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#cassian andor aesthetic
peachy-ash · 1 year
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𝐢𝐜𝐨𝐧𝐬 𝐬𝐭𝐚𝐫 𝐰𝐚𝐫𝐬: 𝐚𝐧𝐝𝐨𝐫 - cassian andor 
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drunkcherrypie · 8 months
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“Rebellions are built on hope”
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🪐🪐🪐
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Made a fem version of my favourite Cassian✨
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thekenobee · 1 year
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I think that Padmé would adore Nemik
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iastrae · 2 months
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softiedingo · 1 year
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ANDOR (2022) - Ep. 6 The Eye
I just wanna say that ANDOR SIMPLY DELIVERED THE BEST TAKES IN THE HISTORY OF THE STAR WARS UNIVERSE!
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star-wind-shop · 2 years
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jedikaylin · 1 year
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Space girlfriends 💫 Their dynamic is so intense. I just love them.
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babsibabbles · 1 year
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Andor just looks stunning.
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chanelslibrary · 11 months
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✧ ᴍᴀʏ ᴛʜᴇ 4ᴛʜ ʙᴇ ᴡɪᴛʜ ʏᴏᴜ ✧
Happy Star Wars Day !💫
Had to post a pic of my favorite couple because they don’t get enough love!! (and *technically aren’t canon lol)
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sith-as-heck · 1 year
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Cassian: Would you kill me, my love?
Azena: For the Rebelion? Without question.
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skywalkersolos-blog · 2 years
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Sam Axe Andor (Friend oc)
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peachy-ash · 1 year
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𝐢𝐜𝐨𝐧𝐬 𝐬𝐭𝐚𝐫 𝐰𝐚𝐫𝐬: 𝐚𝐧𝐝𝐨𝐫 - cassian andor 
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communistkenobi · 1 year
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Star Wars is explicitly in the process of becoming a new MCU, but because this process encourages the audience to treat all SW properties as incomplete components of an entire fabric of canon, where each show or movie must be read in relation to all others and cannot fully stand on its own, I feel like the weird colonial frontier vibes of Chapter 17 of The Mandalorian become that much worse because of the existence of Andor. Like Andor is not perfect by any means, especially its depiction of colonial extraction and indigenous dispossession, but it invokes those historical forces MULTIPLE TIMES (first with Cassian, then with the people on Aldhani) in order to build the case that the Empire is a fascist and imperial (duh) power, and this is what that kind of power does to people and the places they inhabit - destruction of life, destruction of culture, destruction of history. Andor is drawing an extremely basic and obvious parallel between colonialism and fascism, making the argument that these processes are one and the same.
And now in The Mandalorian, you have Greef Karga, High Magistrate of Nevarro, the Gem of the Outer Rim. Nevarro has been rid of all its “scum and villainy” (a phrase directly lifted from the OT), and since that purge of undesirables it’s become a verdant and economically vibrant place. Now of course, part of the class of undesirables was the Imperial remnant, so part of Nevarro’s problem was the fact that it was being ruled by an Imperial officer. However, Chapter 17 goes to great lengths to stress that the ruler of Nevarro also hates pirates and other “low” forms of wealth accumulation, opting instead to be an independent trading planet that is explicitly against New Republic rule (i.e., the government that overthrew the Empire). It has become respectable now, and that respectability is presented to the audience in the form of an organised private economy that has begun to engage in mining. Greef Karga offers Din a parcel of land on Nevarro, literally calling him “landed gentry” on the planet were Din to take up his offer. And this is framed as an improvement - a place devoid of crime, devoid of government rule, now flowering with vegetation that is almost certainly not part of Nevarro’s natural biosphere. The Mandalorian is now adopting, almost certainly unintentionally, the same aesthetic and processes of colonial rule that Andor has labelled as unambiguously fascist. Which is hilarious lol
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olympain · 10 months
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‘Andor’ Costume Designers Break Down Looks of Mon Mothma, Luthen Rael and Imperial Prisoners
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For Diego Luna’s Cassian, Wilkinson draped him in warm, earthy tones with fabrics that were textural.
When audiences first meet him, he’s in “beautiful oilcloth from old leather jackets with iconic details such as a high neckline and a hood.” By the end, the silhouettes become leaner and streamlined.
“He has a beautiful tailored long-length linen coat that we made for him that moves beautifully for all the action sequences. It’s a grown-up silhouette.”
To outfit Genevieve O’Reilly’s Mon Mothma, he looked at prominent people, including leading senators and United Nations members, keeping power dressing in mind.  “I imagined to what extent the futuristic off-planet version of that would look like,” he says. “I leaned into the pale neutral tones.”
Her blue senate robe with a gold lining is “extremely architectural and quite austere,” Wilkinson says. “With her, there was a lot of adventurous tailoring and an exploration of silhouettes and layering that we did in her costumes, which reflect her switched-on sophisticated sense of aesthetics.”
Clothing for Mon Mothma’s more private moments “where the mask slips” hint at another side of her personality. Wilkinson relaxed her silhouette when Tay Kolma (Ben Miles) visits, for example, giving her outfit a flowing look.
“It almost feels like a dressing gown,” he says. “That private look contrasts quite a lot with her senator robes.”
He was able to explore a duality for Stellan Skarsgård’s Luthen Rael, an antiques dealer and the leader of a start-up rebellion looking to take down the Galactic Empire. “Luthen had this lovely layering of velvety textures and high-end fabrics,” he says.
The jewelry was custom-made, as Wilkinson was “inspired by rings made from brushed titanium and rare metals.”
When Rael is out providing support for a growing Rebel Alliance, he wears a linen poncho.
“He’s a man of action when he’s off, Wilkinson says. “We go from jewel tones to an earthy look with natural fabrics such as linen and cotton.”
The stark white costumes worn on the Narkina 5 Imperial Prison Complex proved to be a design challenge. Stark white, they needed to feel mass-produced and disposable.
“It was one costume worn by hundreds and seen over three episodes. I knew I wanted the outfits to be bright white with a strong graphic,” says Wilkinson. “So, I used a hot press to fuse the orange graphics onto this white paper-like fabric we found that had a high-tech feel.”
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jynjackets · 1 year
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I’m sorry but you don’t understand. Andor audiences are accepting an indigenous-coded child kidnapping story because it was aesthetically pleasing.
It’s a story of how people rationalize that it was right to colonize us all along. “That there was no other choice,” that these people are “saving us” from a greater harm whether it’s from a larger threat or from ourselves. That there’s a “moral complexity” to white saviorism and where people gaslight us by asking “well should they have just left you there to die?” when the issue is infinitely more complex than that. That people will justify their own choices because they don’t understand me, or that my English wasn’t good enough. That we should be thankful and that’s “why Cassian loves Maarva.” Does a child ask their own parents to do better? No because the child will always blame themselves. Until they learn better on their own.
If there was real value to this, Cassian would learn to not blame himself so much. He would be more open to Maarva to understanding why she did what she did. He would push her, be allowed to beg for answers. Maarva herself would talk about it, maybe properly apologize. If none of these things happened Maarva shouldn’t be the hero that radicalizes her home planet, it would be the migrant that learned from his home culture what life is like under oppression and how to fight it. He would be doing his best to make sure that what happened to Kenari doesn’t happen to another home he has learned to love.
So im just supposed to accept horrific cultural trauma to be appropriated because it looks cool? I’m not mad at anyone for liking the show and appreciating the shoot and production. And who knows maybe I’ll go along with the gaslighting and convince myself this isn’t a big deal. But to hear people call this deep or nuanced or creative when it’s people’s literal entire lives, my own entire life, being shallowly represented for no apparent reason other than to justify an accent, it is so deeply disturbing.
I’ve taken so long to bring this up because Cassian has been a favorite since rogue one. And wrestling around my feelings with this show, I still feel so hurt.
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therebelcaptain · 11 months
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I feel like Andor ruined Jyn/Cassian for me a little in a sense that Jyn is just not his type if we see the women Cassian had relationships with. I mean, Jyn is an amazing fighter and all but I guess he liked the more feminine and sexy women which she's not lol. Andor made me think they wouldn't be more than friends, I don't think Cass would be attracted to her like this, sorry.
I mean you’re welcome to your own opinion, but I’m not sure why you feel the need to tell me about it? Just because I made a post about rebelcaptain doesn’t mean I’m asking for opinions about them.
But since you’re here… I don’t really think it’s fair to say that there’s no way that Cassian would be attracted to Jyn because she’s not ~feminine~ or ~sexy~ or whatever. Just because she is different to the women we’ve seen him with in Andor, doesn’t mean that Cassian wouldn’t go for her. For one, tastes can change over time. Also there’s more than just physical attraction, my guy. I’ve always viewed their connection as something more emotional than physical or aesthetic myself. Idk man, the way they look at each other in the elevator scene is definitely not platonic imo.
Also Jyn *is* sexy!
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