"Neely Fuller Jr - "A Detailed Explanation of Codification""
many of us never had conversations about Codification and how it relates to our communities. This help us to understand what is being said about us in main stream society.
Listen and learn a bit about how language creates false narratives and how to deconstruct them. Gain the knowledge and share it widely
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Step into the cyberpunk world of "Ladies 2.0," where XX Biotech, once a robotics lab, now wields absolute power under Thomas Lange. Female androids are society's norm, but resistance brews in the Artemis Brigade, led by the determined Saraphina Nightshade. In this dystopian setting of android prostitution and cyber warfare, the series explores a future shaped by XX Biotech's dominance and the rebels' fight for autonomy.
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I must say it’s delightful how so many statement givers loathe the Eye. part of it ofc is because being known is anathema to several of them*, but a considerable part of it is just that Elias and Gertrude were so good at what they did.
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headcanon that Ed and Stede have to keep changing safewords because every time they think they've landed on something that couldn't possibly be uttered for other reasons it just inspires Stede to come up with some ludicrous sex metaphor
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Cervello bruciato da lezione e commute e quindi vi beccate questo headcanon.
Neapolitan Aegon che chiama Rita De Crescenzo alla festa di compleanno di Alicent pensando che è uno scherzone divertentissimo.
Immaginate Alicent seduta sul palco, bendate, ansiosa ma con tante aspettative, davanti a parenti, colleghi e conoscenti e poi parte la musichetta.
Il silenzio assoluto e attonito dei tanti mentre Aegon fa le riprese.
Rita si avvicina ad Alicent: "CHIAPPARELLA, FIOCCO DI NEVEE, BUON COMPLEANNO!”
Le leva la benda e inizia a cantare. Alicent ad un certo punto trova la forza di sorridere mentre qualcuno nella folla si lascia andare.
(lo shock religioso della frase "tu si indimoniato e t'a mena facc n'terra".)
Dopo essere tornata a casa Rita fa un tiktok in cucina dove dirà quanto è contenta che persona così perbene l'hanno chiamata (ricordiamo che in quest'AU Daemon è ai domiciliari. O daemonciliari I guess. Ovviamente se ne frega ed è alla festa e fa riprese alla faccia tesa di Alicent per farla innervosire. Lui e Viserys ridono assieme perché sono dei grandissimi bastardi, metaforici se non altro.)
E niente, lo posto prima di cambiare idea perché mi fa ridere.
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Modern AU Camilla and Palamedes and Dulcinea have like every possible opinion about legal marriage, because if Pal and Dulcie got married, she would lose her disability benefits, but ALSO the three of them are more of a triad anyways and ALSO Cam's relationship with the other two is really more queerplatonic and she would rather not marry anyone thank you. Do not mention health insurance around them, their eyes will light up with righteous anger and you will get a two-hour lecture complete with academic citations.
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One of these days I should geek out at you all about The Lais of Marie de France because even though at first it may not seem like Medieval Arthuriana has anything to do with WC, the introduction to the edition I read which talked about how Medieval literature conceived of authorship and the act of retelling was honestly foundational in developing my philosophy of art and storytelling and as such the influence is palpable.
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ok another reason i cannot stand showering is the same reason i hate exercising without an audiobook, i.e., it's unbearably, excruciatingly *boring*, & i have to give my brain an Enrichment Task to occupy itself so i don't McFreakin Lose It halfway through rinsing psoriasis shampoo off my scalp. today's task: translating the english & yiddish versions of "if i were a rich man" from fiddler into polish & seeing which one was easier to make fit the song's melody & meter po polsku (conclusion: the yiddish version, tentative title "gdybym byl rotschildem").
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sometimes it feels like the "[character] is [gender/sexuality]-coded" has become more of a way to push your own headcanon on others than an actual, potentially valid point.
then again it never felt like a valid point to me, because codification is such a vague yet somehow complex system in literary analysis, and even then i have been in disagreement with professors and other students about some of their claim
but considering most of the arguments for certain characters being coded for a specific sexual and/or gender identity are vague and imo mostly invalid (specifically because 99% of the time it excludes fluid sexual and/or gender identities and only focuses on the ends of various spectrums - trans man/woman and mlm/wlw), i have to admit that it really feels either forced or, at the very least, a way to push your own headcanon on others. which sucks, by the way
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