Buck was wearing when he and Taylor talked about complicated family dynamics and about telling 'other peoples stories because I hate telling my own' you know that scene about playing a part and not being yourself around people you're supposedly close to! Yes That scene - or how about the scene which happens to be the last time we saw Buck in Chris's bedroom, where Buck talks to Eddie about complicated family dynamics, about needing to have the right outfit on for the occasion, the scene where they talk about retirement, oil and Buck is playing with a dinosaur! yeah see where I'm going with this! Chris wearing a grey shirt that similar to Bucks is Paralleling those scenes - so playing into the idea of history or of thing being outdated and needing to change, of dressing for the occasion (an allegory for playing a role - to fit in to whatever environment you're in rather than being your true self) and most importantly of complicated family dynamics - suggesting that there may have been some change in the dyamics - perhaps this will play into the will (also colour paralleling the will scene as Buck is in yellow ochre and the breaking point scene with Eddie in a yellowish colour and Chris in grey) and perhaps Chris discovering Buck would be his guardian in the event Eddie isn't around. I mean we'll have to wait and see for the actual context, but I will eat my hat if the season 7 scene isn't playing into Buckley-Diaz family dynamics in some way!
Back to this still
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I keep flip flopping on if its Buck or Bobby, but right now the lack of grey hair is making me lean towards it being Buck.
This is a still of the back of Bucks head from his coma dream for comparison (blurry as hell as he's not in focus but it looks enought like the same shape of hairline and of Olivers ear for me to feel like its more Buck than Bobby!
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I think the shirt is what is throwing me off though because its just so not a typical Buck shirt (excepting coma dream Bucks!).
I've gone back through my notes and I just can't find any examples of Buck wearing this kind of patterning or shirt before, the closest we get is that hideous shirt he is wearing at the hospital after Kameron has given birth
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The only thing I can do is scream into the void about check theory because check does't bode well for people - they always end up in the middle of the drama (see my check theory posts linked on my pinned post for more) and while they come out the other side (99% of the time) Buck in check for that scene in 6x18 pretty much doomed his relationship with Natalia (its specific to her and not C&K's baby as Buck wasn't wearing it when he delivered it!) and as that shirt in the still is very un Buck like, has not only yellow ochre in it, but also its a white base (and we all know buck in white is a bad sign!!) and its check patterned - my theory is that this scene is connected to Natalia in some way - either Buck is not being true to him self in more than one way - that things are going to/have come to a head for their relationship (my kingdom for a reverse of Buck to Eddie about Ana in 5x03!!!) and lead to a pretty big change in some way (fingers crossed for Buck to end it and then finally break down and deal with his trauma!!!)
Some other things about that shirt - I've brightened it up in the picture below - the colour combination - the green blue and yellow ochre are giving me call backs to coma Buck (another reason I think it might be connected to Bucks unresolved trauma around his death and Eddies absense in his dream)
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Then there is the burgundy stripe in combination with Eddies hand placement and the fact Eddie is wearing a denim shirt - its very Tsunami call back (even the white plays into this as well as Buck was in white when he saved Chris) -
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I'm quite probably clowning hard at this point, but the fact we've got Eddie in denim again (not something he wears all that often) in a scene where he puts his hand on Bucks shoulder in that way and with his Christopher watch so very prominent - we'll I might be feeling a certain way about it.
It would make sense to play into that story arc - after all - the opening of season 7 is very much centred around a big water based disaster - its got to bring up a few things for the two of them. If it is related, Eddies Denim being darker at this point would be a nice play on things - the idea that there is more deepness - more depth to his relationship with Buck than there was in early season 3 (it even calls back to flash back Eddie in 3x16 - he is wearing dark denim when him and Shannon fight and Chris wakes up)
Ok thats enough rambling from me! Hopefully i have made a tiny bit of sense! of to go back to screaming in the void now!!
tagging a few people who might be interested! @extasiswings @copyninjabuckley @oneawkwardcookie @spotsandsocks @mandzuking17 @xxfiction-is-my-realityxx @theladyyavilee @mistmarauder
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flythesail · 9 months
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Okay what if—
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It all has to be connected somehow, right?
The black door/sin eater
The ghost
Nace
With the black door, 4x10 established a few things: The sin eater is reincarnated and Nancy has past lives too. Going off this, the assumption is Nancy is the other half of the sin eater.
With the ghost, we know she died. Obviously. We are meant to think there was fire involved since there is a body that's burned at the morgue. We also have heard lines from her such as: hair wrapping around my mouth, the sky was gone, I was so cold.
Hearing those lines, I don't think the body is hers. It's not a coincidence that she arrived at the same time as the burned body either. More on this later.
With nace, whatever happened the night of 4x08 impacted their feelings. Here's my thought: Nancy was not even at the scene of the event. This explains the small window of time. Instead, Ace calls her panicked. Nancy agrees to go to the door. She'd do anything for him, including using the black door. She does it because she loves him. Because her love is why she does it, the black door alters their love. This is why they've felt ooc since.
Back to what we do know about the event:
Ace and Thom go fishing
Their captain canceled
The EMT who brought the burned body to the morgue is out of town on vacation
His partner was out sick then
How do these things connect? Windows place the flash Nancy saw of her sin with Thom and Ace on the boat. See here:
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The assumption then, is this is where the body was burned. So who is that in the flames? Let's say it's their captain.
Their captain is innocent in this. But where does the fire come from?
Ace brings the pickled curse onto the boat. Something could have gone wrong with that. Yet, the curse is linked to hearing the dead. Initially, it would seem that's how Ace is able to communicate with the ghost. Yet Nancy was able to as well.
What else did we learn in 4x11? Callie of the families for truth and history knows plenty about the supernatural. She's the sin eater's minder. Two things to note:
"Her family was tasked with protecting every generation of sin eater. Erasing history since 1805."
"If you ever try to break the sin eater's legacy the way the Glasses did tonight, I'll come for you without mercy."
Now, who sent someone to watch Bess throughout 4x08?
Callie.
With this, the pickled curse becomes significant not because of what it is - but for who was in the background of this whole ordeal.
Callie was having a guy watch Bess. At the historical society with the brothers, all the way to the claw. This means Callie is never more than a step away from anything supernatural going on in this town.
If she's the sin eater's minder, does she know there is another half to the sin eater? I would think she does as her family has been doing this since its creation.
So, Nancy is the other half of the sin eater. Is someone watching over her too?
From what we know so far, no one is. What if there is a reason?
The founders didn't want there to be a balance to the sin eater. All they cared about was erasing their sins.
Yet there's always going to be two halves. Like with the dolls used for curse breaking in 4x03. Or this in 4x11, a conversation between Nick and Ted:
"I was looking for the afikomen. It's the hidden piece of matzo.... Broken in two at the beginning of the night, put back together at the end."
What if the founders broke the sin eater from its half? They killed her. She drowned.
Who else might have drowned?
The ghost.
It's exactly the sort of death she is describing. Hair wrapping around her mouth, the sky gone as she can't tell water from sky. The water is cold.
The ghost is much much older than she seems.
After killing her, the founders turned her into the masthead now at the yacht club. This way, they could call to the sin eater whenever they needed while keeping her from fulfilling her purpose.
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Although she was killed, her soul has still reincarnated. But whoever holds her soul, has not known their purpose for a very long time. It's not like with the sin eater, where Tristan has no choice to transform into it and eat the sins.
Truth is a choice. She is the angel of truth.
So if the angel of truth hasn't been around for generations, what brings her back? Nancy and the angel of truth come face to face that night at the yacht club.
This awakens her because Nancy is the current holder of her soul. Only, she doesn't remember much. She remembers her death. She remembers drowning.
But her spirit is free.
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The way the ghost is dressed in white even reminds of me of an angel. An angel is the opposite of the sin eater. A representation of truth in opposition to lies.
How does the ghost find her way to Ace? Well, Ace was at the yacht club with Nancy when she woke up.
Who is Nancy very connected to? Ace.
Who did Nancy get her soul from? The angel of truth, aka the ghost.
So the ghost is drawn to Ace. She's just woken up after over a century too, so she's going to respond to this pull. She's not drawn to Nancy because she and Nancy are the same. This isn't the case with Nancy and Ace.
Just like two halves of matzo, or like the sin eater and the angel, Ace and Nancy make a whole.
Ace goes off on his fishing trip with Thom, with the ghost following. Callie knows something is wrong. Her family has been watching the sin eater for as long as its existed. She's alerted, like how Hannah knew Temperance was back in Horseshoe Bay at the end of 2x18. Or like how they can track the sin eater with the roundel.
Rememeber: "If you ever try to break the sin eater's legacy the way the Glasses did tonight, I'll come for you without mercy."
So Callie says no way am I letting the angel of truth return and heads out to solve this problem. Her actions set their boat on fire.
This is where the burned body comes from. It's their captain.
Ace and Thom are able to get away. In the chaos during the confrontation with Callie, however, the ghost's presence is revealed and more is explained.
Ace learns who the ghost is, realizes what this suggests about Nancy with the timing, and realizes he needs to make a phone call.
Ace calls Nancy in an exteme panic, telling her to go to the black door and confess what they did earlier that night: breaking into the yacht club. It's the only way to ensure Callie doesn't go after Nancy next.
Nancy doesn't question him because she trusts him and she loves him.
She goes right to the black door and confesses what needs to be confessed.
This puts everything back in place:
Ace and Thom believe their boat captain canceled. (No one is around to prove otherwise. The EMT is on vacation and believes the same.)
Ace believes he had a nice fishing trip with Thom and shares this with Nancy.
The ghost is once again struggling to remember who she is. But she's still drawn to Ace, in the way Nancy is.
Only, something is wrong now.
Nancy went to the black door not because of her sin, but because she loves Ace.
It doesn't matter that the confession was only about breaking into the yacht club. The black door alters their love.
While Ace remembers a nice fishing trip, Nancy and Ace forget the love they have for each other. What they're left with is some semblance of a relationship. They're exes, it was complicated, they didn't communicate well. In summary, it didn't end well.
So Nancy and Ace are forced apart, and drift closer to someone new.
Nancy becomes closer to Tristan. She's the angel of truth in this lifetime, so she is feeling that two hundred year connection.
Ace becomes closer to the ghost. She is the first reincarnation of Nancy's soul, so he is feeling that connection the black door altered but is still impossible to destroy.
Where do we go from here? Now that Nancy and Ace know their memories are altered, they're going to solve this mystery. Nancy had already seen a flash of the fire and of the truth her confession erased.
They will get their memories back, feel their love for each other again, share a moment of the most intense eye contact you've ever seen, and be left with a Big Problem.
They've figured out who the ghost is. They know who Nancy is.
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In knowing who she is and the purpose she serves, Nancy is in danger again because of Callie.
So their options are this: she risks her life to save the town from what the founders set in motion or she forgets all over again.
Nancy is going to make the choice to risk her life. To save her town and her friends and every person she loves. That is who Nancy is and has been all her life, even before she knew who she is.
Of course, she succeeds and Tristan will play a role in this too - being the other half to this. Lies and truth, evil and good, dark and light. Might I add: the finale is called the Light Between Lives? Lives is significant in a season with reincarnation.
When balance is restored to Horseshoe Bay, Nancy and Tristan's roles will no longer be needed. The black door is gone and Callie is exposed for who she is. They can live normal lives. Tristan can live a healthy, long life.
Nancy and Ace are still cursed though, so Nancy can't live the life she wants. (Yet.)
With balance restored, truth will prevail. The truth is that Nancy and Ace love each other. Nancy and Ace's love is stronger than this curse Temperance created. That's how they break it. Nancy Drew has always been about love.
Two halves are put back together, and Nancy and Ace get to live their lives as a whole.
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imminent-danger-came · 9 months
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I was rewatching s2 last night, and ohhh man mk looks over mei so much it's not even funny. times mei has been ignored:
maybe you need to really listen! (during the blindfold ep)
mk just? grabs stuff she's using out of her hands all the time? (video game ep)
maybe you shouldn't skip the tutorials? (video game ep again)
the way he addresses her in dumpling destruction and then immediately pushes her aside for tang
i honestly remember it lowkey kinda bothering me on first watch but now it's REALLY egregious on rewatch. are you scared? I'm so scared. do you WANT to end up like shadowpeach MK
2x03 is so rude because the whole fucking episode they're like "MK you don't listen" and it's so true. He doesn't. Pigsy literally points it out again at the end of 4x14 with the whole sun screen bit:
Pigsy: "Tch, don't bother, I've been telling him that for years but he LITERALLY never listens." Sun Wukong: "Yep! That's how we role."
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THEY'RE SO FUCKING RUDE. "That's how we role." We. We????? Wukong and MK???? Like WHATEVER. FINE. (("I told you going against the Jade Emperor was a bad idea, but no. Wukong doesn't listen to ANYONE! He just does whatever he wants" Like shut up. Shut up!))
MK gets so stuck in his own head ("You're all stuck up in your own head! None of this is your fault!" +1 to the MK ignoring Mei counter from 4x08) and I think that really contributes to his s2 scramble to get more powerful.
LIKE:
MK: "Stop? Now? Never! I just have to try harder. It's just like the Monkey King said! *laughs manically* I just need to get stronger!"
(2x06 Game On)
VS
MK: "Why didn't he just stop, right here? He was already so much stronger than anyone ever needed to be!" Macaque: "Wukong didn't think so, he always felt he had to be stronger—more immortal."
(4x11 A Lifetime of Mistakes)
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(Bonus thing between eps 2x03 and 2x06, look at 0:42 in this video for MK hearing Mei but not listening to her. Because of course that's what he would do. *head in my hands .png*)
The terrible s2 choices both Wukong and MK make in relation to their friends is just absolutely delicious after 4x11. Like, OH. This has been a lifelong pattern of Wukong's—paranoia is one of his fatal flaws (paired with his terrible communication and self-sacrificial nature), and while he had the power to stop LBD before he still feel's the need to go after the Samadhi Fire to stop her now, and to protect MK.
Hold on look at this parallel that I don't know what to do with:
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MK: "Ugh, I can't do it!"
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Mei: "It's alright MK—you did it before, you'll do it again!" Sandy: "Yeah! Maybe it's like Monkey King said: the power will come when you need it most!"
(3x04 The Winning Side)
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MK: "What! But you said the Samadhi fire was the only thing that could stop her!" Sun Wukong: "I KNOW WHAT I SAID! But I've beaten her before I'll- I'll do it again! Mei was right—I need to stop dragging you into my fights, all of you."
(3x10 The Samadhi Fire)
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Wukong and MK's reach for power inspires a lot of fear in me! It does! Because, well, MK's current reach for power is going to lead him to his Monkey Form, and uh:
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Like I'm scared. I'm scared!
"All doomed to play a role in tearing this world apart!" ; "This is Azure's utopia, and this barren wasteland is the price he paid to build it." ; "I'd do anything for my friends! But at the cost of the world?" "I'm sorry pal, ain't NOTHIN' worth that price!"
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#I've said it once and I'll say it again: 2x06 is one of the MOST retroactively mean episodes#Game motif. The callback that 4x10 does. Whatever the fuck is going on with the MK and SWK parallels in that ep#I hate lmk's exchange theme I hate it. Like FUCK#Anyways#asks#wlw-wukong#lmk#lego monkie kid#lmk MK#lmk SWK#lmk Sun Wukong#lmk analysis#lmk theme: exchange#fuckasdfoqweg#Sandy saying ''Helping my friends is more important than anything in the world!'' in 2x08 vs#''I get it! I'd do anything to help my friends! But at the cost of the world?'' in 4x13 is SICK. SICK IT'S SICK#Sometimes it's like. Hmmm. ''If you aren't doing everything in your power to help your friends you are nothing!''#''I'd watch my sword shatter 1000 times so long as I used it to protect the ones I care about''#I'm telling you Mei would choose MK over the world. I'M TELLING YOU#MK'S ALREADY CHOSEN MEI OVER THE WORLD (thank you 3x10) AND PIGSY/TANG/SANDY OVER THE WORLD (4x02)#MK really went: ''Oh releasing this curse could end the world? Well I'll risk it for my friends!'' and I went ''ohhhh nooooooooo''#WE ARE IN SOME DEEP SHIT IN S5#And Wukong? Lol of course he's choosing the people he cares about over the world. No surprise there.#He's like ''yeah I'll go fight the jade emperor to finally be strong enough''. If eamk theory proves true he like#Chose MK over the world initially#And he was totalllyyy willing to sacrifice LBD's child host to protect his friends (MK)/the world#I'm. AUGHGHG.#''It's what he would do if he had to. That's the hard part of being a hero!'' OKAY BUT MEI WOULD YOU DO THAT SO EASILY IF IT WERE MK#ME THINKS NO#ME THINKS YOU WOULD NOT
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goodwhump-temp · 11 months
Text
Trip Tucker Whump | Star Trek Enterprise
o7
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SEASON 1 1x01-1x02 Broken Bow Pt. 1 & 2 - Hits the ceiling, bug jumpscare, knocked down, aggravated 1x04 Strange New World - Bug jumpscare, panic, hallucinating, aggravated, paranoid, infected, standoff, freaking out, stunned unconscious, 1x05 Unexpected - Coughing, high, overstimulated/confused, pregnant!, paranoid, stressed, crying 1x07 The Andorian Incident - Held hostage, held at fazerpoint, punched, very bruised 1x08 Breaking the Ice - Guilt 1x12 Silent Enemy - Sad, exhausted 1x13 Dear Doctor - Crying (watching a movie) 1x15 Shadows of P'Jem - Tackled, chokehold, kidnapped, restrained 1x16 Shuttlepod One - Stranded, denial/aggrevated, freezing, drunk, unconscious 1x17 Fusion - Talks about childhood/regret 1x19 Acquisition - Whipped multiple times, pain, wrestling 1x20 Oasis - Outnumbered/led into a trap 1x22 Vox Sola - Dragged, captured, restrained, panic, squeezed, pain, weak, slowly passing out, unconscious 1x24 Desert Crossing - Knocked down multiple times, bruised ribs, exhausted, collapses, delerious, heat exhaustion, respectfully threatened, weak, heat stroke, exhausted, coughing, knocked down 1x25 Two Days and Two Nights - Led into a trap, thrown to the ground, robbed, stunned unconscious, hangover, restrained 1x26 Shockwave - Shuttle caught in explosion, visible head trauma, unconscious, concussion, angry
SEASON 2 2x01 Shockwave Pt. 2 - Held at fazerpoint 2x04 Dead Stop - Reprimanded, thinks friend is dead 2x08 The Communicator - Forcefully knocked down, wind knocked out of him, arm MIA 2x09 Singularity - Unconscious, infected, obsessive, increasingly agitated 2x10 Vanishing Point - Guilt 2x11 Precious Cargo - Knocked unconscious, hit, crash landing, stranded, scratched, aggravated, thrown against a rock, suffocated 2x12 The Catwalk - Exposed to radiation 2x13 Dawn - Shuttle attacked, crash landing, stranded with an enemy, bruised, multiple altercations, knocked down multiple times, shot unconscious, restrained, kicked multiple times, sliced, bleeding, tackled, choked, blinded, punched multiple times, very bruised face, exhausted 2x14 Stigma - Rizzed up the Docs wife, guilt, uncomfy 2x16 Future Tense - Knocked down, unconscious 2x17 Canamar - Presumed dead, captured, bruised, electrocuted, annoyed, shot unconscious 2x18 The Crossing - Possessed multiple times, body held hostage, headbutted, bleeding, choking on CO2, weak, passes out 2x21 The Breach - Hanging, scrapes/bruises from the slide 2x22 Cogenitor - Reprimanded, insane guilt 2x25 Bounty - Shot unconscious 2x26 The Expanse - Sister dies, all the stages grief
SEASON THREE 3x01 The Xindi - Nightmare 3x02 Anomaly - Insomnia, burned wrist, pain 3x04 Rajiin - Tired, hit on the head, bleeding 3x07 The Shipment - Panic from bomb timer 3x08 Twilight - Dies 3x10 Similitude - Dies, caught in explosion, head trauma, comatose, cloned (o7), emotional goodbyes 3x13 Proving Ground - Talks about Sister 3x14 Strategem - Falls to the ground 3x15 Harbinger - Knocked unconscious, emotional pain 3x16 Doctors Orders - An angry hallucination 3x17 Hatchery - Part of a mutiny, "nerve damage," pushed, 3x18 Azati Prime - Worried x2, chaos in the engine room 3x19 Damage - Forced on, choked, shocked/knocked down 3x20 The Forgotten - Exhausted, nightmare, guilt, angry, grieving, meltdown/cries 3x21 E Squared - Worried, shot unconscious 3x22 The Council - Pulled a muscle 3x24 Zero Hour - Decaying, friend dies, in shock
SEASON FOUR 4x01 Storm Front Pt. 1 - Shot unconscious, captured, 4x02 Storm Front Pt. 2 - POW, badly bruised, weak, body slammed, duplicated: stunned unconscious, restrained 4x03 Home - Heartbroken 4x06 The Augments - Still heartbroken 4x10 Daedalus - Nervous 4x11 Observer Effect - Virus, coughing fit, collapse, pain, manhandled, exhausted, sedated, possessed, weak, dying, shallow breathing, dies 4x12 Babel One - Thrown, stranded 4x13 United - Thrown multiple times, exposed to large amounts of radiation, passes out, weak, jumps out of ship 4x14 The Aenar - Talks about near death experience, worried, guilt, heartbroken 4x15 Affliction - Transferring, daydreaming 4x16 Divergence - Insanely dangerous external ship transfer during warp 4x17 Bound - Agitated, punched multiple times, bruised 4x18 In a Mirror, Darkly Pt. 1 - Alternate reality; radiated scarred face, agitated, imprisoned, interrogated, electrocuted multiple times, mind melded 4x19 In a Mirror, Darkly Pt. 2 - Intimidated 4x20 Demons - Troubled, captured 4x21 Terra Prime - Betrayed, kicked multiple times, thrown, imprisoned, shot, weak, unconscious, protected, sling, sobbing 4x22 These Are The Voyages - Sacrifices himself, explosion, serious burns, difficulty breathing, fucking dies
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staliamazing · 5 months
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Mickey's Coming Out (4x11) / Lover You Should've Come Over, Jeff Buckley 
I've always felt this song, particularly these couple verses to be quite queer-coded! I'm pretty sure this song is about cheating but, in these moments, we hear the singer talk about the sacrifices he would make for his lover and lament over what he believes to be the never-ending nature of their love. This sentiment can be echoed by the queer community, especially when considering instances in which people with homophobic/transphobic families have chosen to come out and jeopardize their past relationships to live as their truest self. 
So! How does it relate to Ian and Mickey, you may ask? Here's some examples below based specifically on Mickey's coming out scene in Season 4 episode 11, 'Emily'. You can listen to the song here. 
My kingdom for a kiss upon her shoulder 
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Mickey’s kingdom is his family. Seemingly dozens of Milkovich brothers and cousins and uncles can be seen at Terry’s homecoming party, all sharing a similarly violent and thuggish attitude to the patriarch himself. It was from these people that Mickey learnt his volatility and who bred his affinity for violence, making his declaration even more polarizing.  
"I'm fucking gay."  
Despite speaking with the patois of his family, by publicly sharing his sexuality Mickey essentially emancipates himself from the Milkovich’s. Based on his facial expression as he watches Ian begin to walk out of the door of the Alibi, he finds himself at a crossroads and faces losing Ian, or his family. In choosing to express his love for a man he forfeits his kingdom and the possibility of ever pleasing his father, something that despite not being verbally admitted to is undoubtedly a goal all Terry’s kids reach for, if not just to stop the abuse.  
The notion that the singer gives up their kingdom for a mere kiss, not even upon his lover’s lips but merely on her shoulder, provides us with an understanding of the devotion which they feel towards her. To give up so much for seemingly so little. This allows us to harness Mickey’s point of view for a moment; not only does he essentially give up his place in his family to stop Ian walking out the door and out of his life, but he burns it to the ground, all guns a-blazing. Milkovich-style, no matter what Terry will think of him after this. Ian is worth it to him.  
The use of 'kingdom' is an important lexical connotation here also as it could also refer to the kingdom of God aka Heaven in the Christian and Catholic religions, meaning that when individuals choose to come out they are abandoning his Kingdom to live freely and comfortably in their sexuality. Of course, I do not believe that homosexuality or queerness in any of its forms is a sin, I only add this as a footnote to further highlight the undertones of the song and add cultural meaning. 
All my riches for her smiles 
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Whilst echoing the sentiment of the previous line about sacrifice for love, I’d like to touch an alternative perspective, being that the subject of the song represents Mickey’s wife Svetlana and his father Terry, as opposed to Ian. Over the duration of season four, Mickey grapples with gaining a wife and child, neither of which he consented to and having to develop a family life under these circumstances where at every turn he is denied his freedom and selfhood. In this case, his personal wellbeing (his ‘riches) are sacrificed to play house with Svetlana and keep his father happy. Based on the events of 3x06, the viewers are aware of Terry’s extreme, violent disdain for Mickey’s homosexuality and fear the possibility pf this cropping up again as much as Mickey and Ian themselves. Thus, from a storyline point of view, at the emotional climax of the pair’s storyline this season, it only makes sense that this elephant in the room finally blows its trunk. Besides Ian's ultimatum which leads to Mickey's coming out at one of many emotional cruxes of the episode, his unwillingness to continue living a manufactured life was undoubtedly a factor also. 
It's never over 
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This scene is one of many in which the pair spend their screen-time blood-soaked. As previously mentioned, it was with almost sheer certainty that Mickey understood the physical ramifications that his announcement would have. Any booze filled Milkovich event is bound to have a tousle or two, so add a freshly freed Terry and an announcement of his very own son being gay? Bound to be a bloodbath. While the final iteration of "it's never over" remains the same lyrically, Buckley belts the line out. Metaphorically, Mickey does the same. By antagonizing his father while bent over a police car, (read: "Guess what we been doin', daddy? We've been fuckin'!) he acknowledges that yes, his father will always be a terrible man who will never accept him. Concomitantly, he comes to the realization that his phase of hiding is over, which gives him the gusto he needs to be so bold in the face of Terry after all this violence. 
All my blood for the sweetness of her laughter 
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When Mickey makes Ian laugh, his eyes light up in a way that is not often seen in the show. For once, it seems, part of his shell has broken, and he is freer than we have seen him thus far in the show. To be able to sit there in such sorry circumstances and accept the physical affection he would usually meet with sharp rejection must certainly dull his pain and help him come to terms with the ways in which his life has been permanently altered.  
♡♡♡
@gallavichmeta I really hope you see this and have a read! I worked hard on writing this and stringing my ideas on the parallels between the song and the scene together :,)) Just a bit of fun to think about how seemingly seperate things can actually have common themes!
And a thank you to @iansw0rld for giving this a read-over and giving me a lil confidence boost too :) <3
Yes, Mickey would die for Ian. But here, he says: I will live for you.
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booklove22 · 9 months
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Some more thoughts…
Ghost girl was wearing a white chemise when she appeared to Ace…which feels very old-timey. Like, that is NOT a modern dress. So my feeling is that though her corpse was just found, it isn’t new. But maybe appeared “along the coast” (per Connor) supernaturally somehow. My theory is that she is an earlier incarnation of Nancy.
Her scarier version appears on fire, but also wet? And possibly even frozen? Its hard to tell from the flashes, but maybe part of why she doesn’t know who she is is because she is multiple people- multiple prior incarnations of Nancy who died in different ways throughout time.
It will be interesting to see if Nancy could communicate with this ghost too. Honestly I could see that happening in 4x11 when she appears at the Claw and Ace being jealous over it but if she is an earlier version(s) of Nancy, it would make sense that she could communicate with Ace (her soulmate) and Nancy (her current reincarnation).
I do think this will ultimately play out as a Nashua and Ghost were soulmates - and the lovers vigil originated with them- and their most recent incarnations are Nancy and Ace.
I also feel like this could be the first time their souls didn’t align. Like if reincarnations of Ace and Nancy have always been the sin eater and leftover good energy, why did it end up in Tristan this time?
India died in 1998. Nancy was born in 2000 and Ace was a senior when she was a sophomore. That means both Ace and Tristan would have been in-utero around the time India died. What if the sin eaters soul was supposed to reincarnate in Ace, but didn’t. It has to be someone “in horseshoe bay” but what if Ace’s parents weren’t in HSB when India died and the soul had to go somewhere else - and ended up in Tristan. 4x11 being a Hardy-centric episode has a lot of potential with this idea in mind. Are we about to find out they spent some time outside of HSB in 1998 while Rebecca was pregnant?? They’ve been teasing the Seder all season. Something is going to be discovered, I know it.
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princeescaluswords · 10 months
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Your thoughts on a headcanon that won't leave my head. So we know once Melissa got over the initial shock It was actually very well accustomed to the supernatural world. And we also know that the matriarch for the Calvera family is known to be a hard ass and the unofficial Hunter police. Yet she was very forgiven towards Scott all things considered. My head cannon is that Melissa's maiden name is Calvera. And that Scott unknowingly met his grandmother on his trip to Mexico. I feel this changes nothing about the story because of the narrative choices they took in Cannon. But, it does open the door towards the family dynamics and why Scott doesn't know anyone outside of his immediate family of mom and dad. What happened? Did something happen? Does he have any aunt's, uncle's, or cousins out there?
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The name is actually "Calavera," which is Spanish for the representation of a human skull or skeleton.
I'm not being pedantic. Teen Wolf put a great deal of emphasis on the power of names: the repeated story of how the myth of silver bullets killing werewolves comes from the Argent family surname; the repeated myth of 'curing' a werewolf by calling out its Christian name; how truly powerful supernatural entities can be noted because they shed their names (Deucalion and The Surgeon for example); etc.
Jennifer lampshaded it for us in The Overlooked (3x10): "I think I read somewhere that people always pick aliases that are subconsciously derivative of their original name. It's a way of not completely letting go of your identity, since your name is so tied to your sense of self."
Let me be clear: I'm not saying that you shouldn't have this head canon; I don't think it's harmful. I just don't feel it narratively or thematically fits with the story. I've entertained other head canons like this, and while they're fun, they don't fit either.
Melissa and Scott weren't inherently special, and that was crucially important to the entire thrust of the series. They didn't come from wealth; they didn't know about the supernatural; they didn't have a powerful family secret. They could have been any family in any community. This, of course, is underlined by Kate Argent's demand in A Promise to the Dead (4x11): "What the hell's so special about Scott McCall?"
What set Melissa and Scott apart were the choices they made. Scott's choices are the actual primary focus of the series, and we see Melissa also make decisions out of duty and love. But these choices didn't come from an enlightened perspective. They weren't able to make them because they were already better than everyone else. They could have made the wrong choices easily (like Rafael did). The fact that they were placed in that position yet not specially prepared to be so is crucially important to the impact to the story, because it serves to contrast the behavior of others who are special. If Melissa was secretly aware of the supernatural, it diminishes the value of her influence on Scott.
Now, as an aside, am I frustrated that we don't have any information on the McCall and Delgado families? Absolutely. Do I think the production was racist because we know all about the Hales, the Martins, the Argents, and the Stilinskis (all white families) and very little about Scott's (or Boyd's or Mason's)? I do very much. It also hurt the production -- the whole "Roxie and the leash" metaphor was a wasted bit of storytelling because it came far too late and never given any deeper context. (All they had to do is have Melissa say something at the end of Ouroboros (4x08) such as "why do you still have Roxie's leash?" to start.) As much as the Paige Kraiskeva and Elias Stilinski bits were, in my opinion, uneconomical storytelling, they still had more resonance than Roxie or the missing wedding ring because the context for these bits had been quite thoroughly established.
But I do appreciate that the McCalls and the Delgados were mundane families. Melissa could have been a talented nurse in any hospital anywhere. Rafael wasn't a unique Monster Dad, just another neglectful loser like thousands and thousands of families experience every day. This highlights the idea that Scott McCall became a True Alpha out of strength of character -- a possibility that exists in every human being -- and not because of destiny or privilege. Their identity is one of the Everyman, and that is shared by Scott's broken family by choice. They don't need a last name that marks them out as special, which is why I can't go along with your head canon.
And, of course, I do have to point out that we do have a maiden name for Melissa Delgado, as she explained in Galvanized (3x15).
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gifsbyharley · 1 year
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by clicking the source link, you’ll be redirected to #87 medium gifs [ 268x170 ] of singer/actress, 𝐣𝐨𝐚𝐧𝐧𝐚 "𝐣𝐨𝐣𝐨" 𝐥𝐞𝐯𝐞𝐬𝐪𝐮𝐞, in episodes 4x08, 4x11, & 4x16 of all american. all gifs were made from scratch by me, so please DO NOT redistribute or claim as your own, edit in any way, turn them into gif icons, or use them in other gif hunts! please like/reblog if you found these useful in any way!
these gifs are mainly to help those struggling in the celeb rpc, but feel free to use them however you wish. all i ask is for you to NOT use them to portray minors, use them in taboo rps, incest rps, to fetishize the LGBTQ+ community, to race bend, etc. this is a repost of a gif pack from my other rph blog. commissions/free requests are currently closed, but if you enjoy my work, feel free to leave me a tip!
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metalheadmickey · 1 year
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it's tag game tuesday wednesday THURSDAY. fandom edition, baby! thank you to our beloved @celestialmickey for kicking it off and for tagging me, and also to @energievie & @tanktopgallavich !! 💛💛
your name: jessie
your age: 33
your first fandom(s): i usually say supernatural, but fuck it, i think it was spartacus. i may have engaged with it in a very different way, but i was hyperfixated as hell. i went to my first and only fan conventions. by myself! i never want to go to fan conventions! so yeah. spartacus.
your current fandom(s): shameless, and to a lesser degree these days, supernatural
how did you first get into fandom? hyperfixated on a show, stumbled upon the fandom side of tumblr, did not make a tumblr but lurked a little bit, decided fic was cringey and that i didn't like reading it (it was a v small fandom with not a lot of quality content), hyperfixated on another show and decided to try reading fic again, had my entire world rocked to its core, made a blog, been around ever since.
how long have you been engaging with fandom spaces? like nine years?
how often do you read fanfics? i'd say every day, usually when i'm in bed.
top 3 characters from your current fandom(s): mickey milkovich, dean winchester, castiel.
have you ever written a fic for a fandom? if so, shout it out! i sure have!
have you ever drawn fanart for a fandom? if so, drop a link! nope!
share a personal headcanon that you feel very strongly about: mickey was thinking about yevgeny when he and ian had the parenthood conversation in 11x12.
you’re trying to convince a friend to get into your current fandom(s) with you. what episode, clip, or scene are you showing them? okay so i actually did this with one of my closest irl friends and she got...possibly more into supernatural than i am, and she reads destiel fic, and has had intense gallavich fic phases as well. and it was actually super easy lol. she just has the same kind of brain that i have, and i just had to tell her to watch the shows because i knew they'd fuck her up the same way they fucked me up. she saw my reaction after november 5th 2020 and wanted to know everything, so i told her everything, and she started watching spn the next day. i watched shameless a couple months later and lost my entire mind, and all i had to do was tell her that she NEEDED to watch it, and she started watching it right away. i think if i had to show her a specific scene though, it probably would've been mickey coming out in 4x11. iconic, legendary. she would've eaten that up even with no context. also special shoutout to this friend, because she's the person who taught me to not be embarrassed about being interested in fic, or fandom in general. i always thought she was so brave for being open about her hyperfixations in her everyday life, like for real lol. i still struggle with it, but i've gotten more open about it because of her.
and finally, what does fandom mean to you? a community of some of my best friends, and the place where i learned that i can actually be a creative person. i'm doing all kinds of fulfilling things with my life because of this space 🥹
tagging @howlinchickhowl @whatwouldmickeydo @gardenerian @gallawitchxx @heymrspatel @whatthebodygraspsnot @you-are-so-much-better-than-that @iansfreckles @squidyyy23 @auds-and-evens @mishervellous @7x10mickey @lalazeewrites and anyone else who wants to play 🖤🖤🖤
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All Eyes Lead to the Truth | El Mundo Gira (4x11)
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The flame from the lantern danced around the wooden ceiling of the shack while the neighbors gathered around to hear the story of his encounter with El Chupacabra. 
The children eagerly whispered amongst each other as they sat cross-legged on the ground, anticipation momentarily distracting them from their empty stomachs. It seemed that their parents were doing too good of a job assuaging the children’s fears, for if they turned around and looked at the worried faces of the adults lining the perimeter of the room, they might realize the danger lurking outside.
Juan would have to take care of that himself. With a resigned sigh, he stood up on a small apple crate they were using as a makeshift podium, and the room fell silent as all eyes looked towards him.
“God said the Devil would come to man under the guise of a cloven-footed beast. There have been tales of goats standing on hind legs so they could look man in the eye.” Juan took a shaky breath before asking, “But what was it we found in the field lying dead next to Maria?”
“A goat,” someone whispered.
He nodded severely, repeating, “A goat.”
His voice felt loud in the confined space, and he felt perspiration at his brow from the heat of all the bodies warming the room. He wasn’t used to having this much attention on him. In fact, this might have been the first time someone cared what he had to say in years. It felt good to have his community hanging off of his every word, so he pushed down his discomfort and continued his story. “Those who have claimed God was speaking of a goat were fools lucky enough to have never known true evil. They are just servants, there to do Evil’s bidding.”
“The only reason Maria was on the hilltop was because she was following a goat,” his elderly neighbor added, supported by several hushed affirmations.
“Exactly, because that’s what El Chupacabra wanted, and then he killed them both,” he responded.
At the simple mention of El Chupacabra, the shack erupted in a cacophony of worry, as if merely saying the name might summon the beast. 
“He’s going to kill us too.”
“What if he comes back?”
It was easy to get lost in the sea of panic, and Juan knew he had to get their attention again before he was drowned out. More forcefully than before, he shouted, “That’s why we screamed and prayed when la migra brought him to us.”
His plan worked, and the crowd settled down, shushing each other. “We could hear him talking to la policía from our cells. Eladio spoke with man’s tongue to spread the lies of the Devil, but we weren’t fooled, we could hear the truth beneath his deceit.”
“What did he say?” 
“He said he stood atop that hill waiting for Maria. That he lured that poor girl so he could devour her soul,” he exaggerated. His chest felt heavy when Maria’s cousin wailed, but his skin was thrumming like an electrical current under the rapt attention of his audience and he couldn’t stop. “Maria kissed the Devil’s friend and he ripped her lips off her very mouth.”
“Why didn’t la policiá put a stop to this madness?” Flakita cried.
“They tried, but Eladio outsmarted them,” he sighed, rubbing his beard thoughtfully. “When we were being transported, they tried to put him on the bus with us, but we cried out! No, la migra! El Chupacabara!  He will kill us! Please, won’t you spare us?”
He paused interruptions and took the time to come up with what to say next. “Looking at Eladio was like looking at a wolf wearing sheep’s clothing that didn’t quite fit right. He was hunched over as if he was in pain. His skin was pale and sweaty like the exertion of pretending to be human was too much for his body to maintain anymore.”
“How did he get off the bus?” a young boy asked. A vein in Juan’s temple pulsed in frustration as the kid rushed his story. 
“After we begged and pleaded for la migra to keep him away from us, they let him sit in the passenger seat. We all were afraid to breathe, we didn’t want to do anything that might draw Eladio’s attention to us. All we could do was sit there and listen to Eladio whimpering and begging to go to the hospital.”
“Why the hospital?” a voice called out.
“Probably because it would be filled with weak prey for him to feast on,” another replied.
Ignoring them, Juan continued, “Eventually the driver couldn’t take it anymore, and he turned on the radio. That’s when things went bad.”
He rubbed the back of his head and stared at the floor, letting the tension build as he formulated the climax of his story. Truth be told, it smelled like someone farted, then the driver started coughing and crashed the car. There wasn’t much room to see into the bed of the truck, so he was really going to have to fill in some blanks.
“It’s okay, Juan.”
“Take your time, buddy.”
“Remember how much Maria loved Selena?” he asked softly. The whole room nodded. “As soon as la migra turned on the radio, Bidi Bidi Bom Bom started playing and Eladio lost it. A foul odor seeped through the truck and the driver started choking and gasping for air while Eladio screamed.”
He took a shaky breath and covered his face with his hands for dramatic effect while anxious whispers filled the room. “The next thing we knew, the truck stopped and the driver was dead. We knew the federales were following behind us, and we only had a few moments to escape. We were able to break free from the truck and we ran without looking back!”
“Did El Chupacabra follow you?”
“No,” Juan shook his head, “But heed my warning. He is out there, and he isn’t done yet.”
Read the rest of All Eyes Lead to the Truth on Archive of Our Own!
@gaycrouton
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Hiiii I have a community question I wanted to ask!!
Abed mentions all sorts of movies and tv shows through out Community, but I just wanted to know if maybe you have like a list of which ones are real and which ones he seemed to like more than others.
I can only think of the dark knight because of the dvd Annie broke, and the Star Wars movies (except he apparently hates the prequels) and cougar town!
great question! sorry for the delay on a response.
so, he mentions/references an insane number of movies and tv shows throughout the series, and I unfortunately do not have a list of every single one. although, I am (VERY slowly) working on an in-depth episode-by-episode analysis of the entire series, and listing every pop culture reference is a subsection in that. but that's not helpful right now. moving on
I don't have the picture, but there's this questionnaire abed filled out (outside of the show, it must have been uploaded to a website as promotional material for the show). he says his favorite movie is a tie between:
ghostbusters (1984, comedy/horror)
an american werewolf in london (1981, horror)
back to the future (1985, sci-fi/comedy)
blade runner (1982, sci-fi/action)
stand by me (1986, adventure/comedy)
stripes (1981, comedy/war)
star wars (1977, sci-fi/fantasy, also called "a new hope")
star wars: the empire strikes back (1980, sci-fi/fantasy)
star wars: the return of the jedi (1983, sci-fi/fantasy)
ferris bueller's day off (1986, comedy/drama)
jaws (1975, thriller/adventure)
raising arizona (1987, comedy/crime)
jurassic park (1993, adventure/sci-fi)
seven (1995, crime/mystery)
the matrix (1999, action/sci-fi)
the goonies (1985, adventure/comedy)
the breakfast club (1985, comedy/romance)
real genius (1985, comedy/sci-fi)
better off dead (1985, comedy/romance)
the fog of war (2003, documentary/war)
pulp fiction (1994, crime/thriller)
(btw if anyone knows what I’m talking about and has the screenshot please rb with it! I cannot for the life of me find it lmao)
I believe this is a list he apparently made in 2009, either in the first few weeks of school or right before the school year started. so it's possible he would answer differently as the series progressed. also, I do take some of these extra-canon things with a grain of salt, as on the same form he said his favorite place on campus was study room D or something, when obviously they definitely meant to write study room F. so, the credibility of my source for this information isn't exactly rock-solid. although, he does mention a lot of these movies on screen, and expresses love for many of them (the most notable ones probably being star wars episodes IV-VI, the breakfast club, and pulp fiction)
as you can see from the list, abed particularly loves american movies from the 80's. just a trend I thought I’d point out.
here's a few others he mentions loving, or just pretty notably references:
the dark night (2008, action/crime, as you mentioned)
rudolph the red-nosed reindeer (1964, musical/animated, is the whole basis of 2x11 abed's uncontrollable christmas)
the shawshank redemption (1994, horror/crime, is the basis for his plot with troy, annie, and shirley in 4x05 cooperative escapism in familial relations)
freaky friday (I believe it's the original one from 1976 specifically, but it's been remade a bunch. comedy/fantasy. it's the basis of abed and troy's story in 4x11 basic human anatomy)
rambo/first blood (series starting in 1982, action/thriller. abed talks about how messy the progressive series titles are in 3x14 pillows and blankets)
ocean's eleven (2001, crime/thriller, the basis for the heist scene from 3x21 the first chang dynasty)
hearts of darkness (1991, documentary/war, abed mentions it while pointedly filming dean pelton's production of his greendale commercial rather than helping with the commercial itself. similarly, hearts of darkness filmed the making of apocalypse now)
apocalypse now (1979, war/action, see the above explanation)
die hard (series starting in 1988, action/thriller, abed mentions wanting to do a die hard homage for christmas multiple times throughout season 4)
good will hunting (1997, thriller/romance, troy and abed's story in 1x24 english as a second language is filled with references to this movie. abed is doing homages on purpose, troy is not)
my dinner with andre (1981, comedy/drama, abed does a very elaborate homage at jeff's accidental expense in 2x19 critical film studies)
indiana jones (raiders of the lost ark, temple of doom, and the last cruscade only. he mentions loving the first three indiana jones movies in 1x04 social psychology)
aliens (1986, action/adventure/sci-fi, he and troy dress up as an alien and ripley in 2x06 epidemiology) (side note, I believe they're specifically referencing aliens, which is a sequel to alien. could be wrong though)
blade (1998, horror/action, they watch it over the course of 3x15 origins of vampire mythology after troy and abed assert multiple times that it is an amazing movie)
I think he generally talks about movies more than he talks about tv shows, but he does mention quite a few of them. some notable mentions are:
friends (1994, sitcom, mentions at least twice)
m*a*s*h (1972, sitcom, mentions in passing in 1x05 advanced criminal law, and references throughout 1x13 investigative journalism)
the cape (2011, action, mentions throughout 4x13 advanced introduction to finality)
who's the boss (1984, sitcom, is the premise of his whole storyline in 2x20 competitive wine tasting)
LOST (2004, sci-fi, mentions at least twice)
obviously there are a LOT more, but I just tried to list some of the most important ones, plot-wise and for understanding of his character. hopefully I’ll be able to get back to everyone with a super long list of every tv show and movie he ever mentions lmao, but that'll take a while. (there are lists online that say they list every movie and tv show abed has ever mentioned, but ngl I don't 100% trust those, so I’ll make my own lmao. but I put the link to one of them if you're curious. here's another one too)
at this point anyone who has seen community knows there are some really really big ones that I haven’t mentioned yet. pieces of media that are INTEGRAL to abed as a character. I was saving them for last lmfao. they are:
kickpuncher
inspector spacetime
cougar town
if I had to pick a holy trinity of media for abed, it would be these three things. these are EASILY the things he talks about the most, which is interesting, as both the kickpuncher movie franchise and the inspector spacetime series are completely fictional, and only exist in the community universe. (this is probably so they can show abed actually watching some of the shows/movies he talks about, without the obvious copyright issues that come with playing clips from an already existing movie/tv show on your screen. they kind of do that with blade in 3x15, but they only play vague fighting sounds, and never show their tv on our screen. anyway. not relevant.) to answer one of your questions from the ask, I believe those two are the ONLY fictional pieces of media abed talks about. as far as I know, everything else he mentions is real, including cougar town.
kickpuncher is obviously reminiscent of sci-fi/action films from the 80's, like robocop. like I said earlier, taking their place so that they could have a more substantial role in abed's on-screen life without any copywrite worries. it's a whole franchise, so there are multiple movies: kickpuncher, kickpuncher 2: codename: punchkicker, kickpuncher 3: the final kickening, kickpuncher: detroit, kickpuncher: miami (?), and kicksplasher (?). kicksplasher is apparently shown as a poster on abed's wall, and I’m assuming it's from the same franchise, although that could be wrong. the point is there's a very elaborate universe for kickpuncher, and it's a big part of abed's, and later troy's, film taste. the first time they mention it is in 1x15 romantic expressionism, when abed, troy, shirley, pierce, and chang all get together in abed's dorm room to make fun of stupid movies together. it's funny that it was introduced as a stupid movie to watch ironically, then troy and abed both end up genuinely loving it lmao. classic
inspector spacetime is obviously reminiscent of doctor who. they're both british sci-fi series that have been running for decades. doctor who uses a police box to travel the multiverse, while doctor who uses a telephone box. doctor who has malicious daleks who chant "exterminate," while inspector spacetime has blorgons who shout "eradicate." the concepts of the shows are obviously the same, with the actor for the doctor changing every season, etc etc. they're essentially the same exact show, but, like I said before, changed slightly so they can world-build without getting copywrited. there is something a little bit silly about this, though. it's definitely a continuity error and it's up to everyone whether they want to accept it as canon or not, I guess, but there's an episode where abed is actually wearing a doctor who t-shirt. (it also references bill and ted, but the doctor who part is what's relevant.) here's some pictures:
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awesome shirt tbh, but it is a little bit funny that is essentially makes it true that doctor who and inspector spacetime both exist in the community universe. and, these pictures are from the cold open of 4x11 basic human anatomy, which is way after inspector spacetime is introduced to the show (3x01 biology 101). so, is inspector spacetime just a rip-off of doctor who? is abed a fan of both shows? if he is, clearly he likes inspector spacetime better. anyway. I would guess that this wasn't intentional. but that is definitely a tardis on that shirt. maybe it's just a classic season 4 continuity mistake. oh well. I guess that's just how the cookie crumbles. anyway.
cougar town time! yes, it's a real show. I didn't think it was but it is. what's not real is cougarton abbey, the short-lived british remake that britta gets abed into in 3x01 biology 101. but yeah. it has 6 seasons and is streaming on hulu, if you're interested. I’ve heard it's not good but who knows for sure. something cool about cougar town is that abed is actually in an episode. let me be clear: not danny pudi. ABED. it's similar to the story abed tells about being invited to the cougar town set and shitting his pants while having an existential crisis about the layers of reality. here is a youtube clip of the scene. I found out about it while stalking danny pudi's wikipedia page months ago, you know, a typical sunday afternoon activity, and I saw a cougar town credit on there. I didn't even know it was a real show at that point so you can imagine my surprise lmao. anyway. idk if you knew that already but it's one of my favorite community easter eggs. so funny.
okay! I hope this is enough information to suit your needs, and I am once again opening the floor to anyone who wants to add anything 💯 this was fun, thanks for the ask, and stay fresh everyone ✌️
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***MAJOR spoilers for 4x11 below***
literally how many days has it been since ace ended things with nancy in 4x03? like at most it has been like 10 days. what does he even mean she's the first thing to make him happy since nancy?? it's been literal days!!! also HOW much are you even talking to this ghost that she makes you happy?? she can barely communicate!!!!!
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ramblingdisaster73 · 1 year
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I wonder if Nancy staring at TK in horror in 4x11 promo is because something bad gonna happen to TK (wait a minute…he has bad luck with kids and those were kids shooting arrows….) or it’s just her staring at something behind TK 🤔
Anyway no matter what we knows he’s fine in 412 so..😂
They do an incredible job with teasing in their promos – this was another example of that.
I do not think anything happens to TK, but I do think that we have been conditioned to be concerned when we see a child with anything that could be a potential weapon & TK in the vicinity.
Kid trying to protect his grandparents has a gun = TK gets shot
Kid decides to go skating on the pond falls in = TK gets hypothermia & goes into cardiac arrest
Kid has a bow & arrow & TK is at the same location = easy to think that he will end up in another hospital bed/coma.
I think she is probably looking at something behind him or is just trying to make sense of why there wasn’t blood from the wound.
In the promo for 4x10 – they made it look like Nancy was totally panicking after the explosion – but in the episode it looked more like Tommy was calling out instructions like she does on any call – TK had just already sprung into action, so we didn’t see Tommy assign him.
I feel like the promo for 4x11 is a similar situation.
One of my favorite things about this cast is how much they actually use their faces – how expressive they all are, how well they can sell almost any emotion. The ad people definitely use that to their advantage in the promos (sometimes I just wish they communicated with the editing people so that they didn’t include a bunch of stuff that hit the cutting room floor) to keep us guessing and wanting to be tuned into the next episode.
If I am wrong and Kid with bow & arrow = TK in the hospital again, I won’t be too surprised, they do like to hurt him. But, also like you said, he is clearly fine in 4x12, so what is one more scar? One more child related injury for the man that only a few episodes said that he wants to be a dad. (Now I am trying to imagine what levels of child proofing their home Carlos would have to do.)
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johnny-and-dora · 1 year
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sunnydaleherald · 3 months
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The Sunnydale Herald Newsletter, Wednesday, January 10
GILES: “It’s the end of the world.” BUFFY/WILLOW/XANDER: “Again?” GILES: “It’s ah, the earthquake, - that symbol, - yes.” BUFFY: “I told you. I-I said end of the world and you’re like ‘poo-poo southern California, poo-poo!” GILES: “I’m so very sorry. My contrition completely dwarfs the impending apocalypse.”
~~BtVS 4x11 “Doomed”~~
[Drabbles & Short Fiction]
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All Alone (Buffy, PG) by badly_knitted
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finds me unafraid (Xander, multiple xovers, T) by arcanedreamer
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come if you call (Giles/teen!reader, unrated) by specialagentlokitty
mini fic for btvs 1x04 Teacher's Pet (Giles, unrated, worksafe) by caricature-of-fic
[Chaptered Fiction]
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Buffy's Pack, Chapter 15/? (Buffy/Xander, E) by red_jacobson
Under the Water, Chapter 23/30 (Willow/Oz, M) by dwinchester
A Reincarnation in Sunnydale, Chapter 28/? (Buffy/Angel, M) by DracoRim98
[Italian language] Sunnydale Serenade, Chapter 7/? (Buffy/Spike, T) by TheRealJeanGenie
In Case You Haven't Noticed... - Chapter 2/? (Buffy/Giles, E) by Sdhuskerfan
The Scoobies, Chapter 9/? (Ensemble, T) by heckate
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the family you need, part 1 | part 2 | part 3 | part 4 | part 5 | part 6 (Giles/teen!reader, unrated) by specialagentlokitty
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[French language] Une dernière nuit, Chapter 3 (Buffy/Spike, M) by Zenzi
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What If Love Was Enough?, Chapter 8 (Buffy/Spike, NC-17) by Spikelover4ever
Pack My Box with Five Dozen Liquor Jugs, Chapter 10 (Buffy/Spike, NC-17) by honeygirl51885
Destiny or Choices Made?, Chapter 41 (Buffy/Spike, PG-13) by charmed4lifekaren
A Waxy Gent Chuckled Over My Fab Jazzy Quips, Chapter 10 (Buffy/Spike, PG-13) by violettathepiratequeen
Agency Has It's Price, Chapter 12 (Buffy/Spike, R) by Desicat
Love Lives Here, Chapter 6 (Buffy/Spike, NC-17) by Passion4Spike
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The Prodigal Boyfriend, Chapter 5 (Buffy/Spike, 18+) by myrabeth
A Breath is But a Soundless Whisper, Chapter 13 (Buffy/Spike, 18+) by Blackoberst
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Pack My Box with Five Dozen Liquor Jugs, Chapter 10 (Buffy/Spike, NC-17) by honeygirl51885
A Waxy Gent Chuckled Over My Fab Jazzy Quips, Chapter 10 (Buffy/Spike, PG-13) by violettathepiratequeen
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Stomping on butterflies, Chapters 3-4 (Buffy/Spike, T) by Blackoberst
[Images, Audio & Video]
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Artwork: i’m under their spell ;_; (Willow/Tara, worksafe) by limaisstilldrawing
Fanvid: I love women especially her (Jenny Calendar, worksafe) by https-luna-x
Gifset: [I never figured I'd be around this long or have this much] (Charles Gunn, worksafe) by starryeyesxx
Artwork: Cordelia tells it like it is and I love her wholeheartedly (worksafe) by jilliankayeart
Meme: BTVS + text posts ??? (ensemble, worksafe) by pzyii
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SuSuSunnydale, here's to the fools who love, Chapter 7 (Buffy/Spike, PG) by loveisntbrains
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SuSuSunnydale, here's to the fools who love, Chapter 7 (Buffy/Spike, PG) by loveisntbrains
[Reviews & Recaps]
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Day 9: Favorite Season 2 Episode. by k0nstantly-tragic
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PODCAST: HELLMOUTH HOMOS: Enemies by Fear Queers
PODCAST: Episode 46: Consequences by Gym Was Cancelled
[Recs & In Search Of]
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ISO: Can someone recommend a good Christmas fan fic? continued by ILLYRIAN
[Community Announcements]
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Beta Reader for Hire!!! by Nicholas_Oliver
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STORY PROMPT: Yes, It’s Doomed by myrabeth
[Fandom Discussions]
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I genuinely have always found wesley to be one of the most annoying buffyverse characters by balls-posts
Wesley’s arc is not a glow up, it is a tragedy! by irate-iguana
Spike is the most emo(tionally) tortured character ever to be written. by am-i-the-one
something about Warren and his nerd gang being funny losers until they actually become dangerous for real by bokkerijder
the fact that in Once More, with Feeling Spike is the one to remind Buffy what it is to live. someone who died so long ago by bokkerijder
Tara’s corset/combo in Once More, With Feeling is honestly iconic by bokkerijder
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Spike in Season 5 is weak continued by NoShip
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Spike in season 8 if the show had continued what direction they would take him started by MCyves
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Original Willow/Tara Script to Conversations With Dead People- Thoughts? by Only1MarkM
Is it possible for a slayer to ever be evil? by Tsole96
Let's Talk About Joyce by ShadowdogProd
Has anyone here watched BTVS dubbed? Any language by Premislaus
Thoughts on accents on the show? by Blueberrybuttons
[Articles, Interviews, and Other News]
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PUBLICATION: The 100 best TV shows of all time you have to watch [BtVS ranked #6] by TimeOut.com
PUBLICATION: Amber Benson Discusses Slayers: A Buffyverse Story in the January Edition of SFX Magazine by AmberBenson.tv
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