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#but i do question u
scarlct-vvitch · 1 year
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in honor of ace week id like to shoutout every asexual who first thought they were bi/pan because they looked at all the genders and felt no difference and zero is equal to zero so they said "huh. must be bisexual" and then shoved their sexuality back under the rug for 3-5 years
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officialspec · 2 months
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can i say something. for years i thought the joke of the song short skirt/long jacket by cake was that he wanted a woman who was hung like a horse. like i thought when he says jacket it was a last-second fakeout because he very obviously meant to say cock. and the rest of the things in the song were just her personality and interests. which were secondary to her awesome penis
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crimeronan · 9 months
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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varilien · 9 months
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you know me, in the way that matters most.
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stevebabey · 1 year
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part one here. ze part two to touch-starved stevie that absolutely no one requested hehe <3 but i gots to let my boys have a wee kiss :")
So, hugs with Eddie become… well, a thing.
Not a thing. They’re not a thing, Steve and Eddie. It’s totally the same as when he gets hugs from Robin. Eddie’s doing him a favour as a friend. It’s got the 100% platonic energy of getting a hug from a friend — a hug that usually melts into some form of a cuddle, limbs all tangled together until they can’t tell whose are whose.
Except, Steve doesn’t really do that second part with Robin. Like he hasn’t done it ever with Robin.
So, it’s an Eddie thing.
But they’re not a thing. Not matter how much Steve would actually very much like for that happen. Okay, maybe Steve’s overthinking the whole thing a bit, but he just can’t tell.
Where’s the line? It’s infuriating not being able to discern between platonic and more, just because Steve wasn’t held enough as a fucking baby. Out of all the things he resents his parents for, Steve’s surprised that this is so near the top.
Because, sure, Steve’s had more than his fair share of hookups. He knows that sort of touch. He knows the shape of lust; the scrapes of fingernails down backs, the tight grips over skin, the push and pull of the heat of the moment.
And this thing with Eddie… is not that.
So, really, Steve knows that it’s all friendly. Eddie is just being nice. He’s being a decent dude and helping his friend out — by catapulting himself into Steve’s arms at every opportune moment.
(Steve’s only dropped 3 mugs of coffee because of this so far. It’s only because Eddie says good catch, big boy with a devilish grin every time that Steve manages to catch Eddie that Steve hasn’t completely told him to knock it off. Just yet, at least.)
And he’s different in other areas. He’ll always seem to choose the seat next to Steve on movie-nights now, content to snuggle right up to him. They get thigh to thigh, arm to arm — and Eddie only needs to get about 20 minutes in for him to do a big sigh, like an old dog, and slump over, resting his head on Steve’s shoulder.
Steve notices though. He always notices.
It’s impossible not to— the skin, even if there’s 3 layers between them, burns blazing warm. Eddie’s hair drapes over his arm, a curl inevitably tickling along Steve’s collar. He can feel the rise and fall of Eddie’s breathing, the little shake of when he laughs.
It drives Steve a little insane— insane in the way that makes him think about burying his fingers in those curls again, about pressing his lips against Eddie’s pretty mouth just to feel the smile against his skin, about digging into his chest so he can climb into his chest and live there.
Yeah, it’s— well, it’s safe to say that the effect of Eddie’s touchiness has sent what was once a fleeting thought of a crush into mind-melting levels of affection.
But he can’t fucking tell.
-
To Steve’s credit, neither can Eddie.
Which is not surprisingly considering sometimes he catches himself wondering how the hell he ended up here; in a close-knit friendship with band-geek Robin Buckley, princess Nancy Wheeler, and King Steve Harrington.
Okay, the Robin one sort of makes sense. He thinks that if no matter when their paths crossed, he and Robin would’ve always even some sort of strange friends - her snark complimenting his bitchiness. Also, the whole super queer thing helps too. Even the friendship with Nancy works, in its own weird way.
Steve though? He’s the fucking curve ball.
It works though, the two of them. Surprisingly well, actually — the two of them get on like a house on fire, bitchy quips back and forth. Even better, is the quiet that they can share. Steve loves to come around and do… nothing. Do nothing with Eddie, though.
So, even though Eddie had noticed the tension in Steve with touch, little moments where he turned rigid when Eddie’s usual wandering hands got too comfortable — Eddie chalked it up to the usual. Guys bring too uncomfortable with him, too weird about another guy being touchy. It didn’t matter than Eddie wasn’t even out to Steve yet, he was still might be that type of guy.
Well, Eddie had certainly thought so. Sure, Steve might not be one of those jocks who smacked around boys who looked too long in the locker room, but if he knew a smidge of the truth, who really knows. It would explain the tenseness at least.
But then— ‘Can I… have a hug?’ There had been a dozen things Eddie was thinking that Steve could’ve asked for but that? Wasn’t even in the ballpark. It was so left-field it left Eddie speechless for a whole moment. And Steve had been staring at the ceiling, his hands curled up tight again like- like he thought Eddie might say no.
A ridiculous thought, honestly. Anyone who knew Eddie well enough knew he was touchy; loved giving it, loved getting it. Like an overly affectionate cat, Wayne had once called him, just 11 years old, because Eddie’s need for affection seem to never be sated.
After that night, Steve’s lack of touch became far more obvious. It’s always hair ruffles or high-fives, yet never hugs. Normally, Eddie would keep to that boundary; some people are less touchy other than others, he knows that.
But… “Sometimes I realise it’s been awhile, since I’ve had some touch.” That’s what Steve had said, his words. Eddie doesn’t even think he meant to say something so heartbreaking. In fact, the guy seemed embarrassed.
It had thrown Eddie for a loop— because Steve gets around. He’s nearly notorious for one-night stands and failed flings, as Robin loves to drone on about considering she’s subjected to all the flirting. What had originally been a point of envy for Eddie, just saturates the bleakness of Steve’s words. Sex but without a moment of intimacy.
So, while Eddie is miles away from being the person who gets into Steve’s pants — not for lack of want, mind you — he does try hike up the touchiness. Little things. Lingering when he taps him on the arm, hooking his chin over Steve’s shoulder to peer over it, leaning up against him when they’re side by side watching a film.
It’s good. It helps Eddie release the pressure of his stupid monumental god-awful crush he has. Yeah, yeah, it’s laughable, even to Eddie. It’s like Gay 101; don’t get crush on straight dudes, especially the ones you’re friends with. And yet…
Steve lets him. He lets Eddie give him touch, more than he lets anyone else. He still tenses; there’s still always a moment before he can remember to relax, like he’s trying to shake off bad thoughts but then he melts. He always melts into Eddie’s touch eventually — in a way Eddie knows Steve actually loves it, drinks it up as much as he can.
And maybe, Eddie is the biggest fool to grace the Earth to let that fact give him some hope. Sue his gooey heart, he’s a romantic. It’s a quiet hope but, it’s there.
Tonight, it seems relaxing for Steve is been harder than usual— several times has Eddie traced a quite long along Steve’s arms, a subtle point that they were far too tense for someone who was wrapped up in cuddles on the couch. ‘Cos that’s 100% what they are now. Eddie will still call them hugs, but usually, when it’s just the two of them, it becomes this.
Steve, tucked up into the corner of the couch, one leg flush along the back of the couch and one hanging off the edge. It’s the prime position for Eddie to crawl up, wind his arms around Steve’s middle and give him a good squeeze and then settle there. Head on Steve’s chest, lying in the cradle of his hips. Safe. Warm.
It makes him warm, oh very warm to know that he gets this. That Steve doesn’t give this amount of trust to many, if any, other people but Eddie — he trusts Eddie.
“Y’know,” Eddie says, cheeks smushed against the plain of Steve’s pec. It feels deliciously warm and Eddie’s fairly sure he can feel how toned it is just through his cheek. Hot bastard. “I’m actually real glad you asked for that hug all those weeks ago.”
He leaves it there ‘cos he knows Steve will ask. Eddie’s eyes stay on the buzzing tv-screen even as Steve’s head shifts, turning to peer down at the boy slumped on his chest. Eddie’s pretty sure he can see Steve’s mouth twitch up into a smile.
“Yeah?”
“Oh yeah,” Eddie affirms, giving a nod and his eyes flick up to meet Steve’s for just a moment. “Think I’ve had some of the best hugs in the world.”
Okay, that was maybe more honest and sappy than Eddie was going for. He is just letting Steve know he isn’t just doing it for Steve — that he enjoys these moments just as much. He lays it on thick, tries for a smarmy angle.
“Swept up in these pillowy arms?” He croons, giving Steve’s bicep a quick squeeze, making the other chuckle softly. “Who wouldn’t think so? I’m a lucky guy.”
Despite the joking tone, there’s no quick comeback from Steve. That’s alright. Eddie’s quite happy if this is one of the times Steve just takes the compliment; let’s the word sink in and hopefully, believes them, even if it’s just a little bit. He watches the film and doesn’t read into the silence.
Not even when Steve says, “Eddie?” all soft. Nearly shy sounding. It doesn’t quite register to Eddie’s ears.
“Mm?”
“Eddie.” Steve says again, a little firmer and that catches Eddie’s attention. He turns his head and rests his chin on Steve’s chest, his brows drawn together in silent question.
But the moment he makes eye contact, Steve’s doing that scrunched up face again. Is studying the ceiling instead of facing Eddie. And just like all those weeks ago, his hands clench up tight. Twists up the fabric of Eddie’s sweater in between his fingers and uses it to ground himself.
Last time, he asked for a hug. Considering he’s currently just about squishing Steve beneath his body weight, Eddie can’t fathom what he might be worked up to ask for. Unless he was going to ask for something more than a hug— which, well, just wasn’t going to happen, even if Eddie really wanted it to.
“Can I-” Steve starts. He sucks in a breath, almost like he’s gathering courage. But he’s not, because he’s not about to ask for what Eddie hopes for, he’s not, he’s—
Unless…?
“Can I… have a kiss?” Steve asks, barely audible. The sentence is murmured, soft words that hit Eddie like a gentle kiss in itself — imprinting right onto his heart. Steve Harrington wants a kiss — from him!
“Oh.” Eddie says, in a breathy delightful way. He’s fairly certain the little monkey in his brain is clapping its cymbals at double-speed as the words process; or maybe it’s his heart, which feels like it’s leapt up his throat.
“Oh?” Steve echoes, a smile already playing at the edges of his mouth, because he can see Eddie’s want. Because he knows him.
“Yes.” Eddie says suddenly, with a frantic nod, pushing up closer so their faces are aligned. “Yes, absolutely, you can.” He affirms.
Steve huffs a quiet laugh at the eagerness and then his arm that had been slung around Eddie shifts. It moves up til his hand caresses along the line of Eddie’s jaw, tilting him just how he likes.
Eddie holds his breath. Counts the freckles he can see this close. Tries to feel Steve’s heartbeat through where they’re pressed so closely together; can Steve feel his? Thundering and hurried, beating so hard Eddie thinks he might bruise the inside of his ribs.
Then Steve kisses him. And shit, Steve’s lip are better by ten-fold than every daydream Eddie’s ever had about them. They’re warm and so soft — plush and pressing against his own and Eddie is freezing. Fuck, wait, how does this go again? Right, Eddie’s never… well, kissed anybody before.
Steve pulls back and Eddie screws his eyes up — not ready in the slightest for the disappointment of his own shoddy kissing skills. Fuck, did he really just freeze? Steve — Steve Harrington — asks for a kiss and Eddie decides to stab himself in the back by not figuring out how to fuck to kiss back.
“You call that a kiss?” Steve teases and Eddie’s well aware of the parallel — of the irony of Steve repeating his own words back at him. But he can’t make himself laugh even though it’s funny. Instead, a little groan wiggles out his throat.
“I’m sorry,” Eddie says, earnest. He forces his eyes opens — he needs to see what’s Steve’s thinking. Where he’s expecting disappointment or perhaps regret, is only patience. Maybe a touch of concern. Eddie continues, despite the humiliation that makes his throat sticky.
“I haven’t- I don’t do this often.” He coughs awkwardly clearing his throat and hoping it hides the next word. “Ever.”
There’s a jump in Steve’s eyebrows, a moment of surprise in his eyes that lets him know he did, indeed, hear that final word. It makes Eddie feel… well, it’s nice that Steve had expected him to have been kissed by now. Even if he hasn’t. He tries to take it as a compliment.
“That’s okay,” Steve assures. Absentmindedly, his thumb rubs soothing along Eddie’s jaw. It makes Eddie shiver, some outrageous amount of joy clawing into every nerve. Steve likes Eddie. He wants to kiss Eddie.
“Do you want to try again?”
Eddie nods before the questions even out of his mouth. Steve smiles, all sunshine. This time when he draws Eddie in, he notices the way Eddie holds his breath — the rigidness in his body.
Steve kisses him again, another short and soft one and then whispers against his lips, “Relax.”
‘Cos isn’t tonight just full of the parallels, Eddie thinks. He listens, tries to focus on how sweet Steve’s kiss is than his panicky heart, forcing out a breath between the kisses. His hands along Steve’s sides find a grip, grounding and good, and by the fourth kiss, he begins to feel a bit melty.
It’s good. It’s really good. Kissing Steve is top 5– nay, the top moment of his life so far. Somehow, it’s made all that much better knowing the build-up behind it. Knowing that Steve knows he isn’t just kissing him for a heat of the moment — that Eddie wants kisses here, kisses before bed, in the morning, on dates. Eddie wants Steve.
And with the way he kisses, Eddie’s pretty sure Steve wants him just as bad.
It doesn’t take long for Steve to reach what Eddie decides is an ultra pretty fuckin’ state; lips swollen from kisses, cheeks flushed, hair a little mussed up. He bets he looks no better. The thought makes him grin, enough they have to break the kiss ‘cos Eddie can’t stop his stupid happy grin ‘cos shit— he actually gets to have this Steve.
“What?” Steve asks, somehow half heart-eyed and half suspicious at the mischief in Eddie’s eyes.
“Can I... have a hickie?”
now with a part three !
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waterghostype · 4 months
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what gives
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aleksxo · 2 months
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fairyrona · 20 days
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when everything's made to be broken (i just want you to know who i am) by @hoteadepresso pt 1
‘Stop.’ Will forced out, shaking his head in disbelief, hurt painting his features ‘Mike, that’s not funny. It’s mean.’ He thought he was joking. Mike was throwing his bleeding heart onto his floor, and he thought it was some sort of a prank. Fuck. ‘You really think I would joke about it?’ his voice sounded like it came from far away, weak and broken. His hand twitched, yearning to touch Will, to take his hand, to brush his fingertips against his warm skin for just one second even if that was all he could ever get.
late happy birthday present for Alex, the bestestest person out there!!!
a little bit of backstory; Once upon a time user @hoteadepresso wrote a fic (click here!!) (read it, its fucking amazing!!!!!!) which I immediately wanted to make fanart of, so, ofc it took me like, over a year to finish just this pt 1 <33
thus, the artstyle changes, which are a thing in this thing
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luyo-mi · 6 months
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my hadn sliped
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sinlizards · 1 year
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i love love love the way you paint back lighting!! do you have any tips/ a step by step for the way you do it?
ended up making a whole painting just to break it down and explain my general process for subjects lit from behind so heres that + a timelapse!
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main thing for drawing anything with a strong light source behind is to make the main subject Darker and more desaturated to convey that the light is behind them rather than to their sides (face cant be properly lit if the light is behind). Also making the Main highlight the brightest hue in the image helps to intensify it. I tend to use teeth/eyes as a good comparison point
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some people have a tendency to make the sclera white out of habit but darkening that+ the rest of the whites helps the image read as Darker compared to the brighter highlight
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thekintsugikid · 3 months
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‼️ attention all fall out boy fans ‼️
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the time has come again for the fourth annual fob census! please feel free to fill out this form before january 14th to have your opinions counted, and consider reblogging this post to spread the word about it! thank you! <3
‼️ EDIT: the census is now closed!! thank you so much to everyone who responded, the results will be posted in a week (january 21st)!!
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turtleblogatlast · 18 days
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Leo getting hit with a truth curse but instead of forcing him to admit to super sad or worrying things it’s things like “it was me who broke the remote” “I saw Mikey prank Donnie and helped hide it because it’s way funnier if he didn’t know who it was” “I rip my clothes to look more like Raph’s because he’s really cool” “my stripes aren’t even red they’re pink!”
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt leo#rise leo#plot twist he COULD be admitting angsty stuff but he’s pushing the less oof truths forward instead on purpose#raph: hey leo what do you want for dinner#leo: *about to bare his soul on all his internal torment but pivots* I’m afraid of snakes#(no but fr Leo’s stripes being technically more pink instead of red is cute ngl)#(a very reddish pink to the point that in certain lighting it looks red but at the base they’re p pink)#(i also am very fond of the idea that Leo doesn’t just have questionable taste in fashion he also just loves Raph a lot and looks up to him)#but yeah I think that something like this would be 99% Leo admitting to unimportant things or admitting to how much he values everyone#like they all KNOW Leo loves them and he’s talked them up enough for them to know but it’s different when he’s like#‘I just wanna read my comics with you guys around - it’s my favorite place to be’#or again just random bs that doesn’t REALLY have a lot of weight like#‘I like using my portals to prank random people around the world’#‘I’m worried about being a bad influence on hueso jr’#‘sometimes I kinda wanna see hypno’s plans succeed’#‘it’s been way too long since I found this out and honestly it’s embarrassing but I actually don’t have a di-‘#SORRY COULDNT HELP MYSELF#(<-but did u know that that pink rather than red observation actually ties into this headcanon as well if u know about red eared sliders)
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d3rpydoods · 1 year
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Father-son talk
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rochenn · 23 days
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Eye Level, pt. I
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Getting into the comic groove by making Dooku (loneliest most pathetic man in the galaxy) develop a Thing for his tailor. Part two in progress!
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maicrowave · 3 months
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dnp literally bought a house together and still every time they compliment each other on camera we're like omgggg they like each other in real life guysssss it's not just for the cameras
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oceanwithouthermoon · 2 months
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i always feel bad when i see how the point of a lot of saiki's personality traits flew right over the heads of a lot of fans due to him being an unreliable narrator and a tsundere lol.. so a lot of things he says are immediately proved to be untrue and often just him putting up a front, but some people dont pick up on it..
like i see a lot of "haha saiki would never want to watch a romance movie" guys there is an entire chapter (170) dedicated to him being like "i much prefer mysteries to romance stories.." and then immediately becoming absolutely enamored with a romance story.. he was lying, guys, LMAO
less specific ones include:
"i hate children, they annoy me" *goes out of his way to help kids, comfort them, be kind to them, etc.*
"i only use my powers for self gain/my own convenience." "anyway my mama told me to never use my powers selfishly so i always use them to help people and i try my best not to use them for personal gain<3"
"those guys are so annoying, i would never hang out with them willingly." "yeah it took them about two sentences to convince me to go with them. their thoughts seemed like they really wanted me to go, so i did. i didnt want them to be upset. not that i care about them or anything."
(sorry i post about this kind of thing a lot, i just giggle a lot at how the entire manga is so easily misinterpreted and thousands of people have watched the show but didnt pick up on the main characters most defining character traits and frequent bits.. i think there needs to be a masterlist or something disproving all the extremely common misconceptions about saiki k lol)
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