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#comeback show : thursday's child
yeonjune · 2 years
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tyunning starting rumours (transl.)
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tomorrowxtogether · 2 years
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04/05/22 [TOMORROW X TOGETHER COMEBACK SHOW : Thursday's Child] 투모로우바이투게더 컴백쇼 : T...
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beomgyus · 2 years
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YEONJUN / TXT COMEBACK SHOW ‘ THURSDAYS’ CHILD ’ BEHIND
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drunk-dazed · 2 years
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(220509 | "thursday's child" comeback show) taehyun ✜ good boy gone bad
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tteokdoroki · 9 days
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aalibokki what are your favorite txt tracks?!
HAIII MIRA MIRA!! thank u for asking omg… a can of worms has been opened. i had this whole ask answered and then tumblr deleted it but i shall go again!! in no particular order
can’t you see me - dream chapter eternity:
literally saved 2020, one of the best comebacks of that year and the music video is amazing considering it was during covid. i love the whispering in it, the Melodies, i think it was txt’s first EMO/bad boy concept and they had something to prove a kpop industry TO SAVE !!
way home - minisode blue hour:
another 2020 banger, she’s so underrated but she sounds like glitter and pixels and magic i love her, she makes me feel so in love with everything <3
ghosting - minisode blue hour:
my favourite song ever she’s so gentle with it the boys sound amazing. she’s a song for coming of age or falling in love :( it’s like listening to fairies singing a lullaby
magic island - dream chapter magic:
comfort song gives me the motivation to keep going, i listen to her whenever i need a hug or a good cry
our summer - dream chapter star:
txt had just debuted and they needed to show 4th gen how it’s DONE ‼️ definitely a summer road trip song, the orchestral version is equally as incredibly, it makes me wanna hang out with my friends and reminds me of picnics with sunsets idk
0X1=LOVE SONG - chaos chapter freeze:
hello hello? the song that solidified my love for txt and as my ult group (sorry bts) this song is so 3rd gen kpop coded, so angsty but so beautiful i think i cried the first time i listened and then learned the lyrics right after. would give anything to hear her for the first time again
9 and three quarters ( runaway ) - dream chapter magic:
came out during my first year of uni ever and i rmr running home after class to watch the music video, she’s so perfect and i love her plus the choreo is amazing
honourable mentions: frost, thursday’s child has far to go, opening sequence, trust fund baby, ito, free falling, everlasting, deep down, magic shine, popping star, 20cm, i’ll see you there tomorrow, deja vu, quarter life, devil by the window, farewell never land, the killa, no rules, new rules
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halfseoulco · 1 year
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The Name Chapter: TEMPTATION — TOMORROW X TOGETHER: A review
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Published Monday, February 13th, 2023 — The story of Peter Pan has been a beloved children’s fairy tale for many years and has been told and retold in a plethora of ways—but never quite like this.
Introduction
Big Hit Music, formerly known as Big Hit Entertainment, under HYBE Labels (or HYBE Corporation) has a well-established reputation for storytelling through music. There are entire universes contained in the very fabric of their songs, birthing entire books and Webtoon series (see: BTS’s 花樣年華 The NOTES and 7FATES: CHAKHO; TXT’s THE STAR SEEKERS; and ENHYPEN’s DARK MOON: THE BLOOD ALTAR). Elements of these stories are presented through the artists’ music videos and, when watched in a certain order, help the viewer connect the dots and understand what the music and concepts are trying to convey. Because KPOP is an industry that relies heavily on concepts, continuous storylines are not necessarily common, although some groups may try to tell a story within the frame of one music video or a series of music videos released for a particular album. However, Big Hit Music has, much like with their older labelmates, BTS, given TXT a rich and immersive universe that flows from album to album, spanning the eras in a way that especially showcases the group’s growth and maturity into young men.
A Brief History of TXT’s Discography
When TOMORROW X TOGETHER debuted as a group on March 4th, 2019, the members were still young boys—as the oldest, Yeonjun was still months short of twenty; and Hueningkai, the youngest, was sixteen. They began their journey with a fresh and youthful concept highlighted by bright colors and graphics, debuting with “어느 날 머리에서 뿔이 자랐다 (CROWN)” and “Blue Orangeade”, which presented a strong first impression and helped lay the foundation for their spots as leaders of fourth generation KPOP. Now, coming up on the fourth anniversary of their debut date, they have covered a variety of themes along the vein of growing up—the blissful ignorance of youth, isolation from peers, love and heartbreak—and this latest comeback presents the darker, more seductive side of leaving adolescence behind.
The Name Chapter: TEMPTATION ties back to a similar naming convention for their previous series of albums, the first of which includes their debut release The Dream Chapter: STAR (2019), The Dream Chapter: MAGIC (2019), and The Dream Chapter: ETERNITY (2020); and the second of which includes The Chaos Chapter: FREEZE (2021) and The Chaos Chapter: FIGHT OR ESCAPE (2021). minisode 2: Thursday’s Child (2022)—part of another series that also includes minisode1 : Blue Hour (2020)—laid the groundwork for a seamless transition from the sadness and heartbreak explored in The Chaos Chapter series to whatever the next release would have in store. The title track of Thursday’s Child, “Good Boy Gone Bad”, demonstrated how heartbreak can turn into the kind of anger that changes a person for the worst—into someone who they or those around them can no longer recognize—and 2023 brought to light the next sequence of events for our five Lost Boys.
Teasing The Name Chapter: TEMPTATION
With a title like The Name Chapter: TEMPTATION, there is little room to misunderstand what is about to happen next. Currently at age 23 (Yeonjun), 22 (Soobin), 21 (Beomgyu), 21 (Taehyun), and 20 (Hueningkai), TXT is entering the period of young adulthood, where there are plenty of complex emotions, interesting sensations, and new experiences to be had. In the concept trailer released for TEMPTATION prior to the EP’s drop, the visual imagery immediately reminded fans of Peter Pan, showing the five boys moving through a window into a new world. There is a narrator who makes references to Wendy, Peter, and learning how to fly; and the language used made the concept quite clear and easily established expectations for the direction of the quintet’s next release while also showcasing the group’s dancing. The concept trailer was then followed by a preview of the EP’s tracks, which further reinforced the storyline previously presented. I didn’t need to hear the songs in their full capacity to know that this was a darker, more sensual take on the classic Peter Pan tale—which I will delve into deeper later in this review.
“Sugar Rush Ride” MV
Heading the group’s promotions is the title track “Sugar Rush Ride”. Preceded by two teasers (one | two), the music video takes some of the more traditional elements of Peter Pan’s Neverland and twists them into a Garden of Eden-like setting, enhanced by psychedelic effects meant to mimic ecstasy or euphoria, or the sensations of leaving one’s body. The video begins with the five members waking up on a beach before moving onto different locations, including an open field, an enchanting yet slightly sinister forest, a gorgeous waterfall, a cave full of butterflies, and an opulent setting dressed up by a tree with multicolored foliage. They return to the beach at the end, ready to leave this magical world.
On its own, the visuals tell the story quite well: five boys arrive in Neverland, where they stay and play for a while, seduced by the fantasy it offers. Loss of innocence is an archetype typically associated with growing up; and the temptations of Neverland are too great for them to resist. Furthermore, as many fans took notice, it is the most scantily dressed that Big Hit has allowed them to be since their debut, especially for Hueningkai, who as the youngest has a history of being covered up as much as possible when the older members have been in more revealing attire. All visual aspects of this concept point to a clear maturity that hasn’t really been tapped into prior to TEMPTATION—and the members lean into it quite well.
An Analysis of The Name Chapter: TEMPTATION
The EP, consisting of five songs, flows like a story all on its own and for optimal enjoyment should be listened to in its designated order. The reason why I say that no one has really told the story of Peter Pan like this before reveals itself as soon as the first few notes of the record play—because no one has ever stopped to consider that maybe Peter Pan isn’t the hero—maybe he’s the villain.
TEMPTATION opens with “Devil by the Window”, an English track that refers to Peter Pan as not only the “devil by the window” but also “a wolf in sheep clothes”. In the most popular retelling of the story, Disney’s version, Wendy tells her younger brothers stories about Peter Pan’s adventures and heroic deeds; and getting to fly to Neverland with him is viewed as an amazing opportunity. However, “Devil by the Window” describes Peter Pan as a sinister figure in the night waiting to lure TXT away to Neverland, which is less of a paradise for children and more like an awful ride you can’t get off of. The brunt of the message is contained in the chorus: “I met the devil by the window, traded my life/Temptation touched my tongue, spread the wings of desire/He’s whispering, ‘Give up, don’t you put up a fight’/Said the devil by the window, ‘Dream on, dream on, good night”. In fact, the language of the song paints an image of Peter Pan that is quite similar to the serpent in the Garden of Eden.
The soundscape of “Devil by the Window” creates a richly seductive palette that weaves it way throughout the rest of the record. When paired with the gritty bassline and the breathiness with which the members infused their voices, the lyrics help set the scene for our Korean Lost Boys to make their journey to Neverland. The most interesting part is the end, which is rather abrupt after a tempo change that feels like floating right before a sudden drop, which might be interpreted as an indication that the flight from home to Neverland has ended.
TXT chose to perform “Devil by the Window” alongside “Sugar Rush Ride” during their promotional circuit; and the choreography helps further the storytelling aspect of TEMPTATION in a way that would leave the story slightly lacking if it were to have gone without.
There are certain expectations for title tracks in the KPOP industry and most groups choose to perform their most so-called “fun” or general public-friendly songs. “Sugar Rush Ride” is, in some ways, “Devil by the Window” repackaged as a title track with elements of pop music sprinkled on top to disguise the utter debauchery that it really is—and I really don’t mean that in a negative way. Sonically, the structure of the verses are more pop leaning, while the chorus falls back into a soundscape more similar to its predecessor. It incorporates the same kind of breathy singing, as well as some beautiful falsettos adorned throughout that add a beautiful layer of vocal color to the song. The sighs that punctuate the chorus really add to the seduction that they established in “Devil by the Window” and I am truly so obsessed with the hidden vocals, which create some amazing contrast between them and the members’ voices.
Lyrically, “Sugar Rush Ride” describes an experience of heightened sensation— hence the sugar rush, which feels like a euphemism for substance use, supported by Hueningkai’s lines “You’re so addictive/내 혈관은 (translated: my veins) full of sweets”—although sugar is also used as another name for desire. Now that TXT are in Neverland, Peter Pan is trying to convince them to stay, enticing them with whatever he is giving them to produce the sugar rush. They’re still aware that he can’t be trusted; Taehyun’s lines in the refrain, “꿈에 데려가는/침대맡에 liar”, translate to “the liar at [my] bedside who takes me into [the] dream”*, indicating that they know what he’s trying to do but they’re buying into it anyway. They also continue to refer to him as the devil; and during the post-chorus, which moves at a faster pace established in the second iteration of the chorus, there’s an acknowledgement: “You’re a bad liar/What are you doing to me (what did you do to me), sugar?”* Again, much like the story of the Garden of Eden, having previously not known desire, the Lost Boys are finding that they can’t get enough of it and the sensation is overwhelming.
The Kulture Study by Form of Therapy, my favorite KPOP reaction channel, pointed out in their review of the song that after the sugar rush comes a crash, something that I agree with. Exactly when that crash will come and what shape it will take is still yet to be seen at this point in the album—which brings us to the next track.
“Happy Fools” sits right smack dab in the middle of the EP, a brighter, more carefree song that describes wanting to stay in a state of blissful ignorance in spite of what it would mean for them if they did. Coi Leray’s verse adds a fresh-faced playfulness and an additional layer of “not a care in the world” vibes; and the members settle into their short-lived period of contentment before being forced to face the reality of their situation. You shouldn’t let the sound of the song deceive you; the title and the lyrics make it very clear that they know that they’re on borrowed time.
Tinnitus is a condition in which one may experience a ringing or buzzing noise in one or both ears, whether constantly or intermittently. With that in mind, “돌멩이가 되고 싶어 (Tinnitus (Wanna be a rock))” doesn’t carry the kind of unpleasant quality you might expect based on the title; rather, it is a soft, sensual track that takes influence from Latin beats. It’s definitely a tie with “Farewell, Neverland” for my favorite song on the EP, its dreamy instrumentals and vocal colors making it not so much a dance track as it is a song that gets your body moving. It’s short and sweet but describes both a longing for one to be more than they are and an admission that things didn’t happen the way they wanted them to. The lyrics do mention tinnitus both explicitly and implicitly, sometimes as a “deafening empty sound” or a “daze”—and more than the underlying layer of self-deprecation, it carries a more deeply rooted disillusionment. In other words, the enchantment of Neverland has been broken.
Following that train of thought, TEMPTATION ends with “Farewell, Neverland”. The Korean title is “네버랜드를 떠나며”, which translates more closely to “Leaving Neverland”*. Matching up with the title, the song contains plenty of imagery that ties it to the Peter Pan story, including the lines and words used such as “Boys don’t grow up”, “endless flying”, and “my Peter Pan”. If “Devil by the Window” and “Sugar Rush Ride” are more about Peter Pan himself, “Farewell, Neverland” is, obviously, more about Neverland. They call it a “paradise full of lies” and say that it is “no home”, indicating that whatever they came to Neverland searching for, they didn’t find it; and whatever temptation was presented, it ultimately wasn’t enough to make them stay. However, our Lost Boys speak of Neverland more fondly than they spoke of Peter Pan at the beginning of the EP, calling it “my love”. Paired with the acoustic guitar and Latin-influenced instrumentals similar to “Tinnitus”, it certainly does seem like a rather romantic goodbye, if not a little bittersweet.
Conclusion
The Name Chapter: TEMPTATION is, as TXT’s work always is, a solid album. It presents a new side of the five young men that ties in with them growing up. The KPOP industry is often unkind to older groups, placing more favor with groups that maintain a youthful image; and while TXT are by no means old, their decision to fully delve into the processing of maturing into adulthood so explicitly in their music while also embracing sensuality that very carefully toes the line of propriety is to be respected and commended. As I mentioned previously, the EP tells a story and I would not recommend listening to the songs out of order. Interestingly, it splits quite evenly, with “Devil by the Window” and “Sugar Rush Ride” forming a pair and “돌멩이가 되고 싶어 (Tinnitus)” and “ 네버랜드를 떠나며 (Farewell, Neverland)” forming another with “Happy Fools” bridging the gap between them. Now, having gotten a taste of what an older, more grown up TXT is capable of, I can’t wait to see what they show us next.
Genius Lab USA Rating: We go up like the moon, [...] get it poppin’ like balloons. We gon party every day living like some happy fools doing what we wanna do.
The Name Chapter: TEMPTATION Track List:
Devil by the Window
Sugar Rush Ride
Happy Fools (feat. Coi Leray)
돌멩이가 되고 싶어 (Tinnitus (Wanna be a rock))
네버랜드를 떠나며 (Farewell, Neverland)
*These are my translations.
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snwusberry · 5 months
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Okay you've ranked TXT's eras but can you rate their albums? LIKE solely based on the songs.
i got you bestie.
i'll go in chronological order from debut until now since i've literally been here from the beginning. i will be excluding singles and japanese comebacks.
i know you didn't ask but i'll also include the best song from each in my opinion and music taste.
let's just get into it.
THE DREAM CHAPTER: STAR
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• 8/10
• the songs are good, the vibes are there AND they showed variety from the very get go. what more can we really ask for?
• best song: blue orengeade. sue me. it was autumn here when they debuted but it was still a bit hot so, summer song??
THE DREAM CHAPTER: MAGIC
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• 9.5/10
• i loved her. i remember i was in math class when this came out and obviously i was listening to it.
• guys we. got a glimpse of rapper beomgyu in angel or devil, what more could i ask for. not to mention it had the best stage outfits during this era. i literally don't make the rules. (TAEHYUN FAKE CHEWING GUM IN THAT ONE STAGE!!! GUYS 😭)
• i know we're basing this on songs but guys kai in this era!!! we don't talk about that enough.
• y'all are sleeping on roller coaster fr.
• best song: 20cm (guys i live amd breathe rnb, spare me.)
THE DREAM CHAPTER: ETERNITY
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• 7/10
• i said this before, they saw is struggling and came to save the day.
• don't at me for my rating though...
• best song: maze in the mirror (prod. beomgyu is my favorite genre 😍)
MINISODE1: BLUE HOUR
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• 7/10 (literally sue me!!)
• no bc this is THE autumn (or fall ig) album, that, i will say loud and proud even though it was getting hot as shit down here.
• everyone was doing disco at this time though, inwas kinda over it but it was still nice.
• guys we sleep on beds, not art bc way home??
• best song: ghosting (yes)
THE CHAOS CHAPTER FREEZE + THE CHAOS CHAPTER FIGHT OR ESCAPE (yes i'm counting them as one)
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• 10/10. no further questions your honor.
• it's no secret at this point that this was my favorite era by farrr.
• she delivered and devoured.
• guys i literally don't have much to say other than the fact that ashnikko popped off with frost (yes i know she didn't wrote it alone)
• we got prod. kai (HELLO GO LISTEN TO DEAR SPUTNIK!!)
• let me also side track a little. WOLF CUT BEOMGYU??? BLOND HUENING KAI?? SKATER TXT???? we were FED.
• i still think about the anti-romantic challenge to this day. you will forever be iconic.
• best song: 0x1=LOVESONG (dare i say their best title song)
MINISODE2: THURSDAY'S CHILD
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• 10/10
• great ep from start to finish.
• no guys i knew they would eat tge moment i listened to opening sequence. literally the perfect 1st track i've heard.
• first time we got unit songs so obviously i was looking forward to it.
• yes this was released in the depths of autumn here but thursday's child has far to go went straight intoy summer playlist.
• best song (this ome was tricky): opening sequence/lonely boy. they're tied moving on.
THE NAME CHAPTER: TEMPTATION (notice how the album covers have only been X for the past 2 years?)
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• 7/10 because it was short as shit. like wtf am i suppose to do with 14 minutes?? (i mean go off keshi but it was too short babe)
• 10/10 grudge aside
• pulled me out of the gutter i was in frfr.
• it was short but it did it's job, i am not gonna lie.
• perfect from start to finish and you know what, this probably wasn't the intention, idk but this was the ep of the summer, like it was actually summer here when this was released and i'll be blasting it this summer too.
• coi leray!! that's all.
• best song: tinnitus (no surprise there). their first afrobeats song amd they delibered honey. they made it for us 😭 (africans)
THE NAME CHAPTER: FREEFALL
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• 5.5/10 SHOOT ME!!!
• guys don't get me wrong, it wasn't a bad album, it just wasn't doing it for me, idk. like i got into it only liking 2 songs 💀
• chasing that feeling and happily ever after did grow on me a little but like...
• i'll give it to them though, this was by far their is experimental album. like how you give us new age, rock, disco pop, rnb etc in ONE album???
• best song: dreamer (no brainer honestly.) insert what i said about 20cm
----
there we go, theresmy honest rating of txt's albums and ep. would this ruffle feathers if i mattered? definitely. how dare i give one of my ult groups a 5.5/10?
them being one of my ults doesn't mean i have to eat everything they put out up 💀
anyway...
bye
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seokjinsonlyone · 11 months
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i’m only a casual txt girlie but i like soobie boobie??? my beloved 🫶🏽🫶🏽🫶🏽
i think i'm somewhere in between casual and stan like i love their music sooooo much so i'm always tuned in whenever they have a comeback and then i kind of fade in and out after then but after seeing them live i'm really obsessed rn and lemme tell you i'm about to take full custody of soobin like at first i was all about yeonjun but now my eyes is WANDERING with beomgyu too! bc he radiates such seokjin energy and u know what he kinda look like him too like during thursday's child era he had me doing double takes anyway i'm watching their little variety show to do and they're so cute it's a nice distraction to dig a little deeper into them again
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txt-oona · 1 year
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❝ I stopped waiting for the light at the end of the tunnel. I lit that shit up myself. ❞
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⸺ LEE OONA.
aesthetic | visage | profile | extended facts dump | style | contacts | playlist | inside her phone | a-z quotes | what’s in her bag | her room 
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⸺ CONNECTIONS. 
within txt pt.1 && pt.2 | our staff | within hybe | family | friends | celebrity crushes | idols crushing on her | lovers && exes | fan interactions | friend groups | external ships | 
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⸺ OONA. 
mic && IEMs | aotm | mix & max
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⸺ ERAS. 
the dream chapter : star / the dream chapter : magic / the dream chapter : eternity / minisode 1 : blue hour / the chaos chapter : freeze / the chaos chapter : fight or escape / minisode 2 : thursdays child / the name chapter : temptation / japanese comeback
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⸺ OONA ON THE WEB. 
insta | weverse | twitter | tiktok | iconic moments | texts | trends 
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⸺ VARIETY SHOWS / GROUP CONTENT. 
to x do  
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⸺ WRITINGS.
tbc . . .
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⸺ IMAGINES && REACTIONS.
weverse | twitter | tiktok | iconic moments | texts | dating oona
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⸺ MISC. 
tbc . . .
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yeonjune · 2 years
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"weightlifting fairy kim bok joo" - yeonbin version
+ making of bonus
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tomorrowxtogether · 2 years
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09/05/22 TXT Official’s Tweet
TOMORROW X TOGETHER COMEBACK SHOW ‘Thursday's Child’가 아래의 링크에서 오후 8시 부터 생중계됩니다📺 Watch #TXT_COMEBACKSHOW 'Thursday's Child' LIVE here at 8:00PM (KST)📺
🔗youtu.be/cqCvnaE0YHE
#투모로우바이투게더  #TOMORROW_X_TOGETHER  #TXT  #GOOD_BOY_GONE_BAD  #TXT_컴백쇼
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moanya · 2 years
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For context, today were the MMA's and TXT performed two songs (With Anti-Romantic playing on the intro, 0X1=LOVESONG, LO$ER=LO♡ER feat a special appearance of Noze from SWF) and everything was going accordingly until this happened.
For those who don't know, TXT usually give little hints/spoilers for their upcoming comebacks during end of the year award shows, this was during 2020 before the release of The Chaos Chapter.
So, what can we say from an 8 second outro of TXT? Well, a lot actually.
Disclamer: What I will be discussing are simple possible references, I'm not claiming any of these are actually accurate to what TXT will be representing in their next comeback.
First of all let's focus on the obvious, the sentence "Thursday's Child Has Far To Go". After a quick little search I realized two things, first, it's part of a poem (?) a nursery rhyme (I'm sorry if I don't know the right way of saying this, English isn't my first language) and also the term "Thursday's Child" are a book by Eartha Kitt, another book by Kathleen Lukens and Carol Panter, a movie by Rodney Ackland and a song by David Bowie (amongst others)
I read through all these references and they have one thing in common, when they refer to Thursday's child, they usually mean someone who is destined to success, talent, potential and overall a good life BUT who's simultaneously an outcast and basically someone who has to go through a lot despite being destined to success which fits their universe incredibly well.
Now, the question is, how does this tie to Yeonjun… well, offing himself and honestly I do not know but one thing I know is that it reminded me a lot of this scene of a famous, japanese video game I played (Persona 5) where something like this happens, where, basically, a group of outcasts fake an entire offing oneself ceremony so they can keep helping society, it's pretty interesting tbh because it also ties to the concept of the mask, persona 5 has a whole thing with them and with their meaning and Yeonjun is wearing a mask himself so I was like ooooh okay that's, I've seen that before and I like what they're doing with it, also the main character of that story is called "Joker".
So, are we about to see TXT's joker era? maybe, I guess we'll find out sooner than later.
What are your thoughts on this?
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drunk-dazed · 2 years
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(220509 | "thursday's child" comeback show) soobin ✜ opening sequence
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koostarcandy · 2 years
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hiii long time no talk (sorry work has been very draining </3) i hope you’re doing well 🥺🥺
i sadly did not understand the reference ;—; but i haven’t stopped thinking about this love. and omg keshi’s voice is sosos pretty i love it. AND OLIVIA 🥲 i agree with u,, she portrays emotions so well through her voice.
i say this a lot but you really are very sweet ☹️.
did you listen to thursday’s child yet?!?!? AND WATCH THE MV??? also the tracklists for bts ohh my god so much is happening T__T
that’s all for today talk to u soon ☺️🫶🏼
~ dream anonie
i hope you're doing well too, my dream anonie 🥺🥺🥺
the reference is from taylor's song 'better than revenge' from her album, speak now !! keshi's voice can calm a storm, no cap. i love listening to him on rainy days. i've been penning down imaginary scenarios as poems to get away from reality and i just hope i can convey emotions as well as miss swift and olivia :')
you're sweet too darling,, idk about me being sweet, i am definitely not like this irl
there's soooo much happening, im still reeling from the fact that dalbang is making her comeback as a song ;-; i am emotionally attached to that show, its borderline embarrassing haha
my gosh, 'good boy gone bad' geez can yeonjun??? calm down????? like so much isn't good for my fragile heart T-T
ttyl bby !!! hope you're having a lovely morning/day/afternoon/evening/night !!
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chltlssbtm4793 · 2 years
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Tomorrow x Together, Billboard 'Jeong-Jun' with 'Dark Sexy'
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Tomorrow x Together is back with a wider musical spectrum.
On the afternoon of the 9th, a media showcase was held to commemorate the release of Tomorrow X Together's 4th mini album 'minisode 2: Thursday's Child' at Yes24 Live Hall in Gwangjin-gu, Seoul. On this day, Tomorrow x Together had time to share various stories about the album along with the stage of the title song 'Good Boy Gone Bad' and the coupling song 'Trust Fund Baby'.
Tomorrow X Together, who made a comeback after about 9 months since the 2nd regular repackage album 'Chaos Chapter: FIGHT OR ESCAPE', expressed their trembling feelings. Hueningkai said, "It took a long time to show the new album. We sincerely thank MOAs who believed and waited for us. We prepared harder as it was a long time, so please give us a lot of interest and anticipation.” Yeonjun said, “We worked hard to prepare this album to show our colors a lot. I hope that many people will like it. I will show you a more mature image.”
Regarding this album, Subin said, “It is an album that we show before entering the next series after finishing the Chapter of Chaos series. It expresses the complex emotions of a boy who experienced his first love and first breakup in various genres. Please listen to the feelings of the boy who goes through the first breakup during the transition period between minors and adults."
The title song 'Good Boy Gone Bad' is a song about an innocent boy who is enveloped in feelings of anger and loss after his first love, which seemed to last forever, is broken. Beomgyu said, "When you say a breakup song, you might think of a song that makes you feel longing or sad, but I interpreted it differently and made a new farewell song. said.
Also, about being challenged with the concept of 'Black Flower' for the first time since debut through 'Good Boy Gone Bad', Beomgyu said, "I'm worried because it's a new concept, but it's a strong concept I wanted to show my fans someday, so I have higher expectations than worries." Hueningkai said, "When I first heard this concept, I thought that it was finally here. I thought that I would do this concept someday. Separation is an inevitable event in the process of growing up. I think that through breakup, you learn new emotions. While working on a new concept I think I discovered a side of myself I didn't know and grew even more."
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hueningkai · 2 years
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a lot of you are wondering where that tyunning set is from ... it’s from the new comeback show! (thursday’s child)
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