Tumgik
#but I love that in the art it’s a mix of orange of blue
otaku553 · 2 years
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Sploon 3 doodles!
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ryssbelle · 3 months
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Inspired by these comics by @zivazivc and this comic by @chongotheartist
This has been chilling in my mind since I first saw ZivaZivcs comic and I finally got the energy to make it XD
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bodylanda · 1 year
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Some doodles about tall second
Bonus design notes on chosen, dark and second
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stormyblankets · 1 year
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Woo I got dca inspired tattoos today :]
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i-am-a-fish · 29 days
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Hi Goldie!! I made a fursona based off of you. She’s a fish mixed with a cat and her name is Blub!! I don’t think you’re part of the fandom, but either way you’re super inspirational to me and I just wanted to share!! Have a great day 🫶💕💕
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!!!!!!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
THIS IS SO CUTE I LOVE YOUR ART STYLE
the fish tank helmet and the big fluffy paws!!!!!!!! I love the blue and orange you used and even the background looks wonderful!!!
thank you so much for this beautiful art and your kind words!! also I am VERY MUCH in the furry fandom I just don't post about it much!
thank you!!!!!
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Guess what time it is…….
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CENTIPEDE TIME !!! she’s finally real,,,,,,,, based off Scolopendra hardwickei or the Indian tiger centipede
Before I go about the process I just want to say you guys have been soooo incredible and I love reading your reblogs and I love the idea knowing I’ve inspired a lot of people,,, the project, although it was a lot of work and I’m feeling not so great as of posting this, still motivates me to want to make another.
(Art process below)
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This was entirely freehanded! I have a lot of experience working in 3D art settings that this part came easy to me but I started with a flat base shaped in the pose I’d like the creature in. I used one whole piece cut from a shipping box and filled in the gaps with tape; you don’t need a single piece for the base but for structural integrity it helps a lot. As you can see here I also cut the legs separate and glued them on using hot glue. The vertical cross sections are to give an early support for the structure of the creature, think about the frames of aircraft or boats. During this part I used a pen to mark the width and height of the previous section to get a gradual flow of shapes.
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This next part I wish I got more documentation on but after the vertical cross sections I used soda boxes for the thinner and flexible cardboard to add contour lines along the length of the creature, gluing them on the cross sections. I did about 2 strips of this on either side to fill in the space and then I continued to use soda boxes to fold and shape the top of the creature, gluing onto the strips rather than the cross sections (this part was a mistake but I quickly adapted, no issues happened but it did make it slightly less secure). I also gave the legs vertical cross sections as well to shape them for the masking tape.
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The worst part, taping everything. I used tape to further shape it how I wanted but that meant going over parts several times. I used 2 different widths of tape for this for efficiency but it doesn’t matter. The legs were very loosely taped and if squeezed then they’d lose their shape; I didn’t bother filling them in because I don’t have materials for that and I let the paper mache help support them instead. Tape was also used to fill any holes and gaps left by the cardboard skeleton.
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The next phase is paper mache of which I haven’t done since 5th grade… I was not confident in this step. I used mod podge and a brush to smooth down the paper. Because I lacked materials I used fast food napkins instead of newspaper which worked totally fine, it just tended to tear a bit easier. Some areas required me to get hands on and I don’t really like the texture during this stage so that was fun (lie). I didn’t do too many layers, one for the body and 3 for the back and legs but some projects might demand more. I used half of a 16oz bottle of mod podge btw so please get more than you think you need.
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Finally, texture hell!!! I did a base coat of white spray paint and painted everything else with acrylic. Start with your lighter colors first before doing darker ones! I originally mixed some yellow and orange for the body and realized it was too bright and so covered it with orange instead. It also wasn’t until later I realized I could’ve been smarter with my paint so I skipped over the segments that were going to be fully black, saving the orange for the rest of the body. I wanted my centipede to stand out and not look 2D color-wise so I also used the red for the head and tail to give gradients and edges to the orange segments and legs, later going back with burgundy to further darken them but not too much. For the black segments I also used a very watered down layer of sky blue to give a fake shine and show the intended structure of the segments. Do not be afraid to use your hands! I used mine to smudge my detail paints like the black fade on the legs and the back shading. To top it all off I sprayed a clear coat and punched two holes in the underside to hang it up, using thumbtacks angled upwards.
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cyrusthemagician · 2 months
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Made this as an appreciation to the creativity of this amazing fandom aswell as some friends! I love all of these ocs designs and I've been waiting for an excuse to draw alot of them.. I love this fandom the hyperfixation is real and qhat better way to express my love for it for cramming 13 different full body rendered ocs in one drawing?!??!
I'm normal..
There are so many ocs in this drawing I legit will have to make a separate post for the singles .. (oc credits under cut)
Oc credits!!:
@speedyeatsdirt speedy (middle front row, blue robot)
@burrotello bumper (far right 2nd row, red band master)
@sm-baby able (far right front row, deck of cards)
@mea-art (far left 3rd row, blue balloon dog)
@mix-art (far left front row, blue, yellow, and pink balls)
@jamismejamiam fibula (left back row, colorful ball)
@onixaart xion (middle 2nd row, blue angel rings)
@skittikyu stiltikyu (far left back row, tall green haired)
@summeryseaserpent muna (right front row, small green cat)
@gravphobia pyn (far left 2nd row, gumball machine)
@rabid-mercenary15 erubus (right third row, orange and yellow bat)
@meat-pvppet (far right back row, pink, yellow, and blue puppet)
Aswell as another friend who is offsite! Kosen (right back row, blue fire ghost)
(If u don't see ur ocs single it will be in the next upload- dhegyeye)
(If any of these are wrong I will explode, pity the horrendous oc descriptions hfgdh)
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suguruplsr · 24 days
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you made mars as his stars.. now orange doesn’t sounded so foreign.
divider @/enchanthings
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“painting?” toji cocks a brow, welcoming himself into the cozy area of your basement. all decorated with strings of lights, previous art hung up, stars attached to the ceiling, and even stations of your supplies. like your sets or the drying area, your brushes sitting in water..
it’s all so mundane. modern.
normal, in toji’s eyes.
you walk up to him with a smile, your blue jumper is abused with colors of life, and a small mark of yellow paint is decorating your beautiful face. “yeah, i wanna paint with you.” you leave no room for argument, grabbing his hand and bringing him to a blank canvas.
he doesn’t have a image in mind. he’s no artist either. his hands were trained with the goal of ruining the art of lives. lives that may’ve consisted of something just like yours. a normal mundane life.
but in the world of sorcery, (or killing—), it’s not common for people like him to experience such. so he never sought out for it. what’s done is done.
but you, you train his hands to love. dipping them in paint and exclaiming it doesn’t matter. “art can be anything, you even make art out of splatters of red. by using a color that compliments it, like yellow,” your red hand holds his yellowed one, holding out his finger and dragging yellow stripes that undertone the red. “now, we just form it into what we can see.. like uh..,” toji stifles a laugh at your stumped thoughts. even so, he believes your words. grabbing your hand that lets go of his, he intertwines them briefly, looking at the new color mixed.
“orange?”
“mars!”
toji ponders as you get to work, forming the once messy canvas into the random inspiration gained from a mere color.
red. yellow. orange.
he’d consider you as red. bright and vibrant, always so stubborn and standing your ground. whether it was making him come home no later than 7pm, or cursing out shiu so you can have your husband home for dinner. your vibrancy affects his life like no tomorrow. a tomorrow he now wishes to spend with you until he doesn’t have one.
but toji doesn’t know how to speak of himself in such a way, or to even think of himself in a more.. poetic manner. he just knows he’d be yellow, hoping to be your mixture, your compliment.. to create a life as beautiful as orange.
and mars, the way you’ve changed his life reminds him of mars. sudden and impulsive. one day he’s chugging down ramen at some chummy joint, and the next he’s in your bed, stars drawn along his neck and your body in his arms.
if art can be anything, then love can be anything. like the way his heart stops when he gets a glimpse of your not-so-well-hidden canvas in the back. him. a painting of him in colors, life. has it been so long that you’ve created that just from memory. toji’s sure he’d remember posing for some ungodly amount of time for such a masterpiece to be created. there’s it is, yet another grain of mars you’ve brought into his life.
orange.
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peterparkersnose · 1 year
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It’s Just Paint
pairing: Din Djarin x reader
word count: 1.2k
warnings: a bad day of parenting, stress, anxiety, arguing, fluff, SAND
a/n grogu’s art is the future mona lisa. shorter piece, i hope you enjoy. I got this idea from a fan art (that I cannot find to save my life) so if you recognize the art, tag me please! I would love to give credit where it belongs :)
summary Din and Y/N struggle with the parenting lifestyle. 
masterlist
join the tag list
read time: 4 mins 36 seconds
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Home sweet home. If you could call the dingy, falling apart ship home. But home to you were two people; A Mandalorian and a green baby. Sighing, you questioned your life decisions as you began the journey to the ship.
You trudged up the sandy hill Din had parked the crest on, woven bags of groceries hanging from your arms. The calls of the night creatures began to ring, making you walk a bit faster. The suns were setting, and the gorgeous orange sky was very present.
The hatch opened and it was eerily quiet. Grogu wasn’t whining to meet you at the door; Din’s beskar wasn’t clanking around.
“Hellooo?” you sang, your voice echoing down the hallway.
Setting the groceries down on a shelf, you went to see if Din was even home. Maybe a bounty came up unexpectedly. You carefully made your way around a corner when the scent of paint hit you.
Your paint.
“Dank farrik,” you sighed. Grogu had most definitely gotten into your paints you had hidden away. “Din!” you called. No response.
Annoyed, you slammed the button to open your quarters and change out of your sand clothes. The goggles came off, and you caught a glimpse of yourself in the mirror.
Your hair was a mess- covered in sand to say the least. Your white boots had now a tan configuration to them. The robes hit your floor with a thud. Exchanging them for a comfy pair of joggers and a tee, you walked to your sink and tried to get as much sand out of your hair as you could.
When you shut off the water you heard a bump.
So they are home.
As you squeezed out your hair, you heard a faint coo from Grogu.
You anxiously combed back your hair, eager to see your family for the first time today.
The hatch hissed open and revealed a sight. Din was struggling to keep Grogu still; little red painted toes ran across the steel ground of the crest.
“Need some help?” you asked, leaning your hips against the doorframe. You didn’t need to see his face to know what face he was making.
“It would be nice,” he sighed with a slight sarcastic tone, turning around from the sink.
Your eyes grew wide at the sight. Grogu was covered in red, blue, and mixed purple paint. Green paint was smeared on his fingers and on Din’s gloves.
A burst of laughter erupted from you. “Not funny,” he hissed, holding the nude creature awkwardly in his hands. You weren’t laughing at that; no way you were laughing at the wasted expensive paint.
Din had little works of art all over his beskar. Unsure of what, but Grogu had definitely painted a few murals all over him. What looked like Banthas were sloppily drawn over his chest plate; a surprisingly good night sky with what seemed like were orange stars plagued his helmet.
“What happened?” you asked, a hand supporting you on the wall to make sure you didn’t fall over in laughter.
“Grogu was naughty.” Din said, turning his attention back to the baby and plopping him in the sink. Grogu splashed around and whined.
“You fall asleep?” you asked, joining Din at the sink to help keep Grogu in control. No response.
“You fell asleep.”
“Did not.” he resisted. His body art was just proof he was lying. “You are a horrible liar, Din Djarin.”
“And you are a great painter,” you said, scrubbing Grogu’s tiny hands. “Painted all over daddy while he slept.”
Din audibly sighed over the daddy comment. “What do you mean, painted all over me?” he asked, taking his gloves off in defeat.
“Have you looked in the mirror lately?” you scoffed, grabbing a dry kitchen towel to wrap Grogu in.
Din stepped into the fresher. A small gasp came from behind the mask. You heard the hinges of the mask come off and him set it on the countertop.
“Put him down, will you? I need you to come in here.” he yelled from the fresher. Grogu now sat on the kitchen countertop chewing on some grass seeds draped in a kitchen towel.
You picked Grogu up and set him in his floating bassinet.
You entered the fresher to find Din in a panic. His mood was a shock to you. You didn’t expect him to be so upset about a little paint.
“It’s just some paint. It comes out,” you said, trying to calm him. “I just can’t believe- that little shit. Gods Y/N I just don’t know-”
“Din. It’s just paint.”
Your re assuring words weren’t as effective as you hoped. He still had a horrified look on his face and you understood why.
“My armor…” he said in shock, holding his chest plate now in his hands. “It comes out, right?”
“Just told you it did.” you called from the kitchen, collecting his gloves that were full of paint.
Coming back to the fresher, you were met with a defeated Din. His armor was sprawled out on the floor. He was sitting on the corner of the bathtub with his hands on his head.
A saddened sigh came from you. Meeting him at the side, your hand rested on his back and slowly moved back and forth. He slowly leaned his head into your stomach.
“He doesn’t know any better, you know that.” you said, turning and looking at his armor. “I know,” he said solemnly. “It’s just…”
“Hard.”
Din’s tired eyes met yours. “Didn’t sleep well last night?” you asked him, cupping his left cheek. He pressed into your hand and nodded his head. His scruffy face tickled your hand. He closed his eyes and enjoyed the small parenting moment the two of you were having together.
“Go and lay down. I’ll take care of this. If that’s okay,” you offered. Din nodded as your hand left his face. He trudged into the bedroom. You heard the bed creak as he flopped down on it like he always did when he was tired.
An hour and a half later, it was done. His armor looked almost brand new.
All the hard scrubbing, the pile of used paper towels behind you and the steam from the shower was enough to send you into a coma. You were exhausted. Slowly, you cleaned up the mess you made and layed a towel down next to the bathtub. There you left the beskar to dry, and for Din to do what he wishes with it later.
You peek out in the hallway. Grogu was fast asleep as you expected. A little bit of red paint sat on his ear tip, small enough where you could just flick it off. You gave him a small kiss on the forehead and left to go find Din.
He was wrapped up in the burgundy blanket on your bed. His soft hair was laying flat on the bed, his pillow was clutched between his arms. His mouth was squished against the mattress slightly agape.
A smile rose to your face. “Din,” you whispered, slowly making your hands meet and trying to loosen the pillow from his hands.
“No,” he muttered, pulling it closer to him. “I’m here,” you said. His soft brown eyes opened. “Oh,” he muttered, shoving the pillow aside.
You crawled into the bed slowly, trying not to make so much noise. His arms wrapped around your waist and pulled you close. He let out a satisfied grunt when the two of you were comfortable. You knew he couldn’t sleep properly without you, or without holding something.
“The pillow really was a lousy excuse for you,”
all posts @dani5216 @uwiuwi @alohastyles-x @samanthacookieone @maddieinnit0 @alexxavicry @scoliobean @avengersfan25 @nyotamalfoy​
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thedustyleaves · 4 months
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Sorry if you’ve answered this before, but I really love how your illustrations have such a cohesive color palette, how do you pick your colors to have a certain theme without looking monochromatic?
(In your breakdown on the saloon/western BP illustration, you mentioned that the overall color was reddish brown so you added blue to the main group to set them apart. But like how did you decide on which reddish brown colors to use for the flats?)
Thank you!! Your art is really expressive and the colors always work so well in the illustration. I’m always in awe of your pics
That’s an excellent question! My drawings actually start out pretty monochromatic because I tend to put most of my effort into the lighting and shading part to help differentiate where I want people to look.
For all of my pieces, I want my characters to be in focus. So no matter what, I always have to keep their main colors in mind and make sure their outfits and the background don’t clash with them (Kain’s red hair tends to be a problem, pft).
For my flats, I generally work with two main colors that tend to contrast each other and then I mix a lot of neutrals around them. (Sometimes the main colors are in the light and shading itself, but I’ll just focus on the flats!).
Sometimes, I will change the hue of their colors. So while Kain has bright orange hair, I will dull it down if it overwhelms the piece or doesn’t fit with the tone - like I did for the cowboy drawing - but never so much that it no longer looks like him.
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With the cowboy drawing as an example, if I strip it down to my flats, it instantly becomes very dull and monochromatic. I really enjoy working with these colors because they’re easy on the eyes (or my eyes specifically) and I can see the difference in subtle hues a lot better than if they were very high in contrast. I like working with subtleties when I want background characters to become a single unit but still be separated as individual people.
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When I picked the colors for the background, I wanted to separate the characters from the walls. Therefore, I kept the walls red and gold, and the characters brown - they’re still within the same warm-colored family, but they’re far enough away from each other that they don’t become one with each other. I also like to not have clothes from different characters blend together, so overlapping colours can't be the same. I made one coat lighter than the other, the glove warmer than the dark jacket, and so on.
(their coats are also in the same realm as the green/gold colour of the details for the curtains and the frames on the walls)
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For the paintings I actually chose to put a bit of blue and green in to help create some interest for the main characters and keep your eyes around that area, as it matches the blue they’re wearing, just a whole lot darker. It also makes them pop just enough so they look interesting against the wall, but not enough to overshadow the main characters
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I know, because of the way I work with layers, that when I add my overlays, I automatically brighten and saturate the colors a lot. It’s a lot easier for me to saturate something “dull” and move it into all kinds of hues than saturating something already high in contrast and then trying to force it into a new color theme.
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But because of this, I usually have to go back and change the colors I work with constantly while the overlays are on. Since the overlays don’t know what sort of materials they’re laying on top of, everything gets lighter and washed out, so dark skin tones, hair, and clothes have to be corrected one by one afterward. If I were to remove the overlays after I corrected it to make it feel like a dark blue outfit on Raki, it’s basically just a black void now; but with the overlay, it’s a dark blue outfit. Before that, he simple blended in with the background too much and he didn’t feel like he was a part of the group either. 
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I always try to put down colors how I imagine they’re going to look like, unaffected by light, but I’m also naturally drawn toward more earthy and warm tones, so all of my color choices will tend to lean that way.
Here’s another example of main colours vs. neutrals; the main colours are red and green/turquoise, with dark browns and greys to encapsulate them, and gold for accents or to make certain things pop (the chair, Dakon’s dark coat, etc.).
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I never want them all to wear the exact same color, but I want them to feel connected and be in the same 'colour family,' so Dakon and Kain have nearly the same dark red/brown, and Christie and Raki have nearly the same 'bright'/red.
The blacks and browns, I’ve kept warm as well, so they stay within that realm of red. I also make sure that none of them are too close to Kain’s hair since he’s in the middle of the piece, and I want your eyes to be drawn toward the middle, and his orange hair helps with that.
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The paintings I basically do not care too much about, as long as each individual painting has a single dominating colour. I mute them down with a darker overlay and ensure they don’t have strong shadows and light, so they get pushed to the background, so despite being a bunch of different colours, each painting feels like a solid color and they’re still cast in the same light as the rest of the piece, so they feel like they belong in the same room.
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I try to help move the eye around the piece as well, so I keep the big painting sort of in the same realm of red and brown as the main characters, because it’s so big it shouldn’t dominate with a new color and force interest toward it. The blue/purple ones melt in with the background as they’re close to the turquoise background, but without disappearing, the yellow ones work sort of like the gold accents and blend in with the frames, and the green paintings at the top give the illusion of a monochrome fade, so everything gets more eerie and green as the image goes up - there’s also a subtle green fade that affects the gold accents from the top down, to enhance that effect.
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This is just a few examples, if there are any pieces in particular you were thinking of, and it’s neither of these, just let me know, and I can break those down as well!
Thank you for the question; I hope I answered it somewhat, and thank you for the kind words! <3
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snow-at-twilight · 5 months
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Casual Clothing Refs Boards: Wonderlands x Showtime!
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Collected most of the casual fits (and some collaboration/promo images, you can find them on the PjSk wiki) into drawing ref/inspo boards bc I can't figure out what kinds of clothes to draw WxS in. Sharing in case it's helpful! I'll update this post if/when I do the rest of the units.
L/N | MMJ | VBS | WxS | 25-ji
Some notes/personal observations under the cut:
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TSUKASA
I think the way we'd describe his fashion in the US is "preppy."
button downs, collared shirts, and polos.
likes layering with a knit sweater/jacket.
Wears T-shirts when rehearsing, but also sometimes has a light zip-up hoodie over it (does he get cold easily?)
tends to wear white with blue, orange/yellow, or beige accent colors.
He has a good variety of clothing, but sweaters or sweater vests seem to be a must with Tsukasa.
EMU
pink. so much pink. also white.
puffy jackets/sweaters, probably to contrast her small frame (and for the POOF).
honestly the pink poofy jacket is a part of her. DO. NOT. SEPARATE. (/j /lh)
generally oversized clothing for the cute factor.
likes shirts/sweaters with cute designs or fun patterns on them.
likes wearing shorts (with leggings underneath if cold), but not opposed to skirts. also an overalls fan.
NENE
comfy cozy neutral colors.
a lot of white dresses, paired with grey/beige leggings or tights, but also some navy blue.
I think the only time she's worn a short sleeve shirt (aside from rehearsals) is for the Kamiyama High Fest (and even then, she has jacket over it).
Simple, minimalistic clothing, all of her clothing seems really light and flowy (probably due to the lighter colors she wears).
Seems to favor comfort over fashion, but still looks cute.
RUI
this man loves stripy stuff.
also color block type things and patterns.
actually wears a decent amount of neutral greys/blacks. but they're usually pared with an accent blue/green.
seems to be a mix of button downs OR casual t-shirts with a button down over it.
He has three different pieces of art (two cards, one promo art) with the navy + black/beige block shirt so I guess he likes that one a lot?
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shygirl4991 · 3 months
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A shout out to @cody-the-cat enjoy seeing the idea come to life! All art is by @alianarepasa do not repost! A Four Chapter special as thank you for all the support you guys have given me! Next Chapter
Summary: SMG3 just wanted to make himself a nice cup of coffee before the work day began, but when he takes a sip from his freshly brewed coffee and passes out he will wake up to a huge surprise. Three other versions of himself now run wild in the mushroom kingdom and he has to stop them before the world learns all his secrets. 
Tags: Love Confessions, Enemies to friends to lovers, Romantic comedy, fluff and angst,
Bob was running for his life as he hears the crowd of angry mob members after him, he looks at the vial he stole from them. He knew it would sell for a lot on the dark web but he wouldn't be able to sell it if he ended up in the bottom of the ocean. Looking around for a place to hide it he sees Three’s coffee and Bomb, he nods dashing in the cafe. A victory for Bob no one was around, he dumps the vile into the coffee machine then runs out “I'M TELLING YOU I DON'T HAVE IT!” he dashes off hoping no one will find his money maker.
Unknown to him by tossing the vial in the coffee machine it cracked, the liquid spilling in the machine getting mixed with coffee beans and gunpowder creating something new. SMG3 walks out of the elevator still waking up as he ties his hair up ready for another day, he turns on the coffee maker ready for his morning brew. He hums looking outside noticing SMG4 was hanging out with the crew, seeing the man's smile made his heart flutter. He rolls his eyes at the dumb emotion, sometimes he misses the days he would plot against Four trying to kill him and take over his channel. Hearing the coffee making go quiet he walks over picking up his cup of coffee, still being half asleep the man didn't notice the drink was glowing a strange color.
Sitting down he sips his coffee as he opens his journal and starts writing, he pauses and stares at the drink “The hell? I don't have cherry coffee here…” his eyes went wide, finally noticing the strange color the drink was. He leaves the cup on the table shaking, he gets up feeling strange as he looks at the strange color drink “What…the..fuck did i?” he falls to the floor feeling weak. He coughs as his vision starts to get blurry, as he blinks he starts to see colors. Three shadows, Pink, orange and lastly dark blue.
He passes out hearing a soft giggle from a voice that sounds similar to his own.
He doesn't know how much time has passed as he gets up rubbing his head, looking around an orange blur catches his attention. He turns his head staring at the person in the cafe “Oh…i'm dreaming!” The person in the cafe with him was himself. The orange SMG3 looks up from his journal fixing his glasses as he smiles at him “Ah original your awake finally!”
He slowly stands up staring at the other him, getting a closer look while they do look the same. The other version of him had subtle differences, the man's violet eyes look into his ruby eyes before they close as he sighs “I apologize, you have awoken and i haven't told you who i am. Ahem I am Supermemeguardian3 in charge of your logical thinking, a pleasure to finally meet you.” He fixes his glasses as he walks over to Three to shake his hand, he slowly reaches grabbing his hand “Oh god this isn't a dream…”
Now that the other him was closer he noticed the skull on the hat was different and had an appearance of a book, his hair was loose free from any restraint not to mention his hair was more wavy then his was. Taking a step back, the orange version of himself let out a soft chuckle “Yes this isn't a dream, we don't know how we got here. I have been waiting for you to awaken in order to work together to get to the bottom of this!”
SMG3 shakes his head feeling himself ready to scream “What…what do you mean your my logical side?
With a hum he starts to twirl his hair thinking “Whatever happened caused a split, your three strongest personalities at the moment in time turn into us?” SMG3 slowly nods as he turns and takes the elevator down to his room, Orange Three stood there confused until he heard loud screaming “Ah i had a feeling original would react like that.”
After a few moments Three comes out of the elevator looking drain “We need to name you, no way in hell we are going to call each other three it will get confusing.” His orange version nods watching Three checking him out. As he examines the outfit the one thing that stood out the most was the skull shaped book logo on the hat and shoes, with a nod he has decided “Given your logo looks like a book, how about we call you book3?” Book nods and smiles at him “Perfect i accept the name.”
Now that the name part of the conversation was over SMG3 had one thing that was bothering him “You have mentioned three of you guys got out…where are the other two?” Book opens his mouth then frowns awkwardly looking to the side “uh well those two ran out of the cafe so fast…i couldn't stop them and they are currently outside in the mushroom kingdom,” he lets out a sheepish smile as SMG3 glares at him.
“Oh my fucking ugh come on book we need to find the other two!” he grabs books and as he storms out of the cafe. Currently his logical side is out in the open, he takes a deep breath trying to remember what emotion he could have been feeling at the moment this happened. He was drawing blanks as he walked around holding Books hand, this was strange he stopped looking at their hands. Holding hands with Book made his mind buzz, he closed his eyes to focus on the feeling. His mind became more clear, Book became worried that SMG3 stopped walking. He let's go out of his hand “Original are you okay?”
SMG3 opens his eyes seeing a concern Book “Yeah…holding hands felt odd not like with Four this was different,” Book nods “It must be due to the fact I'm you, maybe it's our meme power trying to take me back but something is preventing the fusion from happening?”
They both hum thinking over it, suddenly a huge explosion happens catching their attention. They exchange looks before running to the sound of the explosion, there they see a dark blue SMG3 on a roof of a restaurant “LISTEN UP FUCKERS I RULE THIS PLACE!” Three stares in shock at his other personality. He was dressed similarly to his old design, looking at the hat the logo was a skull in the shape of a spade.
Spade looks down, noticing SMG3 and Book “Well look who it is! Sup loser finally picking to be fun, also saw you brought original with you what up!” he smirks showing off his spikey teeth. SMG3 climbs the ladder nearby to get closer to his other personality “Alright, mind explaining why the hell are you throwing bombs around?” Now that he was closer he noticed the small difference that was on Spade also, the personality had brown eyes and it turns out his hair was in a spiky ponytail. How the hell can someone just scream edge lord this hard core “Uh duh Original we are a villain, come on we rule the graveyard why not rule over this fucking place that would teach that loser SMG4.”
Three sighs walking over and lifting up Spade “What the fuck?!” without a second thought he throws Spade off the roof making Book run and catch Spade “You have some learning to do scrub, but before we can learn we need to figure out where the last one of you guys are!” Spade pouts making Book laugh. Noticing he is in Books arms Spade blushes “HEY PUT ME DOWN!” Book keeps laughing as he puts Spade down. SMG3 climbs down “Alright Book, Spade let's go!”
Spade looks at him confused “Wait.. am i Spade?” Book nods before following Three, Spade rolls his eyes and walks after them.
As they walked down the road he started to think about the last personality, he was drinking coffee before it all happened “I bet the last one of you guys has to be a coffee mix with bomb!” Spade lets out an evil cackle “More like a bowl of fruit loops!” Three looks at Spade confused, before he could ask Spade gasp running up to a store his eyes sparkling. Three follows and sees a paintball competition happening, Book sighs as he now has both Spade and Three glued to the window of a paintball store “Guy’s we are looking for the last personality remember?” Spade waves his hand “Yeah yeah but one game couldn't hurt!”
SMG3 agrees as they both giggle running into the shop, Book awkwardly looks around before stepping into the store. Shroomy turns smiling at them “Oh hey SMG3! Uh, who are your friends?” he blinks noticing how they looked similar to three “Oh they are my er twins?”
Shroomy gasp “Oh gosh i didn't know you had brothers Three!” SMG3 nods, acting annoyed “Why do you think my name is SMG3?”
Spade stomps to the counter smacking the table “Listen we are here to shoot shit, and all I'm hearing is talking so shut it and let me shoot shit!” Shroomy nods, handing Spade and Three paintball guns, Book takes a step back not interested in the distraction “No point in being scared of yourself,” hearing this Three turns rolling his eyes “Scared? Please im SMG3 why would i be scared of myself?”
Book walks up to Three “Because you know deep down who the last one is don't you?”
Three glares at Book, how would he know who the last one is? Spade was about ready to knock out Book for getting in the middle till he catches a pink blur, he chuckles “So that's where you went.” He slips out of the store while the other two are fighting. They hear the bell of the shop and turn to see Spade leave, in a panic Three runs out catching the attention of the last personality. His eyes go wide as they look into pink SMG3 teal green eyes, nervously he looks at the hat getting his answer on who this personality may be. He swallows as he stares at the Skull in the shape of a heart, he gets a huge smile from the personality and shakes the bags in his hands “Hey guys! I was just shopping for our Blue!”
SMG3 slowly takes a step forward “Blue?” Heart giggles at his confusion “SMG4 duh, i mean how can you not have a nickname for our future boyfriend!” Heart smiles as Book chimes in “Logic, Evil, and Romance guess we are now all here right original?” Three felt panic grow as he hurried to grab the personalities hands, he attempted to focus on the buzzing feeling. But nothing happens, he lets them go and stares at his hands confused. Book frowns seeing how upset Three looked. “If I may, I think the reason it didn't work is because you won't let us in.” Slowly he looks up and stares at heart. His hair looked so fluffy and had his bangs heart shaped, this man screams valentines days. Heart gives a soft smile to him “Don't worry we will figure it out! Now who wants cookies, I made them in the shape of our love!”
Seeing the cookies and the loving eyes was enough for SMG3 to take a step back and scream. The worst thing to ever exist is standing in front of him and its Romance.
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soupandcats · 10 months
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Sorry abt the big ask, but your colours are always really vibrant and interesting! They seem both saturated and subdued. What’s your general method for choosing them or are there any tricks/layer modes you use?
Thank you! This is gonna be a long one sorry😭
My favorite digital art trick for color is the curves tool! In procreate you press the wand tool in the top left corner (Adjustments) > Curves. I recommend just playing around with this until something you like happens.
Here’s a study I did with pretty standard colors.
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Here are some versions of it after moving the curves around.
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What I like about this is it’s a really quick way of changing the color scheme that’s more precise than applying a filter. It lets you see how far you can push things outside of what’s expected!
When I first started digital art I had so much trouble with color because unlike traditional, the colors have the ability to be fully opaque. With traditional if you’re doing a painting the paints/colored pencils/etc will naturally mix with one another creating a more cohesive overall image.
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Here’s a drawing I did in 2020. As you can see it’s incredibly saturated. When I was picking colors I was working in the most saturated section for nearly every color.
These days even when I’m trying to make something super colorful I’ll force myself to desaturate it more than I think I need to. There are two ways to desaturate something. You can move it towards white or towards black.
Another thing I try to keep in mind is that colors look different based on what colors are around them. If you put gray next to a color it will look like that color’s complement. If you put a warm color next to a cool color they’ll amplify one another making both look more intense. In that same way if I put a super saturated color against a more neutral background the color will look even brighter.
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I like this tapestry by Sheila Hicks. See how the orange is glowing against the more muted purples and blues?
Another thing I try to keep in mind is value. Like color it’s influenced by its surroundings. If you place a lighter color over a dark background it will look brighter than over a light background.
So in a piece the eye will be drawn to the areas of highest contrast first. And area that’s similar in both value and hue will recede into the background.
I really am not an expert on color I have so much to learn. I recommend Marco Bucci’s videos as well as the book The Art of Color if you’d like more detailed+accurate info! Color theory is the most fascinating thing I’m obsessed with it.
You don’t really need to know theory to be good at color though! Just playing around and figuring out what you like (I LOVE PURPLE) will make you better!
The most satisfying thing is when you’re making a drawing and you decide to add a little gray or a little orange or whatever and suddenly your piece just starts to SING!!!! (That purple/blue/orange part of the Sheila Hicks tapestry is singing to me it will forever make me happy)
Anyways I hope this helps! 💜💜💜
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literallyjusttoa · 7 months
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First thing first I LOVE your art style. Second your Apollo design and headcanons are amazing. And third I would love to see some kind of colored reference sheet of Apollo, because I would love to make Fanart of your design!
Ok I made a re-made a lil reference thing I made about a year ago with color for you! + I'll add some notes I keep in mind while drawing Apollo in different forms bc I'm kind of inconsistent with my art lol
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Pre-ToA Apollo: Covered in jewelry, bc he's fancy like that. No shoes, I used to draw him wearing sandals but it was actually rly important in antiquity that the gods didn't wear shoes as a sign of their divinity, so no more of that. At most he wears cool gold anklets. I also use his chiton as a bit of a mood ring. When Apollo's is having a great time, it's gold or has gold accents. When he's in stressful situations, it's got more orange and red.
Lester: Shift all colors a bit closer to red, just for cool symbolism-y reasons. I've done blue-eyed Lester before, but I'm ngl brown-eyed Lester still holds my heart. Also the most consistent part of my Lester design is the red hoodie, I will never let that thing go. Lester is a short king, and he always, ALWAYS has some pudge. (I feel kind of bad bc I always draw him in a baggy hoodie so you can't tell sometimes, but I swear I always keep it in mind) I usually show time going on in the trials by adding scars, making the hair longer, and making him a little bit bigger (callback to my hc that all of the physical things Apollo saw as "flaws" got worse in the 5th book, but bc Apollo has grown as a person he genuinely doesn't notice/care as much)
Post-Toa Apollo: Everything is a mix of the first two designs. Two eye colors, two hair colors, clothes that are modern while still referencing antiquity. He even wears sandals, right in between barefoot and sneakers. This design changes a lot, but that's bc I think Apollo is still rapidly changing after the end of ToA, and figuring out how to settle back into himself. The only consistency is that I’ve drawn him wearing crop tops alot? I honestly can’t tell you the reasoning behind that it just keeps happening. So yeah, really with this one, go wild!
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kingofthe-egirls · 6 months
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PRINCESS: LUFFY x Y/N
art by the loveliest @zwhoreo
part 1
for @missmugiwara
(cw: kissing, first time, sex, reader is an artist, she has pink hair, i reference her nipples as strawberries bc mine are pink and that’s the word i wanted to use)
(a/n: romance actually)
Songs: “Hotel” by Claire Rosinkranz
words: 2.1k
- luffy loves the term “sweetheart” to describe his love interests
- relationships are sparse and shortlived, before falling in love with y/n
- (beach house part 2)
- luffy’s in love with his princesses:
- (also sorta a beastgirl fetish like he loves cute ears/tail)
- shirahoshi, camie, marguerite, uta, rebecca
- (he’s attracted to fairy princess style hair, sometimes pink, and also mermaids)
- his romantic storyline (for my specific interest):
- first crush was uta
- first kiss was camie
- first relationship/sexual experience was marguerite
- (timeskip shenanigans)
- shirahoshi is a special sweetheart
- sexual dip besides himself, he’s still nursing his own wounded heart (poor senchou)
- sees y/n!!!
- he sees you and starts crushing pretty much immediately, you send butterflies through his center and he’s smiling a lot more since you started adventuring with his crew
- romantic inspirations
- he’s still sorta scared to start something new, so he’s slow and shy at first (shy!luffy supremacy)
- he’s so heart-led it’s super important for him to see that you’re sexually attracted to him as well as romantically in love with him, that’s special
- he’s in love with you
- sees hearts around your face whenever you smile at him
- does everything he can to see your smile
- you make him smile, too
****
Blue shutters, white trim. Your beach house stands squat and adorable at the top of the small sandy cliff face. White clouds scatter across the horizon, sat low and steamy in the twilight purple. Mauve, you’d say.
If you were to draw it with your colored pencils, you’d mix rose pink with soft, pastel purple. Plus a hint of dusty blue and saturated orange.
Luffy stops, a few steps behind. He reaches up an arm to softly touch the back of your hand; he traces soft fingertips over your knuckles.
“S’pretty, isn’t it?”
He asks, his warmth seeping into you as he surrounds your hand in his.
“Setting suns are my favorite thing to draw,” you say, smiling, “Except for you, of course.”
Luffy smiles, sliding his fingers between yours. He’s seen your sketchbooks, all filled up with drawings of him. His fights, his forms, his smiling face.
He sees how you see him.
He likes how you see him.
You see how he sees you, too.
Someone kind, someone special. Someone he wants to listen to, to learn from. To sandwich between the bones of his ribcage and keep you safe behind his sternum.
So he does.
Luffy squeezes your hand, before tugging you closer to his body. He presses you against his chest, sun soaked and so warm. His hand stays in yours, stroking your knuckles like a fairytale prince. His other cradles the back of your head.
He strokes slender fingers over your hair. Lifting up on tiptoes, he lets you press your lips against his. He tastes like sunshine: all warm and amber like honeycomb straight from the smoked-out beehive.
“S’okay if I call you sweetheart?”
He strokes his thumb over your knuckles, before bringing them up to his plush lips. He skims them across your sensitive skin, looking up at you from under dark lashes. You squirm in place, upset and excited and all sorts of things that make you want to stuff him in your mouth and never let go. So you hum an appreciative mhmm! Before smashing your lips together again.
Luffy snickers into your mouth, before sweeping you off your feet. He carries you bridal style up the rest of the stairs and into your waiting beachside cottage.
****
Luffy slides into bed beside you, fresh and clean after his shower. You’ve already toweled off and slipped under the covers, all shiny and new after sand scrubbed your skin and the shower washed your body clean. Your hair lays wet and messy on the pillow.
Luffy’s wearing red shorts and nothing else. He radiates heat throughout the covers as soon as he makes contact with the bed.
“Hi,” he whispers as you curl instinctively into him. He’s so warm.
“Hi, captain,” you whisper back, lips moving against his collarbone. He runs a hand over your head, smoothing down your wet tangles.
“Kiss me?”
He asks, raspy, so you lift your head to press your lips against his. He smells like the bar of green soap you keep in the shower. He smells like home. You sigh into his lips, and with a small sound, he parts them.
Luffy’s tongue is warm and slick, sliding against your bottom lip as he curiously explores your mouth. His other arm wraps around you, pulling your weight fully on top of him. His hardness pokes your thigh, and you gasp. Luffy pulls back a bit, sheepish.
“S’okay?” He asks, rubbing his hands over your back. You’re in a soft, faded t-shirt and pajama shorts. You’re not wearing underwear, and from the feel of his cock, neither is he.
“Yes, it’s okay,” you say, stuffing your face into the crook of his neck. He’s always made you feel safe, and now that you know he wants you—it’s all so surprising and fun and scary, too.
Chemical reactions flare through your system: all of Luffy’s smells and sounds and pheromones mixing together in a magenta-scented cocktail that dizzies your brain and blurs your vision.
Luffy scratches your scalp. His fingers are calloused and strong, as his sugar-soft lips plant a sweet kiss to your forehead. He hums, a little melody you’ve heard him sing to himself as he sits on the ship’s figurehead. It’s his little happy song.
“What didja wanna do tonight?” You ask, propping your chin on your hands. You blink up at your captain, from where you’re resting on his chest. He squiggles under you, smiling and flushed.
“I dunno! Sleep?”
You smile, in spite of yourself.
“Sleep is good,” you agree, before drumming your fingers against his sternum. “Is it okay if we do something else, besides sleep?”
Luffy nods eagerly.
He sits up, cradling you in his arms so now you’re sidesaddle on his lap. He kisses you, hard.
“Luffy!” You gasp in between sliding, hot kisses. He growls, low in his throat, before tearing your t-shirt off over your head. He pauses, searching your face for discomfort. But all he finds is a hot flush and a slight nod, before your hands are on his cheeks and you’re stuffing your own tongue down his throat.
“Mmph!” He groans in surprise, before popping off your lips in order to bend his head down. Captain Luffy sucks your nipple into his mouth, muttering something that sounds like “strawberry” under his breath. It stings, but it’s nice.
His tongue feels like heaven.
Luffy moans as he slobbers over your tits, suddenly manic as he tastes your skin like this for the first time. He’s practically vibrating as he holds you, and you gasp as steam starts to roll off his skin in waves.
“Luffy!”
“Sorry, hah,” he rasps, laving his tongue in between your breasts. He circles the tip around your other nipple, giggling slightly as you shiver. “Second gear…,” he mumbles, thunking his forehead into your chest. “Ya don’t mind, do ya sweetheart?” He stares up at you with big, sparkly eyes that make you go all dumb inside.
You shake your head, melted, as he snickers and starts peppering white-hot kisses into your skin. His body is all pink now, steam wafting off of him and enveloping you in a hot cloud.
He wraps his arms around you tighter, switching you around so now your back is pressed against his sweaty chest. He massages your tits in calloused hands, his chin on your shoulder as his cock throbs hard against your ass. He groans, thumbing your nipples between rough fingerpads.
“D’ya like it from behind, kitty cat?”
His voice is a puff of hot, steamy air that whisks the hair around your ear. A thrill runs through you, noradrenaline and lust clouding your senses. You have nothing else to offer him but a short nod and a strangled moan. He’s got you wrapped around his rubber finger.
****
Luffy takes you from behind, sitting you on his lap and sliding his cock inside. You’re on your knees, face flushed and chest heaving with ragged pants. You turn your head to the side, pink waves of mussed-up hair falling over one shoulder. You caress the side of Luffy’s face.
“S-so good, sweetheart,” you moan, feeling the weight of him inside you.
Luffy sinks his teeth into your shoulder, his hands holding your waist as he slides you up and down his cock. The quilt scratches under your knees, and you can barely make out the shapes of framed pictures on the opposite wall. It smells like sweat in here.
You’ve never had sex before.
It’s—weird.
It stings, and—
it’s soft, and
it’s hard too
and Luffy’s breath is everything,
to you.
He pants hot, little ragged breaths in your ear as his searing chest burns the skin of your back. He’s like a walking heat stroke: his heat strokes your walls and, and, and—
“M’cumming!”
It’s a strange sensation, fluttering around someone’s shaft. You’ve never felt it before. It’s—different. From a clitoral orgasm. It’s not shivers down your skin, the release of dopamine coating your edges and bathing you in sparkling gold.
It’s—softer.
It’s clenching in and out as your stomach flutters from the sound of his voice.
“Atta girl,” he praises you, thumbing your clit as he fucks you at a steady pace. His saliva drips onto your skin from where he’s drooling at your shoulder. Your hand is buried in his raven hair; steam still curls around you. He smooches your earlobe. “That’s my fucking princess.”
“Yours, Luffy,” you stutter, slowing your hips as the pulses stop, “I’m your princess.”
He gasps, pleased. “Yeah, ya fuckin’ are, that’s my fuckin’ girl—,” he cuts himself off with a grunt as he starts fucking you harder. He flips you (so easily) and slides back inside you from where he kneels between your legs. His face is sweaty, hair sticking to his forehead, as his dark eyes sparkle in the moonlight. Shit.
“I’m in love with you, Luffy!”
He smiles, eyes crinkled shut as his cockhead brushes your g-spot. There’s that pulsing again—
“Fuck,” he grits out, each word punctuated with a sharp thrust, “I—fuckin’—love—ya too—nng!—kitty!”
And with that, he comes.
“So in love with ya, you’re such a good friend, sweetheart, ya pussy’s takin’ me so well, you’re so fucking fun—!”
“Ah, ah!”
It’s strange, having someone cum inside you.
It’s warm, and
wet,
and weird.
But it still sends shivers down your spine as he pulls out, pools out: his seed slipping from between your thighs and staining the quilt beneath you white. It smells like sweat in here, but worse somehow.
It smells like sex, you guess.
****
Luffy sighs happily, cuddling you in bed after you both cleaned up.
“How was that, sweetheart?” He smiles up at you from where he’s laid his head on your still-bare chest.
“So good,” you sigh dreamily, stroking his hair. It’s all fluffed up and wild. You twirl a lock around your finger. He smooches the swell of your breast beneath his cheek.
“So, are ya gonna be my baby?” He asks hopefully, snuggling deeper into you. He’s twisted his limbs all around you, saying how he wanted to be as close as possible to his sweetheart. “So we can go on dates n stuff?”
You snicker: you can’t help yourself.
You smack a big ole kiss onto the future king of the pirates’ head. He hums, but his index finger is tracing anxious circles against your ribcage. He’s nervous. His heart is on the line, so you do your best to show him it’s safe, always, in your hands.
“Of course, Luffy,” you say, scratching his scalp, “Let’s go on dates all the time now.”
He squirms, happy noises sounding from the back of his throat. “Okay!” He says into your skin, his smile buried against your sweaty chest. He inhales deeply. “Say you’re the pirate king’s princess?”
You blink.
And then, you smile.
“I’m your fucking princess, pirate king.”
“Shishishi!” He snickers, squirming against you even more. He lifts his head, showing off his biggest sunshine grin yet. “I like the sound of that!”
You smile.
So do you.
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door430 · 5 months
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Finally, after hours of designing and drawing and coloring, here is a full lineup of my humanoid designs of the AVA/AVM stick figures! Below the cut is just me rambling about each design.
victim: For victim, I wanted their design to be very business-esque to reflect both their position at Rocket Corp and their apparent preference for manipulation over violence. I gave them two gold necklaces and a gold belt to highlight their current high status in Rocket Corp. I chose yellow accents because of their intelligence and lack of fighting skill, which is similar in some ways to Yellow.
Chosen: I wanted to go for something a little more casual for Chosen, as I feel like they would want to settle down into a more normal life after the fiasco with Dark. The baby blue of their sweater also emphasizes their calm attitude. I put them in leggings to make their legs appear thinner, because Chosen is just an awkward baby deer with skinny little legs that can barely hold up their body to me.
Dark: The design of Dark's outfit is very much the stereotypical punk look. I also like the idea that Dark is shorter than everyone else but wears platform boots to appear taller. Their hair is a bit unkempt to give them a bit of a 'mad scientist' look, and the two curls on top look like devil horns as a reference to their evil nature.
Second: Since Second is the youngest of the sticks, I wanted to give them a somewhat childish look with the curly hair, striped shirt, shorts, and sneakers. They still have a collar though, as they seem to be the most sensible of the Color Gang. The green of the shoes is a reference to their powers in AVA 5 being green.
Red: Since Red loves animals and is the most childish, I wanted their outfit to be something plain and comfy that they could afford to get mud or fur on. Their hair is unkempt as a reference to their childish and impulsive nature.
Yellow: Yellow's design is pretty simple, as I just went for a nerdy/scholarly look. I debated over giving them glasses or goggles, but in the end I thought the glasses fit better with the rest of the design.
Green: I'm going to be entirely honest, Green's whole design is based on the 'Faces' short where they get an anime-style face. I thought a karate outfit would suit them, as karate is a very mobile martial art, and Green has a very mobile fighting style.
Blue: I designed Blue's outfit after a hippie fashion style because of their love for plants and friendship. If you look on their wrists and ankles, you'll see they have one friendship bracelet for each member of the Color Gang.
Purple: Purple's outfit is a mix of comfortable and easy to fight in. Their elytra are based on dragonfly wings because I thought it looked cool. I made their outfit similar to Mango's , as I feel like Mango's influence on them might also extend to their fashion.
Mango: I gave Mango a very royal look to match their crown and kingly manner. Their outfit is very flowy and probably not good for fighting in because of their tendency to make Purple do the hard work for them. Their cloak is blue to show their similarities to Purple's parent, and the lining is gold as a reference to their child, Gold. They have very little of their actual orange color in their design to show them slowly losing themself. The Galactic along the lining is a reference to their knowledge about Minecraft's more obscure mechanics and their use of 'magic' with the staff. Fun fact: it translates to 'no cost too great', because I like the way the phrase's meaning turns more sinister as Mango's plan goes on and they do worse and worse things in the name of avenging Gold.
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