Herzog & de Meuron, Sammlung Goetz, Munich, Germany, 1989-1992 VS Mark Rothko, Untitled, 1968

Helen Frankenthaler, Untitled, 1958. Painting and collage on paper, 8 1/2 x 11 in. (21.6 x 27.9 cm). Grey Art Gallery, New York University Art Collection.

you can find god in a rothko color field

Helen Frankenthaler (1928-2011) - Float, 1977

Acrylic on canvas (152.4 x 122 cm)

Composition With Float-framed Notepad Page Drawing of Brian Griffin Pencil on paper

untitled (brown & blue on mustard)

Untitled, Frank Stella, 1966

Acrylic on canvas 91.5 x 91.5 cm (36.02 x 36.02 in.) Museo Nacional Thyssen-Bornemisza, Madrid, Spain

Why do you want to bite something when people rag at Rothko?

he used a complex method of layering pigments to create his paintings, often mixing his own additives into paint to achieve the effect he wanted. usually people will complain "i could have done that" except no you couldn't, not without years of experience and experimentation (and probably guidance)

and also i love his pieces.

Lamar Briggs VEDRA IBIZA No.2, 1980-1989 Acrylic Paint, Archival Paper 30 × 40 in

Mary Weatherford

Stefan Lochner, Bible, about 1450 VS Barnett Newman, Onement V, 1952

Gene Davis, Tel Aviv, 1972, Acrylic on canvas, 93 5/8 x 68 3/4 in. (237.8 x 174.6 cm) Framed: 94 7/16 x 69 15/16 x 1 7/16 in. (239.87 x 177.64 x 29.05 cm

Mark Rothko, Berlin, 2024

hello

Bumblebee ghost study. Colored pencil on Stonehenge paper, 4 x 4 inches.