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#but like canaries in a coal mine you know?
cryptidqueerr · 2 years
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okay real serious talk from your internet big sister: i really need y’all to be prepared for conservatives to retake a lot of societal ground in the next few years. there are so many younger people, especially young queer people, who don’t remember the bush era, don’t remember the 2000’s, who only see society as it is now where left/liberal ideologies really dominate the general social fabric and are going to have a really rough time when conservatives start controlling a lot of the social dialogue. a lot of what we’ve been used to being able to avoid because the really blatant conservative messaging has mostly kept to itself might be about to become mainstream. their beliefs are going to start to show up the TV you watch, the advertising you see, the music you listen to. it’s going to feel like losing ground, losing time, being pushed out of spaces where you were welcomed and acknowledged.
this isn’t to scare you, honestly. we lived through it not so long ago and still pushed through and got here, we’ll do it again. it’s just to make you aware and let you know that if you do start seeing those kinds of messages or start seeing the representation that you love go away, it’s going to be okay. people haven’t suddenly regressed around you - the assholes just got louder. you’re still loved and welcomed and you can still find places to have a home, they just might be a little harder to find for a while. but people will always work to push things forward again, and even if we lose now we will get back one day ❤️
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hum--hallelujah · 11 days
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actually "tell the boys where to find my body" is like top 3 FOB lyrics that makes me feel like I'm going to throw up
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loud-whistling-yes · 1 month
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This is going to sound like the world's most brain-rotted thought but passerine by the oh hellos is martlet coded and canary in a coal mine by the crane wives is clover coded
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ndostairlyrium · 9 months
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Kerry and Cullen for A1?
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no, we're not going into "maybe later" territory because they're not into that - not with each other at least 👀
My dear, thank you for this option ;; the height gap gives me life 💛
The Meme
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bylertruther · 1 year
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"will doesn't have anything to do with this, it's all el" first of all, more than one character can be important at the same time and another being special does not take away from anyone else being special. second of all, what show are you watching what show are you watching what show are you watching what show are you watching what show are you watching what show are you---
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genderfluid-druid · 11 months
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finally learning emotional intelligence as an adult in my 30s feels like playing with goddamn tinker toys while i watch other people my age building these beautiful emotional ecosystems out of hand carved mahogany. but the alternative is to continue being glib and dismissive of every emotion i experience for the rest of my life so 👍 pass me that green rod i guess. and do you see any more hubs
#at some point last fall i visited my parents and was telling them about my plants#i had just bought a nerve plant aka fittonia#i got her because nerve plants are famous for wilting dramatically when their water conditions aren't just right#i thought it was interesting and funny and maybe a good way to keep an eye on my plant area. catch any moisture problems early#bit of a canary in a coal mine idea you know#anyway i told my parents about this plant#and they kind of laughed and rolled their eyes about this plant being so dramatic#and I said no. you see. i like a plant that communicates its needs#and i swear to God#i could See the thought passing through their eyes for the first time#that that might be a good thing#oh i think I'm gonna scream actually#DO YOU KNOW HOW MANY YEARS I SUFFERED CRIPPLING PERIOD CRAMPS EVERY GODDAMN MONTH AND NEVER TOLD ANYONE#by the way. nerve plants are fine after you water them. once you fix the problem they perk right back up again#my parents did their best. and frankly i think there's someone to be said that they raised an autistic child without traumatizing me#my depression and shit didn't appear until high school when i had to start interacting with the wider more complex world in earnest#and didn't have the tools for it#but my childhood of being given art supplies and left to my own devices was pretty chill#but i do wish unhappiness and discomfort hadn't been. like. something to be avoided or fixed immediately so no one had to talk about it#anyway. the birdcage is a good movie
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might be a long shot but does anybody have a good canary embroidery pattern? the way I picture it it's like falling but I can't put that on paper and it's stuck in my head because jimmy solidarity and his canary curse yaknow I want one on my bad boys jacket
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cgogs · 2 years
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im staying but that *does not* mean in support or anything i just mean that im sitting this one out throwing my towel in the ring and wont post about non-lore cc things things forrrr probably forever girl
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solsays · 6 months
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Lifers x Crane Wives
I saw someone comment on a life series TikTok or something to try and pair all of the lifers to a crane wives song, without repeating songs. so obviously I spent an hour doing it
Grian—Tongues & Teeth (self explanatory if you’ve EVER heard this song)
Scar—Steady, Steady (this whole song is about how their partner is walking out but they still want to be “wild and free” which is just SO Scar coded)
Tango—Ancient History (he keeps teaming up with Skizz and I feel like this song vibes with that, it also just feels very Tango)
Skizz—Icarus (this man always gives himself up for his teammates I swear, and he fuels them to keep going. It also says “oh brother, brother” which feels like Skizz talking to any of his teammates to me)
Impulse—Allies or Enemies (Impulse has been very iffy on a lot of his alliances throughout the seasons, especially in third life and with the amount of playing all sides that man has done this songs feels right)
Cleo—The Glacier House (this. this is literally just her leaving Fairy Fort. The song is talking to/about her from probably Lizzie’s perspective, but like the last line is 100% as if Cleo was speaking)
Bdubs—Unraveling (Bdubs relies so heavily on his teammates, and when he doesn’t have that stability *cough* Etho *cough* he just kinda doesn’t know what to do so this song fits)
Mumbo—Keep You Safe (this man is by no means an aggressive/reckless player [see: Joel or Martyn] and he feels like he’s just here for the vibes and honestly? Love that for him. This song is about fear not keeping you safe and watching your friends run high risks, which just is very accurate to how Mumbo plays this series. I also feel like he could fit Rockslide when he goes red cause he goes from standstill to “drop dead sprint” in terms of aggression)
Lizzie—Shallow River/New Colors (Lizzie is the only one I put as two because both of these songs are just so fitting. Shallow river—“wasted all for the title, wasted all for the crown” reminds me of Lizzie trying to kill Scott and ending up dying herself instead. I also feel like parts of it could be dead Lizzie talking to Joel, the only person who is really mourning her. New Colors—“don't tell me that I can't, I need this“ and “I give up my air, to breathe” also feel very accurate with how she is trying so hard and just keeps failing )
Jimmy—Canary in a Coal Mine (no further context needed, we all know Timmy)
Scott—Little Soldiers (this is very flower husbands, but also just feels like Scott looking back on the last seasons including Pearl, Jimmy, Martyn, all his reluctant exes. Also this man is the watchers’ like least favorite person ever and this gives that vibe)
Pearl—Ribs (i changed this from New Discovery because Ribs is entirely about somewhat angrily protecting and helping yourself because nobody else would, and it really strikes me as Pearl with the some things having been good (Gaslight Gatekeep Girlboss) and some being bad (divorce quartet))
BigB—Not the Ghost (this man is so incredibly odd, he just constantly feels like he is being haunted by the watchers and just going about his life, he is the human personification of gaslight and we love that for him)
Martyn—The Hand That Feeds (he HATES the watchers with every ounce of his being, and with Ren gone I think this guy’s only purpose is just to spite them)
Joel—Sleeping Giants (go listen to it. That’s all there is to it, it just feels very Joel-ish, this lad is absolutely fucking mental)
Ren—Once & for All (this song feels like war and being betrayed, and Ren has been betrayed so much so it just fits. I mean come on “my blood’s forever on your hands” tell me that isn’t 100% something Ren would say)
Gem—Show Your Fangs (Girlboss moment, we love Geminislay. This woman is not someone to be underestimated and this song very clearly says that so it’s very Gem in my head. She doesn’t have enough lore yet to make it angsty but ONE DAY)
Etho—Never Love An Anchor (I can’t explain it, this song just has Etho vibes. I mean “It’s a secret I keep tucked inside my chest” just seems very him, I can’t really tell you why)
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liyazaki · 1 year
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via the Arkansas Advocate
it’s official: in Arkansas, library staff may now be charged with a Class D felony for providing books to their communities that are deemed “obscene”.
in Florida, school librarians and teachers can be criminally charged for checking out books to kids that dare to touch on LGBTQ topics & gender identity, thanks to the “Don’t Say Gay” bill.
book censorship in the US is at such an all-time high, book sanctuaries are popping up all over the country.
library staff aren’t physically safe, either. just over the past couple months, threats against libraries and their staff resulted in the temporary closure of “five public library systems due to bomb and shooting threats," ALA. active shooter trainings have become the new norm for me.
the censorship myself and my colleagues have been watching unfold over the last several years has felt like watching a slow-motion car crash.
but this bill? this feels like a death knell for my profession.
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via Teen Vogue
when I was a confused queer kid growing up in an ultra-religious household, the library was my refuge. when I asked hard questions, librarians listened and gave me the tools I needed to answer them. in many ways, libraries saved my life. it's why I became a librarian.
I can't believe I'm living in times where future generations of kids may not have access to the same refuge I did, but it's happening.
if you live in the US and you care about protecting open, equitable access to information, please check out the American Library Association for anti-censorship resources in your state, info on contacting your representatives, etc.
you can also report censorship you see in your community and ALA will investigate (1-800-545-2433, ext. 4266; [email protected]).
I know this isn't my usual content, but libraries are standing on the edge of a horrifying precipice- one we can't escape on our own.
libraries are free society's canary in the coal mine, and all the alarms are singing. when libraries fall, nations usually aren't far behind.
this matters- and we need help.
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cherrifire · 1 month
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Hi :D Logic behind the latest batch of cutie marks? if you feel like sharing :)
Hello everypony ^-^ It is cuie mark info dump again ^-^
Before we start, reminder that Grian + Tango do not have cutie marks because they are a hippogriff and a Kirin respectively. Non-pony creatures do not have cutie marks :)
Now that we've got that out of the way, let's get started!
Mumbo's Cutie Mark
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I'm the proudest of this one because it'd simple but affective.
Mumbo's cutie mark is a tangled-up red wire which has been cut at the ends to expose the conductors. The wire is also particularly made to create an 'M' shape.
Similar to Impulse's cutie mark, Mumbo's is related to electricity for his investment in redstone. Electricity being the closest thing to it. That said, I gave Mumbo a wire because it is the baseline of all electricity. It connects everything together. From the power source and into whatever little machine or contraption you've built, wires are needed to keep it all powered! So I thought using it as a cutie mark would work really well for Mumbo. Sometimes he can just bring people together just like a wire does for electricity.
(And the little knot in the wire is just a little something to indicate Mumbo may be a bit of a mess)
Additionally, with the wire being in the shape of an 'M' it could stand for Mumbo while also being in the shape of a mustache too :)
Scar's Cutie Mark
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Capitalism baby! Scar's cutie mark is of a red top hat next to a bag of bits (the currency in my little pony is called bits and are essentially gold coins).
At heart, Scar is a swindler. He's full of joy and whimsy sure, but he has a real talent for selling little trinkets to anypony who takes a look at his store front. In my head, Scar is essentially the flim and flam of this AU. He's a wandering salespony who shows up from time to time with things to sell from all across Equestria! That's where the little bag can be interpreted as a bag of coins, or a bag full of mystery items he's collected over the years.
Also, the top hat is there to represent Scar's salespony flair.
Joel's Cutie Mark
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Joel's cutie mark is of a greek stone pillar and a chisel.
There are a couple of meanings to this one. The first one is pretty obvious, Joel loves to build! He's a fantastic builder with an eye for design. So I chose a greek pillar to represent one of my favourite builds of his, Stratos! But of course, a simple pillar can be used for lots of things and that's where the second meaning comes in. To hold things up! Joel holds himself up to on pretty high pedestal. He's very full of himself and I honestly can't blame him. Joel is great! So of course I had to represent his ego in his cutie mark somehow.
Jimmy's Cutie Mark
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Jimmy's cutie mark is of a little canary bird. Another cutie mark with two meanings behind it!
First, is the obvious one. The canary in the coal mine. Misfortune will fall upon the canary to indicate to others that the journey may be too dangerous to continue. A bad luck charm if you will or a bad omen. And that's the surface meaning of his cutie mark that everypony knows it for. Jimmy is the poor clumsy pony in town who always seems to hurt himself before things go wrong.
However, there is a second meaning. Canary birds are also supposed to happiness and harmony. This is the main core of the cutie mark which gets over looked. Despite the bad implications of his cutie mark, it does not stop Jimmy from spreading joy wherever he goes. He's kind and joyous, keeping a positive attitude no matter what.
(I of course have a Ranchers plot point where Tango says this to Jimmy to cheer him up about his cutie mark one day. Tango, who has never had a cutie mark and does not understand their importance, says he doesn't see Jimmy as bad luck, but instead feels joy when Jimmy smiles no matter the situation. But that's a story for another day 🤭)
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ilguna · 5 months
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Hey! Can I get the number 89 (in honour of 1989 tv) with finnick ?
☼ lovestruck, lovesick, lovelorn pt1 (Finnick Odair) ☼
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warnings; swearing, death mention, death, gore for sure, blood, weapon usage, mention of prostitution.
wc; 8.6k
prompt; 86. "Do you trust her?" // "No, but I trust her anger."
notes; i already did 89 for Peeta (castaway) and i'm trying not to do any repeats, so we're going with 86 :)
--
The golden Cornucopia sits abandoned in the middle of this black sand island, whereas normally it’s occupied by the Careers to ensure that no intruders steal from them. There must not be anything worth protecting in here, then, besides the weapons that are displayed.
This allows the group to spread out, picking places to rest in the shade. Peeta lowers Beetee to the ground, propping him up against a box. He backs off, going to stand next to Katniss.
Beetee calls out to Wiress, making her go over to him. She crouches down, hands on her knees, waiting. In her limited state of mind, you’re fairly surprised that she’s still comprehending people, much less requests. He holds up his coil of wire, she takes it. “Clean it, will you?” 
Wiress nods, wordlessly getting to her feet and going to sit on the edge of the island to clean the spool of blood. She dunks it in the water, occasionally using her fingers to rub a particularly hard spot. While she does this, she begins to sing, no longer repeating the words ‘tick tock’.
It must be some sort of nursery rhyme from District Three, because you don’t recognize it. It’s about a mouse running up and down a clock, which is fairly appropriate, given the recent discovery, thanks to her.
“Oh, not the song again.” Johanna says, rolling her brown eyes. “That went on for hours before she started tick-tocking.”
Wiress stops suddenly, getting to her feet, posture rigid as she points to the jungle and says, “Two.”
The rest of you watch as a white wave of fog begins to seep onto the beach. From here, it doesn't seem so threatening. You probably wouldn’t think twice about it, if you hadn’t run for your life from it early this morning. While it melted your jumpsuit and poisoned your skin, causing you to strip to your under clothes and for your body to be covered in scabs from where it touched you.
You’d rather fight the orange monkey muttations a hundred times than risk doing that again.
“Yes, look, Wiress is right. It’s two o’clock and the fog has started.” Katniss says.
“LIke clockwork.” Peeta agrees. “You were very smart to figure that out, Wiress.”
Wiress smiles, and then kneels in the sand to continue singing and dunking the coil in water. “Oh, she’s more than smart.” Beetee says from beside you. Your eyes slide over to him. “She’s intuitive. She can sense things before anyone else. Like a canary in one of your coal mines.”
“What’s that?” Finnick asks Katniss.
“It’s a bird that we take down into the mines to warn us if there’s bad air.” She says.
“What’s it do, die?” Johanna scoffs.
“It stops singing first. That’s when you should get out. But if the air’s too bad, it dies, yes. And so do you.” Katniss ends that line of conversation, turning to go inside of the Cornucopia.
Johanna goes in after her to poke around in the weapons, since she’s been empty handed the entire time. Funny how Beetee was able to make it to the Cornucopia before she did, even if it ended up getting him hurt because of it.
You briefly glance at Finnick from where you were watching Johanna, and you have to do a double-take when you realize that he’s staring at you. He looks you over, up and down, which would be flattering, if you didn’t know that he was assessing your demeanor, deciding if you were a threat.
You squint at him, face twisting. “What?”
“Nothing.” He tells you.
“It’s not nothing if you’re looking at me like that.” You snap. “Leave me alone.”
He shakes his head, but doesn’t say anything back. You’re getting tired of him thinking that you’re going to betray the alliance. You’re in this as much as he is, you volunteered to be here. If anything, he should be a little grateful that he got a district partner that’s invested and capable.
He doesn’t see it that way, though. He thinks that you’re just as bad as Enobaria and Brutus—that you’re itching to get back into an arena to kill for some spotlight. And you know this, because he told you himself on the train. Once you were out of sight of the cameras, he tried to lay you out in front of Mags and the escort, and you shut him down.
You know he disagrees with the way you choose to handle situations, but to think that you would get in the way of a rebellion was a slap to the face. You made sure he knew that later on, when you were out of earshot of the Peacekeepers. If he wanted to think of you so lowly, fine. The line is drawn when he begins to implant those ideas in other people’s heads, too. Especially since you’ve done nothing to deserve it.
It didn’t matter to him. In fact, he tried to block you from being invited into the alliance by telling Haymitch that you could fuck the whole plan if your mood changes. He said all it would take is one disagreement, one thing not going the way you wanted, one wrong look, and you’d make sure that everyone else would be brought down by it.
Thankfully, Haymitch knows better than to just take Finnick’s word for it. He might be a drunk, but that doesn’t mean he wasn’t paying attention for the past ten years. He knows that you and Finnick have a history of not getting along. If anything, you’ll sabotage Finnick more than you will the alliance as a whole.
Which is why he told you that you have a place in it, if you want. And while everyone else places stepping stones to make sure that the plan to get rescued is in place. You were told that you have two jobs; the first one being protecting Katniss and Peeta, a task that you were already prepared to risk your life for. As for the second one—if anything were to go wrong, if someone unexpected were to get killed, you’ll replace their shoes, and get Katniss and Peeta to the end of the day at all costs.
This is why you’ve been on edge. If Finnick would see past his hatred for you, and thought about it, he’d realize that you’re trying to make sure that Katniss and Peeta are in good positions. You are not the threat here.
Johanna lets out a grunt, you turn your head in time to watch as she throws an axe through the air, straight at the Cornucopia. It hits the sun-softened gold with a gentle thud, and it sticks. She crosses the area, pulling it out by the handle, making a face at the blade.
Katniss is digging through the weapons, probably looking for more arrows to add to her collection, because two sheaths aren’t enough. When she finds one, she swings it over her back and comes out to stand over Peeta, who’s drawing a map of the arena onto a large leaf that he brought from the jungle. He slices the circle, creating twelve equal wedges.
“Look how the Cornucopia is positioned.” He says, looking up at her.
Her eyebrows draw in, and she turns around to take a look at the building she just came out of. “The tail points to twelve o’clock.”
“Right, so this is the top of our clock.” He says, numbering the wedges one through twelve. “Twelve to one is the lightning zone.” He proceeds to write lightning in the wedge, and then goes clockwise, adding blood, fog, and monkeys in the next sections.
“And ten to eleven is the wave.” She says, he writes it down. 
Finnick comes over with Johanna, the two of them have upped the weapon count on their bodies. And he thinks you’re the dangerous one, as if you don’t have a sword and a couple knives on you. Does he really need two tridents and half a dozen knives? It makes him look…
Hot, a voice whispers from the depth of your mind, It makes him look hot.
He’s standing in a patch of sun, where the Cornucopia doesn’t quite reach. The sunbeams baking his already tanned skin. His eyes are a brighter shade of sea green, with the light being in his eyes. He looks like he belongs at the bottom of the ocean, commanding the creatures that dwell in it.
He must feel your eyes on him, because he flickers over to yours. You stare for a second longer, before blinking and looking away, back at the map that’s being drawn. 
It’s a shame that Finnick decided years back that he would rather keep you at a distance instead of making a friend out of you. The two of you are so similar that it hurts at times, but all he can see are the differences, which hurts more.
The both of you won at young ages, with him setting the record, while you won at fifteen. He had an advantage in his Games, though, because the sponsors were drawn in by his good looks for being someone so young. This meant that he had everything he could have ever asked for gifted to him in the arena.
On the other hand, you didn’t make much of an impression during your reaping or the Tribute Parade, forcing you to change the strategy that you’d been given by Finnick and Mags. They wanted you to keep your head down, but if you wanted even a sliver of a chance, you needed to make your name big.
So, that’s exactly what you did. And that’s where the resentment he has for you, started. You showed off absolutely all your skills in the Training Center, making sure the Gamemakers knew you had potential, getting you a score of nine. During your interviews, you told Caesar that there wasn’t a single hurdle you wouldn’t jump to get home.
That statement was put to the test in the arena, when you killed several tributes, including your own district partner, because you knew it put you one step closer to getting out. You didn’t care what bridges you had to burn, how many sponsors you had to lose, or if you lost the support of your mentors. Nothing could stop you, and it didn’t.
Finnick hates that you had no remorse when you got out of the arena. Or now, because you told him that this is the hill you’ve chosen to die on, because between life and death, you choose life. He can’t wrap his head around the fact you’re so cold. How could the two of you be from the same district?
The similarities came back into play when you turned sixteen, when the Capitol realized that they do care about you. Which changed your title from victor to Capitol darling. You were told to join Finnick and be a prostitute, or President Snow would kill your family. 
This is where you screwed up, believing him to be bluffing. You didn’t think he would actually do it, but he’s a man of his word. When you were done listening to the screams and pleas of your parents to spare your siblings, Snow told you that if you didn’t agree, Finnick’s family would be next.
You had no choice, you had to agree. And when Finnick found out that you landed right where he was, there wasn’t a single shred of empathy he had toward you. Not even after you returned to District Four, and he learned that your family had been murdered in your home. The one you’d be forced to stay in for an additional two weeks while they got your victor house ready.
If you weren’t indifferent to his existence before, you sure as hell were then.
“Did you notice anything unusual in the others?” Katniss asks Johanna and Beetee, referring to the wedges. 
“Only blood.” Johanna says, Beetee nods.
“I guess they could hold anything.” Katniss looks down at Peeta.
“I’m going to mark the ones where we know the Gamemakers’ weapon follows us out past the jungle, so we’ll stay clear of those.” Peeta says, drawing diagonal lines on the fog and wave beaches. He then sits back. “Well, it’s a lot more than we knew this morning, anyway.”
You look up, going to check on Wiress, since she’s gone quiet. Your eyes find Gloss, water dripping from his bare skin, knife sliding across the skin on her throat. It’s too late to save her, you know this when the blood begins to come down her neck like a waterfall.
The knife on your belt is in your hand and flying through the air in the matter of seconds. It’s headed right for Gloss, and when the blade lodges in the center of his forehead, it throws him back. This kills him instantly.
A movement out of the corner of your eye makes you turn your head, hand reaching for the knife that’s lined up next, but Johanna’s on it. She buries her axe in the center of Cashmere’s chest, eliminating her.
Three cannons blast, back to back.
Finnick swings his trident upward, deflecting a spear that had been aiming for Peeta, thrown by Brutus. Finnick goes to twist his body to take the knife that Enobaria throws at Beetee, but he misses by an inch. It’s too late for you to save Beetee, as the knife shatters the lens on the right side, and the blade buries itself in his eye socket.
Fuck.
Another cannon blasts.
You shove Finnick out of the way to chase after Enobaria and Brutus, who are making their escape around the backside of the Cornucopia. They’ve successfully killed two of your most important allies, and they don’t even realize it.
The two Careers are running down one of the sand strips to the beach. You manage to throw one more knife at Brutus before he’s out of range. It slams into his right calf, taking him down. He lands on his hands and knees, which is exactly what you were hoping for.
Right as you’re about to step onto the strip, the ground beneath you jerks, throwing you down. The center island of the Cornucopia begins to spin, fast. You press your sword between your body and the ground, digging your fingers into the grooves to hold on. 
It’s only thirty seconds later when it slams to a stop without warning. 
You squeeze your eyes shut, taking measured breaths to calm the growing annoyance in your chest. The Gamemakers knew you would kill Brutus, and later Enobaria, if you caught up with her. That’s why they had to intervene, otherwise the fun of the Games would be gone.
You slam your fist against the rock, pushing yourself to your knees. You lean back on your heels slightly, face to the sun while you collect yourself. With Wiress and Beetee being gone, this is a very large hiccup that you’re going to have to smooth out. You jinxed yourself, didn’t you?
A sigh leaves you as you get to your feet, swinging the sword into your hand. As you round the corner, you can see that everyone else is upright. Finnick looks over at you, eyebrows raised, waiting for good news, because you were the closest to the Two tributes.
“Brutus is injured. I would’ve had him if the fuckin’ Gamemakers had minded their own business.” You stab the tip of the sword into a patch of sand.
“Where’s Volts?” Johanna asks, looking around the group.
“He’s dead.” You tell her.
She meets your eyes, “What happened?”
“I—” Finnick starts.
“I didn’t block the knife in time.” You talk over him. “Enobaria’s got a strong arm, it went right through his glasses.”
You can see Finnick staring at you from the corner of your eye. You lick your lips, tasting the salt of the water, before pressing them together. When you look at him, the two of you stare for a long second.
You, Johanna and Finnick know what this means. If just one of the Three tributes had been killed, you could’ve used the other. With both of them being gone, it means that someone needs to pick up their job, and you were the one that was elected to do just that.
“What now?” Finnick asks you.
You tilt your head, eyes going out to the water, finding two of the four bodies. It’s got to be Wiress and Gloss, because they’d been right next to each other when they died. You lean your sword up against the Cornucopia before wandering forward, to the edge of the island.
Wiress is floating on her back, on her stomach sits the spool of wire, golden and shining in the sunlight. You begin to head down the sand strip closest to her body. “I want the wire.”
“What for?” Johanna asks, “That was his weapon, not yours.”
You look over your shoulder. “It has to be now, doesn’t it?”
Johanna makes a face, but it’s not one of doubt. She knows that you’re right, that’s why she won’t bother to argue. Not that she would, anyway. You and Johanna get along, basically two peas in the same pod. She just likes Finnick more, because he puts up with her bullshit.
You jog as close as you can get to Wiress’s body, before diving in the warm water. It’s a nice break from the sun, even if it is for a minute. It doesn’t take long to get to her body, prying the coil from her fingers. You’re about to swim away, when you hesitate, closing her eyes.
Finnick is waiting for you on the strip when you get back to it. You place the wire on the rock, and he reaches down to help you up. Your face twists, but you take his hand, letting him help. The moment you’re on both feet, he pulls you close, a rough hand on your shoulder as he pulls you close to speak in your ear.
“If you can’t do this, you need to tell me. I’ll figure something else out.” Finnick harshly whispers.
You jerk back, squinting at him. “Worry about yourself.” 
As you stoop to grab the wire, Finnick shakes his head. “I mean it, (Y/n).”
“And so do I.” You tell him, lowering your voice. “There’s a reason why Haymitch trusted me with this, and not you.”
He raises his eyebrows, “We’re back to this, huh?”
You scoff loudly. “You’re the one that’s upset by it, Finnick. So, here’s a fucking suggestion: deal with it.” You shake your head. “You’re so worried that I’m going to betray the alliance, that’s you’re forgetting that this is what I do.” You motion to the jungle with your free hand. “Enobaria and Brutus can run all they want, but we both know they’re going to have to come out eventually if they plan on finishing us off. And when they do, they’re going to get it.
“Not from you, not from Johanna, from me.” You seethe, moving around Finnick to head back up to the Cornucopia. You throw your hands up, one of them still holding the wire. “Face it, Finnick, I’ve got this handled.”
You turn around, finding that your three other allies have their eyes on you. You ignore them, watching where you place your feet. On the island, you retrieve your sword, dropping the wire onto a box. Finnick is a few feet behind you, wearing a hard expression.
You hate it when you have to talk to him like that, but you can’t do it any other way if you want him to listen to you. It’s like he doesn’t care unless you’re being hostile, except that tone of voice has him on edge, afraid that you’re going to flip a switch.
There is no happy medium. It’s like he’s dead-set on thinking that you’re an unlikable person. You wouldn’t have minded having an actual conversation between you, Finnick and Johanna to figure out a plan together. It’s his fault that he decided to take the situation into his own hands by assuming that you wouldn’t have the ability to fill Beetee’s shoes.
It makes you mad, so now you’re going to take care of it by yourself. As much as he wants you to ask for help, you’ll do everything in your power to make sure you don’t need him. Or the others, for that matter.
“Let’s get off this stinking island.” Johanna says once Finnick has joined the group.
You dig through the weapons in the Cornucopia, looking for a pair of knives that aren’t too short. The only ones that are available are displayed on the wall in the very back. They’re slightly curved, not too heavy. They’ll work just fine.
You watch as Peeta, Finnick and Johanna start in three different directions.
You stand next to Katniss, watching this. When they realize that no one is following them, they stop.
“Twelve o’clock, right?” Peeta asks. “The tail points at twelve.”
“Before they spun us.” Finnick says. “I was judging by the sun.”
“The sun only tells you it’s going on four, Finnick.” Katniss tells him. “Any one of these paths could lead to twelve o’clock.”
You tuck the knives in your belt, as you circle the Cornucopia with them to try and find the path that’ll lead to the twelve beach. Only, the jungle is perfectly replicated in every section, down to the last tree. Johanna suggests following Enobaria and Brutus’s path, but it’s been washed away.
Katniss stops. “I should have never mentioned the clock. Now they’ve taken that advantage away as well.”
“For now.” You murmur. “We still have the wave at ten to tell us, we’ll be back on track after that.”
“Yes, they can’t redesign the whole arena.” Peeta says.
“It doesn’t matter.” Johanna’s growing impatient, wanting to move. “You had to tell us or we never would have moved our camp in the first place, brainless. Come on, I need water. Anyone have a good gut feeling?”
You let them decide which strip to take to the beach. Katniss and Peeta begin to lead the way. You grab the wire, motioning for Johanna and Finnick to go next, but they don’t budge. You roll your eyes and duck your head, putting a good distance between you and Peeta before you walk.
“What’s the plan?” Johanna’s voice sounds far, and she’s trying to be quiet, but there’s not enough going on for it to conceal her.
“She says she’ll handle it.” Finnick murmurs, you can’t tell if he’s mad or not.
“That’s it?” She asks, “It looked like she was yelling at you.”
“She did.” He says. “She told me to worry about myself, and she’ll handle Enobaria and Brutus.”
Johanna doesn’t speak right away. “Do you trust her?”
“No, but I trust her anger.” He tells her. “She’s right, this is what she does best.”
“So, you want to follow behind her?”
“Do you have any other ideas?” Finnick shoots back.
“No.” Johanna sighs.
When you get to the jungle, they look inside of it, trying to figure out if there’s anything waiting inside or not. When you can’t see any immediate threats, they relax.
“Well, it must be monkey hour. And I don’t see any of them in there.” Peeta says. “I’m going to try to tap a tree.”
“No, it’s my turn.” Finnick objects. “I’ll at least watch your back.”
“Katniss can do that.” Johanna says. “We need you to make another map. The other washed away.” She reaches up, yanking off a large leaf to hand to him. “(Y/n) can stay with us, while she figures out what to do with the wire.”
You drop it in the sand, along with your sword, as you sit down. Peeta crouches beside you, beginning to make his map, again. As you watch him draw the slices, your mind begins to wander. 
Katniss and Peeta are the Careers’ focus. They want to target the ones with the highest scores first, and then work their way down. If they take out a few of you in the process, then that’s great, but they’re afraid of what the Twelve tributes could’ve possibly done in order to get a perfect score.
It was a little odd for Gloss to go for Wiress, if this is the case. And Cashmere wasn’t able to kill anybody before she died. You guess she might have been going for Katniss, but Johanna was in between them, she wasn’t going to make it that far. That’s why Brutus tried to get Peeta with the spear, and maybe the knife was originally aimed for Peeta, not Beetee?
You just can’t wrap your head around their strategy of getting rid of the Three tributes. Were Enobaria and Brutus that worried about you guys coming up with a plan to use the explosives on the tribute platforms? It wouldn’t be the first time it happened in the Games, it’s just a stupid idea to do it in the water, when you have nothing to steady yourself on.
Either way, you need to figure out a way to draw them in. If there’s anything you know for sure, it’s that they’ll wait until dark to attack again, because they’ll have cover. It’s only the two of them now, which means they won’t attack the five of you all together, they’ll get overpowered in seconds. They’ll wait until you split up.
You play with the wire, twisting it between your fingers while you think.
If they send another twenty-four rolls from District Three tonight, you’ll have no choice but to go into the jungle for the lightning section, because that’s where they’ll be rescuing you out of the arena. You would just say that you should go up to the lightning tree and wait, except you won’t know what time it is until ten, like you said.
When the wave does it, you’ll have two hours to get to the tree. After that, Katniss and Peeta will have to get split up long enough to get the tracker out of their arms. That’ll be the perfect time to kill Enobaria and Brutus, too.
You just need a reason for them to split up. Johanna’s already agreed to getting it out of Katniss’s arm, which left Peeta for Finnick. You need some sort of placebo plan in the meantime, something for them to focus on to keep their minds off of the fact that the situation is going to be very, very suspicious.
“That’s it.” Peeta says, sitting back. “I don’t—”
A scream cuts through the still air, silencing him. You whip around to look back at the jungle, unsure of whether or not it belongs to Katniss. As you get to your feet, sword in your hand, you can hear another voice, shouting back. That one sounds like Katniss.
“What’s happening?” Peeta asks.
You get to your feet before he does, pulling the sword into your hand as you break through the jungle, swinging at any leaves in your way. “I think we chose the wrong section.”
“It’s supposed to be the monkey mutts right now, how can it be anything else?” Peeta asks.
Your face twists as you look over your shoulder, finding that Johanna’s eyes have rolled back as far as she can get them. “Because it’s the next hour?” She snarks.
Peeta doesn’t respond. For a moment, you’re genuinely concerned that the forcefield on the first day might have fried his brain a lot more than you thought. When you begin to think of all the decisions he’s made over these past couple of days, you relax. It’s not really out of his nature to say something stupid once in a while.
You’re about twenty yards into the jungle when you stop suddenly, sword at your side, eyes scanning the trees above. When Johanna and Peeta finally pause, you realize just how quiet it is out here.
Johanna takes a step or two forward, coming to stand next to you, looking up at the tree branches. She covers her eyes with one hand, squinting. “There’s no birds.”
“Exactly what I was thinking.” You tell her, your normal voice feels too loud. “There’s not even insects.”
“What are you thinking?” She asks, looking at you.
“I feel like it’s too early to be the beast, because the sun was down further yesterday.” 
She nods. “A new hour.”
“That doesn’t explain why it’s so quiet.” Peeta says.
“Could be something in the trees.” You tell him, turning your body to face him. “That’s why I don’t want to go further in.”
“But Katniss and Finnick are in there.” Peeta shakes his head. “We have to.”
“Don’t you think they would’ve called for help by now?” You ask, “We heard Katniss say something, but then she stopped.”
“And they can’t be dead because there’s no cannon.” Johanna says after. “What if they’re hurt?”
You look further into the jungle. “It’s a bad idea.”
“We have to try.” Peeta says, starting toward the two of you.
You move in time to let him pass without running into your shoulder. He makes it an additional five yards before he walks smack into a wall, head bouncing off. A little smile fights its way onto your face, and then it vanishes when you realize that this is exactly what happened when he hit the forcefield.
He reaches out, going to touch it. You stride forward, grabbing the back of the neck of his undershirt, yanking him back. “Are you stupid?”
“Wait.” He swats your hand free. “Watch.”
You grab his wrist when he holds his hand out again, causing him to look at you with wide eyes. “I’m not taking any chances with you.”
“Then do it yourself.” Peeta motions, you let go. “It would’ve blown me back if it was a forcefield. Besides, it’s too far down.”
You look at space in front of you, seemingly fine. The wall that he’d run into isn’t even visible. You take in a breath, holding it, before sticking your hand out in the direction of it.
The palm of your hand vibrates against it, you apply pressure, wondering if it’ll budge if you lean into it, but it doesn’t move. You look down at your sword, pressing your lips together. If this is a forcefield, this will most definitely kill you. Still, you swing the sword into the invisible wall, and you’re pleasantly surprised when it doesn’t explode into sparks upon contact.
“Well…” You trail off, beginning to walk around the wall, keeping one hand on it. No matter where you touch, or how far along you walk, the wall doesn’t stop. You make it into the next section of the jungle, and around the corner, and still feel it there. When you make it back to Johanna and Peeta, you shake your head. “Sealed.”
“They’re inside?” Peeta asks. “Do you think they can hear us?”
“I’m going to say no.” Johanna grunts, swinging her axe into the wall repeatedly. “If we can’t hear the birds,” Her voice is strained, “Then we can’t hear them.” She stops, tossing the axe aside, it lands next to a bush. She sighs, “I guess we’re going to wait out here.”
Peeta doesn’t like this idea, you can tell by the way his face screws up, but he knows you don’t have any other choice. 
“I’m going to grab the wire, then.” You tell her.
“Speaking of it, come up with anything yet?” She asks, eyebrows raised.
“Almost.” You say, walking away from her.
When you get to the beach and find the wire, you don’t go back into the jungle right away. You stand beneath a patch of shade, staring at the Cornucopia, and the trees beyond it, squinting.
From what you can tell, Enobaria and Brutus aren’t on the beach or in the treeline, which means that they’re in those trees, somewhere. They must be fairly far in, where they’re resting. They likely won’t come out again until they’ve been sponsored and their wounds are healing. And even then, they’ll make sure you’re not on the beach, first.
Or maybe they are able to see you, and you just can’t see them.
If you were in their shoes, you’d be watching your every move right now to figure out what you’re doing. And if that’s the case, it doesn’t matter what you do with this wire, they’ll already know the plan. Really, it would just be an excuse to split Katniss and Peeta.
So, that’s what it’ll be.
The wire could be used for a number of things, you could probably make a trap out of it. There’s enough of it for you to bring it to the tree and back down to the beach, twice. The question is what Beetee would have used it for.
You close your eyes, listening to the waves on the beach, trying to remember how Beetee won his Games. You were talking to Mags about it the other day, she was telling you that it’s been thirty years since he won. Back then, he wasn’t the strongest tribute either, he had to make something to electrocute the last remaining tributes.
He wouldn’t really be able to do that now. He had the sources—the lightning at midnight and the water at the center. In the condition he was in before he got killed, he wouldn’t have been able to make the trip up to the tree, back down to the water, and up again to be out of the way of the electricity. And the chances of the wire being cut by the Careers isn’t that low, even in your situation now.
You’d need someone at the base of the tree, and someone unspooling the wire down to the water…
Your eyes pop open, it takes them a second to adjust to the sudden light. You stare at the water. This is what Beetee was going to do, wasn’t it? The wire acts as a conductor. If you hook it up to the tree at the right time when it strikes, it’ll fry everything in the water.
But what you want is to kill the Careers, in a way. The sand would have to be wet too, or at least damp. Which… Which will be the exact case when the wave hits at ten, and it’ll be cooler out, so the water won’t evaporate as quickly. If you bury the spool in the sand, it should have the entire beach covered and the water.
“Bingo.” You say, grabbing the coil.
You join the others back inside of the jungle, finding Peeta on the floor, forehead pressed to the invisible wall. Johanna’s pacing back and forth, arms crossed over her chest. When you get closer, you’re able to see that Katniss and Finnick are on the other side, both of them with their hands over their ears.
When a twig snaps beneath your weight, Johanna looks over. She lets out a sigh, shoulders slumping. “What took you so long?”
“Came up with a plan.” You tell her, dropping the wire and your sword next to one of her axes. 
“What plan?” Peeta asks, unmoving.
“On how to kill the remaining Careers.” You wink at Johanna, but it’s not flirtatious.
You know she understands when the crease appears between her eyebrows, giving you a slight nod. “Care to enlighten us?”
“When they’re out, I will. I don’t want to have to repeat myself.” You nod at the other two. “What’s going on in there?”
“I think it’s jabberjays.” Johanna says, pointing up at the trees behind the wall. “They’re fifty of them in the trees. Katniss tried killing them, of course it didn’t work.”
Your eyes land on Finnick, finding his muscles rigid. You crouch to get a better look at his face, there’s a streak of red from his nose, down his lips, and off his chin. “What happened to Finnick?”
“He ran face-first into the wall.” Peeta says. “It was a bloody nose.”
You hum, lowering yourself to the ground. “Hopefully it won’t be much longer.”
The wall suddenly breaks, Peeta falling forward. He catches himself on his hands, getting to his feet. He doesn’t even say anything, just scoops Katniss into his arms, and walks straight out of the jungle with her, leaving the arrows behind.
You sit up, looking over at Johanna to see that she’s staring at you. She tilts her head, “Do you want to try?”
You take in a breath, “I’ll let you know if it works.”
She nods, following after Katniss and Peeta, because someone needs to be watching over them. You get up, walking a few feet over to Finnick, before crouching down beside him. 
You lift a hand, hovering it over his back for a minute, and then change your mind, placing your elbows on your thighs to lean on them. He’s got his eyes closed, head down. He probably can’t even hear you. You don’t even know how he’ll react to being touched, much less by you.
You press your lips together, heart hurting at the sight of him. It’d be better if Johanna were here, she can talk to him. All you’ll do is upset him more. You grind your teeth, once again wishing that this wasn’t your relationship. As you go to stand up, the hands over his ears loosen, head beginning to lift.
He looks around in the jungle first, making sure the threat is gone. That’s when he notices you beside him, waiting. His eyes are watery, he swallows.
“Hey,” You murmur, “Are you okay?”
He stares at you, eyebrows drawing in.
You nod, “I’ll go get Johanna.”
Once again, you try to get to your feet, when he speaks, “Why?”
“Why… what?” You ask, pausing.
“Why would you get Johanna?” He asks.
You turn your head in the direction of the beach. Is he really going to make you say it? Does he want to see the pain it’ll cause you? Or does he think it’ll come out venomous?
When you look at him, you sigh, “Because I’m not really a comforting person to you, am I?”
He doesn’t answer your question, “Where are they?”
“They’re on the beach.” You tell him. “I figured out a plan that’ll work. I’ll tell you guys when you’re ready.”
“Do Johanna and Peeta know?” He asks.
You shake your head, “No.”
Neither of you move, staring at each other. And while you could stay here forever, you don’t allow yourself. You push on your knees, standing up. You offer your hand to him, but he moves it away, just like you figured he would.
He doesn’t say anything, walking past you to leave. You stare at the scene of dead birds in front of you, before you turn around, collecting yours and Johanna’s belongings, and going to join them on the beach. 
Katniss seems better, she’s talking to Peeta. Johanna is standing over them, she glances at Finnick when he passes by. She has to twist her body to see you standing in the treeline. You hand her the axe.
“It was a trick, Katniss. A horrible one. But we’re the only ones who can be hurt by it. We’re the ones in the Games. Not them.” Peeta says.
“You really believe that?” Katniss asks.
“I really do.” 
“Do you believe it, Finnick?” 
“It could be true. I don’t know.” He says, looking up at Johanna, ignoring you entirely. “Could they do that? Take someone’s regular voice and make it…”
Johanna makes a face, looking at you for help. You play with the piece of wire you’d unraveled, “I’m sure Beetee would know.”
“Peeta’s right.” Johanna then says. “The whole country adores Katniss’s little sister. If they really killed her like this, they’d probably have an uprising on her hands.” She deadpans. “Don’t want that, do they?” She scoffs, throwing her head back to shout, “Whole country in rebellion? Wouldn’t want anything like that!”
She shakes her head, wandering around the beach to pick up shells. When she finds a good few, she stops next to Finnick, holding her hand out. “I’m getting water.” Finnick drops the spile into her hand, and she begins toward the jungle.
Katniss grabs her hand. “Don’t go in there. The birds—”
“They can’t hurt me. I’m not like the rest of you. There’s no one left I love.” She says, shaking her hand free. You don’t miss the look she gives Finnick, and then you, as she disappears into the jungle. 
She comes back a couple minutes later with a shell of water, handing it over to Katniss first. She makes trips back and forth, letting each of you have some. She comes out one trip with a pile of arrows that she gives back to Katniss.
Finnick shakes his head, walking to the water. He stops a few feet in, and sits. You let the wire drop to the sand, tired of bringing it wherever you go. You don’t move from where you are, eyes fixated on his back.
“Who did they use against Finnick?” Peeta asks, curious.
Katniss is quiet. You’re expecting her to say Annie, because it makes the most sense, but when you look over, she’s eyeing you, and so is Peeta. 
“What?” You ask. “Was it Annie?”
“No, it wasn’t.” Katniss murmurs. “We thought we heard you.”
A loud laugh comes from you, unwarranted. The thought of Finnick caring about you enough for the Gamemakers to use you against him is funny. Really funny, actually. It must’ve been a walk in the park for him, listening to your pleas. A little gratifying, because he could pretend that you were getting what was coming for you.
But Katniss isn’t laughing, she’s serious. 
The humor leaves your smile, “It must’ve been his mother, that he was mistaken for me.”
“No, because we heard his mom, too. That first scream was yours.” She insists, “And he dropped everything to find you.”
“Finnick would never do that.” You tell her, voice cold. 
She doesn’t press it further, but the look in her eye is enough. She’s not lying to you, she’s telling the truth. She doesn’t gain anything from making something like that up.
You won’t believe it though. This is the same Finnick that told Johanna that he didn’t trust you, an hour and a half ago. There’s nothing that could’ve made him change his feelings in that time span.
Unless it didn’t.
Your eyes narrow at the back of Finnick’s head, hand tightening around your sword. 
A cannon blast keeps you from thinking about the subject any further, but the bubbling in your stomach is only getting hotter. Finnick gets up, coming to join you three, as well as Johanna, materializing out of the jungle. You stand together, watching a hovercraft appear over the next section, claw dipping in several times to retrieve all the pieces of one body. 
The beast.
This sparks Peeta to create another map, this time he’s able to fill in more than half of it. It starts with lightning, rain, and fog. It moves on to monkeys and jabberjays. He has to skip a section, and then writes beast. And the next one you have after six to seven is the wave at ten. This means you’re missing five of the other hours. 
The others begin to come back to life. Finnick begins to weave a water basket and a net to fish for dinner. While Katniss takes a swim and applies more ointment. By the time she’s done, Finnick has worked up a pile, so she sits on the edge of the water, cleaning them for him. 
It doesn’t take long for Katniss’s words to creep back into your mind, refusing to leave it be. Finnick cares about you, a thought that should have you excited, but it makes you uncomfortable. He has spent the last eight years making sure that you know that he hates you and couldn’t care less about what happens to you.
Yet here he is, supposedly dropping everything to save you. Possibly even leaving Katniss behind to do it. The Gamemakers must know something that you don’t, if they knew to use your voice. You want to assume that they thought Finnick was worried solely because you’re his district partner. Except, that doesn’t make sense either, because the two of you are notorious in the Capitol for being a pair of mentors that get into fights about how to handle things.
He has a lot of nerve.
The sun falls below the horizon, the moon rising to replace it in the sky. When they finish cleaning the fish, they bring it over, setting it in the middle of the circle for you to enjoy. The four of them begin to settle in the sand, you don’t move from where you stand.
The anthem begins to play, stopping them from digging in. The Capitol seal lights up the sky, and then it’s replaced by the faces. Cashmere, Gloss, Wiress, Beetee. The woman from Five, the morphling from Six, Blight, and the man from Ten. 
Eight tributes dead.
Strangely, this makes you think of your own Hunger Games. Where you managed to kill four people in the span of two hours, one of those being Rio, who was your district partner. By the end of the Games, you had eight kills under your belt. A third of the competition was taken out by you, a little fifteen year-old.
Once again, a factor that used to make Finnick sick. And now it doesn’t.
“They’re really burning through us.” Johanna says.
“Who’s left? Besides us five and District Two?” Finnick asks.
“Chaff.” Peeta says without missing a beat.
The sound of clinking fills the air, you look up to find a parachute coming down, teetering from side to side. It lands perfectly in the middle of the group, unfolding itself to reveal the steaming rolls.
“Do these look like District Three to you?” Finnick looks at Johanna.
“Yeah, look at the imprint.” She says, running her finger over the top of one. “How many are there?”
Finnick counts them, being sure to be thorough. “Twenty-four. How should we divide them?”
“Let’s each have three, and whoever is still alive at breakfast can take a vote on the rest.” Johanna says, causing Katniss to laugh.
You pull your sword out of the sand, swinging it up to rest the flat part of the blade on your shoulder. Finnick looks up at you, eyeing your stance. You step away from them, shaking your head.
“Sit down, (Y/n).” Finnick tells you.
“Why, so you can keep an eye on me?” You snap, crossing the treeline. “Come and get me, Finnick.”
You make it a few feet in, before you hear the snapping of branches behind you. You sigh, turning with raised eyebrows to see that Finnick took it as a challenge. You didn’t mean it that way. You didn’t want him to chase you.
“Get out here.” He tells you.
You walk backward, tilting your head at him. “I’m just making sure Enobaria and Brutus aren’t out here.”
“I don’t care.” He’s still walking toward you. “We’ll worry about that when we make camp.”
You stop, letting your sword down from your shoulder. When you look past him, you can see that there’s enough distance between him and the beach. There’s privacy to talk and sort out what you heard.
Your eyes land on him, “Katniss told me something,” You start, watching his eyebrows twitch, “About how you thought I was the one screaming for help.”
Finnick shakes his head, “I thought it was my mom.”
“Yeah, that’s what I said too.” You tell him, “But you said my name, and you dropped everything to go and get me.”
He sets his jaw, “So?”
“So,” The word is bitter, “What changed?”
He laughs, “Nothing, (Y/n). I went—”
“They used loved ones and family.” You cut him off. “You care about me, admit it.”
“I don’t.” He tells you. “I never have, and I never will.”
“You chased after the jabberjays thinking it was me, and you followed me in here because you’re worried that I’ll get caught by the Careers, admit it.”
“I don’t know what you think is happening, but whatever it is, it’s not true.” His voice wavers.
This is all the confirmation you need. “You want to know what I’m thinking right now?” You press your pointer finger to the middle of his chest. “That you’re not bothered by me anymore, and you haven’t been for a while. You’ve done a damn good job of hiding it up until now, but the jabberjays got you good.”
Finnick grabs your wrist, “That’s not true.”
“What changed, Finnick?” You insist.
“Nothing, because I don’t have feelings for you.” He snaps. “The reason why I came in here is because we want to move camp to the ten sector once the wave happens, I just didn’t want you to get lost out here and think we abandoned you, making you think it’s a free-for-all.”
He lets go of your wrist, face screwed tightly, as he leaves you here. You watch him go back to the beach, while you take several breaths, feeling the pit in your stomach grow.
What have you done?
---
this is part of my 3k celebration!!
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percivex · 2 years
Text
Most people discover their soulmate through hopeful shoulder punches, or tumbles in the same vicinity, or process of elimination.
But Jimmy?
Jimmy meets his soulmate through death.
He supposes it's only fitting. He has never been connected to the Watchers in the same way Martyn or, void forbid it, Grian is, but he is aware of them on a vague level, and he assumes Pearl is the same, though he's never had an opportunity to ask.
He is aware of them enough to know that he is the butt of their jokes. He must be, because he knows death follows him like a dark shadow, gnawing at his heels with an unnatural persistence. He knows he is their canary, their harbringer of doom, that his life is a mere waypoint towards inevitable destruction. He knows that, but he doesn't like it, so he chooses not to believe it.
But Jimmy is, despite his denial, an omen of death, so it is only right for him to meet his soulmate through a mutual end.
Tango was blown up by Creeper.
SolidarityGaming died.
Knowing that doesn't curb the frustration, though. For once a death of his cannot be attributed to his own fault, and Jimmy can't tell if that makes it worse or not, but it is easy for him to turn his anger towards Tango, who he has never been close to before.
It doesn't last, not when Tango is sheepish and apologetic and frazzled and his soulmate. He clearly didn't want to meet at the cost of a life any more than Jimmy did, and seeing his embarrassment reminds Jimmy remarkably of himself. It reminds him that it is a miracle the life they lost wasn't his own fault, and that he will certainly be responsible for the loss of one of their remaining two, if not both.
He supposes, again, that it makes sense. They are two halfs of one whole, now, and that means they must have something in common. What a pair they make, accident-prone and death-marked as they are.
They don't have a chance of surviving this. Not with how poor they are, not compared to everyone else, not with the universe itself working against them. Neither of them want to acknowledge that, so they don't.
Instead, they scrape together a little home. They find that, if nothing else, they are both very good at gathering chickens and cows alike, and perhaps that will be enough.
They may not live for long, but for now, they are alive.
("Have you ever heard about the canary in a coal mine idiom?" Jimmy asks Tango one sleepy night, when they're both exhausted from herding animals and setting up a wheat farm during the day. "The one where miners brought a canary with them to the mines, because it was more sensitive to dangerous gases than them, and when the canary died, it meant it was too dangerous for them."
"Sure." Tango replies with a yawn. "Why'd you ask?"
"People seem to think I'm a canary, too. Since I'm always first to die. Proof that there's no going back, or something." Jimmy admits quietly, and hesitates. He doesn't blame himself for what he says next, but he does feel a little bad. "If we're soulmates, that means you're cursed to be a canary too. Sorry 'bout that."
"That's a sacrifice I'm willing to make." Tango says easily, as if there aren't people who would recoil at the thought of sharing Jimmy's soul. He turns to him with a tired grin. "And hey, I'm the one who got us killed first. If you're a canary, that makes me a coal mine."
Jimmy can't help it. He laughs.)
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maxwellatoms · 5 months
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Do you think the new division of Cartoon Network Studios will end up exploiting and abusing AI to make new cartoons of their old properties?
I wouldn't put it past any studio to do this.
We're at the end of The Animation Industry As We Know It, so studios are going to do anything and everything they can to stay alive.
The way I see it is:
AI "art" isn't actually art. Art is created by humans to express ideas and emotions. Writing prompts allows a computer to interpret human ideas and emotions by taking other examples of those things and recombining them.
Just because something isn't art doesn't mean that humans can't understand it or find it beautiful. We passed a really fun prompt generation milestone about a year ago where everything looked like it was made by a Dadaist or someone on heavy psychedelics. Now we're at the Uncanny Valley stage. Soon, you won't be able to tell the difference.
It's not just drawings and paintings that are effected, but writing and film. It's every part of the entertainment industry. And the genie is out of the bottle. I've seen people saying that prompt-based image generators have "democratized" art. And I see where they're coming from. In ten years, I can easily see a future where anyone can sit down at their desk, have a short conversation with their computer, and have a ready-to-watch, custom movie with flawless special effects, passable story, and a solid three act structure. You want to replace Harrison Ford in Star Wars with your little brother and have Chewbacca make only fart sounds, and then they fly to Narnia and fistfight Batman? Done.
But, sadly, long before we reach that ten year mark, the bots will get hold of this stuff and absolutely lay waste to existing art industries. Sure, as a prompter I guess you can be proud of the hours or days you put into crafting your prompts, but you know what's better than a human at crafting prompts? Bots. Imagine bots cranking out hundreds of thousands of full-length feature films per minute. The noise level will squash almost any organic artist or AI prompter out of existence.
AI images trivialize real art. The whole point of a studio is to provide the money, labor, and space to create these big, complicated art projects. But if there are no big, complicated art projects, no creatives leading the charge, and no employees to pay... what the fuck do we need studios for? We won't, but their sheer wealth and power will leave them forcing themselves on us for the rest of our lives.
The near future will see studios clamp down on the tech in order to keep it in their own hands. Disney does tons of proprietary tech stuff, so I'm sure they're ahead of the game. Other studios will continue to seek mergers until they can merge with a content distribution platform. I've heard rumors of Comcast wanting to buy out either WB or Nick. That's the sort of thing I'm talking about. The only winners of this game will be the two or three super-huge distribution platforms who can filter out enough of the spam (which they themselves are likely perpetuating) to provide a reasonable entertainment experience.
400,000 channels and nothing's on.
I do think that money will eventually make the "you can't copyright AI stuff" thing go away. There's also the attrition of "Oh, whoops! We accidentally put an AI actor in there and no one noticed for five years, so now it's cool."
One way or another, it's gonna be a wild ride. As the canary in the coal mine, I hope we can all get some UBI before I'm forced to move into the sewers and go full C.H.U.D.
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chinnii · 2 years
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team ranchers has to be scripted. NO WAY there’s another explanation for them to be so... tragic? poetic? idk
like, the way they found out they were soulmates was because tango died in a cave with coal. a coal mine, if you will. i like to believe that his death was because there was no canary to warn him of the danger.
and then they got matching horns. horns called Sing. 
the miners were warned of the danger when the canary would die and stop singing.
you know what happened in session four? jimmy lost his horn. he stopped singing.
as soon as that happened, it was set in stone that jimmy was dead, and because of the soulbond, so was tango. the other members would quickly follow suit.
plus the parallels of their first and last deaths? they were alone, they didn’t have any quick means of communication, they could only watch their health deplete and wonder if the other would be okay...
just... the canary and his coal mine.
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constant-mason24 · 6 months
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The Gut Feeling
Soap MacTavish x Reader
⚠️MODERN WARFARE THREE SPOILERS⚠️
Reader (Nicknamed Klepto for her scavenging skills) has a tendency to sense terrible events before they happen.
°•°•°•°•°
Klepto stood behind the others, leaning against a table full of weapons and gear. She wasn't listening as Laswell and Price spoke about whatever move they were making next, and her focus was suddenly brought back when Soap came and leaned up next to her.
"You good, lass?" He asked, quietly so they others wouldn't be interrupted. Klepto nods.
"Just thinking... Too much has been happening lately."
"Aye," MacTavish agreed with a sigh, moving his gaze to the others who were discussing some suspicious shipment at the moment. "The sooner we catch this bastard, the sooner I can rest easy."
"Same here." Klepto breathed. "I've got that feeling again."
"The stomach thing?" Soap raises a brow, looking over at the woman. "Like before Graves turned on us?"
"Exactly like that," She nods. "But twice as strong and it hasn't stopped for a week. I think something bads about to happen."
"We should let Price know."
"What good will that do? 'Hey, Cap. I don't feel so good, can I sit out this mission? No I know we need to kill this ultranationalist before he kills more civilians, but my tummy hurts.'" She elbowed Soap gently in the ribs, who pushed her back with the same amount of force.
"No, we should tell him you've got that... premonition again."
"Premonition?" Soap nods in response.
"That gut feeling of yours have saved my life quite a few times now. I know better than ignore your stomachaches."
"It's saved you?" Klepto asked, glancing st Price as he looked their way.
"Aye. It saved me in Las Almas. Twice. And in Chicago, and again in Verdansk." He lists them off on his fingers, about to speak again when Klepto waves her hand.
"But that doesn't mean Laswell and Price will just... what, stop everything? Because I seem to have an acute sense of danger?"
"They just might rethink their plans." Soap shrugs, clapping a hand on her shoulder and leading her towards the team. "Can't hurt to mention it."
Klepto just hums and nods, allowing MacTavish to lead her to the group. The conversation seemed to have lulled to a stop as they stepped into the circle.
"And what were you two discussing over there?" Price tilted his head, half teasing the pair. It was no secret they had a soft spot for each other.
"Klepto's sixth sense has been going haywire recently." Soap patted her shoulder before lowering hand. Ghost leans his head back with a slight nod, knowing full well about her 'sixth sense.' Everyone else just looked confused.
"She can always tell before something terrible is about to happen." Ghost grunts out, drawing the groups attention back to himself. "Took us a while to figure out that's what it meant. She's our very own canary in the coal mine."
"I just think something going to go wrong here. I can feel it. But I understand if that's not enough to act on, Captain." She nods at Price, trying to convey some kind of desperation in her eyes. "Still, I ask you not to take this lightly. I've never felt it this strongly before."
"We can't stop what's coming." Price shakes his head. "We can't afford to back out on this one. But we'll be especially careful, I can promise you that."
"I understand." She frowns. "This is too important."
"Right." Price went back to discussing the hacker Makarov had been working with. It seemed he was in London, and the taskforce was hoping to catch him this time...
°•°•°•°•°•°•°
The feeling was only getting worse. They were pushing through the train tunnel, Soap and Klepto following the Captain's lead. Between dodging fire from the Konni soldiers and the trains passing through every so often, Klepto was finding it hard to focus on anything happening.
The squad reached a point in the tunnel where the Konni men seemed to be staying in place. As they cleared the place, Soap pointed out that they were guarding a bomb, and Klepto's stomach did a flip.
"This is it!" She yelled, firing on an enemy and watching him bite the dust. "I feel it."
"I'll defuse the bomb. You two cover me!" Soap yelled sliding into place next to the bomb. More soldiers came from behind the team, and Price and Klepto laid down cover fire as Soap got to work on the bomb.
She planted herself right between Soap and the incoming troops, firing into the clouds of smoke that the enemy had popped. Soap called for Price to come help with the bomb, but Klepto didn't move from her post. She felt damn near nauseous now, the feeling only worsening as Ghost called through the radio.
Makarov was here. And he was closing in.
She back herself closer to the bomb, and her teammates with it. She focused all her attention on the tunnel ahead of her, trying to swallow down the feeling of illness climbing up her throat. Suddenly a shots rang out and a bullet slipped past Klepto- hitting Soap right on the plating.
Price tried to get Soap to return fire, but Soap argued he couldn't due to the bomb. Klepto took her place firing back at the enemy until it was clear and Price returned to the bomb.
Just as the two were about to defuse the bomb, footsteps and a gunshot came from behind Klepto, and she turned to see Soap falling to the ground as Makarov made a run for Price. One of Makarov's men fired at Klepto, and as she tried to hit them back, the bullet hit her shoulder and she went down.
Makarov tried to shoot Price, but as Klepto was recovering from her wound, so was Soap. MacTavish stood and leapt at Makarov with a knife, plunging it into the man's shoulder. Makarov grabbed Soap's arm, breaking it and raising his gun right to Soap's temple.
By this time, Klepto was on her feet, but she had lost her weapon. Still, she knew had to move, and she dropped her uninjured shoulder in front of her, charging at the man aiming at MacTavish.
Makarov's gun went off just before her hit the ground, and Klepto threw herself on top of the man. She landing punch after punch to his face before Makarov's soldiers reacted. One of them fired at her, hitting her right in the chest plate and knocking her off the man. As Makarov stood up, the second team suddenly came barreling behind them, shooting down the Konni.
The enemy took off running, and Gaz and Price ran quickly to the bomb. As much as they both wanted to give chase, defusing the explosive took priority.
The two cut the wires and the bomb deactivated, leaving Gaz with a sigh of relief. Captain Price seemed to take a moment before turning to Soap, Ghost, and Klepto.
Ghost was kneeling next to Soap's body, and Klepto sat with his head pulled into her lap. She had a piece of cloth ripped from a shirt held to his head, and Ghost moved his hand away from Soap's neck.
"Is he-?" Gaz asked, unable to finish his question.
"He's alive." Ghost breathed heavily. "Broken arm and a graze to his head, but he's alive."
"Thank fucking God." Price groaned, standing over the rest of the team. Gaz knelt down to put pressure on Klepto's shoulder, chastising her for ignoring her own wounds as she was losing blood.
"All stations- this is Bravo in the blind. Threat neutralized. Bomb is safe. Two WIA." Price huffed into his comms, as Gaz took Klepto's weight upon himself as he helped her stand.
"He's okay." She mumbled, feeling dizzy from blood loss. "He's okay."
"You won't be, if we don't get you medEVAC soon." Ghost grumbled, lifting Johnny up as well. Price led the way, gun raised as the rest of his team limped to freedom behind him.
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