click the source for 162 gifs of actress CARA DELEVINGNE in ONLY MURDERS IN THE BUILDING S02 (2022)  please note that i do not approve of the 5+/- age rule. these were made from scratch, so please don’t edit, repost or claim as your own or i will eat you. tag me if you’re posting edited gif icons for public use. give this post a like or reblog if useful. enjoy !

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by clicking the source link you will be redirected to #24 gifs of cara delevigne as crassie cassie in her smell please like or reblog if you use and credit! do not put in gif hunts.

I posted 3,830 times in 2021

879 posts created (23%)

2951 posts reblogged (77%)

For every post I created, I reblogged 3.4 posts.

I added 1,857 tags in 2021

#ask - 368 posts

#faves - 302 posts

#donnacha.txt - 277 posts

#fanart - 226 posts

#hoo - 171 posts

#leo valdez - 131 posts

#art - 103 posts

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#help - 93 posts

#pjo - 85 posts

Longest Tag: 140 characters

#whether you're canonically gay queer coded or just have a seriously homo-erotic relationship with your best friend you are the gay character

My Top Posts in 2021

#5

i can never take cara delevingne seriously ever since i learned her great-grandfather created the black and tans. instead of "pegging" the patriarchy u should be "examining" the fact ur great grandfather created a brutal militia that had state permission to murder and brutalize irish civilians, who at most times had nothing to do with any of the guerilla groups operating against the british occupation, during the 1920 war of independence

385 notes • Posted 2021-09-17 07:32:45 GMT

#4

like I cannot stop thinking ab this. I know me and cait have talked ab this before but leo and percy are perfect foils because leo is the murphy's law of percy. everything that could have gone wrong in percy's life went wrong in leo's.

sally kept percy out of godly stuff until her hand was forced when tlt starts, but leo is seemingly half-raised by hera, who "trains" him since a very young age. leo isn't hidden like percy was and this leads gaia to him. leo

sally's importance in percy's life cannot be understated. we see, even in pjo, where fatherhood plays a central role, that mothers for demigods can shape how they're raised and how they grow up. sally being there for percy and staying with him all the way through pjo gives percy a point of safety. a home with a loving mother and an 'escape' from demigod life. sally looks after and takes care of percy.

but because of godly interference and gaia, leo doesn't get that. leo is what percy could have turned out like if kronos had killed sally. leo is eternally on the run, away from his home, his past and probably the monsters who would have hunted him. leo's actions and character were irrevocable shaped by esperanza dying. leo is a lonely character who's self-worth has been destroyed by years of abandonment and guilt that he feels inferior to those around him. leo doesn't get a home to return to or family outside the demigod world. chb is the only home leo has had since he was 8.

their backgrounds, being so similar too, should have lead to resentment on some part from leo at least. percy had everything leo ever wanted despite being in the same situation as leo. a child of prophecy who was hunted by the big bad and had dangerous powers.

leo is everything percy could have been if fate wasn't on his side. obviously, in some aspects, they're similar (pranksters and loyal only to those they see as their own, very clear with the nico scene where leo doesn't care about nico so much because he doesn't know nico. he sees it as an unnecessary venture that could hurt his ship, jason or piper) while percy rails against this, could we say the same if it was someone percy had never met? maybe. maybe not.

to summerize. jason and percy weren't interesting foils bc it was based on power and neither character is interested in power. though leo and percy, who are so similar but otherwise completely different, would have been incredibly interesting.

409 notes • Posted 2021-04-03 01:45:53 GMT

#3

this is entirely inane but adding to my 'leo and percy should have been foils instead of jason and percy' when we're first introduced to percy in tlt, he mentions, when describing how weird his life had been, that he strangled a snake that had crawled into his bed

this, of course, is showing 1) that percy is strong and not entirely human and 2) harkens back to heraclus, who did the exact same thing

however when we're first introduced to leo, a character who seems to be in the same situation as percy (child/teen with weird powers who comes to camp after being attacked and is a child of prophecy who is being hunted by the big bad) but when he's describing a similar situation he tells us he couldn't kill the snake. hera gives him the weapon and the snake and leo, presumably only a toddler or a young child at this point, refuses.

leo refuses based on the fact that he feels the snake has done him no wrong and feels no need to attack. hera is shown to be training leo since he was a baby but he refuses to actually hurt the snake and instead lets it leave.

leo isn't a hero like percy is. leo wants to be a hero, and only gets the title through self-sacrifice. percy doesn't want to be a hero but doesn't have another choice in the matter. I don't know what this is about I just had this thought earlier today. so here u go

604 notes • Posted 2021-04-02 00:51:36 GMT

#2

thank you to whoever stripped the queen of her magic powers long enough for prince philip's reanimated corpse to finally turn back to dust

1397 notes • Posted 2021-04-09 11:16:38 GMT

#1

ireland has colonization brain rot

1490 notes • Posted 2021-04-16 22:48:23 GMT

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Everything Wrong With… Ep 2 - The Devil Wears Prada

Welcome back to Everything Wrong With...the series where dive head first into some of the seemingly okay-ish films and analyse why in fact they do more harm than good in providing us with satiable entertainment. Follow me on instagram @ratingtheframe for more movie related content and without further ado, let's get into this chick flick and see how far we’ve come since 2006.

If you aren’t aware, The Devil Wears Prada is a 2006 “chick flick” originally written as a book by Lauren Weisenburger. I remember seeing The Devil Wears Prada as one of those grown up lady films, for mature women on tampon adverts who had wine on Thursday evenings from M&S and wore heels practically everywhere. My perception of this film and the audience it caters towards has changed dramatically after watching it and it kills me inside to imagine the popularity and praise such a film got back in 2006, an extremely harsh time for women and the perception of beauty standards. 

The world was still getting into the internet, magazines and runways were adjusting to the 2000s and the way that women were viewed in the media was a lot more damaging than today. Former supermodels such as Kate Moss and Cara Delevingne have since come out and talked about their experiences in the modelling industry and how it creates unhealthy stereotypes for women and young girls to abide by. The ‘size 0’ and ‘heroin chic look’ has since been banished from the modelling industry, two expectations that were pretty popular in the late and early 2000s for models. We are witnessing a revolution for the modelling industry as they (very) slowly but surely are beginning to introduce more plus sized, diverse and unfiltered faces for their campaigns. We can breathe easier knowing that the only way is forward for the fashion industry and that very little people will stand for the mid 2000s ideologies that were pumped out to the entire world.

Back to 2006 and one of the year’s most popular films with female audiences; The Devil Wears Prada, starring the likes of Anne Hathaway, Meryl Streep and Emily Blunt. The film follows Andy Sachs (Anne Hathaway) , a wannabe journalist newly welcomed into New York City and is currently on the hunt for her career. She manages to land a job at Runway Magazine, a large, corporate editorial magazine for women’s fashion run by the one and only Miranda Priestly (Meryl Streep), a devious, beautiful and highly successful media personality and editor.

So far so good as we have two tangible and likeable female leads. The opening sequence (one of the most important in any film) had me eye rolling a touch in the way it depicted women of the 2000s and seemingly created the idea that there are two sides to women. 

The five or so minute montage consisted of the various women who are models at Runway, getting ready for their long day of work, right from being undressed to fully made up. This was supposed to be a contrast to how our lead Andy gets ready, barely throwing on any makeup and throwing on whatever she wants whilst heading out the door. When you put the way women choose to be perceived in the world at an opposition, you create this divide between women and further place their worth on how they choose to look. The stereotype of a ‘pick me girl’ arises from this opposition, a girl who actively shames other women for choosing to be more openly feminine in their appearance and actions. The intelligence and respect of women should not be based on how they look when they show up, rather how they BEHAVE when they show up. I just thought this montage was a little unnecessary and if anything, introduced us into a misogynistic world of 2006 really well. One point for accuracy, no points for progression. Everyone gets dressed in the morning and (often) everyone wears underwear, showing this activity on screen didn’t really add much to the film besides the pressures of women to look a certain way. 

Once Andy arrives at the company, she is rudely introduced by Emily (Emily Blunt) Miranda’s current right hand. Now the entire character of Emily is again, another concept to this film that is left better in the 2000s; a mean girl and a VERY mean one at that. This world is already a patriarchal mess for women like Andy and Emily and having women join the bandwagon in showing an oppressive side to those who don’t conform to the female societal norms is non progressive. It was almost as if Emily was an investor into the patriarchy by behaving abhorrently towards her from the way she dressed as opposed to her actual character and qualifications. Please, let's not have women against women based on their desirability in the eyes of the male gaze. Emily has already become a clear victim to her own policies, as her lack of eating is laid bare to us as an entertaining gimmick as opposed to a cause of concern. Last time I checked making fun of eating disorders wasn’t chic. 

Now the argument whether Miranda Priestly is also an investor in the patriarchy is a little clouded. Through her mean spirit and harsh words towards Andy and her appearance, she comes across as someone who is doing more harm than good by joining the patriarchal view of women in the 2000s. I found myself having to bite my tongue a little instead of calling her bitch because that would be letting my internalized misogyny get the best of me. 

Even though Miranda is tough talking and spiteful, I really can’t blame her for it as a character. She is one of the strongest female characters I’ve come across on screen for both her strengths and flaws. Had such a character been placed in a Roman Army or Italian Mob, my views of her would have stayed the same. She is a strong woman with enough versatility and strength to face any situation. The way she asserts her authority in a funny and patronizing way is hard not to fall in love with and any woman who asserts their authority and relishes in their own power is already technically against the patriarchy. Her industry may be patriarchal, however her spirit is not and the things she does in order to keep her status is admirable. I found myself comparing her to the way a man maneuvers the world (again, internalised misogyny, working on it) which in some parts is the reason there should be more Miranda Priestly's in films. Instead of comparing strong women to men, with more strong female leads we’ll start comparing these women to other women. 

Thank god for the zilch, overly graphic sex scenes in this film (maybe cuz the screenplay was written by a woman, but who knows-), however their is one character I’d like to address that rubbed me the wrong way and spoke for a big hole in the modelling/fashion industry that still exists today. Christian Thompson (Simon Baker) is this handsome, 40 summit journalist who meets Andy at a social event for a fashion designer. I admit he was charming in his demeanour but also overtly creepy at points. Andy and Christian bump into each other in Paris where he leads her down a street (his hand on THAT part of the elbow) and kisses Andy without consent, knowing she has a boyfriend. “Oh, it's just a movie” you’re probably thinking, but yet I couldn’t help but cringe at such a thing. Movies are a reflection of our society after all. He kisses her several more times until Andy gives in. If we’re trying to get films to reach audiences and affect them in some way, encouraging consent should be one of those things. Depicting such a madness on screen makes my rolls right to the back of my head and speaks for the entire society behind the modelling and fashion industry; a society run by men who can do what they like with or without consent. Though the wellbeing of Andy wasn’t in imminent danger, I felt Christian Thompson as a character to be a representation of those in the fashion industry who take advantage of women because of their status and so called connections. No more of this please!

Andy has a transformation a little later into the film, a concept that we thought had been left in the patriarchy trash can, but quickly emerged in Debby Ryan’s Insatiable (2018). Lasting only 2 seasons from 2018-19, the Netflix series followed Patty Bladell who gets afforded niceties and respect after she loses weight and becomes a “hot girl”. The show was created by Lauren Guissis based on an article about a (male) Pageant Guru who tells women how they can become pageant queens for a small fee...EW. The fact that such a show got picked up in a day and age that was beginning to open up to body positivity and more inclusivity in the media, the show was insensitive to its current surroundings. 

This same “ugly duckling” transformation isn’t something new or old apparently, with the one in The Devil Wears Prada being one of the least progressive moments of the film. Now that Andy looked like she could work at Runway, somehow she was working a lot better at Runway and was being afforded privileges she didn’t get before her new haircut. Is this the message we want to send out to the world anymore? That in order to get a one up in life, all you need is new clothes and better make up skills? Of course, glo ups can be fun but the purest, healthiest form of a glow up comes from within.

A tiring cliché that “beauty comes from within” but one that makes a lot of sense and something I experienced in my mid teens. Having never experienced male validity or the feeling of desirability, once I began to believe I was beautiful on the outside, others began to notice, because they could read the confidence and self worth I had from my outward energy. An energy that can’t be felt beyond a face tuned Instagram picture. Beauty can be an energy as well as a look and had Andy embraced this more and rejected the passing comments people made at her, it would have taught us that one doesn’t have to conform in order to be respected. On the other hand, I don’t want to shame nor blame her as conforming to societal standards as for most women ,it’s an act of survival, to secure their places in certain spaces, with Andy being no expectation. A sad reality that a woman may have to wear makeup in order to stay in people’s good books, but a choice that should be discussed as opposed to shamed. 

I truly could go on and on about the harmful stereotypes and implications of The Devil Wears Prada and it's sad, yet true similarities to the real fashion industry of today and the mid 2000s. It was and still is cut throat, with many models developing eating disorders, low self esteem issues and even substance abuse due to the mounting pressures of trying to reach perfection. A perfection that doesn’t exist seeing as the fashion and modelling industry alters their version of perfection every single day. I’m glad that by the end of the film Andy ditched Runway in favour of living a more healthy and truthful lifestyle, one that wasn’t swapped in ridiculous pressures and the threat to conform or else leave. Which she did in the end. Miranda isn’t a devil, but a force to be reckoned with in a world that is ready to make her feel lesser than herself because of her gender. I hope to never see such a film like The Devil Wears Prada, ever again, in a world that no longer needs this sort of film to represent the strengths of women. It's best left in 2006 and hopefully you’ve learnt something you’ve never thought about from this in depth analysis. 

Taylor Swift Makeup Appreciation Post: the Bad Blood Video

‘That’s not fair,’ you complained, watching as Lion managed to once again get under Badger’s guard and knock the boy to his feet. He had already managed to disarm you, already sparred with you for a good five minutes before seeming to take the other boy on without so much as breaking a sweat.

‘Seriously?’ asked Collie, arching an eyebrow, not looking away from her own sparring session against Fox. ‘Mr. Top-of-the-class beatin’ Badger?’

Badger let out a sarcastic laugh, but when you turned to him there was an all too familiar amused glint behind his eyes. ‘Ya’re just jealous,’ he noted, allowing Lion to help him up.

‘That she’s not the one beating you?’ asked Fox, a smirk curling at the corner of her mouth as she dodged an attack from the stick that Collie was using as a weapon.

‘Now that’d be an interesting fight,’ said Lion, looking between the two of them. His eyes caught yours and a small smile slipped onto his face, the tension of the place slipping for a moment.

A/N: Gif credit goes to the respective owners; I just found them on Google (added the links in the captions).

wife wanted for joel kinnaman on a southern gothic site !!! click the picture for the site. this is for emanuel’s wife!! they have been together for eight years and married six of those. they also have a four year old daughter, willa marsh. they met one day at a bar after emanuel travelled up the coast chasing construction jobs. they talked about life and where they had been and where they were going. she told him he should be a lawyer, because he was very observant. so he went to college and became one. i kind of want to create their story, so i’m leaving this very open ended to the details in between but i definitely have some thoughts for current.  i will say my feelings for this relationship is that emanuel changed a lot for her. a lot. and it wasn’t her fault. he just became what he needed to be to have a good life. the job, the ring, the pretty little wedding, the perfect pregnancy. which doesn’t mean he’s not happy, but he literally used to live in the woods with his parents and hunt for rabbits and walk 2 hours to school everyday. now he puts on a suit and takes on goes 2 courtrooms and is married and has a condo and a ten thousand dollar bedroom set with her. it’s just a much different life. he adjusted so he could have it with her and he doesn’t see anything wrong with that. and at the same time he will dance around the word love like he’d die if he said it.  here are some feelings/vibes/whatever!!!! i’m 100% open for all discussion for them and this is open ended/not finals/one way train going anywhere.  i. things are tense. something doesn’t feel right. ii. his wife is antsy to go, he’s not sure why. she presses him about his family, something they never really spoke about. eventually he tells her about his parents down south. he tells her he owns some land. iii. he doesn’t know what she is trying to escape, but he can feel it so much that he just tells her the secrets he never wanted to. iv. they come down to alabama for a visit. they plan to meet his parents, to see his plot of land, and he knows she wants to move here, he has a feeling. v. he remembers his first daughter vividly and fears that he’ll run into her and not know what she looks like. vi. he’s not sure he’s ready to tell his wife about those skeletons. vii. they start to live out of a motel. the real estate agent at home is calling emanuel. his wife put the condo on the market without telling him. he calls to fire the house cleaner. viii. they get a car from a rental place that has windows you have to crank. their daughter’s seat belt isn’t working so they just go to the nearest dealer to buy a new car instead. ix. he leaves early in the morning to go to his parents without his wife and daughter. his mother is sick. his father is wearing the same flannel he’s been wearing for years. x. he loses his wedding ring in his mother’s garden. her age is flexible. he could have met her when she was as young as twenty. soo her age could be 28-33 or something. faces are also open. some suggestions: not cara delevingne. her job is open, unless you want her to be a stay at home mom. why she wanted to leave? also up to you. my thoughts are: escaping an emotional affair, running from some stalker, her past coming back around to bite her, tired of the mundane life she was living, anything you might want. please make her!!! this will be so much fun. pls msg my discord/pm/post here!!!!

Faceclaims for The Cure Series

Cara Delevingne as Fox.

John Boyega as Lion.

Taron Egerton as Badger.

Naomi Scott as Collie.

Luke Pasqualino as Ox.

Bertie Gilbert as Goat.

Alfred Enoch as Swift.

Lewis Tan as Duck.

Kathryn Prescott as Snake.

A/N: I should be writing; I had planned to do moodboards; I should stop posting things on here that aren’t imagines; but instead of doing any of those things I decided to find gifs for faceclaims of OCs. Sorry.

A/N: Gif credit goes to the respective owners; I just found them on Google (added the links in the captions)

Cara Delevingne as Fox.

Luke Pasqualino as Ox.

Alfred Enoch as Swift.

Bertie Gilbert as Goat.

A/N: I was editing and felt the need to make a gif set thing of the core four from book two - procrastination techniques like a pro. Sorry.

Gif credit goes to the respective owners, I just found htem on Google. Links to where I found them in the hyperlinks of each gif.

‘I seriously don’t get it,’ you said, dropping onto Fox’s bed as the others settled around you. It was late, the latest JD shift had finally passed you and you were all well aware that in about ten minutes you’d have to go back to your own rooms so as not to get caught.

‘Because they enjoy keeping us in the dark,’ said Lion darkly, his dislike for The Centre only appeared to have mounted over the course of your first full day there.

‘Maybe it’s better not knowing what’s out there,’ suggested Badger.

Collie raised a sceptical eyebrow at him. He merely offered her a shrug in reply.

‘If it’s that dangerous out there,’ reasoned Fox, ‘then surely we need to know about it. Know how to deal with it if it came in.’

‘I think this place is pretty well protected,’ said Collie fairly. ‘We’ve all seen the locks for the doors.’

You all nodded your agreement.

‘But even they don’t make sense,’ you said in a small voice. ‘This place just doesn’t make sense.’

‘Too true,’ agreed Lion.

‘But questioning it’s going to get us nowhere,’ reasoned Fox with a sigh.

A/N: Gif credit goes to the respective owners; I just found them on Google (added the links in the captions).