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#character traits
saraswritingtipps · 10 months
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Good Traits Gone Bad
Exploring good traits gone bad in a novel can add depth and complexity to your characters. Here are a few examples of good traits that can take a negative turn:
1. Empathy turning into manipulation: A character with a strong sense of empathy may use it to manipulate others' emotions and gain an advantage.
2. Confidence becoming arrogance: Excessive confidence can lead to arrogance, where a character belittles others and dismisses their opinions.
3. Ambition turning into obsession: A character's ambition can transform into an unhealthy obsession, causing them to prioritize success at any cost, including sacrificing relationships and moral values.
4. Loyalty becoming blind devotion: Initially loyal, a character may become blindly devoted to a cause or person, disregarding their own well-being and critical thinking.
5. Courage turning into recklessness: A character's courage can morph into reckless behavior, endangering themselves and others due to an overestimation of their abilities.
6. Determination becoming stubbornness: Excessive determination can lead to stubbornness, where a character refuses to consider alternative perspectives or change their course of action, even when it's detrimental.
7. Optimism becoming naivety: Unwavering optimism can transform into naivety, causing a character to overlook dangers or be easily deceived.
8. Protectiveness turning into possessiveness: A character's protective nature can evolve into possessiveness, where they become overly controlling and jealous in relationships.
9. Altruism becoming self-neglect: A character's selflessness may lead to neglecting their own needs and well-being, to the point of self-sacrifice and burnout.
10. Honesty becoming brutal bluntness: A character's commitment to honesty can turn into brutal bluntness, hurting others with harsh and tactless remarks.
These examples demonstrate how even admirable traits can have negative consequences when taken to extremes or used improperly. By exploring the complexities of these traits, you can create compelling and multi-dimensional characters in your novel.
Happy writing!
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good traits gone bad
perfectionism - never being satisfied
honesty - coming off as rude and insensitive
devotion - can turn into obsession
generosity - being taken advantage of
loyalty - can make them blind for character faults in others
being dependable - always depending on them
ambitiousness - coming off as ruthless
optimism - not being realistic
diligence - not able to bend strict rules
protectiveness - being overprotective
cautiousness - never risking anything
being determined - too focussed on one thing
persuasiveness - coming off as manipulative
tidiness - can become an obsession
being realistic - being seen as pessimistic
assertiveness - coming off as bossy
pride - not accepting help from others
innocence - being seen as naive
selflessness - not thinking about themself enough
being forgiving - not holding others accountable
curiosity - asking too many questions
persistence - being seen as annoying
being charming - can seem manipulative
modesty - not reaching for more
confidence - coming off as arrogant
wit/humor - not taking things serious
patience - being left hanging
strategic - coming off as calculated
being caring - being overbearing
tolerance - being expected to tolerate a lot
eagerness - coming off as impatient
being observant - being seen as nosy
independence - not accepting help
being considerate - forgetting about themself
fearlessness - ignoring real danger
politeness - not telling what they really think
reliability - being taken advantage of
empathy - getting overwhelmed with feeling too much for other people
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memey-jenkins · 1 month
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When villains are like “I may kill orphans, but at least I’m not RACIST”
Reblog if you agree
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deception-united · 5 days
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Random Character Profiles
Prodigal slacker. An exceptional intellect, capable of solving complex problems with ease, but absolutely no drive or motivation to apply their abilities towards any practical endeavors. Others are often frustrated by the wasted talent, but they couldn't care less. If their ideas are so great, someone else can come up with them. They're just here to laze around and have fun.
Loveable annoyance. A mind that dances on the border of sanity, and a perpetual source of simultaneous amusement and irritation. They delight in making puns and bad jokes at the expense of others' patience. Undeniably loveable nonetheless.
Reluctant recluse. They present a facade of rugged independence, portraying themselves as one who thrives on solitude and despises the company of others. They project an air of indifference towards others, often dismissing any attempts at connection or sympathy with a sharp retort or a cold shoulder. But beneath this tough exterior lies a soft spot reserved for the select few who have managed to breach their defenses—though they're reluctant to show it, going to great lengths to conceal the affection they view as weakness. Their stubborn refusal to accept help or acknowledge their own struggles stems from a fiercely guarded sense of pride, manifested in their vehement denial of any signs of weakness or vulnerability, even when they're visibly on the brink of death.
Sister figure. Sharp-witted and quick-tongued; will shame, embarrass, and ruthlessly tease. Their sarcasm is as much a display of fondness as it is merciless. Fiercely affectionate, extremely caring, unwaveringly loyal. Will put themself in danger for those they love, and will not hesitate to hurt anyone who offends or hurts those they care for; but mess up, and their sternness could make a warrior sob.
Impressively patient. Reserved, caring, mature, typically polite and tolerant to an extreme extent. May lash out occasionally. Possessive of a quiet strength, tending to observe situations with a thoughtful demeanor. Their reserved nature can be mistaken for aloofness despite their deep well of empathy and care for those around them. They navigate social interactions with a polite grace; however, beneath this composed exterior lies a potential for volatility on the rare occasions when they are pushed to their limit. Often the peacekeeper in friend groups.
People hater. Seems perpetually done with everything and everyone. Specialises in dry remarks and diminishing enthusiasm. General mood killer. However, their outward projection of disdain and superiority is really a mask of their own feelings of inadequacy.
Feel free to add on any other character descriptions you like! Happy writing ❤
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elitadream · 5 months
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It occurred to me recently that I've never shared the headcanons I had regarding Mario's strength in my version, so I thought I'd list them out in a single post for you guys.
Enjoy! :D
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- Even without power-up, Mario is stronger and notably more resistant than average.
- This is mainly due to his high muscle density. He has a considerable body mass and is surprisingly heavy despite his short stature.
- He has a very healthy heart and incredible cardio. Sustained efforts that would leave others winded will affect him a lot less.
- His sturdiness gives him great equilibrium and stability, allowing him to keep his footing even on unsteady terrain.
- The man can lift objects up to five times his size and can pull tremendous loads across a short distance.
- He can carry the equivalent of a person's weight for long periods of time without feeling strained or tired.
- He makes labor look deceivingly easy to the point that others constantly underestimate how hard it truly is (and are always astounded when they try it for themselves, only to fail miserably).
- Mario doesn't workout outside of his daily tasks and activities. His job and naturally active disposition are his only form of exercise.
- He sometimes forgets how physically powerful he actually is, and has warped/broken quite a few things by accident.
- He is however extremely mindful of his capabilities when surrounded by others, and always significantly tempers himself when playing or interacting with friends.
- He never uses his strength to its full extent; both because he doesn't need to and because he fears causing harm otherwise.
- His intervention on a rampaging chain chomp was the greatest demonstration of brute force anyone had ever seen in the whole Kingdom. (See here for context)
- The exploit has made him famous among the guards and citizens alike, earning him the prestigious title of "Super" for the first time.
- While not typically one to show off, Mario loves entertaining people through various feats of athletic prowess.
- Out of all the things others seek his help for, he feels most useful when the favor requires either heavy lifting or manual expertise.
- Albeit very efficient when doing more dynamic chores, his prefered way of working is with his hands only.
- He can punch through almost any surface except literal stone and can bend even solid metal out of shape.
- A rush of adrenaline will cause his endurance to skyrocket, making him temporarily able to endure abject levels of pain and exhaustion.
- Despite those physical advantages, he values qualities of the mind and heart a lot more.
- When asked, Mario always says: "My brother and my friends give me strength. I owe them everything."
•°•°•
(There! Feel free to add your own if you have thoughts on those or feel inspired! ^-^)
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corvase · 1 year
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character insecurities
insecurities are honestly a construct and the dumbest thing society has conditioned us to believe matter because i could literally make this a prompt of random things and it would probably be accurate but anyway! feel free to use <3
your character is insecure about:
how loud they speak
their accent
how passionate they get about certain things
their recent haircut
their height
their clothing style
their place in their friend group
their place in society… especially if they’re a minority
the way they think people perceive them
their hobbies
their lack of hobbies
their lack of friends
the fact that they have a lot of friends
their personality
their openness
how much they talk and who they talk to about it
their past
their future
their present… like they are insecure about where they’re at and wish they were in a better state
the place they live
their lack of confidence
their writing style… haha
their talents .. or lack thereof
their past lovers i.e. feeling like someone they were with didn’t value them
they think everyone is always making fun of them
hope this helps !!
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april-in-spring · 9 months
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I love characters that can't fully express their feelings, even though they so badly want to.
They can't tell you they love you.
They can't hold your hand.
They can't hear your affirmations.
They can't twirl with you on the dance floor.
Whether they are held back by emotional conflict, societal norms, drastic circumstance, or confined by their own physical limitations this troupe has me by the heartstrings and I'm on for the ride.
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cj-etc · 2 years
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Negative Traits for Your Characters
Talks over others/interrupts
Always has to one-up others
Can’t take criticism
Always plays the victim
Selfish
Pathological liar
Makes everything about them
Bad at sharing
Guilt trips others
Makes special events about themselves
Their way or no way at all
Makes up excuses for everything
Has a reason why nothing is ever their fault
Not a team player
Does jobs halfway
Makes everything a joke
Can’t take a joke
Can’t let others enjoy anything
Stingy with money
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penandpaperdreams · 7 months
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Are your characters too “perfect”? Struggling to give them negative traits?
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I’ve definitely fallen into the trap of making my protagonists and side characters too “perfect” before. It’s an easy mistake to make, but it can lead to your characters feeling one-dimensional if you’re too afraid to make them seem morally grey.
Here’s a very simple method:
1. Take a character’s main positive trait. Let’s take Hermione Granger, for example - her intelligence is a defining aspect of her character.
2. Exaggerate it into a negative trait. In the instance of Hermione Granger, she can come across to the other characters as a know-it-all. She’s not always portrayed as perfect for her intelligence, which is what makes her character more interesting.
Using this method, we have a number of options for negative traits for an intelligent character - patronising, arrogant, smug - to name a few.
I use the Fatal Attraction theory for this, which suggests that we fall out of love with someone for the same reason we were initially attracted to them. So, if you grew to like someone because you liked how strong and dominant they are, you may become tired of that down the line when their behaviour is controlling.
I’ve illustrated a few examples for how to exaggerate common positive traits into negative ones in the image above, but I have a few more examples to share so you really get the idea:
1. Comic relief / funny - can’t be serious, humour as a coping mechanism
2. Dark and mysterious - emotionally distant
3. Creative - aloof
4. Loyal - neglects own needs, willing to hurt for those they love
5. Compassionate / empathetic - overstepping boundaries
6. Honesty - overly blunt
7. Responsible - too serious
8. Humility - lack of self-belief
9. Trusting - easy to manipulate, overshares personal information
10. Perceptive - rude
11. Flirtatious - inappropriate
12. Organised - controlling, “neat freak”
13. Easygoing - lack of care about serious matters
14. Flamboyant - can be too much for some
15. Spontaneous - puts self in danger
Of course, you don’t have to do this. You can just have a character be spiritual and creative without making them out-of-touch and aloof. It’s completely up to you!
Using a method such as this, even if you only apply it subtly, adds a touch of realism to your writing by making your characters feel more well-rounded. It means that their negative aspects are truly coming from a part of them, rather than selected at random and mashed together from a list online.
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annarts05 · 2 years
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my favorite negative character traits
some of these aren’t necessarily negative in all contexts, and actually, lots would be really great to have in certain scenes, but there are plenty of situations in which these traits are seen as generally negative :)))
reblog with yours, i wanna seeeeee 
arrogant
cocky
overenthusiastic 
self-absorbed or very self-oriented
workaholic
reckless
oversensitive
dramatic
impatient
prankster/bully (when it’s taken too far, that is)
liar (especially if the lies are for someone else’s benefit)
overly selfless
self-deprecating
hot-tempered
LOUD
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prodigal-explorer · 9 months
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how to write children's personalities
(this is part of my series, how to write children in fanfiction! feel free to check it out if you want more info like this!)
this is the main aspect of writing children that i see people mess up so often, especially in the fandoms i'm in (sanders sides and undertale). children are not adorable little noodles with no brains and no concept besides being cute and silly and crying. children are beings that are just as complex as adults, and they deserve personalities to match. this will make them way more interesting to read about! let's get started!
since there are so many aspects to personality to talk about and i don't want to sit here typing for ten years, we're going to do this guide a little differently. i'm going to divide these issues into archetypes, write a short description, and then make a list of do's and don't's for each one!
archetype one: the cute little baby
okay. babies are cute. we all know this, and i'm not saying it's a bad thing to make your babies cute. a lot of people love reading about moments with adorable little babies. but here are some ways to step this kind of thing up, and some things to avoid if you want to improve upon writing this archetype.
do's:
give the child character another archetype besides this one. though "cute" is the foundation for a lot of child characters, it's not a personality. and if a character is vital to your story, then it needs a personality. that's just a rule. you will read more about other archetypes further along in this post!
make the moments symbolic. though it doesn't seem like it from an outsider's perspective, basically everything a baby does is for a reason, and every action a baby makes can say something about their personality. if you want this baby's personality to be energetic and curious, have them crawl around and explore things, and laugh a lot, and babble. if you want this baby to be more sullen and shy, have them cry quietly instead of wailing, or have them squirm when being held by new people.
make the actions of the baby's guardians affect the mannerisms of the baby. babies act differently depending on how the people taking care of them act and react. for instance, if the baby's guardians are very busy people, then maybe have the baby cry very loudly whenever they want something, since they know that it's the only way to get the attention of their guardians. stuff like that can add depth to a character and to a general story.
don't's:
decide that the baby is cute and call it a day. sweet little babies are cool and all, but they get very boring to read about after a while. this can barely even be considered an archetype because of how bland it is when it's by itself.
keep this archetype around for too long. as babies turn into toddlers and then children, they don't act even remotely the same way. it's strange and off-putting to read about a seven year old acting like a two-year old, unless it's a very clear character choice that is a result of explicit actions and events.
make the baby know that it's cute. realistically, children don't understand the concept of cuteness until they're around toddler age. if then, you want to make the kid be like "i get what i want when i'm cute, so i'll act cute!", then sure, that's hilarious. but when they're two months old, they're not batting their eyelashes because that's their personality. they're batting their eyelashes because they got something in their eye. the main thing that makes a baby cute is that they don't know they're cute. they're just figuring out how to do ordinary things.
make everything a cute moment. while babies are awesome, raising them isn't always sunshine and rainbows. make the baby do something wildly chaotic, because babies do wildly chaotic things all the time. not only does this make things more realistic, but it makes things very interesting!
archetype two: the shy kid
as a former shy kid, i know good and well that these types of children exist, and they are very real and valid. however, there are certain ways i've seen them written that are just terrible because once again, this archetype cannot be considered a full personality on its own. let's get into the do's and don't's.
do's:
make their shyness a deliberate choice. kids aren't usually naturally shy. kids are usually more curious than cautious. is there a reason why the kid is shy? there doesn't have to be a reason why the kid is shy, but there could be a reason why the child is NOT outgoing/curious. try and give something like this some deliberate cause, instead of just making them shy so they can seem more precious and infantilized.
make their shyness manifest in diverse ways. not all shy kids cling to their guardian's leg and sit alone during recess. there are different ways to be shy. you can be aggressively shy, or fearfully shy, or shy due to general unwillingness to change.
make their shyness have realistic consequences. someone who's shy is probably not going to have many friends, if any. not all shy kids magically meet an extrovert who adopts them. someone who's shy probably has underdeveloped social skills, which can lead to them being less emotionally intelligent down the line. this makes the shy kid archetype a lot more three-dimensional than just a wet noodle of fear.
don't's:
infantilize shyness or treat it like it makes the kid some sweet, precious angel. not only is this very uncomfortable for shy people to read, but it's generally unrealistic. shyness doesn't affect how good or bad somebody is - it's a neutral trait.
use shyness as a tool to make characters seem younger. shyness does not indicate age. fear manifests in many different ways, and shyness is not the only way.
rely on cliches. not all shy people have the same journey, and the idea that a shy person becoming more outgoing is the "goal" is not only a bit offensive, but it's very cliche. shyness is not always an obstacle to be overcome.
archetype three: the happy-go-lucky kid
oftentimes, the reason why children characters are written into stories in the first place is to give a little bit of lightheartedness and innocence. to add a unique voice among all the cranky, stingy, burdened adults. but you have to be careful when writing this archetype. i personally really dislike this archetype as a whole, but i'm going to put personal feelings towards it aside because honestly, there's no valid reason to dislike it besides opinion.
do's:
give the kid a trademark. maybe this kid makes a lot of little jokes, or maybe they always see the best in a situation. give the kid one thing that makes them happy-go-lucky instead of just giving them everything because nobody is endlessly happy all the time in every way.
go deeper. while happiness is very often genuine, sometimes, it's a mask that hides something else. this can be an interesting way to sort of spice up your happy-go-lucky kid character. maybe the kid is hiding a big secret behind all those jokes.
don't's:
make the character always happy. while children tend to have simpler thoughts, they don't have simpler minds. this child needs to have thoughts, real, genuine thoughts that aren't just happy things.
see happy-go-lucky as a trait that is exclusive to children. comparing happiness to childhood and viewing them as the only places where the other can exist is just wrong, and it's kind of depressing. maybe give happy-go-lucky kid a happy-go-lucky adult to exchange jokes with!
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those are the archetypes that i see a lot. but now, i'm going to suggest a few child character archetypes that i LOVE that i don't see enough in fics! feel free to use any of these that you like. alter them, combine them! these are, in my opinion, some of the most fun child character personalities!
the spoiled brat: "i want this, and that, and that, and- why aren't you giving it to me?? if you don't give me what i want, i'll tell on you!". spoiled brats are so fun to read and write about, especially when they have absolutely no reason to be spoiled given the current situation (think riches to rags). they've got everything, humor, angst, and best of all, lots of pockets for personality. think about why the child is spoiled. were they enabled by their guardians? did they grow up rich, with access to everything they wanted? think about whether you want the child to stay spoiled. does something change? do they learn how to improve their materialistic and selfish tendencies? there are so many opportunities to play with the personality of this child!
the know-it-all kid: while i do see a lot of know-it-all kids in media, oftentimes, they don't actually have personality besides bossiness and intelligence. i love know-it-all kids who have depth to them. kids who are constantly spouting information because of their sheer love to learn. kids who have one specific thing that they know everything about, so they never stop talking about it. kids who tell people what to do and act like they know best because they don't have a lot of control over anything at home, so they grasp at whatever control they can find elsewhere. i think this archetype could open up a lot of ideas for personality further down the line. it also has a lot of variety with humor and angst, and general depth.
the serious child: this is an archetype that i cannot get enough of. i love a child that doesn't think they're an adult, per se, and still enjoys kid things, but just has such a calm and regal air about them that isn't learned. it's just natural. think of the kid that doesn't really get excited about things conventionally, but you can tell they're happy by their faint smile. the kid that seems to live in slow motion, and doesn't mind this fact at all. the kid that sits alone at recess just because other kids scare the birds away, and they want to see how a bird acts when it doesn't think its being watched. i love kids who have poignant thoughts, because their thoughts are so creative and different from adult thoughts.
the adult-ified child: now this is another archetype i can't get enough of, but it's for a different reason. this child, on the other hand, does think that they're an adult for one reason or another. maybe their guardians forced them to grow up too quickly. maybe they just wanted to grow up quickly by themselves. but this child has thoughts that are too big for their little bodies. they explore things that aren't meant to be explored when their brains are still so small. they do everything too quickly, they stumble through life as if a clock is ticking somewhere. to me, they're just haunting to read about. it feels wrong and dangerous to just watch them do things that hurt them because they don't know any better, but they're on a page. nobody can stop them. it's just so tragic, i'm obsessed.
the prodigal child: this archetype isn't really as deep or detailed as the others, but i do appreciate it. this archetype is for a child who knew who they wanted to be from an early age. a child who wanders into a ballet class and finds out they're better than the ten year olds by the time they're five. this archetype often pairs really well with the know-it-all kid or the adult-ified child because usually, children don't experience what it's like to be the best at something until they're a lot older. this is just a really cool archetype when you aren't quite sure what to do with that main character's little sister.
the chaotic child: this archetype is so much fun to read and write, to be honest. this is a child that just does as they please, whether it's out of curiosity or for pure enjoyment. think of the crazy stories that your guardians have about you or your siblings being absolutely insane. scribbling in a book and then demanding that the library publish their version. trying to ride the dog like a horse. cutting up clothes in an attempt to be a fashion designer. this one is just plain fun!
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now, there are so many more archetypes out there, but those are just my spotlights and recommendations! i hope after reading this, you feel more equipt to write child characters that have real, engaging, interesting personalities!
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saraswritingtipps · 6 months
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list of common cute things or traits for your original character (OC)
1. Big, Expressive Eyes: Large, expressive eyes can give your OC an innocent and cute appearance.
2. Unique Hairstyle: A distinct or quirky hairstyle can add a touch of charm.
3. Shyness or Bashfulness: A bit of shyness or bashfulness can make your OC seem sweet and approachable.
4. Love for Animals: Having a soft spot for animals, particularly small and fluffy ones, can be adorable.
5. Childlike Enthusiasm: A boundless, childlike enthusiasm for simple things can be endearing.
6. Giggles and Laughter: Frequent giggles or infectious laughter can make your OC likable.
7. Awkwardness: A charming level of social awkwardness can be endearing.
8. Clumsiness: A propensity for stumbling or being clumsy in a cute way can add to their charm.
9. Favorite Comfort Food: Giving your OC a favorite comfort food or snack can create relatable moments.
10. Caring Nature: A character who cares deeply for their friends or family is inherently cute.
11. Doodles and Sketches: The habit of doodling or sketching cute and whimsical drawings can be charming.
12. Adoration of Nature: A love for nature, flowers, or starry nights can make your OC more endearing.
13. Quirky Habits: Unique and charming habits or quirks can set your OC apart.
14. Childhood Nostalgia: Relatable nostalgia for childhood toys, games, or TV shows can be cute.
15. Warm Smile: A warm, inviting smile is always charming.
16. Politeness and Manners: Good manners and politeness are universally appealing.
17. Innocent Curiosity: A genuine and innocent curiosity about the world can be adorable.
18. Playfulness: A playful and carefree nature can make your OC lovable.
19. Emotional Vulnerability: Showing moments of vulnerability or genuine emotion can endear your OC to readers.
20. Wearing Glasses: If it fits your character, glasses can add a cute and intelligent vibe.
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2soulscollide · 1 year
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extensive list of character traits
hello hello, it's me! here's an extensive list of traits. note: if you're developing a character, check out this free workbook which has a complete character sheet :D
good character traits:
understanding
courageous
tenacious
resourceful
confident
diligent
persevering
empathetic
caring
respectful
patient
dependable
trustworthy
adaptable
charismatic
creative
innovative
encouraging
gracious
forgiving
generous
inquisitive
knowledgeable
modest
noble
optimistic
passionate
practical
principled
reliable
self-disciplined
selfless
strong-willed
thoughtful
wise
assertive
bold
decisive
dignified
disciplined
enthusiastic
faithful
friendly
humorous
imaginative
insightful
intuitive
open-minded
persuasive
practical
proactive
rational
self-confident
self-sufficient
sensible
sympathetic
tactful
team player
trusting
unassuming
visionary
well-rounded
bad character traits:
self-centered
rude
disrespectful
impulsive
greedy
arrogant
dishonest
manipulative
lazy
stubborn
moody
pessimistic
judgmental
aggressive
reckless
inconsiderate
paranoid
insecure
materialistic
irrational
vengeful
deceitful
disloyal
boastful
closed-minded
condescending
impatient
intolerant
narcissistic
obsessive
possessive
short-tempered
sneaky
suspicious
unpredictable
unreliable
wasteful
weak-willed
withdrawn
agonizing
cynical
possessive
aloof
intimidating
sadistic
bitter
passive-aggressive
evasive
procrastinating
irritable
dismissive
disrespectful
confrontational
overbearing
domineering
pompous
biased
inflexible
impetuous
misanthropic
overcritical
arrogant
hope this was useful! have a nice day <3
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sirzeldrizz · 2 months
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♡a small collective of acts of love of a wide variety. It comes in many forms and isn't always truly apparent. Depending on personality, preferences, and mannerisms. Tried to make sure they're gender neutral & well balanced for the different tropes ♡
Helping them put on jewelery, a muted rosey hue tinting their cheeks as their fingertips graze the others skin.
Taking the others perspective into consideration when making big decisions. They don't want to upset or cross any lines the one they admire may have.
Respects any and all boundaries of their partner, even if they can't quite understand them. Is every patient with them, and will try to understand the best they can.
Gives specific gifts that will invoke the best reactions. They get so giddy when their partner or friends are happy.
will sing around them, even if not the greatest at it.
remembers the finest of detail about their partner. will even write it down if they fear they will forget it.
uplifts them whenever they are feeling low, encourages their dreams within reason so not to provide any false hopes.
will hold the other accountable for their own good and will also help solve any problems that arise because of said accountability.
packs things they know the other will likely forget when going on trips.
includes them in their favorite activities, showing them their own tips and tricks for it.
let's the other passionately ramble on about whatever has caught their attention, without judgment, and will engage regularly with questions or shared curiosity.
will record their favorite TV shows so when they visit they can still watch it if they want to.
shares their favorite books/songs/things together
platonic kisses and hugs
tidying shared spaces so the other doesn't have to worry about it
cooking together (bonus if they're learning a new recipe together)
very appreciative of the others' efforts (even if they fail. almost especially if they fail because at least they attempted for the good of their behalf)
will cover the other if they find them sleeping, and sometimes, will relocate them to a more comfortable location/position.
protective of the others' hopes/dreams/beliefs
stands up to anyone who threatens the other, even if unmatched. How dare someone think they have the right to insult someone so close to them without consequences?
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avoids topics in conversation that make the other uncomfortable or irritable when possible.
buys them things that they've noticed has piqued their other's attention or that they might need.
is the "HE SAID NO PICKLES" type of friend/significant other.
takes the time to look into and learn about things that interests the other, even if they don't quite enjoy it to the same degree. Likes to be able to engage with them about anything possible.
lighthearted teasing to make the other smile.
holding the others' sleeves when drowsy, or needy.
makes secret wishes on stars for the others' hopes to come true.
subconsciously straightens the others' attire or accessories. somehow, it became second nature to them.
making the other their "only exception" for just about anything.
letters of appreciation
writes a song/scripture/book inspired by the other
dedicated their achievements to their partnership and expressed their gratitude for their role in their life
might get angry when the other endangers themselves but apologises when they realize it isn't helping. They don't mean to snap. They just scared their soul for a second. Don't do that. They can't bear to see/let it happen.
invited the other to family events, even expects them to show up so makes sure to have enough for them too.
randomly brings the other food to ensure they are properly eating
casually "accidentally" orders things and "happens" to think the other would like them.
crafts the other trinkets or art
patiently hears the other out no matter what. Even if it's hard to hear because they want to fully understand.
Disbelieves rumors that damage the others' reputation and will set the record straight if possible. Will always let the other know if something is brewing and offer a solution (How they go about it is dependent on the character)
sends the other messages whenever they're thinking of them or remembers something they know the other will reminisce with them over.
takes care of the other to the best of their ability (pampering/caretaker/gaurdian)
learns a new language so that they can better communicate with the other if they're not fluent in their tongue.
quick to give the benefit of the doubt to the other, even if they know it might not turn out how they hope. They want to only see the good if they can.
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sprinklesdonut15 · 7 months
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Tips For Making Unique Character Voices:
(For both narrating & dialogue)
Decide how formally they speak - this is also based on who they were raised around and what their timeline is, their race and culture, etc.
Know their overall volume of speech - maybe they speak loudly because in their past that’s the only way their voice was heard
There’s a hundred ways to say a sentence - sometimes this changes up in a person, but everyone has the way they word their sentences. Example: “what are you doing?” Can be “whatcha doing” “how goes it” “whaddya doing” “what are you up to” “what is chu doing” etc.
Self representation matters - if a person isn’t confident then they aren’t going to sound confident. But it’s not just about voicing confidence or not, there are details to every trait. If you’re character’s not confident then then they might question their choices a lot. They probably won’t judge other people except in high regards. Every personality trait has finer details
History also matters - maybe trauma makes it so your character gives extremely detailed answers to avoid confusion (anxiety). Maybe some kind of accident makes them speak less
There’s a difference in how much people speak - somewhat a follow up to the last point. But it’s not just personality that determines this but also illnesses. For instance my adhd makes me talk a lot nonstop, so much so that I might trip over words, or if I’m “narrating” then I go very out of order. People who don’t care much (depression) might only give vague or indecisive answers. Some people have long answers, some give one word answers.
People know different things - such as when your character is comparing something to their past. Even something simple, not all of your characters might know something like “this specific type of tree” but one character might because maybe it was a tree in their backyard. Characters knowledge determines their understand and ability to explain.
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No show answer, choose one.
Please pass this around, I wanna know what people are most proud of.
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