Reviewing Queer Animated Characters With Trauma
Amity fights Hunter in a season 2 episode of The Owl House
Recently, there has been a growing number of queer fictional animated characters with trauma. I decided to examine this trend and offer my thoughts.
Reprinted from The Geekiary, my History Hermann WordPress blog (it will be published there on Dec. 24) and Wayback Machine. This was the forty-first article I wrote for The Geekiary. This post was originally published on June 13, 2022.
Trauma is a common theme in fiction. This makes sense especially for conflict-prone series, either in live-action or animation. Recent years have made this even more pronounced as animation holds an "exceptional potential" to portray trauma, an emotional response to a distressing experience of some kind, unlike other mediums.
I'll examine over 20 characters, who are either confirmed as part of the LGBTQ community or implied as such. The characters described in this article are only a small sample of a larger list of characters. I've only chosen characters in Western animated shows that I have watched to date, as a similar post on anime characters would be as long as this one.
This post contains spoilers for the series that I'm writing about. With that, let me get started!
The Owl House
Luz and Amity dance together as their magic causes the grom monster to explode behind them
This fantasy and horror comedy animated series has trauma at its core. It emphasizes the importance of chosen family and discovering who you are as a person.
The show's protagonist, Luz Noceda (Sarah Nicole-Robles) ends up into a magical world called the Boiling Isles. It is far away from her home and she soon has no way of returning. While she makes friends along the way, what happens to her is, at times, traumatic. In fact, one reviewer even stated that nearly every resident of the Owl House, including Eda Clawthorne (Wendie Malick), King (Alex Hirsch), and Luz, have post-traumatic stress disorder, commonly known as PTSD.
By the second season of the series, Luz has begun a romantic relationship with Amity Blight (Mae Whitman). Luz is confirmed as bisexual by the show's creator, Dana Terrace, while Amity is a lesbian. Her voice actor is pansexual. Additionally, Eda is queer as she was in a relationship with Raine Whispers, a non-binary head witch of the Bard Covern. The voice actor of Raine, Avi Roque, is non-binary as well.
There's also Eda's sister, Lilith, who was recently implied as being asexual by her voice actor, Cissy Jones, the dads of Willow Park (Tati Gabrielle), Gilbert and Harvey, and the mysterious god-like creature named The Collector. The show's creator may have implied the character is non-binary in a recent tweet. Lilith was later confirmed as an aromantic asexual character.
All these characters, and every other character in the series, have trauma on some level. Even the series villain, Emperor Belos (Matthew Rhys), has a mind filled with decades of "triumph, trauma, and loss."
Amphibia
Anne (left) and Sasha (right) fight in the season two finale
This recently-concluded series may seem harmless at first, but there is more below the surface. The three protagonists, Anne Boonchuy (Brenda Song), Marcy Wu (Haley Tju), and Sasha Waybright (Anna Akana) open a magic box. They end up in a wild tropical land known as Amphibia. Their friendship faces strains and hardships, including betrayals, pain, and death.
One of these characters is prominently part of the LGBTQ community: Sasha. Voiced by Akana, a talented voice actress, the show’s creator, Matt Braly confirmed her as bisexual after the show’s finale. This built upon a bisexual sticker on her car's mirror in a final sequence. As it turns out, during an acceptance speech for the Streamy Awards she came out as bisexual, even though she was drunk when she made the speech since she didn’t expect to win the award.
Her character begins the series as a jerk, bully, and almost a villain of sorts. Sasha even fights the show’s protagonist, Anne, her high school friend, and butts heads with Marcy. She later works to make amends and fights King Andrias who has evil plans to take over the world.
Sasha joins other recurring LGBTQ characters, mostly in the show's last season. This includes Frodrick Toadstool and Toadie who have a gay romance, confirmed by the show's creator. Also, Yunan and Lady Olivia become a romantic lesbian couple, while Ally and Jess who run an Internet video channel together. It's also implied that Mr. X, voiced by RuPaul, is gay.
All these characters have some level of trauma in one way or another. At the same time, the series serves as a "form of solace" and can ameliorate trauma often associated with media like The Owl House.
Disenchantment
Bean fights with Gretel, a cannibalistic serial killer, in the season one episode "Faster, Princess! Kill! Kill!"
Although her father, Zog, works through his trauma in the most recent part of this mature animated series, Bean suffers from trauma as well. This is because events which involve a "serious threat to life...and feel beyond a person’s control" fill her life. Examples include loss of a parent, physical violence, sexual assault, military combat, or death of a loved one.
Through her role as princess, and then queen, these events include her father's live burial, an elevator chopping off the head of her friend, and kidnapping of her friend Elfo. She isn't alone with trauma, as her friends also have it as well, as do many other characters within this series. It shows that series is not afraid to tackle mental health as a theme.
In the most recent episodes of this series, she kisses a mermaid named Mora (Meredith Hagner). This romance and others with male characters, including Elfo, indicated she is bisexual or pansexual. She was directly confirmed as bisexual by an official Netflix account. Furthermore, Bean's voice actress, Abbi Jacobson, is also bisexual.
There are other LGBTQ characters in this series, like Odval and Sorcerio. They are a gay couple who live in the Dreamland castle. It is further implied that Big Jo and Porky may have been in a toxic relationship with one another.
All of them experience physical violence, loss, and serious threats to their lives in more ways than one.
High Guardian Spice
Olive and Rose fight in the 9th episode of this series
This series has major themes such as acceptance, togetherness, and discovering one's identity. Rosemary (Briana Leon), has a recurring nightmare where her mother disappeared and left a magical sword behind. Unsurprisingly, she gets nervous when her locket, which has an important family memory, gets lost.
Rosemary isn't alone. Sage (Lauren White) gets nervous when everything doesn't go according to plan. She ends up questioning if she should be at the magic academy and what "right things" she should say to people. The latter is emblematic of her social awkwardness.
Both are implied as being in love with each other, in what some shippers call Sagemary. Since Rosemary shows an attraction to a male student in one episode, she could be bisexual. One of the show's writers and voice actor of Amaryllis, Katie McVay, seemed to imply some the show's characters are bisexual. Parsley (Amber Romero) and Thyme (Michelle Deco) might be lesbian characters. The latter has a crush on a mermaid named Coral in one episode.
Anise and Aloe are a lesbian couple. Haviland Stillwell, a lesbian actress, voices Anise. Then there's Professor Caraway who reveals to Rosemary he is a trans man. The show's creator, Raye Rodriguez, who is a Cuban trans man, voices him. Finally, the snarky student Snapdragon appears to be on the road to transitioning toward a trans woman. Julia Kaye, a comics writer and trans woman, voices her.
Traumatic events shape all these characters and many others. This includes queer-coded characters like the catgirl Olive (Stephanie Sheh), Slime Boy (Julian Koster), and professor Wyverna Dretch (Stillwell).
Legend of Korra
Korra at a low place at beginning of the show's fourth season
Trauma fills this classic, but divisive, anime-inspired series. Trauma affects two of the protagonists, Korra and Asami Sato.
Throughout the series, Korra becomes poisoned, physically traumatized, and emotionally scarred. This manifests itself in her losing her bending abilities and having her friends captured or maimed. Through it all she has to continue fighting as the Avatar, with a duty to keep the peace. One reviewer said that her PTSD storyline is sad, but also "so good", as she survives through her drama which continues to inspire.
This contrasts with Asami. She loses almost everything in the series, from her imprisoned backstabbing father and almost losing her family company. One person argued that Asami's trauma inspires her to "save others from feeling how she felt." This includes Korra, who confides in Asami as she works through her trauma.
In the show's final episode, and subsequently confirmed by show's creators, Korra and Asami become a romantic couple. This was further shown in the graphic novel The Legend of Korra: Turf Wars. The same novel confirmed that Kya, daughter of Katara, is a lesbian. The novel also explores Kyoshi's bisexual romantic feelings.
During the series, Korra and Asami date Mako, a male character, and are good friends with one another. With Korrisami confirmed, both are canonically bisexual.
Final Space
Ash, imbued with the power of Invictus, prepares to strike Little Cato in the show's final episode
One of the protagonists of this cancelled mature animated series manifests trauma more than any other character. Ash Graven (Ashly Burch) is a complex character with a troubled past. Like other protagonists, the destruction of the Earth by the Lord Commander, and near-death experiences, traumatizes her.
Invictus, the show's primary villain, exploits her trauma triggers to great effect. Similar to how triggers for people with PTSD manifest themselves, she lashes out, blames others unfairly, retreats, and her emotions flair.
Before this happens, she bonds with a genderless lifeform trapped in Final Space, named Evra (Jasmin Savoy Brown). Their growing relationship makes clear Ash's romantic orientation as a lesbian. Since the show was not renewed, her relationship with Evra did not progress beyond one episode sequence.
Trauma and tragedy scar the memories and lives of every character in this series. This includes a recurring character named Clarence, confirmed by show creator Olan Rogers as bisexual, and Tribore Menendez, who may be genderfluid.
Just as literature can be a "valid resource" to learn about complex issues like trauma and mental health, with books even playing a role in recovering from mental illness, animated series can tackle the same topics. Final Space is one of those series.
Kipo and the Age of Wonderbeasts
Fight between Jamack (left) and Wolf (right) in the first episode of this series
This young adult animated series is set in a post-apocalyptic wasteland known as Las Vistas, set in what is now Los Angeles. Animals have morphed into anthropomorphic characters and humans fled underground to burrows. The show's protagonist, Kipo (Karen Fukuhara) is the series' narrative center and a foil for the "world’s trauma and alienation."
Kipo was never confirmed as part of the LGBTQ community. She is traumatized as much as any other character and with her troubled past. Some have headcanoned her as queer, but that is pure speculation.
The show's creator, Radford "Rad" Sechrist said he never thought of Kipo as LGBTQ. She was recently confirmed as a Blasian character. It wasn't directly stated in the series due to a worry by Sehcrist of "whitewashing and lightening black characters". This led to a bit of a hullabaloo online after his clunky response.
She is not the only character who afflicted by trauma. For instance, there's Benson Mekler (Coy Stewart) and Troy Sandoval (Giullian Yao Gioiello). Both later begin a romantic relationship. Sechrist hinted Troy as pansexual at one point. There's additionally Asher Berdacs who is non-binary and voiced by River Butcher, a non-binary actor. Each of them has their own childhood traumas, as does Kipo's friend, Wolf (Sydney Mikayla) and many other characters.
Even a mandrill named Scarlemagne (Dan Stevens), who wants to subjugate humanity, has deep-seated trauma. Any of his cruel acts are not justified by this, but they serve as a reason for what he did. While some object with his redemption of sorts, another villain is his abuser: Dr. Emilia (Amy Landecker), a manipulative and power-hungry scientist. Others have stated that her role as an abuser emphasizes the "potency of early trauma."
Tangled
Cass, using her moonstone powers, stands in front of her throne and speaks to Raps
Rapunzel's Tangled Adventure, called Tangled: The Series in the show's first season, focuses on trauma. The 2010 animated film Tangled, which preceded the series, also explores trauma, toxic parentage, and emotional abuse. Others even employed the terrible tower where Rapunzel "Raps" lives, by force, as a metaphor for stages of abuse.
The series introduces Cassandra "Cass" (by Eden Espinosa), a complex character with trauma and PTSD. She sings about it, declaring she has nothing left to lose as she goes down a "path paved in black." As acknowledged by storyboarder Amber Vanich, lesbian vibes were imbued in her drawings of Cass.
She has a troubled past like Raps. She has the same "mother", causing the show to declare they were "sisters". This couldn't be further from the truth. Gothel, the birth mother of Cass, was Raps' kidnapper, leading to irreparable trauma.
The evil Zhan Tri manipulates her, exploiting her trauma and plays on her triggers. As a result, she lashes out, blames Raps, and her emotions flair, especially when using moonstone powers to fight Raps, with sundrop powers. Often, Cass processes her thoughts and feelings about Raps, sometimes feeling that Raps is holding her back.
In the series finale, she helps Raps to defeat Zhan Tri and both reconcile. While Raps marries Eugene, her boyfriend since the series' beginning, Cass and Raps declare their love for one other. This is presumably platonic as Disney wouldn't allow it otherwise.
There is potential for a series spinoff of Cass, who departs on a journey at the series end, possibly to come to terms with her trauma and atone for her past misdeeds. Some fans have theorized a romantic ending for both characters, shipped as "Cassunzel," say Raps is pansexual or bisexual, or otherwise embrace this ship.
She-Ra and the Princesses of Power
Adora and Catra clashing with one another in the season five opening
Trauma interlaces this now iconic series, a reboot of the 1980s Filmation animated series She-Ra: Princess of Power.
The series centers on Adora and Catra, voiced by Aimee Carrero and AJ Michalka. They begin as friends but continue to have complicated feelings as they are on different sides of the conflict. At the series' end, their romantic relationship begins. They kiss and it saves the world from destruction, canonizing what fans dub "Catradora."
Adora has a specific type of trauma. One reviewer described it as eco-trauma, saying that Adora suffers from treating ecological harm as a form of trauma, something which someone tries to repress to avoid its "painful effects." This repression for Adora is external, as the First Ones impose it on her and attempt to turn the entire planet into a Death Star-like weapon.
Even so, it is through this planet she can access the memories of her predecessor. Light Hope (Morla Gorrondona), Adora's AI guide of sorts, imposed a memory wipe to forget the previous She-Ra, Mara (Zehra Fazal). In the end, Adora doesn't sacrifice her life, but Catra saves her, with both confessing their love for one another.
Trauma continues to follow Adora throughout the series, as she feels unworthy of doing "anything good." In contrast, Catra appears self-assured on the surface, but she becomes plagued by her own doubt and guilt. This causes her to become controlling and aggressive, almost destroying the entire world at one point. More to the point, she spends a majority of the show as a broken and battered woman "defined by her trauma." She makes decisions dictated by her experience with loss rather than from a place of love.
Adventure Time
Marcy in monster form, and Bonnie, fighting together in the episode "Varmints"
Marceline "Marcy" Abadeer is a fan-favorite vampire queen in this animated series. Marcy is more than a wacky character voiced by Olivia Olson. Instead she is a bisexual badass. Her character informed how then-storyboarder Rebecca Sugar told LGBTQ storylines in the future.
Marcy has a long and painful life, with her past trauma defining her. In fact, she becomes a vampire, or more exactly a half-demon, half-vampire multiracial woman in a traumatic way, becoming a source of her misery. She becomes stunted as an 18-year-old and never grows beyond that. Even so, she goes through an emotional journey of sorts, feeling like a monster.
This doesn't happen on her own. She begins a romantic relationship with Princess Bonnibel "Bonnie" Bubblegum (Hynden Walch) in the series finale. The Adventure Time: Distant Lands episode "Obsidian" explores the relationship further. The episode was all the rage in fall 2020. Queer fans who love Bubbline (Bonnie and Marcy) were glad to see more of a focus on their relationship.
In that episode, Marcy grapples with her outer and inner demons, singing to Bonnie that she "always felt like a monster". Bonnie comforts her while she has her own insecurities. They work through her struggles together while Bonnie has her own traumas born from her position as ruler of the Candy Kingdom.
This is not unique to her. Protagonists Finn and Jake, voiced by Jeremy Shada and John DiMaggio, are often thrown into conflict, either with the Lich, or other enemies. Even BMO (Niki Yang), who is a computer/video game console unit, who has no definite gender, becomes traumatized through the series. The Ice King (Tom Kenny), Huntress Wizard (Maria Bumford), Flame Princess (Jessica DiCicco), and many others have trauma, too.
Star Trek: Lower Decks
Mariner fights with her digital self in the episode "Crisis Point"
Beckett Mariner (Tawny Newsome) is a character in this mature sci-fi comedy series. She is a human and an ensign aboard a ship known as the USS Cerritos who likes to buck rules. This is in part because she is the daughter of the ship's captain, Carol Freeman (Dawnn Lewis), even though she is very good at "all things Starfleet."
Although some have argued that her trauma is sometimes played for laughs, the series still explains her motivations. Others have argued that the whole Starfleet crew needs therapy and better mental health care for everything they have gone through. One character, Shaxs (Fred Tatasciore), even dies at the end of one season to save Sam Rutherford (Eugene Cordero).
Mariner breaks protocol as a character, with the most recent season indicating she is bisexual or pansexual. At one point, the show's creator, Mike McMahan, stated that Mariner's former lover was Captain Amina Ramsey. He added that that "every Starfleet officer is probably at the baseline bisexual" in a sense.
She was also shown to have dated a man named Steve Levy. In one Season 2 episode she even declared that she had dated "bad boys, bad girls, bad gender non-binary babes, [and] ruthless alien masterminds" in the past. McMahan confirmed that Mariner will be dating a woman named Jennifer Sh'reyan (Lauren Lapkus) in the show's next season.
Mariner is not the only character with traumatic experiences. The same is the case for the ship's chief engineer, Andy Billups. He may be asexual, as he has no interest in having sex with male or female guards. Other characters are in thrown into conflict-prone situations as well, which are the breeding ground for trauma.
Arcane
Cait and Vi look in horror at Jinx's missile heading toward the Piltover council
Trauma and tragedy fill this mature series. This is balanced with a tone not "too dour" and a plot that doesn't drag the story down. This is a series with themes of class oppression taking place in a world with "no sexism, racism, or homophobia." Human experimentation, acceptance, struggle, and family separation are important themes. There's also depiction of attempted suicide, death, and kidnapping.
The adopted brother of Jinx (Ella Purnell), first known as Powder, taunts her, undermining her self-confidence. This combines with her fear of abandonment and guilt after some of her adopted family dies, causing her to become traumatized. She is still haunted by what happened in the past. Silco taps into these feelings, raising Jinx as her own. He doesn't fault her for lashing when when triggered, even when it threatens his own operations.
She isn't the only one affected by trauma. For Violet "Vi" (Hailee Steinfeld), this comes from her rough childhood living in the undercity, and separation from her sister, Jinx. For Caitlyn "Cait" Kiramman (Katie Leung), she has to deal with the pressure of working as an enforcer for the upper city of Piltover and new pressures of the undercity. This includes tense, stressful, and violent situations, especially with Vi.
Although some criticized its depiction, there is no doubt that in this series, Cait and Vi have romantic feelings for one another. It is what fans call "CaitVi," "Violyn" or the official moniker, "Piltover's Finest", with over 10,000 subscribers to subreddits for the pairing. In the aftermath of the end of the last season, Vi and Cait will likely have to pick up the pieces after Jinx assassinated the council members of Piltover.
gen:LOCK
Fight between Madrani (left) and "Sinclair" (right)
Like Arcane, this sci-fi mecha action series is mature and filled with sorrow. Due to a generally negative audience response and a subreddit which has turned against the show, renewal is unlikely. HBO Max and Rooster Teeth threw the show to the wolves. For all its faults, the series depicts trauma unlike any other, so it deserves a mention in this article.
Val/entina 'Val' Romanyszyn, who is a genderfluid and pansexual woman voiced by Asia Kate Dillon, goes through a lot in the series. The man she loves, Kazu Iida (Kōichi Yamadera), dies in front of her, and she watches countless others get injured or killed.
She is not alone in this. A demon named Nemesis, in the head of the show’s protagonist, Julian Chase (Michael B. Jordan) torments him throughout the series. It turns out that he is only a copy of his original self and the "demon" is another copy. Even so, he comes to terms with Nemesis and sees it as another part of himself.
Trauma and the subconscious are major themes in this series. Other members of Chase’s team, Cameron 'Cammie' MacCloud (Maisie Williams) and Yasamin 'Yaz' Madrani (Golshifteh Farahani) are also traumatized. Fighting the purportedly "evil" Union deeply affects Cammie, Yaz, Kazu, and Val, as does stresses from their lives before the war. The same is the case for Robert Sinclair, a fighter for the Polity and later a guerrilla. The show's second season reveals that he has a boyfriend.
Some reviewers have stated that the series has "mental illness, trauma recovery, technological intimacy and identity" at its center. Others said that the series has characters with distinct personalities who have to tackle their own trauma.
Closing thoughts
There are many other examples of characters with trauma who are part of the LGBTQ community, such as Daisy in Magical Girl Friendship Squad, and Fry and Hamburg in Kid Cosmic to give two examples.
There are other characters who struggle with trauma, although it is harder to pin them into the LGBTQ community apart from headcanons. Take, for example, Beck in Tron:Uprising, Reagan Ridley in Inside Job, and Ron Stoppable in Kim Possible.
I would be remiss to not mention Steven Universe in the series of the same name. Due to his fighting against corrupted Gems and Gem warriors, he develops trauma. This is further explored in the limited 2019-2020 series, Steven Universe Future, which brings trauma to the forefront. He attempts to come to terms with and address the traumatic incidents which plague his mind.
In the end, more series with mature themes and LGBTQ characters suggests that characters racked with trauma are in the cards.
© 2022-2023 Burkely Hermann. All rights reserved.
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Luc Noceda: Hogwarts AU
Luc Noceda is a Muggleborn witch that was born on the 16th of April 1985 and started attending Hogwarts on the 1st of September 1996, being sorted into Gryffindor house.
She has an Ebony wand with a Phoenix Feather Core.
Her Patronus is an Otter.
Her favorite subject is Charms and her least favorite is Defense Against the Dark Arts.
She was the Quidditch commentator from her 4th year onward.
Luz is a kind-hearted, outgoing, eccentric, energetic, and exceedingly geeky girl, who possesses a strong love of fantasy and adventure. She is an extremely optimistic person who always attempts to see the best in others, even in past enemies. She is eager to find her place in the world and be accepted for who she feels she truly is. She is clever, creative, and a quick thinker, capable of coming up with solutions to problems on the fly, but if she has too much on her mind, she can be oblivious to things like, initially, Amity's crush on her. At times, Luz has also been shown to utter small phrases in Spanish when experiencing certain bouts of emotion. She also possesses fondness for certain animals that most would find creepy and disgusting, such as snakes, spiders, and possums.
Luz is determined to be who she wants to be regardless of the opposition she receives. However, her remarkably headstrong personality has also landed her in trouble on several occasions. As noted by Hunter, Luz tends to rush into dangerous situations without always thinking things through. This is translated during Hogwarts years by way of occasionally disobeying Professor Clawthorne and getting into trouble. Despite this, Luz is intelligent and surprisingly introspective when she allows herself the room to breathe.
Multiple times Luz has shown herself to be exceptionally brave and heroic, risking her life on several occasions to protect others, especially those she loves. She does not tolerate when others take advantage of their positions in life, regularly standing up for herself, and those who cannot do so themselves or inspiring them to as seen against the likes of Boscha at school and Belos' oppressive rule over Britain. In addition, when provoked enough, Luz is capable of great rage and is quite formidable as an opponent. This was seen during Eda was almost given the Dementor's Kiss, where Luz entered a state of despair-induced aggression capable of not only appearing to empower her magic but even striking fear into veteran members of the Ministry of Magic such as Wrath and Eda's sister Lilith Clawthorne and earning the praise of the Minister Belos himself.
However, behind much of her optimism and creativity, Luz possesses deep insecurities due to the years of ostracism she endured during school before she started attending Hogwarts. Because of her accidental magic, eccentric interests and neurodivergent behavior, she was seen as an outcast in muggle school and difficult to engage with by her peers, school staff, and, initially, her mother, leading to her not only suffering an utterly friendless childhood in Winchester but also frequent resentment and open ridicule from other children and their parents. This constant rejection from her peers, along with her inability to make friends, has resulted in Luz developing underlying self-esteem issues which will occasionally manifest. This has also left Luz afraid of basic interactions with most other people, especially those her age, as was demonstrated when she initially assumed Vee's companions from camp to be bullies who would pick on her, before being left dumbfounded when it was revealed that they were her friends. It has also been implied that Luz also was bullied by other kids for her inability to fit in, which possibly served to reinforce her fear of other teens.
In addition, another factor that weighs heavily on Luz's mind is the loss of her father, Manny, whom she still grieves for, even years after his passing. It's also been implied on occasion that much of Luz's creativity, eccentricity, optimism, and love of fantasy, especially her fondness for the Azura franchise, which was the final gift her father gave her, is a means of coping with his loss.
Arguably, Luz's devotion to her loved ones also serves as her greatest weakness, as she is constantly placing their burdens on her shoulders and blaming herself whenever she believes that her actions have hurt them. This was seen when she blamed herself intensely for both Eda's capture by Lilith and later the loss of her leg, despite Eda's reassurances that neither was her fault. This sense of guilt would traumatically increase, however, after discovering the truth about Belos' identity and the role she inadvertently played in his rise to power, finding the Collector, and nearly wiping out the whole wizarding world on Halloween in her fifth year. Following this, Luz's optimism was increasingly worn down by the traumas she endured and the constant blame she placed on herself for them, causing her to become a much more hardened and serious person who was determined to end Belos' evil even at the cost of her own life.
By the time of her sixth year, after spending the summer with her friends in the muggle world, Luz became little more than a shell of her former self, with both her mental and emotional health degrading to worrisome extents, showing multiple signs of depression. By this point, Luz's earlier insecurities and low self-esteem transformed into an intense, unhealthy sense of self-loathing, believing herself to be responsible for all of her friends and family's suffering, to the point of furiously cursing her very existence. Because of this, the traumas she endured, and the repeated failures in returning to the Isles, all of her previous optimism and cheerfulness had faded, leaving her near constantly miserable and sullen, with her mood only lightening up to save face in front of her friends and not burden them with her problems. In addition, Luz also blamed herself for nearly every mistake or hindrance that she and her friends came across, even when they weren't her fault. This eventually spurned her into deciding to permanently remain in the muggle world once Belos and the Collector were finally defeated, being convinced that being out of her friends' lives is the best way to protect them from her own flaws, despite both her friends' reassurances and the obvious heartbreak such a choice would bring her.
However, Luz's personality began to heal following a heart-to-heart talk with her mother, in which Camila apologized to Luz for attempting to change Luz into someone she wasn't and voiced her acceptance for who Luz truly is. This not only helped bring Luz closure, but also helped her realize her heart's deepest desire: to be understood. It was through this revelation that Luz was finally able to produce a Patronus, which proved to be a major catalyst in healing Luz's damaged mental and emotional states.
Following learning the Patronus Charm, Luz managed to regain some of her previous spirit, being noticeably more happy, playful and confident in herself once again, which continued to grow following her heartfelt reunion with King and Eda after enduring months of separation from them. In addition, Luz also retained her sense of compassion and empathetic nature, as shown when, despite all the harm the Collector had caused to both the Wizarding World and her loved ones, she sympathized with his yearning for companionship, offering him a chance at redemption and teaching him how to establish genuine friendships with others. This selfless nature was further exemplified when Luz sacrificed herself to protect the Collector from Belos' attack, highlighting how she is willing to lay down her own life to protect others without hesitation, and assuring the Collector they did nothing wrong, not wanting the child to blame himself for failing to redeem Belos.
After meeting and receiving wisdom from King's father in Purgatory, Luz would finally make peace with her previous mistakes and was finally able to let go of her guilt over accidentally helping Belos in the past. Finally freed from these emotions, her previously eccentric and optimistic personality showed through once again, which proved essential in allowing her to defeat Belos for good. However, after the final battle with Belos, Luz demonstrated a darker side when she confronted him for the final time, during which she showed little emotion towards the witch hunter while torturing him with the Cruciatus Curse, before allowing Eda, King, and Raine to finish him off for good. This demonstrated that as compassionate and forgiving as Luz can be, her empathy has limits, to the point where she's willing to let enemies that she deems beyond redemption die. While she didn't participate in stomping Belos to death, she did nothing to prevent it, knowing that he didn't deserve any kindness or forgiveness she otherwise shows to others.
In the four years since defeating Belos and restoring peace to the Wizarding World, Luz continues to maintain her recovered kind-hearted, eccentric, and optimistic personality as she prepares to start working as a Curse Breaker, having finally acquired the acceptance and happiness she had always longed for. She has also become much more confident in herself as she continues to pursue her dream of becoming a witch, no longer looking down on herself as she did years prior. Because of this, Luz abandoned all pretense she once held of permanently leaving the Wizarding World, instead now being able to happily travel between them and regularly visiting her loved ones in both worlds before she started working as a Curse Breaker.
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TOH AU: The Countess of Titan’s Hold
This is a The Count of Monte Cristo AU with Eda in the role of Edmond Dantes and Raine in the role of Mercedes. The setting is mainly the Demon Realm, so most characters are Witches and Demons, but there is contact with the Human Realm by way of trading. The Covens exist, thought there is no mandatory joining and branding with Coven Seals - at least it’s not widely done.
Eda Cawthorne is accused of a treason and sent to an horrible prison on the same night she was going to propose to her partner Raine Whispers. The people who framed Eda are Odalia Bright, Terra Snapdragon, and Phillip Witterbane.
Philip wanted to discredit the respected Cawthorne Family, so he could get enough power and influence to become the ruler of the Boiling Isles, and one of them being accused of treason would ruin their reputation; Terra wanted control over Raine and felt that it would be easier without Eda’s influence on them, and because she wanted the two to suffer by separating them; Eda and Odalia were once friends but Odalia was secretly jealous and resentful of her power and skills, so she joined forces with Phillip and Terra to frame Eda.
Eda spends almost 12 years in the prison (losing an arm), until she learns about a great treasure and escapes. Not sure who could be in the role of Abbé Faria, but they help Eda escape at the cost of their life.
On her way to the island where the treasure is (Titan’s Hold), Eda meet Luz Noceda, an orphan human whom Eda takes in as her apprentice. Arriving at the island, they find baby King, along with the treasure.
Once they have the treasure, Eda and company return the the Boiling Isles. Eda reunites with her Lilith Clawthorne, her sister, and discovers that her parents are dead and that people think Eda died in prison. She also learns that Raine cut contact with Lilith/seemingly forgot about Eda to become Head of the Bard Coven.
(Terra is Head of the Plant Coven and seemingly a confidant to Raine, Odalia has achieved prestige due to Blight Industries (it’s thanks to her husband) while Phillip is well on his way to become Emperor, and fulfill his secret agenda).
Betrayed, Eda swears to destroy everyone who had a hand in sending her to jail. She spends the next 8 years plotting her revenge with the help of Lilith, Luz, King, even recruiting some other young witches who have been hurt by the elite (Gus, Willow, the Detention Track Kids).
20 years after her arrest, Eda infiltrates high-society as Marilyn, the Countess of Titan’s Hold. As she works to full-fill her revenge plans, Eda is reunited with Raine who doesn’t recognize her. Eda is surprised that Raine doesn't seem happy with their Coven Head position and that they still fondly remember Eda, even playing their song from time to time. Eda tries focusing on her anger at Raine, but she still has feelings for them.
Meanwhile, Luz (presented as Countess Marilyn’s daughter) becomes close with Amity Blight, Odalia’s youngest child. At first, it was to get some dirt on Odalia, but then Luz fell in love with Amity and helped her break free of Odalia’s control. Amity eventually discovers the truth about Luz, and decides to help her clear Eda’s name by finding evidence of her mother’s dirty dealings.
Eda discovers that the reason why Raine became a Coven Head was to the find proof of Phillip’s, Terra’s, and Odalia’s corruption to clear Eda’s name. Raine still loves Eda, and her apparent death nearly broke them, but they used it to fuel their determination to bring the corrupted elites down. Witnessing Raine’s devotion to her, Eda reveals her identity to them. Cue tearful reunion!
The rest is kind of predictable: they find evidence of corruption and destroy Phillip, Terra, and Odalia in satisfying ways. It might involves intense battle sequences cause these bastards won’t go down without a fight.
Eda and Raine finally marry, Lumity becomes official, everyone lives happily ever after. The end.
I’m changing the characters ages a bit to fit in with the story.
Eda is 24 when she’s imprisoned, around 36 when she escapes, and 44 during the main events. Raine is the same age as Eda. Luz, Amity, and the kids are all aged up to around 20-22 years. King is his canon age of about 8 years old.
People don’t recognize Countess Marilyn as Eda because of her now silver hair (she has orange hair the last time most people saw her), and because she hides her distinctive golden eyes behind sunglasses.
Eda still has her curse, but she was able to make peace with the Owl Beast some time after she escaped.
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