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#but also it has its comedic moments!
incorrectspnforfun · 2 years
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Sam & Dean: *researching* Sam: *smiling* Dean: You’re not enjoying this, are you? Sam: I like a good research session. I find it meditative. Dean: Is it really that hard for you to be normal just one time?
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Sebastian: COMPANY IS COMING! I WANT THIS PLACE LOOKING LIKE DISNEY ON ICE IN ONE MINUTE! Sebastian: DAZAI-SAN IF YOU HAVEN'T MADE YOUR BED THROW IT AWAY IT'S TOO LATE TO MAKE IT NOW! Sebastian: GET RID OF THE COUCHES, WE CAN'T LET PEOPLE KNOW WE S I T !
#ikevamp#ikemen vampire#ikevamp incorrect quotes#ikevamp sebastian#ikevamp dazai#i had a moment of divine intervention#and now i can't unsee it#i cant get over the fact that sebastian really said his life dream was to be a feral housewife in a mansion full of historical figures#I WANT THOSE PILLOWS LOOKING LIKE MICROWAVABLE POPCORN BAGS THREE MINUTES DEEP#literally i can take no comedic credit for this gayle is just iconic and sebastian is channeling their energy at any given moment#i dont care if we have to throw e v e r y t h i n g out. i want this place looking like a new mediterranean fusion restaurant by noon. AAAA#ISAAC PUT SEA SHELLS ON THE DOOR KNOBS#THIS IS A DISH TOWEL. WE NEED A HAND TOWEL. WHAT ARE WE BARBARIANS!!?!?!#WE LIVE OUTSIDE. WE EAT MUD AND STICKS.#i love how the poor puppy in the background is just watching them like ?????? King in the living room like 'bruh' while sebas has a meltdow#*looking at vlad's flowers that were sent as a gift* MC CAN WE GET THE LESBIAN PLANT OUT OF HERE#i dont care how many years pass its always funny#i feel like the comparison is really made by gayle's intermittent screeching throughout too#honorable mention: this is also theo when anything happens to vincent#I DON'T CARE IF ARTHUR'S BLEEDING OUT VINCENT'S PAPER CUT COULD GET INFECTED#SOUNDS LIKE A HIM PROBLEM NOW GET THE FIRST AID KIT HONDJE#WHAT? GAUZE? WHAT IS THIS 1632? YOU COULDN'T FIND A BAND-AID? STOP CRYING IM NOT DONE--#source: “company is coming” / Chris Fleming
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carnival-core · 6 months
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Not to gush about this series of games but god Jackbox, for being an almost entirely comedy focused set of party games, goes Real hard with their osts.... They did not have to but like , holy shit sometimes man I've been listening to trivia murder party 2's "list of the dead" song specifically and it is such an eerie and somber little song that it genuinely feels like it could work within a fully serious horror game ost too , for just one example
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SPOILERS FOR MULTIVERSE OF MADNESS (text post is spoiler free, the tags are not)
So I saw Doctor Strange Multiverse of Madness today (movies come out on wednesdays in France) and......... I didn't like it. They did Wanda so dirty and the most interesting aspects of the movie barely lasted a few minutes. I don't think it's a bad marvel movie, far from it, (we've seen some bad stuff, that wasn't it) , but i will not rewatch it. They did introduce a certain character in the post credit scene that i was glad about. Don't stay for the second post credit scene at the very end, it's not anything (besides marvel telling you "oh shit you stayed till the end ?") Spoiler stuff in the tags so if you are still reading that's on you.
#......... at the end of the movie i was still wondering what to think about the movie#but by the time i got home i came to the conclusion that i didn't like it#this movie is not supposed to be as comedic as others like gotg or thor 3 but sometimes at important moments i just couldn't take it#seriously. Like when wanda took over the wundagore stronghold; i just wasn't in it#the music also took me out of the movie so many times with that random electric guitar.#But yeah wanda is the part that irks me the most#sure let's take the character that has been through depression with no support system whatsoever and no one to check in on her at any point#(before or AFTER westview) that had an artefact known for corrupting its users; and after putting her through some more suffering#-SPOILERS- seriously don't read this if you don't want to know and don't go around spreading spoilers#So after all that; LETS HAVE HER KILL HERSELF !#sure; after everything let's just do that.#the cameos of reed richards captain carter professor X and the lead of the inhumans were nice#the fight between the 2 doctor strange was cool and one of the more interesting point of the movie but#it barely lasted 4 min max#fav character was probably america chevez even tho nothing about her got explained#she can open multiverse portals and has no other self across the multiverse. ok any explanations ? no; okay#oh and they introduced Clea in the post credit scene so that's cool#spoilers#dsmom spoilers#doctor strange multiverse of madness spoilers
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thEY DID THE MEME
#it's around the world in 80 days and it's really very good#like every episode theres an obstacle and they always overcome it bc you know they will. but the dangers still feel very real and frighteni#but it always ends okay so thats nice. and there are little comedic moments like this#and the characters have their own like normal biases? like fogg is sort of a nice guy but hes also EXTREMELY ENGLISH RICH GUY#hes patronising toward miss fix here hes dismissive of passepartout. who i guess IS his servant but he also very much treats him that way#and miss fix is the daughter of the editor of the big newspaper so shes also rich and white and english#shes trying to make a name for herself as a journalist and not as her father's daughter basically#passepartout is a black working class french guy whos been everywhere and speaks a hundred languages#it's very good bc fogg will do these things like be really nice to a little italian boy and like. stand up to the boys dad#and then save the boys life and like encourage his dreams and listen to him#like the boy has a book and wants to show fogg and his dad is like 'dont be silly busy men dont have time to read chidlrens books'#but fogg is like 'oh i have read that! enjoyed it tremendously' and just be really nice to the boy#but then also like. is just very english. he expects to be served everywhere. he expects people to accomodate him#he and miss fix both use 'im rich and english' constantly as if that will get them out of trouble bc it always has#'im english you cant treat me like this' 'my dad is rich he will get me out' etc etc i will speak to the manager energy#and bc of the premise of the travel and the dynamic between the three of them i just keep thinking about dw bc THIS IS DW#the doctor IS phileas fogg. like. around the world in 80 days could be a dw au. or au is an aroudn the world in 80 days scifi au#but this show actually sorta like. is honest about that? about the englishness of its protagonist?#like what he did with the boy. he was being all nice to the boy and they were on a train and he also just let passepartout be relegated to#third class while he and miss fix got rooms of their own#he also has bouts of hopelessness where his companions or like a companion of the day has to be like ‘no you can do this’#idk it just really put stuff about dw in clearer focus for me. like i knew the doctor and like gallifrey are english.#thats what theyre meant to be#but watchign this im like OH. timelords are ENGLISH. got it. like fogg really thinks he owns the world or something?#the doctor does the exact same thing#but it’s really a super good really fun show. if you want something kinda feelgood i can recommend this#also the way that every problem does kinda get solved for him. which is part of like the plot. things HAS to be solved bc he has to win#but still that also adds to that same feeling that dw also gives. things Have to end up alright at the end of an episode the plot demandsit#but that also makes the world bend around the progagonist a little.#but anyway yeah it’s fun you should watch im logging off again now bye
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sulphurofftheclock · 2 years
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Hi not 4*Town related but I'm seriously having SO MUCH Les Mis brainrot so my apologies in some slips in
ANYWAYS am I about to commit to reading the 1700 page novel 🏃 maybe 🏃
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luciddownloading · 7 months
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Mercury Aspects and Sense of Humor
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Aspects to your Mercury (as well as its sign and house placement) say a lot about your sense of humor: how you're funny and what you find funny. If you have many varying aspects to Mercury, you express your humor in many different ways. You also might just be ridiculously funny.
Sun conjunct Mercury: The Funny Guy (or Gal). These people identify with their humor so they seek a lot of validation for being funny. This can make them a constant Joker. "Why so serious?" they ask. "Because everything isn't a damn joke!" you may reply. But, they like taking the piss out of everything and everyone, themselves included. This can be a source of insecurity, too, though. They may feel as if they are always being laughed at, not with, even when it's not convenient.
Moon-Mercury aspects: Naturally funny. Seriously, some of the most hilarious people you'll ever meet (I might be a little biased as I have the sextile 😁). Humor is their intuitive response, so they react in very funny ways, sometimes unintentionally. VERY quick-witted. Needs to feel free to joke/laugh or engage with witty people to feel comfortable. The soul of a comedian. Can use humor to heal or comfort others. Either laughs off/through their feelings or do NOT laugh at them when they're having an emotional moment or they will hurt you.
Mercury conjunct Venus: Pleasing humor. Wins people over through jokes and laughter. May be fond of "corny" humor because it's very inoffensive, wholesome and oddly charming. Can make the worst puns or lamest jokes sound hilarious. Sometimes, people laugh with them just because they like them so much, not because of the joke itself. Observers may think, "Um, calm down, he/she isn't that funny." Very common with their love interests or people they date. Easily falls for very witty individuals.
Mercury-Mars aspects: Potty mouths. Vulgar humor that only they can get away with. If people are rubbed the wrong way, it only amuses them more. An expert at making sex jokes or telling hilarious stories about their sex lives. Funny people of their preferred sex(es) turn them on. Savagely skilled at sassy comebacks that will shut the other person up. Legendary roast sessions or reads. Can go on very funny rants whenever they are pissed off or worked up.
Mercury-Jupiter aspects: The clown. Big and broad humor. Loves being a silly goose. Doesn't care if you find it funny or not. It's hilarious to them! Most likely to have an unstoppable laughing fit over something stupid. Will fail the "try not to laugh" challenge. They can't hold it in! Their humor is like sunshine on a cloudy day. Like to uplift people with jokes. Even their laughter is like a healing medicine. Possibly has a distinct laugh and a huge one, at that.
Mercury-Saturn aspects: Dry wit. The absolute masters of sarcasm. It's like their second (or native) language. People sometimes don't know when they're joking and take them seriously. On the flip side, they get really annoyed when people make a joke out of something that they're taking seriously. Sophisticated humor. If American, they might really love British humor and comedians. Making jokes out of difficult situations but in a cynical or "I hate my life" way. Only gets funnier as they get older. Takes things less seriously with age and learns to use humor as a coping strategy.
Mercury-Uranus aspects: Offbeat humor. Other people sometimes don't "get" their humor. Can feel alienated in that way until they meet a fellow weirdo who laughs at the same things they do. Then, it's like "Thank God! I've found my people!" Super-quick, when it comes to telling jokes, comebacks, or getting the joke. Will laugh at things that go over other people's heads. Comedic genius: brilliant bits or wild one-liners. Might get off on controversial jokes or laughing at things they know they shouldn't. Frequently guilty of knee-jerk laughter in inappropriate moments.
Mercury-Neptune aspects: A chameleon-like wit. Can be dry, goofy, odd, offensive or wholesome in their humor, depending on the environment/audience. May write very funny screenplays or novels or be a great comedic actor. The hilarious main character of their own ongoing movie. Tells a lot of jokes to themselves, in their head or in private. Most likely to laugh out loud in public at an internal joke and look a bit crazy. Cracks themselves up. May imagine cracking others up or getting caught up in wacky situations.
Mercury-Pluto aspects: Dark comedy. "Wow, that was fucked up. Funny but fucked up." Might tell themselves that or be told that by others. Can keep some jokes to themselves because other people couldn't handle them. May think they're just joking around but destroys someone psychologically and triggers their trauma with a single quip. Sometimes, though, that's the intention. Mean streak may come out via humor in a way that horrifies them or they regret later. Or they just own it. SHADE, okay? More shade than a oak tree. It's giving Real Housewives or Tiffany Pollard. "Hilarious reality show villain" energy.
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theduckeminence · 2 months
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I can’t stop thinking about Eddie Dear y’all.
First off, the probable reason behind what had occurred to him is most likely due to him being scrapped/taken off the script of the show is just both saddening and dreadful on his part. Like he exists within the realm of the Neighborhood, but considering his absence throughout the recent update, aside from him giving the viewers a decoder + clips of him throughout the Home-warming ad compilation, its safe to say that Playfellow Workshop had most likely taken off him of the show, or at the very least, lessening the amount of screen time he receive (in this case being the ads/commercials).
And now onto the actual possible reason why Eddie Dear would be taken off script. Now thinking back to the fact that Eddie & Frank being a couple is canon, it’s also safe to say that because of their connection in the show — even though Playfellow Workshop attempts to have them be distant or lack any sort of significant interaction onscreen — Eddie & Frank’s relationship, or at least Eddie’s love for Frank, could certainly be the reason why the he was taken off script.
After all, if two male characters are shown to be gay for each other in a kids show from the 1970s, chances are Playfellow Workshop would rather scrap the homosexual (derogatory) mailman character than have Welcome Home be taken off the air entirely just because of said mailman character.
Furthermore, what’s more interesting and ironic about Eddie being a prominent character who became intensively aware of his situation is the fact that he first appears to be a character who could be considerably perceived as“insignificant” or “irrelevant.” Of course I don’t actually think he is, but from the way Playfellow Workshop and the Homewarming commercials are framed Eddie, it can be interpreted that Eddie is seen as a rather character of little relevance.
It is partially due to him being taken script, but it’s also the fact that his only thing going on for him is being the mailman for the neighborhood — as well as a bit of a comedic relief. Eddie said himself in the Homewarming video from the secret site — if I’m correct, he feels that nobody appreciates him enough for his work (though correct me if I’m wrong). And that since there’s no one there to ask him to deliver something, or call, or check up on him, he feels as though that — somewhere inside of him — he feels both left out and “irrelevant.”
His one role is to be the neighborhood delivery man, and without that, then what exactly would he be good for?
(this could further be emphasized when Sally told him that they made the deliveries for him to give him a day off — even though no one told him that, and chances are this is perhaps Sally trying to reassure him when in reality, he was just scripted out of Homewarming hence why no one came to talk to him. Getting lil off topic oops—).
Recircling back to the original topic, yada yada yada Eddie just being a mailman and besides that he views himself to be irrelevant so on and so forth.
One thing I would like to mention, relating to Eddie being the probable first of the group to become aware other than Wally, is that I find it surprising that Eddie Dear IS the probable first to become aware like Wally.
To tell y’all the truth, I didn’t think he would play such a significant role in the Narrative (and thus probably doomed by it too). I would have least thought Frank or Julie would have been next to become the more Self Aware.
But Eddie Dear? Our loveable, friendly, and reliable mailman — Eddie Dear? Suddenly depersonalizing right on the spot with a pea plate and becoming aware of both his sentience, the weirdness of his setting overall, and how he could hear Home’s heartbeat? How he knew that the moment he comes to this revelation of self-awareness, he can’t go back? That everything he has ever known is most probably not real and/or all a lie?
It just has me stopping for a second on why and how him, but after thinking about it furthermore, alongside reading analysis posts, it would make sense for him to be next on why he had become Aware.
And I can only assume that from here on out, things are bound to change. And I for one fear these colorful lil puppets — particularly Eddie in this case.
Lets just hope the existential dread doesn’t drive all of them over the edge.
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sitzfleischh · 7 months
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The first batch of episodes of ofmd S2 begin with Stede's fantasy of his and Ed's reunion, and end with Ed's fantasy of their reunion.
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They're both overdramatic, extremely silly, completely sincere, and self-aware without being ironic/cynical. It's camp!! (or more precisely, camping, because it's deliberate).
I'm working on a longer post about camp and comedy in ofmd that I will probably wait to finish until I've seen the whole season but in the meantime: About That Mermaid Scene.
The thing to remember about this scene is that it's fucking hilarious. Something being funny in ofmd doesn't mean it's insincere (often the opposite!) but we shouldn't lose ourselves in its romance and forget that ultimately it-- just like Stede's Competent Beardy Pirate Fantasy-- is also a comedic sendup of the distorted ways they are thinking about each other at this point in the series.
If you've seen the trailer you know what's coming next-- the head bonk, followed by an "awkward exes" dynamic. Of course it wouldn't be much of a show if everything was resolved between these two at the end of episode 3. But I think these two fantasies are key to understanding where we're going. Stede's fantasy is about seeing himself as a traditionally masculine and hyper-competent pirate, "saving" Ed from Izzy, and being forgiven with no hard feelings. Ed's fantasy is about being wanted, being rescued, & brought to safety, by a beautiful untouchable creature that is completely different from him.
Their respective distorted views of each other are what drove them apart at the end of the first season. Ed thinks Stede is too much of a fine thing for him to deserve. Stede thinks he's not enough of a real pirate to do anything but "ruin" Ed.
The rest of the season, then, has to be about both of them failing to achieve those fantasies. They've both hurt each other and caused a lot of harm. They're both not traditionally masculine. They're both imperfect. They're both human. They both deserve to love and be loved.
We will get to the romantic moments, like the ones in season 1, where the comedy -- even the camp comedy -- falls away. But until then I look forward to more laughing as they both figuratively bonk their heads against the reality they are refusing to see.
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brawltogethernow · 8 months
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I dreamt the other night that there was an extremely mid live action Murderbot TV show adaptation. That's not my retroactive assessment in the daytime. In the dream I was like, "This has multiple very avoidable or outright comedic flaws. I am going to binge all of it." (I'm aware that this is very meta.)
It had a "life on a starship" structure in the style of Star Trek, though it may have technically been set on one of the satellites orbiting Preservation.
The core relationship was SecUnit and Mensah, which was executed with absolute sincerity that couldn't not be charming, and was also where a lot of the more narmish moments were centered.
SecUnit would hack devices by focusing on them, cuing the camera to zoom in on the relevant machine—then the zoom in would continue with a transition to aggressively average CGI of the inside of the machine, which would animate it...being hacked or whatever. I got the impression that happened at a pivotal moment at least once an episode.
Some of the canon characters were present and were well-cast and characterized. However, the "crew" had also been padded out with a handful of original side characters. There was a gruff ship's doctor type (more Kelso than Bones though), a cook SecUnit had an arbitrary rivalry with, and for some reason two teenage boys who were BFFs. The cook existed to facilitate interpersonal comedy, the teens to have sci-fi concepts explained to them, and the doctor to solve like a third of the one-off plotlines at the end of the episode once whatever emotional arc they'd been facilitating was concluded. The new characters were almost all played by white guys like after they cast the canon characters thoughtfully and considerately they ran out of energy/wanted to work in people who were already on the lot.
I dream-watched three random episodes, but unfortunately the only one I remember specifically is the last one, where the plot was Murderbot getting amnesia (because of sci-fi reasons) to back when the company owned it before it hacked itself. The emotional climax was it deciding to help Mensah even though it didn't remember their friendship, by disabling a machine that was harming her—which it did by triggering the hacking animation by slamming its hands against it several times. Like you do when you hack stuff. The amnesia was fixed after this by the medical doctor administering a liquid for it to drink that reportedly had nanomachines in it. I'm pretty sure the prop was one of those plastic cups dentists give you stuff to swish around your mouth in with water in it.
Murderbot was played by a tall and gloriously buff...enby woman...? I don't exactly recall. —Who in behind the scenes content had a startlingly sweet demeanor and higher vocal register than the character.
10/10 dream I am laughing my socks off. I miss the fake show.
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nereidprinc3ss · 2 months
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okay i know this is kind of a specific request but can you do something with professor Spence and uni reader where they get into a spat and argue bc she did something stupid and he gets mad and she’s like “noooo pls don’t be mad i hate when you’re mad at me I’m sorry🥺” bc she literally cannot function knowing she let him down (me with everybody) but he’s like super stubborn and goes all closed up and quiet so that he doesn’t like blow up on her until she finally says like “pls talk to me” and he’s all pissed and like “hell na bitch u crazy!🗣️‼️” but then later he’s like “it’s ok i love u but neva do that shit again ho” then they make up and it’s good again 🎀 ok i explained that so poorly (and comedically if i may) but i hope u get it and pls make it SO DRAMATIC bc I live for drama! like she steals test answers or something or does something that could like get her kicked out of school OR him lose his job 🤔 sigh … idk I’m leaving now. Also i LOOPOOOCE ORRKGOOVI love your fics. Luv em
hey girl (gender neutral) this made me laugh bc genuinely sometimes i write spencer so ooc that is what he sounds like. and i'm not sorry! anyway this is potentially a vyvanse fueled nightmare but i wrote it and i'm posting it MY BLOG MY RULES BITCHESSSS!!!! but genuinely read the content warning LMAO this one got a lil kick to it
warnings/tags: ANGST, HURT/COMFORT, fem!reader, spencer and r get into a for real argument like they're mean to each other, spencer is a lil toxic but its resolved, emotionally neglects reader just for a teeensy second but then he's really nice and sweet again, discussion of his past addic+ion, gets fluffy because i'm not EVIL, gets suggestive at the end bc i am secretly evil.......
a/n: i don't know whats happening. this confuses me just as much as it confuses you. its 3 am in the morning. im gonna post nice happy things soon. Gootbye
“I cannot believe you right now. I don’t even—I don’t even know what to say.” 
“Spencer, you don’t have to say anything. It has nothing to do with you, and I’m not looking for your approval.” 
He looks up from where he’d been rubbing his temples, like you’re a headache, eyebrows raised and lips parted in indignant disbelief. 
“Oh! You’re not looking for my approval? Well thank god for that, because if you were one of my students I would recommend expulsion to the board.” 
“Are you fucking kidding me? I just said I don’t care about your opinion on this, much less your hypothetical opinion from some alternate universe where you have any authority over my education whatsoever.” 
“You distributed an answer key to half of your class! Objectively this is the kind of thing that gets people expelled. I don’t understand how someone so smart could do something so fucking stupid.” 
The words bite more than you were prepared for—but what hurts even more is how much he seems to mean them. In arguments past you’d both said things you didn’t mean, and then would immediately melt into I’m so sorry’s and the fight would resolve itself. Spencer’s clenched jaw and inability to make eye contact with you do not lend themselves to tender apologies. They cannot be attributed to miscommunication. 
You take a step closer to where he’s bracing himself against the countertop, arms crossed defensively in front of your chest. 
“Spencer, I’m sorry. I didn’t think it was such a big deal. People cheat in college all the time.” 
Still no reply. His head shakes so minutely you wonder if you’re imagining it. Panic wells in your chest. 
“Please talk to me. I really hate when you ice me out. I’m sorry, okay? Just... please say something.” 
Finally, his eyes slide to you. They lack the fiery anger of moments ago but there’s not much softness there either. His normally warm gaze now feels too abrasive, too cold and sharp on your bare skin. You're exposed, much too soft for that grating look, and it feels like he can see everything that’s wrong with you. 
“Believe me when I tell you this. I am doing us both a favor by not speaking to you right now.” 
And then he’s leaving the kitchen—nothing but a breeze against your cheek and the sound of a door slamming to prove he was ever there. 
The apartment is silent. You stand in the middle of the kitchen, unsure of what to do next. Spencer very, very rarely gets angry at you to the point of neglect, and you know he’s doing his best with what was modelled for him as a child and his tendency to feel things so deeply it’s nearly disabling; but that doesn’t make it hurt much less. It doesn’t make you feel less abandoned or alone.  
You’re sad, and you’re still pissed, and maybe you’re in just a bit of shock as you robotically move back to your nest of blankets on the couch and resume your schoolwork. What else is there to do? Unless Spencer is right—unless you really are about to get expelled after getting the answer key for an upcoming test from a friend, who then gave it to another friend, and so on. But is that really your fault?  
It’s a struggle to stay focused as your mind keeps drifting back to Spencer in the other room, those cruel words and that cold steely look in his eye that isn’t supposed to ever be aimed at you. It’s not a secret that side of him exists, but it doesn’t belong in this apartment. It’s not something he needs to use against you. He’s supposed to be on your side. But instead, he’d said you should be expelled and essentially called you stupid. And now you’re doing homework for a class at a school you may not even be a student of come Monday. 
---------------------------------------------------
The sound of the office door opening forty-five minutes later spikes your blood pressure and simultaneously makes your heart flutter, because no matter how mad at him you might be, Spencer is still Spencer.  
He comes to stand behind the couch quietly, but you don’t acknowledge him. Maybe your typing gets a bit more aggressive, but aside from that you flat out reject his presence. 
“Can we talk?” 
You let him sweat for a minute as you finish your paragraph. 
“I don’t know, Spencer. Can we? Or are you not done with your temper tantrum?” 
“That is... well deserved,” he sighs, rounding the couch and tapping the bottom of your foot, signaling that he wants you to move your legs. You despise how automatically you comply, pulling your knees to your chest to avoid touching him as he sits next to you. There’s a long moment of silence, in which you resume typing. Spencer scoffs, leaning in slightly to peer at your screen. “Are you doing homework right now? I’m a complete asshole to you and you just... do your homework?"
“What the fuck else was I supposed to do?” you almost-yell, slamming your laptop shut and blinking away potential tears. “The only person I wanted to talk to called me stupid and fucking left!” 
The tears realize their potential once you admit the blunt truth. 
Spencer carefully moves your laptop and pulls you into his arms—and you just let him. There’s not much fight left in you. There wasn’t a lot to begin with. 
“I am so sorry, angel. You’re right, I shouldn’t have done that. I shouldn’t have yelled, I shouldn’t have said what I said, I shouldn’t have walked away. I overreacted.” 
“Yeah, you really did,” you cry, allowing him to run his hand over your hair. “Why did you do that? Why were you so fucking mean?” 
His voice shakes slightly as he responds, betraying his own anxieties, and a new, unwelcome sense of trepidation slithers through your veins. 
“I was wondering that, too. Even as I was saying it, I knew—I knew it wasn’t what I wanted to be saying. And then I was in the other room and I wanted to be out here, and I couldn’t figure out why I wasn’t. But I think I was just scared. Which—I know, doesn’t really make sense, but... I think about when Ethan dropped out of the academy, and ended up doing heroin in New Orleans for three years, and I think about when I almost left the BAU because I was so convinced I’d never get clean that I didn’t even want to anymore, and—and the idea of you losing your education and your direction like that terrified me, probably unreasonably, and I took it out on you. And I’m sorry.” 
“But I’m not like you or Ethan. You don’t have to worry about that. Even if I... even I do get in some sort of disciplinary trouble. That’s a road you don’t have to worry about me going down, ever.” 
He fixes some unseen wrinkle on your shirt.  
“Yeah, but, remember... I used to not be like me or Ethan either. Do you think twelve-year-old Spencer would have ever even considered that of the infinite realities and universes which exist, he was living in one where someday he’d be shooting up in the bathroom at work?” 
“Mm-mm,” you hum, shaking your head and burying your face in Spencer’s shoulder. The sound is more of a plea for him to be less descriptive than an answer to his rhetorical question. It’s still much easier for him to talk about that part of his life than it is for you to have to actually imagine it. You didn’t know him then, but you’ve seen pictures, and you know Spencer now, and it’s... it’s just too much. Too sad. 
“Okay,” he agrees soothingly, still playing with your hair. “I digress. My point is that literally anything is possible, and while it’s not necessarily likely, I more than anyone know that anxiety even over the most improbable of things is never completely unfounded.”  
You sniffle in response, too emotionally and physically exhausted to contribute much to the conversation by this point. Thankfully, Spencer can talk for two. An idiosyncrasy which you love and comes in handy every once in a while. He can play his own devil’s advocate; in this case, you. 
“But that doesn’t mean I get to take it out on you. Ever. I truly, truly, sincerely apologize for that. I never want to hurt you.” 
You let the apology sink into your skin like a salve, soothing every abrasion those earlier words had left in their violent wake. 
After a few minutes, you find the energy to ask a question that might best remain unanswered. 
“Are you still mad at me?” 
He’s quiet for a beat, seemingly contemplative as his fingers trace abstract patterns in a language all his own on your arm. 
“I’m not thrilled. But you were right earlier. It’s not my place to be mad at you for something like that.” 
“Mm... it’s a little bit your place. You’re an actual professor.” 
He chuckles. 
“At an entirely different university.” 
“Thank god,” you laugh. “You and me at the same school would be such an HR clusterfuck.”
While it’s almost a serious matter, the smile in his voice is evident. 
“Yeah... I, uh... try not to think about it.” 
“Okay, but seriously. In your professional opinion. Am I fucked? Like, do I need to prepare an appeal and character witnesses or whatever?” 
Spencer sighs. 
“It was incredibly reckless and irresponsible. You should be ready for disciplinary pushback from the schoolboard if you get caught. That being said... because over sixty of you got a hold of the answer key, I doubt anyone is getting expelled, and even if they did, it would likely only be the TA and the student he gave the key to. It’s my tentative, professional opinion that you’ll probably be fine.” 
You relax slightly, allowing a tension you didn’t realize was there to shed like an old skin. 
“I’m not gonna cheat again,” you promise on an exhale. It’s simply too much risk for too little reward.
Spencer’s response is quiet, and comes much faster than you’d expected. 
“Oh, I know you aren’t. Because if you do, you’re going to have to worry about disciplinary action from me. And I’m not nearly as nice as the dean of your school, darling girl.” 
But something about the way he says it—a thinly veiled threat/promise contrasted by a sweet kiss to your forehead—doesn’t exactly make academic honesty look all that exciting.
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anonymouscheeses · 10 days
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Hazbin hotel theory (not circus related 🙄)
So we all know Charlie and Vaggie resemble alot of Lucifer and Lillith right?
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Lucifer is a fallen angel and Vaggie is a fallen angel. Both sacrificing so much for their lovers. Both having different ideals and beliefs aside from the majority of heaven, because of that they both end up in hell. Also literal head over heels for their wives. Lucifer still wears his ring and Vaggie has very few scenes outside of Charlie.
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Charlie and Lillith are both demons, although I guess Lillith is more human I think. But, they both fit in the other category. They both have fallen angel lovers. It's said in the opening cutscene that Lillith was an activist who sang as a way to influence. Charlie is an activist who sings in "ready for this" to persuade the cannibals to join her fight against heaven.
Personality and design wise though, Charlie and Lucifer are the most similar. Lillith and Vaggie? From what we've seen Lillith seemed loving in her pictures but calm and serious at the majority, if that doesn't describe Vaggie I don't know what does. Also Lillith wears purple and Vaggie is at this point purple coded 💀
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It's implied that Lucifer had romantic or at the least smeggsual 🤭 relations to Eve. Sure it could have been a joke/lie, but clearly Adam gets pissed and doesn't say that he's wrong. I'd like to think Lillith and Eve also had romantic ties but there's not enough shown of them to make even an evidential guess. It's obvious tho that Lucifer at least was with the both of them at some point. (Maybe even Eve gave birth to Charlie since Lillith was cursed with miscarriages. At least if Viv still wants to keep that. No. No... Lucifer did NOT give birth to Charlie... youre jst weird... /j)
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So... if Lucifer, Lillith, and Eve were once all in a polycule or at least a vee(two date one)....
who would be the one that stands in as Eve since Charlie and Vaggie are Lillith and Lucifer?
Plot twist. I'm a two and half halo shipper. It's Emily yall... 😨
HEAR MEE OUTTT!!!
In this image below, Vaggie is jealous that Charlie is holding Emily's hands(YES. CHARLIE IS HOLDING HER HANDS, NOT THE OTHER WAY AROUND. Charlie is very touchy sshh) which is kind of weird they would include that tiny scene. Sure, it could just be comedic but what's comedy except a person who looks too much into a small 1 millisecond scene. It still puts in a dynamic that at first isn't implied to be romantic but! But, having this one scene still creates a slightly romantic undertone dynamic. Even if it's not heavily implied, Vaggie sees Emily as someone who's taking moves on her girlfriend. (Which could also imply Lillith and Eve's first impression before they got in a polycule.)
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What I'm about to say is pure speculation, there still isn't much to go off of in the show at the moment with these six. But I think I have some points that maayyy just be smart for an idiot like me :3. Emily is an angel yes, but we aren't sure what Eve's fate was, where she went or what happened to her after. Maybe she stayed with Adam(after the creation of sin), and if Adam could go to heaven, a man who also ate the apple, then I believe Eve could too, it doesn't matter who started(assuming Adam did eat the apple in the show. Most likely.) What I like to speculate is that Eve went to heaven with Adam, although she didn't feel happy in their marriage and decided to make herself a fallen angel to be with Lucifer and Lillith, her true lovers.
Now the similarities with Eve and Emily? They both are against the ideas of those higher than them in heaven. Emily is against the idea of extermination in hell because she feels its unnecessary genocide. Eve went against heavens orders and ate the apple from Lucifer for knowledge. Oh also look haha their hair is kinda similar in the images below(not actual evidence but still its kinda cool) That's where the current canon similarities end. But ofc the big well known theory is that Emily will become a fallen angel because she goes against Sera's wishes. I HOPE she doesn't but in this show? Yeah, most likely. Currently Emily hasn't taken action, but maybe one day she will, which is the most likely situation. And if I'm right that Eve was a fallen angel then that would also be ANOTHER similarity. (Also. Ya'll.... the woman who picked up baby Charlie in "more than anything" was NOT Lillith. Like okay, maybe she is, but that didn't look like her AT ALL. She didn't have the same slick back mullet. But, in the image below, Eve and the woman who picked up baby Charlie have the exact same hair. Jst another thing I wanted to throw in to further evident that Lucifer Lillith and Eve were in a polycule/vee)
I LOVE TWO AND A HALF HALOS SO MUCH GUYSS. PLEASE FEED INTO MY NAIVETY. LUCIFER'S STOLEN WIVES AND CHARLIE'S ANGELS ARE LITERALLY CANON AND NO ONE CAN SAY OTHERWISE TO ME 😭😭
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BONUS!! Adam is Lillith's ex rightt??? Well Lute is basically Vaggie's ex. Sure, you could argue that- no. No girl, they was exes, I know, Viv told me herself smhhh..... not only are both Lucifer and Vaggie fallen angels because they had different ideals from heaven, Lillith and Charlie are both activists who use their voice as powers, Eve and Emily go against heaven, BUT LILLITH AND VAGGIE BOTH HAVE EXES??
Bro, Adam and Lute are also besties like? The polycules kicked them out and then they were like, "nuh uh, now we're gonna date eachother since yall don't want us" 😭
Basically what I'm saying is that Lucifer's stolen wives and Charlie's angels are Canon and no one can say otherwise because I'm so smart. If anyone says they aren't just link them to here and BOOM we got another one added to the small ship. Also. This is so underrated. Ya'll.. the potential is so crazy. And since Charlie and Vaggie are already established it would be so intense and adorable to watch Emily try to impress and date them both. Uggghh so.... hyperfixated..... I hope this isn't my special interest now 😭
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r3medialch8os · 2 months
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devastating trobed quotes (a list)
does thinking of troy and abed ever make you inexplicably upset? well, it's all in the text! aside from troy and abed serving as frequent comedic buffers, they are given some weighty emotional scenes throughout community's run. just look at the meat of these lines!
we just won't get masking tape (what a beautiful, simplistic way to portray how troy is able to think around abed's systematic manner of viewing their friendship in its beginning stages as well as an illustration of how he deals with conflict)
i love you (pure honesty in a moment of intense distress)
i know (both a reference, because it's easy, and the truth)
you don't like people who tell you what to do, and i don't wanna be one of those people (one of the more heartbreaking things said between the two of them, with troy knowing exactly abed's qualms and negative experiences with being controlled, not wanting to add to it, and still having to fall into the pattern for the sake of keeping him safe, fearing he's risking their friendship by doing so)
you weren't supposed to think those things (you of all people, the person i trust most in this whole world)
this is going to be the last thing we ever do together, we can't stop (what the actual fuck)
i know you hate when people do this in movies (whispered quietly to abed by troy, without anyone else hearing, one of the most romantic, intimate lines in the whole show, argue with the wall)
you're gonna have to trust that you're gonna have to trust me (said to someone with severe trust issues, and for good reasons, just an incredible invocation of the bond they have)
for the first time in my long history of being locked inside things, i knew someone would come (as someone who was bullied in high school, this line hits so fucking hard, aren't we all waiting on this moment?)
you were out there somewhere, and you weren't looking for me? (devastating in a way where i simply cannot believe they throw words like these around casually)
the floor can't be lava forever, the game's gotta end (troy, perpetually insistent on indulging abed, on letting him do his thing, on enjoying his imagination, has to be the one to bring him back to reality this time, and even if he tries to do it as gentle as possible, it will never not rip my fucking heart out)
it's not a game for me troy. i'm seeing real lava because you're leaving, it's embarrassing. i don't wanna be crazy but i am crazy so i made a game that made you and everyone else see what i see. i don't want it to be there either, i swear. i want you to be able to leave but i don't think the lava goes away until you stop leaving (fuck it, i'm putting the whole thing, not a lot makes me cry but abed so clearly experiencing disillusion and trying to assuage troy while also communicating to him how hard it is to accept him leaving all with an air of embarrassment and hopelessness and desperation will do it for me, thank you very much)
i'm not leaving, okay? i promise. the floor's not lava now, just give me your hand (all i can say is that i bet it tore abed to pieces hearing these words)
i think i might be able to let troy go now (the way he says it too)
when i cloned you i had to patch some missing parts of your dna with genes from a homing pigeon. you may notice side effects like a compulsion to come back (in other words, i am in love with you and i never found the right time to say it)
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katapotato55 · 10 months
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how to make your writing be remembered forever and possibly be well loved.
(incredibly stupid and silly fanfiction line at the end of this post) I know that title is incredibly daunting but listen, its very simple. you ready?
MAKE STRONG CHARACTERS
"but kat! surely its not that simple! " nononono listen. bear with me. I want you to think of your favorite thing. Now ask: what do you remember the most about the thing you love? I will go first:
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I love team fortress 2. and guess what: this game has been around since 2007, and was in development hell since before I was even born. The game has been around for 16 fucking years. And guess what? in the strong year of 2023 team fortress 2 Is STILL getting memed about. and do you want to know the crazy part? the character designs to the naked eye are not special at all. ok sure from a designer standpoint, these are very well designed characters made so that you can easily tell who they are based on their silhouette. but from the average joe.... tf2 is iconic but overall it looks ok. it doesn't seem special to a stranger to tf2. look at this completely random and arbitrary example of a game in the same genre:
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I don't know shit about the characters in overwatch. Yeah i have a BASIC idea on what their personality is like based on voice lines and some videos i guess... but in-game they just exist. these characters are brightly colored, they have beautiful unique designs, hell they have even more diversity such as robots and people from other cultures! but i don't remember shit about these characters. Maybe I remember the ice lady and tracer, but nothing else. and yeah part of overwatch struggling right now is incompetant development, BUT: The characters in team fortress 2 are SO remember-able because the characters have such a vibrant personality. I am an orange box owner, its been a decade and a half and I am still remembering this game and enjoying art about it.
"but kat! that is a comedy game! Overwatch is a very serious game! are you saying comedy is needed to make a character more noticeable?" no. though I think allowing your characters to lighten up every now and then would humanize them. Not full on goofy, just give them something that makes them likeable. and if you cant do that, you can STILL make a compelling character even though they are mostly seriousness. I have an even more awfully thought out example:
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kung fu panda is a masterclass in making a serious comedic movie somehow work. Master Oogway.... he isn't a comedic character at all. Yeah we made memes about him, but ignoring that, he is a wise and resourceful person. He is at calm and has faith in this intuition. there are a lot of characters like this. What makes Oogway stand out is that he is also a little bit kooky and sassy.
youtube
this youtube clip sums up what I mean. It is a funny line, it fits the character, and It doesn't ruin the seriousness of the moment. Some of the most successful series in history have something about them that has appealed to people. In my opinion: characters with strong personality and interesting traits is always a good way to ensure your writing is successful. The second most important is the characters bouncing off of each other in terms of their chemistry with each other. There is a reason why I spent years playing the first Destiny game and all of the DLC, but I remember fuck all about the characters. I think I maybe remember the bootleg star lord robot guy.
A writing exercise
here is an exercise to get you in the spirit of character making. step 1- get a random character from a random bit of media. In this case let me bring you master Oogway. Step 2- Get a completely different character from a completely unrelated series. I am going to give you Scout from team fortress 2. step 3- write a random ass thing about them interacting. Think about how the characters would react to each other and why. Think about each characters values in life and think about how they would bond and conflict with each other. Think about characters similar to the character they met in the past and how they reacted then, and if they have never interacted, make something interesting with it. Step 4- keep experimenting. Once you get into the spirit you can apply this to any new character you could want to make anyways thats it byeee- "arent you going to do that ?" do what? "make a writing thing about oogway and scout. " ........
Scout: let's go turtle you got nothing on my speed- Oogway: The one who first resorts to violence shows that he has no more arguments. Scout: that sounds like chicken talk! come on tough guy let me have it- Oogway then proceeds to make scout eat shit before vanishing in a cloud of cherry blossoms and dust from the desert. If this post isn't popular I want you to know my dignity was lost for nothing.
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serpentarius · 4 months
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been trying to wrap my head around the cancellation of "Our Flag Means Death" and why it hurts so fucking much. lots of folks who are much more eloquent than I have summed it up perfectly, but I still think it’s important I add my voice to the matter. 
It really, really sucks that the hurt is being compounded on us every time another queer/minority-led show gets prematurely cancelled. and for a long while, we also had to deal with the many shows that deliberately queerbaited us, which was a shitty and traumatic experience unto its own. And even though we’ve largely surpassed that early-‘00s-flavoured brand of queerbait now, mainstream queer media is still predominantly white-led. With the cancellation of OFMD, we've lost one of the very few intersectional queer shows in the mainstream. Shouldn’t we be beyond asking for crumbs at this point? Shouldn’t we get unabashedly intersectional shows helmed by and starring queer, BIPOC, and trans folks without them being axed for no rhyme or reason?
It’s exhausting at this point, honestly. OFMD has done so well in terms of viewership and engagement and fan response—almost entirely due to word of mouth and little thanks to the Max marketing team, mind you—and even still the show got cancelled? Can they make it make sense????
For me, the thing most akin to this OFMD situation was when Sense8 got cancelled. And yes, the fandom fought, and we eventually DID get a movie that wrapped things up years later! That gives me hope for OFMD, that maybe another network will pick it up, or maybe they’ll be able to make a movie someday. But what makes me sad about cases like Sense8 is knowing that the creators still had to force the narrative around the amount of time they were given. That the corporate overlords who only care about numbers and profit dictated how much time they had to wrap up their story.
And it fucking kills me that DJ only wanted one more season. One more season to complete the vision.
I'm just so mad that queer people are constantly being jerked around and used for profit and then left high and dry. And then we're given excuses like "oh there's no budget" or "oh there's not enough viewership, that's all it is". like, sure, maybe those are contributing factors, but then I look at all the useless garbage shows that have little viewership and high budgets that keep going forever and then I think "hmmmm, the math ain't mathing." It's fucking transparent; the corporations can spew all they want with their rainbow capitalism and talks about diversity, but the evidence is clear, and they can't convince me homophobia/racism/transphobia/etc. is not a factor in these decisions.
Anyways, back to OFMD. OFMD made me fall in love with fandom again. I drifted away from fandom for a while in my 20s, and while OFMD wasn't the first fandom that drew me back into the madness, it's certainly the largest. The sheer amount of creativity both within the show and outside of it has blown me away; I've read some of the best fics, seen some of the best art, and witnessed some of the most incredible creativity from people in this fandom.
And let's not forget the role of the show's creators and how they've interacted with us fans. They made us feel seen. And made us feel loved and valid, even when we were being weird and loud and horny. It's so fucking rare to see that. But they understood; understood that the show they made was for us, for any of us who've been marginalized or made to feel Othered or different or stuck in life or unsure of our identities. And they gave us so much love for it.
The story... man. The unique combination of quirky humour and bright visuals and dark, introspective moments, the gorgeous costumes and soft, lovely, unabashed queerness, and veteran actors and new actors all getting to shine, brilliant comedic actors getting to show off their dramatic chops and vice versa. For me, seeing Rhys Darby - an actor I've loved for a long time, but who I never thought I'd see in a leading role - getting to be the romantic lead in a queer role? And seeing acclaimed director/producer/screenwriter/actor Taika Waititi play opposite Rhys, as an indigenous Blackbeard? Fucking incredible. OFMD Edward Teach you will always be famous to me.
Anyways... despite my long ramblings here, I still don’t think I've been able to get to the root of WHY exactly this show has inched its way under my skin and stayed with me in the way it has. Maybe I'll spend years trying to understand it. But I DO know that it's in part to do with seeing both older queers AND a diverse range of queerness onscreen, in a way that I've never seen in media before. I DO know that OFMD has forced me to look inwardly, and allowed me to realize some important things about myself. About my own queerness, my own identity, things I'm still figuring out. I've cherished being able to see myself in Stede, in Ed, and each of the crew members. In Roach’s love for cooking, in Oluwande’s ability to mediate; in Jim’s quick temper, in the way Izzy builds walls to guard his heart. In Buttons’ quirkiness, in Wee John’s sass, in Frenchie’s ability to turn pain into humour; in The Swede’s silliness, in Lucius’ bluntness, in Pete’s soft heart beneath the skepticism. Lastly, OFMD has inspired me. To create, to write, to draw, to devour other peoples' works and worlds while I sit in sheer, overflowing joyousness at their talent.
so yeah. the news of this cancellation is upsetting and hurtful and disappointing. And it's making us cry, and it's making us grieve, and may make us hollow and numb at times because we've lost yet another thing we love so deeply before it was meant to go. It's so much more than "just a TV show". It means more to us than any passive mindless idiotic mind-numbing bullshit - because even though there's a time and a place and a purpose for that type of media, it's the thought-provoking work, the work that creators pour their entire hearts and souls into, that hit us deep in our own souls. The work that changes our lives. The work that has the ability to save lives, as I know OFMD has done for so many. 
please know I'm sending immense amounts of love and strength to those of you who are also hurting. we'll get through this, one way or another, and I'll keep up with the hope that we'll get more someday; but in the meantime, I'm holding you tight. ❤️️🫂
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yoyoyokii · 2 months
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Avoidant
Zoro x Reader
was meant to be fluff, became angst kind to comfort to fluff?
Originally wrote this @mazzieboohoo in my notes app (a girls best friend) instead of sleeping BUT I workshopped it a bit more so here TAKE IT
I don't care if it doesn't make sense that's not my problem
2.5k words
༺。° .ᘛ𓆩♡𓆪ᘚ. ° 。༻
Avoidant.
That’s the best, and probably the only, way to describe your boyfriend right now. He seems to spend every waking moment prioritising his training, and while you aren't all that mad at having the opportunity to watch your EXTREMELY attractive lover show off his muscles as his sweat glistens deliciously beneath the harsh rays of the sun, you couldn’t help but worry about him. Okay… you were also beginning to get kind of - well, more than kind of - jealous at the way a stack of metal was getting more attention from Zoro than you were… no! You are a good girlfriend! So- Mainly you are worried. 
Stress and conflicted feelings are gnawing at his heart, it's so obvious, even to Luffy, Mr Oblivious himself! It doesn't help that, in typical Zoro fashion, his choice of resolution is to suppress these emotions at all costs. This was probably the least desirable trait of his, apart from his shocking navigation skills obviously, and you just wish he wouldn't be so difficult when it came to things like this. The whole crew feels like they have to walk on eggshells around him, it's just tiring at this point. His attitude has been hard on everyone, especially for poor Chopper, who sees your boyfriend more-or-less as a father figure and is now convinced that Zoro hates him. 
He isn’t himself when it comes to the nighttime either, in fact, this is now the part of the day that you dread the most. He has been making an unhealthy habit of clambering into your shared bed in the early hours of the morning, absolutely reeking of sake. He then becomes completely restless and spends those minimal hours of rest stirring about, keeping you awake while he's at it. Every night you beg him to talk to you about it, and every night he plainly tells you it’s nothing, and goes back to borderline ignoring you. You aren't quite sure what hurts more, the fact that he is ignoring you, or the fact that he is just straight-up lying to you.
“Hey, I’m sure he’ll be fine, you’re worrying too much” Nami manages to pull you out of your thoughts, smiling at you before sitting at your side. She joins you in enjoying the pleasantry of the summer breeze and you can’t help but pout a little at her words. She is right. She is always right.
“I’m not worried, just making sure he doesn’t hurt himself.” you lie, squinting your eyes as you look out at the sun setting beyond the horizon. The afternoon glare makes your head ache a little and you are sure that you're falling victim to, what is going to be, a painful sunburn. Oh well, that's a problem for your future self. 
Nami huffs at your pathetic attempt at a lie, before swiftly changing the topic. She begins to talk about how perfect the upcoming weather is going to be for your travels to the next island or something. You know she is just trying to lighten the mood, but you can't really focus. Honestly, you feel nauseous, and there is now a growing pit of anxiety bubbling in the depths of your stomach. You begin to question if it's all your fault, that maybe you are the root cause of Zoro’s distress. This uneasiness spurs in your gut and becomes more unbearable, bile threatening to rise beyond its threshold. You begin to think about how the both of you had only really become official recently, after flirting back and forth for months, and how it had only been since then that he had been acting so… off-
“HEY- are you even listening to me?!?!" Nami yells as she nudges your shoulder. You pretend to draw back in pain, attempting to pull off some sort of comedic relief. It's more for yourself rather than to distract Nami from the fact that you didn’t hear a single thing she said (not paying her attention can be fatal...). BUT LUCKILY FOR YOU- 
She just stands, grabbing at your arm to pull you up with her. She now holds your hand and leads the two of you back to everyone else. She utters something about dinner almost being ready and you can't help but to laugh as she enthusiastically declares that it is gonna be the most delicious thing you’re ever going to taste because she ever-so-kindly requested the dish herself. Yeah, she has definitely just used Sanji again to feed her cravings like the girlboss she is🤷 
You couldn’t stomach dinner, no matter how delicious it was, and to sweet dear Sanji’s dismay you had to excuse yourself from the table. Unfortunately, the ease you previously felt from Nami’s presence disappeared as quickly as it appeared, and so you now find yourself sitting on the floor of the soldier deck. 
The stars are abnormally bright tonight, the full moon stares back at you with a sort of glare that makes it feel as if it's empathising with you. You lean back against the Thousand-Sunny's railing and curl your legs up, hugging them against your stomach. As the breeze toys with the fallen strands of your hair and you gaze upwards into the night, you can’t help but wonder if the myth of cosmic love was true. You can’t help but wonder if you and Zoro shared this connection, or if it was all just a love of convenience for him.
It’s these strings of thought that bring you right back to the day that he had finally confessed to you. You reminisce on how you went to bed that night kicking your feet and smiling like an idiot to yourself. You remember thinking about your future with him, and how, when your heart finally began to calm and you dozed to sleep, you found yourself dreaming of everlasting love. Yes, it was embarrassing and childish, even you’ll admit it, but it was nice to finally feel wanted romantically, especially by someone as stoic and stone-faced as Zoro.
You can’t help but smile fondly, albeit a little sadly, at this memory. If only there was to be a shooting star, so that you can wish to go back in time to this moment, to relish in that feeling of giddiness for just a little longer. 
Scouring the night sky for any glimmer of hope, or just for something to distract you from the heaviness adorning your chest, someone’s presence disturbs your failing attempt at finding peace.
Zoro.
He moves to sit with you. A weird sort of tension begins to hang so thickly in the air that you believe you might suffocate. You aren’t prepared for this sudden confrontation, for him to so casually approach you as if he hasn't been avoiding you for god knows how long. Before you can muster up the courage to finally break the silence and say something, he does it for you.
“I’m sorry.” His voice is firm and unwavering, almost intimidating yet somehow soft at the same time. It's as if he never actually intended to hurt you. You should be mad- no more than mad, borderline ready to fight him! After all this stress he caused you, he can only say sorry??? But no. You force yourself to be the bigger person.
“It’s alright.” You pause your thought, now turning your head to look at him. But before you can continue, he interrupts.
“No… it’s not alright” his brows furrow and he returns your graze, staring so deeply into your soul that it almost burns.
“Before you say anything. I need you to know that my shitty actions were not a result of anything you’ve said or done. okay? I know how you tend to overthink.” He breaks his intense eye contact to look down at his lap, almost like he’s hesitant, seemingly taking his time to formulate his next string of words in a way that wouldn’t make you feel guilty. Before he can continue to explain, he pauses. You know that he's expecting your usual snappy reply that's fueled with some snarky remark or joke. That's how you usually respond when a situation gets too serious for your liking. He knows what to expect from you, so when this awaited response never comes, he realises that you must be gathering your thoughts. And so, he decides to give you a few minutes. 
He said he knows you. And it’s true, he knows you like no one else does. You really were just overthinking to the point that it was making you a complete mess. A tear of relief slips from your eye as you fight the urge to fully break down. You quickly go to wipe the tear away, but this action doesn’t go unnoticed by Zoro, of course it doesn’t.
“What? Is something wrong with your eye?” God he’s so daft sometimes. His question is so ridiculous that it almost makes you laugh. However, you just can’t control it anymore and more tears continue to flow.
 “Hey- are you okay? Why are you crying?”
You feel too stupid and selfish to admit that he was the root cause of your tears, so of course, you lie. Again.
“Well… do you ever look at something so beautiful that it makes you want to cry? That’s how a full moon makes me feel, and it’s extra beautiful tonight…” you attempt to steady your breathing as you fake a smile towards him. 
The warmth of his hand moves to sit against the side of your face as he uses his thumb to wipe away a new stream that's spilled over the curve of your cheek. The familiar feeling of his skin against yours is so comforting that it is his touch alone that begins to heal the uneasiness plaguing your heart. And so you lean further into him, welcoming this newfound sense of solace. 
“Of course I do, that's how I feel whenever I look at you.”  
It's this statement that constricts your throat to the point of no return and forces you to choke out the most pathetic sob. At first Zoro’s visibly confused by this, not understanding why you’ve had such a visceral reaction to his words, after all, he was simply telling the truth. If he feels uncomfortable by your emotional outburst he doesn’t show it. He instead wraps his burly arms around your shuddering frame and holds you so securely that you’re sure you are going to suffocate. But come on, we all know you wouldn’t have it any other way. 
Now. It’s a common misconception that Roronoa Zoro is too much of a ‘tough guy’ to be affectionate, that he is always too stern for his own good. But this isn't true, especially when it comes to you. Yes, he’s straightforward, overly suspicious at times, and generally a serious guy. But, he’s also loyal, caring, and would die for his crew. Just because he doesn't like to publicly display his gratitude for everyone, it was always there, and his little acts of love for the crew never went unnoticed by you. He knows this about you, that you always take notice of others, it’s part of the reason as to why he loves you so much. 
Your body crumples against his torso, weeping into his chest. You can’t help but to apologise, suddenly feeling guilty for interrupting such a rare confession.
“I’m sorry, I’m so selfish for crying…” you say in between stuttering breaths as you attempt to stabilise your emotions. “I thought you hated me. I’m just so relieved!” 
He stays quiet, listening intently to you as he runs his fingers through your hair.
“Zoro, please talk to me. I’m sorry for interrupting, please tell me what’s bothering you, I hate that you’ve been struggling alone.” You’re rambling now and your words are being muffled by the material clinging between his torso and your lips. You don’t care. You only pray that he listens to you.
“You care too much about me,” he chuckles softly before pressing a kiss to the top of your head. “The reason I’ve been such an asshole is because I’ve never loved someone like I’ve loved you. I don’t usually worry about this kind of stuff, but I think I'm a bit shit scared of my own feelings.”. 
You cradle your head upwards, looking up at him with your now puffy, red eyes. Now you listen.
A deep sigh escapes from his taut lips, “It’s just… the last time I cared for someone. Well, you know how that ended.”.
He doesn’t have to say anything else. The point has been made, and you nod in a sympathetic understanding. His eyes grow glassy, tears threatening to spill through his eyelashes. You’ve never seen him so vulnerable. You don’t want to pry, and you know that words of comfort don’t work on someone like Zoro, so you stay silent, instead opting to reach up to cradle his head into your chest. This change in dynamics is definitely not something he is usually comfortable with, but it’s what he needs right now. This loving action pushes him over the edge, and funnily enough, he’s now the one sobbing into your arms instead.
You both sit like this for a while, with you sitting patiently, drawing imaginary soothing circles on Zoro’s upper back. His tears dried a while ago and you aren’t sure how long it’s been since anyone last spoke, but you’re willing to wait until the end of time if it meant that he could feel a moment of comfort within your arms. 
Your reassuring touches do make him feel better. He’s never felt so loved. So cared for. He’s never been the one on the receiving end of a hold so intimate and full of empathy. The idea that someone will willingly listen to him without judgment, that someone can accept his words without forcing a solution.
“This must have been hard, I'm proud of you. Thank you for talking to me.” You finally say, in the softest voice you can muster. He breaks away from your hold so gently, as if he’s afraid that moving too hastily will break you (you are his most precious possession after all). 
You both now sit in a weird and quite awkward entanglement of limbs, staring at each other in a newfound sense of mutual agreement of understanding. Everything makes sense to you, and Zoro finds comfort in knowing that his worries have been heard. A win-win some would say. 
Neither of you say anything, it's pointless. Words can’t show how grateful you are for one another. It’s like they always say, actions speak louder than words, right?
And so he kisses you. 
It definitely isn’t the first time you’ve kissed, but it’s the first time you’ve kissed like this. It’s all-consuming, so filled with love that it’s almost overwhelming, you believe his mouth is heaven; his tongue the eternal paradise. There’s a certain kind of bliss that can only be found in the tenderness of Zoro’s arms, and you wish more people understood saw his soft side, but maybe it's just meant to be your secret to keep. He never meant to be cruel. He just loves you. He always will.
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