ode to a game that changed my life and introduced me to a world that has been very near and dear to me since... good night wiiu 😴
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Side note, managed to sketch this dog's silly little bike seat head from a challenging angle and then got immediately terrified of potentially goofing it up in the inking stage.
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the way that one line from the new epilogue in an astarion romance is going to HAUNT me
just. what a profoundly intense thing to confess to someone.
like, just these six months of newfound happiness with you exerts a force on his heart equal and in direct opposition to two centuries of endless torment, the gnawing hunger and exploitation. this flashbulb-bright fraction of his long life holds the same gravity to him as years upon years of darkness and suffering.
in all likelihood, he hasn’t even known his lover for as long as his worst memory lasted, that year sealed away to go mad from starvation and sensory deprivation, yet he still tells them this brief time has been so fundamentally and powerfully important that the weight of even that unimaginable hell is vanishingly small compared to this present he has now and the future ahead of them both.
how am i supposed to act normal about this.
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Knowing your chaotic dumbass friends so well that you feel confident in ordering a special vulture dimension set and custom graphic for an episode that has exactly zero to do with vultures is a love language unto itself.
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fnaf movie legit made me feel like i was 14 again discovering this new horror game markiplier was playing right as i was starting high school ;u;
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The Riddler: Riddle me thi- Is that a fucking kid.
Dick Grayson, a non-native English speaker: What does fucking mean?
The Riddler: Fuck- I mean shit- I mean it's a grown up word, ask your dad about it
[A Few Years Later]
The Riddler: Riddle me th- Is that another fucking kid
Jason Todd, raised in Crime Alley his entire life: Who the hell you calling a fucking kid? I'll beat your ass motherfucker, you and me right now.
The Riddler: Wow you are. Something.
[A Few Years After That]
The Riddler: Riddle me- Where the fuck are you getting these children?
Tim Drake, raised in high society but also not raised at all: That's a naughty word sir.
The Riddler: At least you're polite
[A Few More Years Later]
The Riddler: Riddle m- WHY THE FUCK DOES THIS ONE HAVE A SWORD!?
Damian Wayne, above silly things like Vulgar Language: I Was Expecting A Battle Of Wits, But You Appear To Be Unarmed.
The Riddler: WHY DOES HE TALK LIKE THAT???
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perpetually annoyed by character criticism that is just “is this character sympathetic? is this character relatable? does this character get an ending they ‘deserve’ (as it correlates with their own moral goodness)?” so what if they’re unsympathetic. so what if they’re unrelatable. so what if they are made suffer. so what if they’re a symbol. they’re not real! fictional characters are tools in a story, like setting, or tropes, or tone, or style, or pacing, or medium. they are a figment, a fragment. they are not human beings, and they do not exist in a real life moral framework. this is not good analysis. ask better questions.
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it’s so interesting how gloreth is seen not only as some great noble hero, a warrior who bravely slayed the monster, but also as an adult. a grown-up knight who knew what she was going. when in reality she was just a little kid. a kid who didn’t know what she was doing, not really. a kid with a wooden sword. a kid under her parents’ influence. a kid who only started seeing nimona as a monster because that’s what she was told. and yet she ended up depicted as an adult in the statue, in the storybooks, in the scroll used to justify trying to kill nimona again.
at the beginning of the movie when she’s being introduced via storybook, she says “go back to the shadows from whence you came” in a courageous, commanding voice, even though that’s not quite what happened! in reality her voice was scared, and a little bit uncertain. the narrative was always twisted in her favor because she was seen as the hero.
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