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xiaq · 2 months

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I got another raise today. Praise for my contributions to my team, validation for my hard work, and a clear overview of what my continued progression in my company could look like. I celebrated by taking the afternoon off to nap and read in bed with my husband. I painted some swatches in the space that will soon be my library in the basement of our new home. I talked to my publisher about the process of turning my 3 published books into audio books. And now I'm in the living room, writing and watching my dog attempt to entice pedestrians on the sidewalk to pet him over the front yard fence.

Next month it'll be two years since I left academia.

It was the hardest and the best thing I ever did.

Three years ago, I was having an existential crisis about my career. I was working 60+ hours a week for embarrassingly little pay as lecturer. I loved my job, but I knew that continuing to work in academia wasn't a sustainable option for me. The thought of buying a house some day was laughable. I'd sworn off relationships. I looked at my writing and I thought there was no chance I'd ever publish anything. I was nearly thirty and I felt like I'd wasted the last decade of my life and I was fighting hard against the sunk cost fallacy that whispered I should just stay. Continue as I was. Let no one know I was drowning in the life I'd always said I wanted.

See, people like to say "it gets better" when people are feeling lost or hopeless. But what they don't tell you is that in order for things to get better you often have to do big scary shit that sometimes feels like walking backward. Sometimes you have to tear things down to the studs before you can rebuild. Sometimes the path to "better" looks a lot like "worse" at first.

I was lucky that my family and friends supported my "worse" phase while I was trying to figure out what the hell I wanted to do with my life, interviewing for tech companies and taking fire fighting exams and querying agents/publishers and basically just saying "fuck it, I'll give it a try" to every available opportunity, including dating the guy who is now the love of my life. But "it gets better" requires hard work and bravery and putting yourself out there and bitter disappointment and rallying and leaning on that support system, and trying again.

So, I'm not sure where I'm going with this other than to say, for anyone else who was where I was 3 years back, anyone who feels stuck or hopeless or like they've wasted years of their life on a career or relationship that doesn't love them back: it gets better, but you have to fucking fight for it. So rally your troops. Get your support system in place. Give sunk cost fallacy the finger. And go figure out what will serve you better.

I'm so happy, now. My life is amazing. But it might have been amazing even faster if I'd dropped out of grad school after my first year when I realized that maybe it wasn't what I wanted after all. I wish I'd been brave then. Be brave now.

#mylife #academia #leaving academia #author things #advice #go grab your happiness with both hands #i beg of you

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candlewaxandp0lar0ids · 5 months

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How to Leave Comments on Fanfiction

So, I recently made a poll to know if people might find it helpful to have a list of things they could talk about when leaving comments on fanfictions, be it on Ao3 or on here. A majority of people were interested in seeing the post so, well, I'm making it. I started writing and posting stuff online when I was a teenager, on a website where leaving constructive criticism was the norm. It's by far the place where I've gotten the most feedback and it was an incredibly formative experience for me as a young writer — and it taught me how to leave detailed comments.

Writing comments doesn't necessarily come easy. It's something that you may need to learn how to do, but the good news is that you can learn how to do it, so don't worry if you don't know what to say at first. Hopefully this list will give you some pointers on how to do that.

This is more or less the list I go through when I want to leave a detailed comment. Even if I don't have a specific idea at first, I'll go through the steps and I never come out empty-handed.

Comment etiquette:

What became apparent with the poll I made was that a lot of people worry about how they'll be perceived by the writers if they leave a comment. Now, obviously, writers aren't a monolith, but 99% of the time writers will be thrilled that you took the time to leave a comment to let them know what you enjoyed in their fic. I cannot stress this enough. We're not going to judge someone based on a positive comment they leave.

As it stands, on Tumblr and Ao3, it's seen as rude to leave negative feedback, unless the author has explicitly asked for it/agreed to it, so that's what I'll be going over here. Since quite a few writers did say on that post that they would like to get constructive comments as well, stay tuned, I'm trying to get something together to do that for authors. Other than that, you're good to go.

The main ways to let an author know your thoughts on a fic on Tumblr are:

reblogging a fic with your thoughts underneath it

reblogging with your thoughts in the tags, which is often less formal

leaving a comment as a 'reaction'

sending in an ask if they're activated on the blog (which means you can stay anonymous, if anon asks are allowed)

Reblogging means that your followers will see the post as well, and is therefore really appreciated on Tumblr.

As a note, you may find different systems work for different fics! Maybe leaving tag rambles works for you when commenting on drabbles, for example for me it's the system I use to leave comments on smut.

General advice:

Everything I'm saying in here is for people who want to be able to leave longer/more detailed comments and don't always know where to start. If, for whatever reason, you're not comfortable or you don't have time to do it at the moment, a simple "I love the fic, thank you for writing it" always goes a long way for an author.

The key thing to keep in mind if you're trying to find something else to say, I think, is to try making the comment specific to the fic you're leaving it on. It shows the writer what you took away from the fic and the fic's strong points, which is both meaningful and helpful to an author.

Comments don't have to be long to be meaningful. Don't stress about writing a ton; a one-sentence comment highlighting the fic's humor or how emotional it made you can be incredibly impactful.

With this out of the way, I'll go through things you can talk about in a comment, starting with what I think is the easiest and moving on to things that could require more thought. You don't have to do all of that. You may never use some of the things on that list. Leaving comments should not be a source of anxiety. So take what you want from the list, maybe come back to it if you need more inspiration, and don't worry too much about it :)

Favorite line(s) : pull from the fic to let the author know what your favorite line was. If you wish, you can expand on that by saying why it was your favorite: did it make you laugh? Did it make you feel something specific? Did the author nail the characterization with it? Was there some incredible metaphor? Did you find it beautiful or poetic even if you can't go into detail? Is there one line in particular at the beginning of the fic that hooked you in and made you want to keep reading?

All of that is very valuable for a writer to know. Some of my favorite comments I've gotten were a list of a reader's favorite lines from a fic with one or two sentences to explain why they liked them, so don't hesitate to do that more than once if you can!

Emotions: if there’s one thing I know about writers, it’s that we’re thrilled when we’ve made you cry. So tell us: how did the writing make you feel? Did you laugh out loud? If you did, was it the dialogue, or the narrator? Did it make you cry? Which part? Could you relate to one of the characters? Did it make you feel seen? Did the fluff make you feel all fuzzy inside or did the angst twist knots in your stomach? This isn't an exhaustive list, and emotions are great to draw from when you're leaving a comment!

Favorite element of the writing: Is there one thing in the writing that struck you as being particularly good, or what was your favorite thing to read? Is the author a master at writing dialogue? Are their descriptions so good you could see the whole scene? Are they really good at getting in a character's head and describing their emotions? Were you hooked from the start and couldn't stop until you reached the end?

Characterization: Now, this might be less instinctive, but if you've been in a fandom for a while, you'll probably be able to identify these things fairly easily. You can tell the author if you think they've nailed one aspect of a character. Did you have a favorite character in the fic? What did you think of them? Did the author manage to capture their voice? Was the attitude spot-on? Which parts of the character, if you can name them? Were there aspects of the character you particularly enjoyed? Did the author shine a light on something you hadn't considered or on something you don't think is highlighted often enough? Is there one thing from the fic you can actually picture/hear a character doing/saying in your head?

Style: I'd argue this is the hardest part, and you shouldn't feel bad if it's not something you can really comment on. As someone whose first language isn't English, I know I struggle with it. Style can be perceived as the way the author's voice comes through in the text. It can come through in punctuation, in the way sentences are formed, in the choice of the words themselves. If, when you read, you feel something intangible that doesn't fit well in the other categories, it just might be the author's style.

Here are some things (non-exhaustive list, of course) you could say about an author's style: it can be direct, straight to the point. The author doesn't bother with ornaments. Every sentence feels impactful. Maybe the writing feels intense. You're overwhelmed by the characters and their feelings and you feel truly engulfed in the story. Maybe the style is light and airy. It's so easy to read you don't even notice you are reading. Maybe the writing is intricate. Going through it is like piecing a puzzle together, sentences are foreshadowing and metaphors reveal deep truths about the characters. Maybe the style is rich. While not always the easiest, it's a pleasure to read through it, the author has a wide vocabulary, and you might want to compare it to a well-written novel.

If you identify specific elements of that style (metaphors, interesting use of punctuation, etc.), don't hesitate to point them out and let the author know you enjoy them!

That is it for this post, hopefully it doesn't look too daunting — again, you absolutely do not need to do all that in any comment, but maybe going through this list can help you leave comments for authors you enjoy.

I like to end my comments with 'Thank you for writing and sharing this with us', so I'll tell you thank you for reading, I hope this was helpful, and please consider reblogging if you'd like to save this or if you think it could help someone else!

As a bonus, my friend @elidebrey and I (but mostly her) made a 'checklist' for commenting, to help remember all this if that's something you'd like, so use at will!

A big thank you to @elidebrey, @yoongihan and @antoniorhinothethird for their precious opinions on this ♥

#fanfiction #ao3 #fic #fic things #fanfic #archive of our own #author things #fanfic comments #ao3 comments #writing #long post #very long post #fandom

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fru1typunch · 6 months

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Today's TikTok repost: "The duality of a writer's Google search history"

If your Google history doesn't have you on multiple watchlists, you're doing it wrong.

[Voiceover text:

clip 1: "How long does it take for someone to bleed out if they get their leg ripped off violently?"

clip 2: "How the fuck do you spell opportunity?"]

#writing #writerscommunity #writers on tumblr #writer things #writers and poets #author #author things #writeblr #silly silly #sillyposting

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anon-unofficial · 2 months

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hi.

so because I see a lot of people doing this (and also because it is 11 in the evening and my phone is on 7% AND I'm bored) I'll just join in

for every note this post gets, I'll write a word—A SINGLE WORD—on this chapter I'm working on

have mercy

goodnight

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stonedregulus · 11 months

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“How can you write romance or smut when you’re aroace?”

Well, apart from aro & ace being spectrums and all the nuances that come with them—I also write about murder even though I’ve never planned or committed one. I write about cannibalism even though the idea of eating other people grosses me out. I write about brothers fucking even though I don’t have siblings and if I did I wouldn’t be into incest.

I think you're just forgetting the fundamentals of fiction which is that IT’S NOT REAL and that authors often write about characters that are very different from themselves.

#author things #ollie speaks #aroace #grey aromantic #grey asexual #greyromantic #greysexual

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thewriteblrlibrary · 3 months

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A Step-by-Step Guide to the Weirdest Mush of Storytelling Techniques Known to Human Beings (that works surprisingly well)

SPOILERS - basically you combine anime/manga storytelling with tumblr character obsessions.

Okie dokie human beings, let me just come out of the gate and say that I've been hyperfixated and doing obsessive researching on storytelling methods since I was ten. You hear it all when you deep dive into this:

'You need conflict to drive your story' (wrong... well, not always true. Conflict isn't required but you can use it for funsies)

'Your characters need to be flawed. Give them flaws so they aren't Mary Sues' (Wrong. Traits in and of themselves have both nice and not-so-nice aspects, depending on the situation.

Take 'loyalty' for example. Loyal people can be apologists for those they are loyal to/not be objective when they think about their friends. But they will also be there for their friends... does that mean they are a people pleaser and won't be as nice to themselves? Mary Sues are only there because they are cardboard cutouts and people aren't having fun with them. *See remakes and pointless cash grabs* When you're self-indulgent and ignore the 'don't make the characters too cool' rules, people can tell. You all will have the time of your lives.)

Then you have... the discourse. As a storyteller, reading those made me so insecure about writing characters because I was worried I would anger someone. This method won't assure avoiding all discourse, but it makes the characters more believable and fun to watch. Everyone else can avoid the story. (It isn't for them anyways)

Anywhosies, after years of researching, I've finally, finally found a storytelling methodology that is structured yet insanely flexible, works for any story you're telling (watching tv will never be the same), and is pretty much the exact opposite of trashy Hollywood blockbusters.

So basically, it's: exploring a facet of existence through complex characters and an easy-to-follow plot.

So yea, I've talked in the land of general for too long. This is my modified method from the resources down below. Have fun!

Step One: Characters Concepts.

This will help you a lot when you make characters. Let's go through an existential crisis!

What concept about "how life works/philosophy/the unknown/viewpoint/question" do you want to explore? This will be the aspect of life that the story attempts to make sense of and give the reader some new understanding or comfort about it. It will be the groundwork and foundation for your story going forward, so feel free to explore as many aspects of this topic as you wish.

Specific memories can help with this. For example, I used the memory of crying over unfinished crafting projects to write my main WIP. (I was supposed to make this doll dress with my mom and we did part of it, had a lot of fun, then never finished it. A few months later, child-me sat beside the bed and waited for my mom to come out of the bathroom so I could ask her something. In the meantime, I looked underneath the bed and found that unfinished crafting project. I started bawling.)

This memory led me to make my concept: Happiness chasing. Those who want that happy ending so bad so they can have their childhood happiness back. Mostly because they are filled with regret over all the happiness they didn't have when they were little (the 'smart and didn't like to play because they wanted to read books' children... anyone else do this? And regret how little time they spent with other people?)

The second aspect of this concept that came up was the 'avoiding being happy right now because you need to earn it for a happy future' also the 'happiness needs to be perfect... but what exactly does happiness feel like?' and the 'happiness is overrated. I'm satisfied as an observer wandering around the world'

So yea, explore a concept and see where it takes you! It's okay if it's abstract, you can refine it in the next step:

Step Two: characters

~Here we go~

Here we are picking a dynamic, an internal conflict, 'the two wolves'.

Aka: desire vs fear.

And these will be in direct opposition. The character will want something, but the fear will stop them from getting it. Because to get what they want, they have to face what they fear. They cannot exist at the same time.

This took me the longest time to figure out... mostly because no one else spelled it out for me. But it works! Very well! Probably the fastest way to create a complex character!

So you'll take an aspect of your concept. Like: 'trying to replicate the happiness you had when you were little because you are full of regret about not being happy'. Then create a duality/ warring desire and fear off of it.

(Feel free to include all the extra character trait funsies here... just don't get too carried away. That becomes overwhelming fast. We'll talk about that more in the next step)

Here's an example from my WIP:

Anuli the dryad wants to have faer happy ending that fae wanted when fae was little. (I get very specific here because I wrote backstory, feel free to write a very specific image about what a 'perfect world' would look like to the character. What will having that perfect situation mean to them?)

Anuli the dryad fears being happy. Fae thinks that by being happy, fae will make a mistake and ruin others' happy endings. Then fae will be left with nothing but regret. It's wrong for faer to be faerself. (There's a misbelief about the world here. Typically, fears are rooted in false worldviews. So, you can write an opposing viewpoint and create a 'worst case scenario' based off of that.)

Ta da! Now you have a dynamic where the character has a conflicted view of the world and themself. Perfect for angst, fluff, whatever your story needs are! (Why does this sound like an old car salesperson?)

Step three: First meeting

My major issue when writing a new character is how to translate their unique prose style and convey their internal conflict, whilst also trying to figure out plotlines.

This step is entirely my own, and has been SO EXTREMELY helpful. (I'm proud of myself.)

What you'll do is some random writing of your character's internal monologue/how they see the world. Go through your writing from the previous steps and try translating that into prose. Play around with it until you are comfortable. It does not have to be perfect, it just has to be comfortable. If you're having trouble, pick a mini-topic to write about (perhaps something that's been on your mind lately) and see how your character would react to that. Or you can change the style of writing (more parenthesis? be ridiculous? stream of coconsciousness? Third person? Poetic? Change it up until you enjoy writing this character.)

Here's an example from my writing (this is my second WIP and it's a biology fanfiction.). I'm including it all because I messed around a bit and tried different things. I ended up setting for an informal semi-stream of consciousness style (partially to offset the complexity of biology and partially because that's who Cassiah wanted to be):

(It is... long. So scroll and skim, this is a messy example.) <3

I ended up going for first person instead of third. And I always go for past tense...plus a poetic style is a bit.. much for a biology fanfiction... and I wanted Cassiah to be a nervous mess on the inside while keeping up a 'full of themself' exterior. Therefore:

Feel free to include notes for yourself! This is a great place to refine and edit the writing you did in the previous steps! You can also do some exploring about worldbuilding (I may make another post for that) and congrats! A lot of what you are writing here becomes the character's behaviors that they've gotten from their internal conflict. These are a lot more specifc (and a lot more helpful) than character traits like 'loyal'.

Okie dokie, you can always come back to this for some writing relaxation, and now we go towards everyone's favorite part:

Step four: the plot the tragic backstory:

Note that this doesn't necessarily have to be tragic. All this has to do is showcase the exact moment where the character got their internal conflict. You can do this with the desire, with the fear, or both! (Although typically you'll see the fear backstory... unless it's a Disney movie or Haikyuu)

'But wait!' You ask. 'Plotting is hard! And I need to have this backstory be perfec-'

So the method I followed had this thing where you would write one backstory scene where the fear came from, then three more backstory scenes where the character chose to follow the fear instead of the want and became more conflicted. You can do that if you wish (I'll give you a resource to help with plotting in a bit.)

What I like doing is... having fun? I rewrote my backstory scenes so much and got so stressed with it. (My main WIP has been my writing project since I was ten and I worked on it nonstop... but it JUST got a full backstory written.)

My method for writing backstory changes for each character I write. For that main WIP, I started trying to write the backstory for the backstory, and tried stopping myself from doing that. Which was a mistake. Nowadays I'll write pre-backstory for fluff, and how the fear complicates things after a twist. (Usually I get this specfic aspect of my concept that I want to explore through storytelling and I'll write a snippet about it), and my MC just gets more ridiculous every time I write faer.

All in all... you can just use the plotting method discussed in the next step for the backstory: kishotenketsu. If you do this, then I recommend that you use ki and sho for the 'want' portion. (some fluffy childhood goals if you will.). Then use ten and ketsu for the fear that complicates things and the aftermath.

But overall I recommend (for all scenes that you write) that you always connect whatever is happening to the character's internal dynamic. This is what gives weight to your story. And you've already practiced writing your character's internal monologue, so now it's time to relax, be ridiculous, write some bad stuff, and find the exact moments where the character's internal conflict came from.

I haven't gotten to this point with my biology fanfiction yet (been executive dysfunctioning until recently... the stars have aligned or smth.) but here's my initial prose-sketch:

From here, I'll write a more specific backstory (I tend to get bored of long scenes though, so I imagine I'll do my 'tiny section prose snippet style') to depict how Cassiah got their fear, then I'll write a bit showcasing how they started envying others and their confidence (the desire). Afterwards it'll be Cassiah being internally conflicted hijinks until they inevitably get themself in a ton of trouble.

Okie dokie everyone... now it's time for the plot present-day character explorations.

Step Something-or-other: Keep doing what you're doing, but technically this is the start of the story.

So there's this whole 'inciting incident' and blah blah blah.

Start your story when it becomes impossible for the character to avoid their fear anymore, which causes them to chase after their desire.

...I'm going to include a video for kishotenketsu because... I've been typing... for hours.... and I'll do an overview but video.

So kishotenketsu is the overall plot structure that anime and manga uses. Very flexible, very nice. I keep it in the back of my mind when I'm writing, making sure to connect everything back to the character's internal conflict (make sure they react to things and make decisions.)

Here's a scene card to help you with 'smaller scale' plotting:

So instead of the plot part I use kishotenketsu. And usually I'll write actual prose for the character's monologue (like we did for the freewriting) for the 'why it matters'. (What is the plot causing them to think and feel like? And what do they want to do to fix things?)

'And So?' is usually a decision that effects the plot moving forward. You can also just have a change in perception. Just something new to give the scene meaning.

Whoopdedoo so I'll do a quick overview of kishotenketsu, and then I'll list my resources if you want to do any further digging. My advice in general is to make up your own methodology for writing, and figure out what works best for you.

Kishotenketsu:

Ki - introduction: introduce the characters, their world, where they are at, what matters to them, and most importantly - their internal conflict/what aspect of your concept they represent.

Sho - development: The plot develops toward the twist later. You can use the scene cards for this part, it should have some cause and effect and it should develop and explore the character's internal world.

Ten - twist: this is where an obstacle occurs. Bonus points if it relates to the fear/desire. The character now has to change their perspective and deal with the aftermath of the twist.

Ketsu: I forget what this stands for - the aftermath. How do they deal with the effects of the twist?

Okie dokie fellow storytellers! Now go forth! And Remember! I SPENT WAY TO LONG WRITING THIS IT"S SO LONG WTFUDSICLE ICEPOPS IS THIS LENGTH IT"S TOO LONG

Resources:

Books: Story Genius (where I got the scene card from.)

Videos on kishotenketsu: First one. Second one.

Someone rewrote twilight and it was so helpful for my writing

And... funny story... my brother got viruses on his computer and now I can't pirate anime see 'restricted videos' on youtube because of ristricted mode.

So the Hannah person that rewrote Twilight? Search for 'physic distance' Very helpful.

Also look up. 'Zoe Bee poetry.' the basics of poetry are extremely helpful.

Things you should watch (the gifs)

Rise of the Teenage mutant ninja turtles

The promised neverland

Your Name

A silent Voice

Hilda

Avatar: the last airbender

Wolfwalkers

Song of the Sea

Amphibia