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#authors and poets
poetic-wilderness · 1 year
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Perhaps one did not want to be loved so much as to be understood.
— George Orwell, 1984
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burningvelvet · 2 years
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percy shelley 🤝 lord byron
having mysterious secret babies whose stories still puzzle historians over 200 years later
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risafeywritesdrarry · 22 days
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writers-potion · 2 months
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Vocabulary List for Fight Scenes
Combat Actions
Hoist
Dart/Dash
Deflect
Shield
Sidestep
Snatch up
Stalk
Stamp/stomp
Stretch
Stride
Wagger
Oust
Leap
Lose ground
Mimick
Mirror
Negate
Overpower
Parry
Rear to full height
Resurgate
Suanter
Seize
Take cover
Throttle
Twirl
Unleash
Withdraw
Entwine
Flee
Gain ground
Grasp
Cling to
Breach
Duck
Dodge
Hits
Amputate
Bloody
Carbe
Castrate
Collision
Connect
Crush
Defenestrate
Destroy
Disfigure
Dismember
Dissever
Grind
Maul
Perforate
Rend
Riddle with holes
Saw
Smack
Splatter
Sunder
Torn Asunder
Traumatize
Whack
Writhe
Gut
Hammer
Maim
Mangle
Plow
Puncture
Melee
Assault
Attack
Barrage
Bash
Belebor
Bludgeon
Carve
Chop
Cleave
Clio
Club
Crosscut
Dice
DIg
Gore
Hack
Impale
Jab
Kick
Knock
Onsalught
Pierce
Plnt
Punch
Rive
Shove
Skewer
Slice
Smash
Stab
Strike
Sweep
Swipe
Swing
Transfix
Thrust
Visual Flair
Agony
Asphyxiate
Chock
Cough up bile
Cut to ribbons
Flop limply
Fractue
Freckled with blood
Gouts of blood
Grimane
Hemorrhage
Hiccup blood
Imprint
Indent
Resounding
Retch
Rip
rupture
Shiny with gore
Spew
Splash
Slumped in despair
Splatter
Split
Tear
Topple
Void
Vomit
Wedge
With a fell gaze
With a fiendish grin
With blank surprise
Audible Flair
Bang
Barking
Bong
Boom
Crack
Cackle
Clang
Clash
Crash
Cry
Echo
Elicit a curse
Frunt
Hiss
Howel
Hum
Moan
Muttering
Whoosh
Whistle
Whizz
With a keening cry
Thud
Thunk
Thawk
Splat
Snarl
Swoosh
Squeal
Sing
Sickening Pop
Silintly
Shriek
Shout
Snap
Thundering
Effects
Blind
Burn
Cause frostbite
Cauterize
Concussion
Combust
Daze
Dazzle
Deafen
Disintegrate
Electrocute
Freeze
Fuse flesh
Immobilze
Incinerate
Melt
Pralyse
Petrify
Purbind
Radiate
Reduced to
Shock
Sightless
Stun
Transiluminate
Death Blows
Annihilate
Behead
Decapitate
Disembowel
Eviscerate
Extirpate
Murder
Obliterate
Raze
Exterminate
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strawberrywinter4 · 15 days
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Just found out today that my friend posts fanfiction as well.
She told me, nervously, that she posts her writing. And I was like oh! me too!
And her eyes lit up, I’m saying, LIT. UP.
She was like… what do you write?
I was like… fanfiction.
And she was like girl…
ME TOO!
I asked where she posts her writing.
She whispered “Ao3.”
Girl…
ME TOO.
The duration of our conversation included giggling and talking about our fandoms like maniacs.
The best feeling is when you’re able to invite a friend into your secret world of fandoms and fanfiction.
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sh1-n0bu · 16 days
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WRITERS AND FUTURE WRITERS, PLEASE LISTEN UP
i saw a few tiktok videos that was very concerning to me and i decided to share some of the knowledge i got because as a community of people who freely write things about characters, we need to protect our work. i have just decided to edit this post and to put the whole videos here since a some reblogs were of how i was spreading misinformation.
GOOGLE DOCS IS NOT SAFE (full credit to woppydoesthings on tiktok for information)
thank you to @lighteez for suggesting “reedsy” as an alternative option
thank you to @braingoaaaaaah for suggesting “click up” as an alternative option
thank you to @koungacris for suggesting “LibreOffice” as an alternative option
thank you to @stellarnathy for suggesting “notion” as an alternative option
THEY GOT THE AO3 WRITERS AS WELL (full credit to tiktok user sakuradarling) (sadly i can only add one video in per post and the tiktok user had turned off saving videos but i have decided to link the original video https://vt.tiktok.com/ZSFbq1PRA/)
apparently some thieves i am NOT calling them people because who with moral compass would do this shit? are copying, pasting and printing out popular fanfictions on AO3, binding them, turning them into actual books and selling them on places like Etsy WITHOUT crediting the original authors. which is why we can’t find some certain popular fics or authors on AO3
TUMBLR IS SELLING OUR WORK/PROMPTS TO THIRD PARTY WITHOUT CONSENT
i think i came across a post or two about it. i think my mutual @livelaughlovesubs has reblogged a post about it. check it out and turn on a switch on your blog settings that prevent this. stay safe and protect your works writers
spread the word everyone, because… genuinely what the fuck?
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wolkenleere · 9 months
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And I wondered what it was like to be chosen. I was never chosen. I was a maybe, a probably, sometimes even a definitely but never the one, never the chosen one.
Unknown
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novlr · 8 months
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“The fact is, I don’t know where my ideas come from. Nor does any writer. The only real answer is to drink way too much coffee and buy yourself a desk that doesn’t collapse when you beat your head against it.” ― Douglas Adams
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lannegarrett · 1 month
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I felt this.
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the-ellia-west · 3 months
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How to make your readers Feel emotions for Dummies
(Horror edition!) aka Make your readers Tense.
Anyway, you want to know how to make your readers angry or tense? Well... have I got some useless tips for you!
First, think about what would make you tense?
Usually, you will write about things that you enjoy, therefore your readers will most likely be similar to you, so you should take your own experiences within media and just... steal them
2. Second, Use short sentences, and add onomatopoeia
Nobody likes having to make their brain work faster. And shorter sentences will actually do that. So using it is very helpful.
For example: Nothing in the house made a noise except for something dripping from the ceiling.
Vs
Nothing in the house moved. Not a noise could be heard. Not even the rustle of wind against the walls, or even her own breath. Save for one thing. Drip, drip, drip. Something falling slowly from the rafters overhead. Then, she knew.
See? Better!
3. Next, you should make sure to dance around the word was
Trust me, it just adds that much more oomph
4. Underdescribe the important shit, Overdescribe the unimportant stuff
I don't have an example for this... uh... have a nice day
5. Make your protagonist likable
Please
6. Show your readers early on you won't hesitate to do something shitty
Like kill off a protagonist who didn't actually matter, do something drastic in the story that shows your readers you aren't fucking around
Good Luck and good day!
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achronicleofblasphemy · 2 months
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Don't go anywhere.
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writing-with-sophia · 9 months
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Common misfortunes for characters
Death of a loved one: This can be a profound and devastating experience for a character, leading to grief, guilt, and a sense of loss. It can also serve as a catalyst for character development and exploration of themes such as mortality, coping with loss, and the fragility of life.
Serious illness or injury: Physical or mental health challenges can test a character's resilience and force them to confront their limitations. It can also provide opportunities for exploring themes of perseverance, the importance of support systems, and the fragility of the human body.
Loss of a job or financial ruin: Financial struggles can lead to desperation, uncertainty, and a loss of identity for a character. It can also present opportunities for growth, reinvention, and exploring themes of resilience, resourcefulness, and the true value of material possessions.
Betrayal by a trusted friend or ally: Betrayal can shatter trust and lead to feelings of anger, betrayal, and a loss of faith in others. It can create complex moral dilemmas for the character and explore themes of loyalty, forgiveness, and the dark side of human nature.
Imprisonment or wrongful accusation: Being imprisoned or falsely accused can lead to feelings of powerlessness, injustice, and a struggle for redemption. It provides opportunities for exploring themes of justice, personal agency, and the lengths one will go to prove their innocence.
Natural disasters: Natural disasters can be catastrophic events that disrupt lives, challenge survival instincts, and test a character's resilience. They can explore themes of human vulnerability, the power of nature, and the strength of community in times of crisis.
War or conflict: War and conflict can have profound impacts on characters, leading to physical and emotional trauma, loss of loved ones, and moral dilemmas. They provide opportunities for exploring themes of heroism, sacrifice, the futility of violence, and the long-lasting effects of war.
Addiction or substance abuse: Characters grappling with addiction or substance abuse can experience a downward spiral, strained relationships, and a loss of control. It allows for exploration of themes such as self-destructive behavior, the road to recovery, and the impact of addiction on oneself and others.
Mental health issues: Characters dealing with mental health issues like depression or anxiety can face internal struggles, isolation, and difficulties in functioning. It provides an opportunity to delve into themes of stigma, self-discovery, and the importance of mental health support.
Loss of a child or miscarriage: The loss of a child or experiencing a miscarriage can be emotionally devastating for characters, leading to grief, guilt, and questioning of one's purpose or identity. It allows for exploration of themes of parental love, coping with loss, and the complexities of grief.
Failed relationships or divorce: Characters going through failed relationships or divorce can experience heartbreak, loneliness, and a sense of failure. It presents an opportunity to explore themes of love, forgiveness, personal growth, and the complexities of human relationships.
Alienation or social isolation: Characters who feel alienated or socially isolated can grapple with feelings of loneliness, rejection, and a sense of not belonging. It allows for exploration of themes of identity, acceptance, and the importance of human connection.
Identity theft or fraud: Characters who fall victim to identity theft or fraud can face financial ruin, loss of reputation, and a struggle to reclaim their identity. It provides opportunities to delve into themes of trust, deception, and the lengths one goes to protect their identity.
Accidental injury or disability: Characters experiencing accidental injury or acquiring a disability can face physical and emotional challenges, adjusting to a new way of life, and overcoming societal barriers. It allows for exploration of themes such as resilience, self-acceptance, and the meaning of true strength.
Loss of a treasured possession or heirloom: Losing a treasured possession or heirloom can evoke feelings of loss, nostalgia, and a connection to the past. It provides an opportunity to explore themes of materialism, attachment, and the value of intangible memories.
Being stranded or lost in a remote or dangerous location: Characters finding themselves stranded or lost in a remote or dangerous location can face survival challenges, fear, and the need to rely on their instincts. It allows for exploration of themes of resilience, self-discovery, and the inherent strength of the human spirit.
Struggling with poverty or homelessness: Characters experiencing poverty or homelessness can encounter hardships, discrimination, and a constant struggle for basic needs. It provides an opportunity to explore themes of social inequality, resilience, and the power of compassion and empathy.
Encounter with a dangerous or malicious antagonist: Characters facing a dangerous or malicious antagonist can be subjected to physical and psychological harm, manipulation, and a fight for their lives. It allows for exploration of themes of good versus evil, moral choices, and the strength of the human spirit in the face of adversity.
Political or social persecution: Characters experiencing political or social persecution can face oppression, injustice, and the fight for their rights and freedom. It provides an opportunity to explore themes of social change, courage, and the power of collective action.
Being framed for a crime they didn't commit: Characters who are framed for a crime they didn't commit can face wrongful accusation, a loss of trust, and the pursuit of justice. It allows for exploration of themes of innocence, perseverance, and the search for truth.
These misfortunes can be used individually or combined to create layered and complex narratives where characters face adversity, overcome challenges, and ultimately find strength and growth through their experiences. Remember to balance the misfortunes with moments of resilience, hope, and eventual triumph to create a compelling narrative.
If you want to read more posts about writing, please click here and give me a follow!
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risafeywritesdrarry · 1 month
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writers-potion · 18 days
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Storyediting Questions to Ask
As You Read the First Draft:
Are there place that surprised you as you read your first draft? - Why do you suppose that is? - Is there material there you'd like to expand?
What are the character really doing in this story? - Might they have issues you haven't explored fully yet?
Look to the places that drag. - These might be scenes where you have avoided dealing with something deeper. - What are the characters really thinking in these places? - What are their passions, frustrations, and desires?
Imagine alternative plotlines. - How might your plot be different if ti headed off on another tangent from various points in the story? - You don't have to follow them, but they might suggest other streams that can flow into the main plot.
Think About Structure:
Does you story play out naturally in three acts?
Is there an immediate disturbance to the Lead's world?
Does the first doorway of no return occur before the one-fifth mark?
Are the stakes being raised sufficiently?
Does the second doorway of no return put the Lead on the path to the climax?
Does the rhythm of the sotyr match your intent? If this is an action novel, does the plot move relentlessly forward? If this is a character-driven novel, do the scenes delve deeply enough?
Are there strongly motivated characters?
Have coincidence been established?
Is something happeing immediately at the beginning? Did you establish a person in a setting with a problem, onfronted with change or threat?
Is the timeline logical?
Is the story too predictable in terms of sequence? Should it be rearranged?
About Your Lead Character:
Is the character memorable? Compelling? Enough to carry a reader all the way through the plot?
A lead character has to jump off the page. Does yours?
Does this character avoid cliches? Is he capable of surprising us?
What's unique about the character?
Is the character's objective strong enough?
How does the character grow over the course of the story?
How does the character demonstrate inner strength?
About Your Opposition:
Is your oppositing character interesting?
Is he fully realized, not just a cardboard cutout?
Is he justified (at least in his own mind) in his actions?
Is he believable?
Is he strong as or stronger than the Lead?
About Your Story's Adhesive Nature:
Is the conflcit between the Lead and opposition crucial for both?
Why can't they just walk away? What holds them together?
About Your Scene:
Are the big scenes big enough? Surprising enough? Can you make them more original, unanticipated, and draw them out for all they are worth?
Is there enough conflict in the scenes?
What is the least memorable scene? Cut it!
What else can be cut in order to move the story relentlessly forward?
Does the climactic scene come too fast (through a writer fatigue)? Can you make it more, write it for all it's worth?
Does we need a new minor subplot to build up a saggin midsection?
About Your Minor Characters:
What is their purpose in the plot?
Are they unique and colorful?
Polishing Questions:
Are you hooking the reader from the beginning?
Are suspenseful scenes drawn out for the ultimate tension?
Can any information be delayed? This creates tension in the reader, always a good thing.
Are there enough surprises?
Are character-reaction scenes deep and interesting?
Read chapter ending for read-on prompts
Are there places you can replace describing how a character feels with actions?
Do I use visual, sensory-laden words?
For a Dialogue Read-Through:
Dialogue is almost always strengthened by cutting words within the lines.
In dialogue, be fair to both sides. Don't give one character all the good lines.
Greate dialogue surprises the reader and creates tension. View it like a game, where the players are trying to outfox each other.
Can you get more conflict into dialogue, even emong allies?
If you like my blog, buy me a coffee☕ and find me on instagram! 📸
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thepersonalwords · 3 months
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Follow your heart but take your brain with you.
Alfred Adler
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for-flowers-sake · 6 months
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