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moosegbt · 6 months

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Happy one year anniversary to my Over the Garden Wall VHS tape project!

I made it in both orange and black. I like black more, but orange really feels more in the spirit of the season. I used the shell from a VHS copy of the Rugrats movie.

I made the box art using various screenshots from the show, as well as some promo art. The description was taken from the DVD release, and the description title “will you take a peek?” was the tagline during the promotion of the show.

The back also has a fun little easter egg: the barcode is for candy corn!

What’s more is the tape has a special cut of the series that I made myself. I cropped every single scene in every single episode to make sure it naturally fit in a 4:3 aspect ratio, and I edited the episodes together to flow as if it were one movie (the pacing is a little like Babe). Additionally, I added trailers for movies that give me the same nostalgic vibes (The Last Unicorn, Princess Mononoke, Steven Universe: The Movie, and The Iron Giant). I also added the Warner Brothers and Cartoon Network title cards.

I printed this cut into the tape by integrating a VCR into my PC setup. If you want to see more about this project, I have a few videos about it on my TikTok @MooseGBT, or you can check out the main one right here!

The video has an earlier version of the tape, which is why the actual tape doesn’t have a real label (it’s kind of just a piece of paper slapped on upside down with tape). The content on the tape, however, is the same.

This was a really fun project, and I’ve already started working on a VHS cut of Scott Pilgrim vs The World, Steven Universe: The Movie, the Star Wars Sequel trilogy (I have 1-6 on VHS, and I also want 7-9), and the other Star Wars movies (the Christmas Special, the Clone Wars, Solo, Kenobi, and Rogue One). I also have plans to begin editing and printing the FNAF movie, the spiderverse trilogy (once ATSV pt 2 comes out), and Don’t Hug me I’m Scared.

#halloween #vhs #vhs tapes #vhs aesthetic #over the garden wall #retro #otgw #scott pilgrim #star wars #don’t hug me i’m scared #dhmis #otgw fanart #steven universe #steven universe the movie #into the spider verse #across the spiderverse #itsv #atsv #MoosePost

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calciumace · 1 year

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"Counterattack"

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tgcg · 8 months

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ms paint. you know her. u used her age 8 to make loads of rainbow ovals all over the canvas and then scramble it with selection tool. now u will know her true powers with my handyrandy tips under the readmore. some will be pretty basic and others are very special.

this post has 8 cool trix to learn for you. enjoy and i may do another in the future if i remember/learn more stuff

some of it might be common knowledge. but its got some deep cuts. all tips have gifs to show process easily.

🙂 enjoy and i hope this encourages you to fuck around in mspaint more

soundtrack for this post (loop it while you learn for advanced learning experience)

TIP 1) the right click trick

left and right mouse click correspond to col1 and col2 respectively, which u can see in the top bar. this applies to all brushes and the fill tool like above. when using shapes col2 will be the fill colour (if you have solid fill selected). right clicking with shape maker will reverse the colours use on the shape.

TIP 2) right click eraser

this one is extremely helpful for lineart or add shading. the eraser always uses col2. so your eraser can technically be any colour. but here's where you get powers: right clicking with eraser will only erase onto col1, with col2.

TIP 3) transparent selection change a guy destination

the beloved transparent selection tool works based on what is selected as col2. so long as you have the correct colour as col2 you can make any image transparent and put it on top of anything else. and yes this works with photo bg as you can see.

TIP 4) the gradience

this one is a little more complex. you want to start off with any canvas size, and make as many diagonal coloured bands as you want. (protip: holding down shift makes a perfectly diagonal line with line tool)

then you need to resize the canvas to a width of 1px (make sure you resize by pixels, and do not maintain aspect ratio). then resize again back to its original width (or a different width i cant stop you). you will have your lovely gradience.

TIP 5) superimposter

so. you got a cool gradient and wanna put a guy on it. heres what i do:

i open a 2nd mspaint with same canvas size and draw whatever i want on there. i then pick a completely unrelated colour to my entire piece, and set that as the bg. you could use white, pink, geen, whatever you want as long as it doesnt appear somewhere else in ur drawing. copy the guy.

go back to your gradient tab. ensure that col2 is set as that bg colour you picked (lilac for me). have "transparent selection" enabled. paste your guy in. cue fanfare

TIP 6) advanced superimposter

the great thing about this method is u can put multiple gradients in multiple areas of the image. this is where it gets all japanese printmaking type of shit. ukiyo-esque

all you need to do is make another canvas with a new gradient, ensure col2 is set as the colour you want to replace, then paste your original piece onto the new gradient. now my guy has a soft fade. you can do this as much as you want. (you could even make a canvas with a texture or photo and paste your drawing onto there)

TIP 7) "sketch layer"

so as you now know, col2 is what is removed when you click "transparent selection". which means you can also remove any instance of a colour from ur drawing. which means you can have a unique colour for sketch layer and remove it from the drawing later. i admittedly dont do this but it is a great trick to have.

now combine this with lowering your dpi for smoother lines. may seem obvious but it helps. its like a free stabiliser whenever u want.

TIP 8) rainbow art

now this is where you can get dizzee rascal "bonkers". check out my small and shitty rainbow trick. you can select anything and hold down shift, then drag with left mouse, to turn that selection into its own brush. i even did it with a guy. and you can of course do this with a photo as well.

🙂well that it for now. hope you liked it thanks for reading now back to your regularly scheduled tgcg programming

#randytime #mspaint guide #ms paint guide #tutorial #ms paint tutorial #mspaint tutorial #ms paint

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she-posts-nerdy-stuff · 9 months

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It’s gone midnight and I’m thinking about Six of Crows so y’all know what that means: it’s time for a long rambling thought process that will hopefully have some interesting insights into the books in it.

I want to talk about the animal, mostly bird, symbolism of these books because although it’s obviously something we’re very aware of I also think it’s something that runs a lot deeper than we necessarily always realise/talk about. Even when people aren’t being directly involved in bird metaphors (crows, pigeons, peacocks) they are often described as “squawking”, “flapping”, or with other phrases that further this semantic field.

Now the crows is obviously the main source of the symbolism, and it’s openly talked about in the book with the speech on how the recognise human faces and how they support each other. I’ve also seen a few people online talking about the Crows in conjunction with a poem/nursery rhyme about crows (it’s one of those that has many different versions spun of it, some know it was counting magpies rather than crows) wherein 6 crows symbolises gold, of course greatly linked to the plot of the novels as well as their anti-extreme capitalism message. It’s also key to mention that crows are massively underestimated birds in the general public view; they’re far ‘smarter’ animals than we would typically expect. Crows have a very high brain to body mass ratio, I believe the highest of any birds but don’t quote me on that, and although we understand very little about the brain the size ratio is currently considered a very good indicator for the general intelligence level of the animal. Crows can make tools, hide their food, mate for life, and - VERY interestingly for this book analysis - have even been suspected to hold funerals. Now I want to be clear I’m working on a mix of random knowledge and the first helpful looking website that came up when I googled ‘fun facts about crows’ so I am by no means an expert here, but to my understanding the practice that was initially considered to be a ‘crow funeral’ is actually a process wherein crows will gather around a dead crow to look for potential danger. So I feel like the links I’m establishing here are relatively obvious, the point is that, like the birds themselves, the Crows are undervalued, underestimated, and unexpectedly successful. But the symbol of the crow in these books arguably goes even further.

The crow-headed handle of Kaz’s cane represents everything about the crow I’ve already mentioned on top of his own symbolic layering to the cane as a sign that no part of him has not been broken, and no part him is not better for having been broken. So in Chapter 27 of Crooked Kingdom, when Kaz returns to the Slat and fights the Dregs before leading a coup against Per Haskell, the cane with the fake crow’s head that Haskell has contrived to mock him effectively represents the failing of everything the Dregs represent. They’re last, the remnants, the people with nowhere else to go: they are the people who have been broken and have made something new for themselves. Except Haskell. So the sheer ridiculousness of him mocking Kaz’s cane, something he clearly thought would win him favour and success, in the end becomes one of the biggest aspects of his downfall. Inej describes the moment when the Dregs begin to support Kaz, the way the look at Per Haskell with discomfort - “the feathers in his hat, the canes in his hands” (and then she goes on to highlight how they’ve seen Kaz use his cane in fights, “wielded with such precision”, whereas Haskell is washed-up, pathetic, never could have taken the fight Kaz did and walked out the other side). Of course they realise, then, how completely and utterly wrong all of this was. Because when they’re confronted with both of those canes they realise something. They know what Kaz’s cane represents; it’s power and strength in spite of a world that has that has scorned him, it’s taking something that was broken and not fixing it but emphasising it and making it into a threat, into a symbol, into a strength. They know that, even though they don’t know what happens in Kaz’s head, because they see themselves in that. The Dregs; the literal bottom of the Barrel, who have been broken and who have clawed their way to survival. They cannot see themselves in Haskell’s mockery cane. Haskell is not a man who reflects what the Dregs are at their core, but Kaz is. The emphasis on the feathers is also really interesting, because I think it’s implying a sort of gaudy, colourful feathering that (despite fitting in with the style of the Barrel) does not represent the symbol of the crow; it is not something shadowed, something half hidden that could have an unexpected bite. It’s almost more akin to Heleen’s gaudy peacock feathers than it is to anything the Dregs understand, or represent through being Crows.

The pigeons I don’t really see anyone talking about, but I think it’s pretty interesting. The idea of ‘the pigeon’ is the same as ‘the mark’; they’re the victim, the fool who’s easy to swindle. I think the imagery of the fools being pigeons, ie being everywhere and massively populating big cities, is really clever to show a divide between the few, the Crows, and the many, the pigeons. However, it’s not only the Crows who remark on others being ‘pigeons’, but other gangs as well. When Kaz confronts Pekka about the scam he ran on him and Jordie, he says “you were just two pigeons, and I happened to be the one who plucked you”. I’m not gonna lie to you guys I’m losing my point slightly, but I just googled ‘crows and pigeons’ and the first thing that came up was about how crows sometimes eat pigeons so I reckon that’s pretty relevant.

Ok I’m really tired and I feel like I’m clutching at straws here, so I dunno I guess if this does well then I’ll cover peacocks, lions, and the general semantic field of birds in another post. I hope at least some of this made sense, thanks for reading it if you bothered to get this far

#grishaverse #leigh bardugo #six of crows #crooked kingdom #inej ghafa #nina zenik #kaz brekker #jesper fahey #matthias helvar #wylan van eck #kanej #wesper #helnik #crows #soc #fantasy analysis #fantasy books #book analysis

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fairytalegobang · 2 months

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OFFICIAL Opening DAY

I wanted to clear up some questions and timeline for those not sure if they want to join yet! First, this is a Bang, so Authors will be going first! -That being said we are allowing Artists to submit if they like some inspiration pics to authors who finish early! Second, this theme is fairly open to interpretation; you are not expected or required to do Grimm's Fairy Tales. They may be the most popularly known ones, but that does not make them the only ones. Modern setting is not banned, it just has to feature elements of a Fairy Tale. For the purposes of this Bang, A fairy tale is a story that belongs to the folklore genre. Such stories typically feature magic, enchantments, and mythical or fanciful beings. Myths, Folklores, and Legends are allowed to be adapted, but anything relating to a current religion people follow or important folkloric figures SHOULD be treated with respect when adapting! So stories relating to the Greek, Roman, and Norse pantheons, for instance, are allowed, as well as folklore figures like Robin Hood or Mulan as examples. Original but on-theme stories are also allowed, as long as they feel and have relevant Fairy Tale aspects.

Third, the timeline! January 13th - Voting/Interest Check Opens February 13th - Sign-Ups Officially Open March 13th - Sign-ups Close for Authors May 30th - Summary Submissions Open (50% work due) June 13th - Summary Submissions Close and Sign-Ups Close for Artists June 15th - Claims Start July 31st - Group Check-in August 13th - Final Check-in (Call for pinch hitters) September 13th - Posting Starts

Posting Will be done to AO3 under a collection set up for the Bang and site of the Artists's choosing to host their work. The artists are expected to be in contact with their Authors to provide a link to their work to link in the fic itself. NEITHER work should be posted publically until September 13th!

Server Rules: •Be Courteous and Respectful to Everyone in the server. •Keep NSFW in the labeled areas. •Keep discussions to their relevant areas. •Do not share anything posted here without permission (This can be disregarded if they themselves utilize a link to another page). •You must be at least 16 years of age to be in this server. BANG Rules: •Do not share art or fic outside of the server-assigned areas besides with your beta privately. •Posting will begin on the 13th of September and be expected to be done (at least a first chapter uploaded the week of) with the rest of the fic to be completed and uploaded on a schedule your artist is comfortable with if their art is to feature at a particular point. •All of your fic should be uploaded no later than October 13th if you want to roll out chapters over a period of time. •Claims will be limited to one fic to artist ratio until a full 24 hours have passed to give everyone available a chance to choose before a second claim can commence. •If you are both an artist and an author, you will be able to participate in the second run of claims (6 hours after), Depending on which time zone is most convenient for the majority of users. •No users under the age of 18 can choose from any fic/art rated Mature+ •Fics are to be at least 3k in length.

Link to join is clickable in the Image

#good omens #good omens fanart #good omens fanfiction #goft #aziraphale #anthony j crowley #ineffable husbands #aziracrow #fairy tale au #fairy tale retelling #fairy tale aesthetic

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kirstydreaming · 1 year

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Ariz 👗

#feminine fashion #tulle skirt #2 piece set #midi skirt #beautiful model #pony tail #smiling #Tatiana Kaplun #Kookla #myedit #aspect ratio .6 #kirstydreaming

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ririka-ilios · 16 days

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Eidolon art "blueprint"

I've been looking over Eidolons in Star Rail today and thought it'd be fun to try and figure out how exactly the art on them works (i.e. what is the principle behind it, what they have in common between different characters, that sort of stuff).

There will be 1 (ONE) 2.1 story spoiler in here, so beware!

I haven't seen anyone else discuss this, so I've taken it upon myself to write an essay on it! This is relatively small and based entirely on my observations of the art. Feel free to use this as a basis for designing eidolons for your OCs if you want.

There will be example(s) for each part to help visualise the point I'm making as well as descriptions for the ones I'll use (some of the descriptions are much more detailed than others).

Eidolon 1

Shows view of the character from the back 3/4th to the left, up to their shoulders.

Eidolon 2

A close up of either of the character's eyes, showing off the details.

Eidolon 3

The view is entirely unique: the perspective, pose, and focus of the composition is meant to showcase an aspect of the character's personality.

Examples:

● Dan Heng. Back view, focus on his earphones as well as the maple leaf in his hand;

● Silver Wolf. Front view, focus on the game console in her hands;

● Himeko. Front view, focus on her facial expression and the pen in her hand.

Eidolon 4

Gives view of the character mostly from the front (either full-on or at an angle) or with them facing the camera in some way, up to their shoulders. Often has characters establish eye contact with the camera, but not necessary. Another showcase of their personality possibly might even represent how they interact with others.

Examples:

● March 7th. Back view with her head turned to look at the camera, making a peace sign. She's the only real outlier I've found so far, but it fits her personality fully;

● Aventurine. Front facing the camera, tipping (pulling down?) his hat and hiding one eye behind his hand as a result, obscuring his face;

● Bronya. Front, turned to the right, has a serious listening expression, one hand one her chest, closer to the heart. Perhaps a show of sincerity and dedication.

Eidolon 5

A close-up of the character's neck/collarbone area (despite the popular belief, it doesn't actually focus on their chest). The angle varies, as does the amount of character's expression shown, but generally, most of it is obscured (even in fuller pictures).

Examples:

● Herta. 3/4th angle, focus on the key hanging from her choker. The only part of her expression we see is her typical smug little smile;

(This Herta is one of many puppet avatars so the key might be a play on that. She also has a keyhole on the front of her outfit, though they're different sizes. There's also a key on a book cover in her splash art. Another fun fact, her upgrade materials are "Keys" as she is one of the first Erudition characters)

● Dr. Ratio. Focus on the pendant/decoration on his collarbones (maybe the Intelligentsia Guild insignia?), he has that "lips in a thin line" sort of expression;

● Black Swan. Focus on the heart decoration on her collarbones (reference to the stained glass in her ultimate, which in itself, loosely, calls back to Fuli, the Remembrance). She has her slight enigmatic smile.

Eidolon 6

Like E3, the view is entirely unique. The only consistent thing is that it ends at about the middle of a character's chest. The character is naked, showing them at their most vulnerable.

Examples:

● Misha. View from the side, his body turned in on itself as he hugs some sort of glowing orb. As a result, he's only illuminated at the points of contact. His expression is relaxed, but there's an interesting amount of seriousness in it, as if he's soothing/protecting the object;

● Sparkle. 3/4th to the left, has her hands up to her chest, one holding onto the other. A red string is tied into a four-petal flower shape around her pinkie finger, which sticks out from the rest of her fingers. Her expression is fully relaxed, her mouth is even slightly open, but the face paint is still on, and her hair is tied up;

● Acheron. View from the front, though her body is slightly turned to the left. She's in her self-annihilator state: hair white, the red thorn-like tattoos surround her lower neck and collarbones. There are red flowers outlined in white, either blooming on or flowing near her, some on her shoulders, some covering her left eye, others flying off. Interestingly, the flowers are placed loosely on a diagonal, bottom left to top right. Her expression is fully relaxed, mouth open slightly, and her hair is flowing to the side. That, paired with the flowers, makes it seem like there's a breeze passing by.

The conclusion I came to, upon finishing this analysis, is that Eidolons can be interpreted as the layers to characters' personality. With E1 being what anyone in the crowd could see – their back, no face, nothing to truly identify them by, and E6 is them at their most relaxed, most open point.

#honkai star rail #hsr #eidolons #analysis #don't mind me tagging literally everything I can #trailblazer #dan heng #silver wolf #himeko #march 7th #aventurine #bronya rand #herta #dr. ratio #black swan #misha #sparkle #acheron

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beautiful-basque-country · 4 months

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ON BASQUE AND ITS TIES WITH GEORGIAN, ARMENIAN, AND TAMAZIGHT.

American linguist Morris Swadesh (1909-1967) created a world map of current languages according to comparative linguistics, taking into account their common origin. The lexico-statistical or glottochronological Swadesh method is based on taking 215 words in two groups of 100; key words such as personal pronouns, low numerals, parts of the body, kinship names, some action verbs, some adverbs of time and place, objects of nature, very common actions, bodily actions and questions.

Swadesh claimed that in the basic vocabulary the rate of change is so regular in languages, that he had been able to create a system of measuring the elapsed time in which two languages were related in the past and that today are separated geographically.

According to Swadesh, that basic vocabulary of 100 or 215 words changes less than 20% per millennium in each language. These variations in vocabulary leave a common ground between two or more languages related to each other, which is measured chronologically, thus establishing the time distance between a language and its more modern relatives. If the number of words with the same root between two languages in these two groups of 100 is less than or equal to 5%, it is considered a similarity by chance (the figure does not respond to anything specific, the method has many random parts), and if it is greater it would be the result of some common past.

There is a formula to know the time elapsed between the period in which the contact occurred and the current moment, and the result with Basque was the following (with the rest of the languages with which Basque has been compared by this method the result is inferior and not significant):

list 215 list 100

Northwest Circassian Caucasian:

6.62% 7.52%

Northwest Avar Caucasian:

3.80% 5.37%

Georgian, South Caucasian:

4.73% 7.52%

Rift Tamazight (northern Morocco):

6% 9.67%

Southern Tamazight (southern Morocco)

7.38% 10.86%

Many of the similarities considered good are more than questionable, since the evolution of words and languages is not taken into account, some borrowings from other languages are considered good, etc.

Nor can we forget American linguist R.L. Trask, that compared Hungarian and Basque and found in 2 hours of searching 65 similar words that could only be the result of chance, but that lead to question many investigations: this exercise tested by other researchers with other unrelated languages has given the same surprising result. R.L. Trask said “I can't understand why some linguists get so excited when they find two dozen Basque words that look like two dozen other Berber or Sumerian words.”

Basque and the languages of the Caucasus

The Caucasus is located 4,000 kilometers from Garonne-Pyrénées-Ebro where the Basques live. In the Caucasus, about 50 different peoples coexist with almost 22 languages. The main difficulty in establishing the Basque-Caucasian relationship consists of this lack of unity.

Swadesh's lexico-statistical ratio of Circassian and Georgian to Basque is 7.52%, higher than any other language in the world. The supposed contact would have occurred in the Magdalenian, about 10,000 years ago. With the rest of the languages of the Caucasus, current Basque is similar in typology (verbs, the ergative, etc.) and in the etymology of some words, but its lexical-statistical relationship with all of them is less than 5%.

There are also parallels between Basque and Georgian in syntactic aspects, such as the use of the ergative (transitive-intransitive verbs, “Nor-Nork” forms) that do not occur in any other European language, the reflexive way of making sentences such as: “I have seen my head in the mirror” (nire burua ispiluan ikusi dut), and not: “I have seen myself in the mirror”, the use of base twenty to count, etc.

But many current or recent renowned linguists are skeptical about the relationship with the Caucasian languages. Basque linguist Koldo Mitxelena (1915-1987) said that: “In summary, there are some Basque-Caucasian lexical similarities that cannot be demonstrated to be possible, but on the other hand there are a large number whose extraordinary implausibility can be demonstrated (…). Even if Basque and the Caucasian languages go back to a common origin, the number of missing intermediate links must be so high that it is to be feared that, due to not knowing them, the ancient ties of kinship will not be established."

If there is a relationship, for both Koldo Mitxelena and Xabier Kintana, it has to go back to the fifth and sixth millennia or earlier.

Basque and Armenian

Armenian linguist and Basque philologist Vahan Sarkisian, creator of the Basque-Armenian Dictionary and a Grammar of the Basque Language in his language, is the main promoter of the "Basque-Armenian theory" and the one who has done the most work in recent years on ethnolinguistic kinship between both peoples.

This prestigious Armenian linguist affirms that "the best promoters of this theory were neither Basques nor Armenians and, therefore, they had no direct interests in the issue. I am referring to the Englishman Edward Spencer Dodgson and the German Joseph Karst. The former knew well Basque. In Paris he began to study Armenian and quickly detected the similarities, which he initially summarized in a list of 50 words. Karst was an Armenianologist and, when he came into contact with Basque, he compared issues related to anthropology, the phonetic system, the grammar and the lexicon and extracted more than 400 similarities. (...) We understand without problems, for example, what Zabaltegi, or Ormazabal means, because it means exactly the same in Armenian. We feel at home, and that already means something. Armenian is considered an Indo-European language (Basque is the only pre-Indo-European language in all of Europe, prior to the invasions of these peoples), but if we bring to light the twenty most important regularities of the language we will see that they coincide more with Basque than with any other neighboring languages such as Georgian or Persian. And not only referring to the lexicon. In Armenian, for example, words are not formed with an initial -r, our throat has a hard time pronouncing it. The same thing happens to the Basque language, to the Basque throat.

Neither Armenian nor Basque recognize the accumulation of consonants, they are unpronounceable to us, while in other languages neighboring ours, such as Georgian, groups of up to five or six consonants are common. We could mention many other characteristics that separate us from our neighbors and bring us closer to Basque, such as the postponed article, the way of forming the plural, not to mention toponymy, which provides an enormous amount of similarities. (…) I believe that this type of coincidences - which even affect the articulation apparatus, which has a physiological nature - cannot arise from mere contact, they cannot be imported or exported. Karst said that Armenian and Basque are two varieties of the same linguistic stem (…) The only thing I would dare to say with any certainty is that perhaps in ancient times the entire area was occupied by the same ethnic-cultural element, which gave way terrain to other elements, leaving vestiges in Euskadi and Armenia, as survivors of a great and ancient civilization.”

It is curious that Armenian – which does not give any relationship with Basque through the Swadesh method – and Georgian are, apparently, more similar to Basque than to each other when they are neighboring peoples. To conclude this short summary, let's share a toponymic curiosity: in Georgia there is Mount Gorbeya (like the highest mountain in Bizkaia and Alaba), in Armenia is the sacred Mount Ararat (like the Aralar mountain range between Alaba, Gipuzkoa and Alta Navarra), and also a mountain named Gora (mountain in the language of the area and "up" in Basque). The curiosity is even greater because the Araxes River bathes Mount Aralar, and in the Armenian Mount Ararat there is a river called... Araxes.

Basque and Tamazight

Tamazight, by the Swadesh method, is not related to Arabic or Egyptian; nor with Georgian, but with Basque, as well as the Cadmitosemitic languages from which it comes. Therefore, Basque is a language that may have common elements with Georgian and Berber, but they do not have any with each other.

The percentage of lexical-statistical relationship of Swadesh of Basque with Southern Tamazight is 7.38% and with Rift Tamazight is 6% (taking the 215 words because with 100 the percentage increases). Therefore, by this method there would be a relationship or common substrate between both languages. Based on the percentage relationship, contact would have taken place about 8,000-9,000 years ago.

In Berber the names given to animals are very similar to those given in Basque. «Aker» & «iker» (billygoat), «asto» & «ezet» (donkey); They also coincide in the way of saying horse, crow, river, brother, lie, name ("Izen" and "isem"), "I" and others.

Within this analysis we must mention the Guanches, native inhabitants of the Canary Islands before the arrival of the Spaniards. From the writings found (archaeology confirms this) it is believed that the Guanches would speak a Tamazight language that, due to the isolation of the islands, would maintain a greater degree of relationship with Basque. There are those who even see Basque place names in the Canary Islands such as: Los Llanos de Aridane (Harrigane: stone peak), Argindei, Tinizara (Tinitzaha), Tajuia, Tenegia, Jedei (Iedegi) in La Palma and in Lanzarote: Masdeche (Mahats- etxe: grape-house), Haria, Orzola, Guinate (Gainate: high step), Yaiza (haitza: rock), Ajache, Tesegite, Mozaza etc.

An anecdote that is often told is that the first conquerors of the Canary Islands believed that the natives spoke Basque.

Between Basque and Tamazight the similarities are reduced to the lexical or lexicographic level, since syntactically and grammatically there does not seem to be any relationship, both in current speech and in the past; there are just similarities in verbal articulation or in the use of some particles.

Julio Caro Baroja said in this regard: “I must warn in any case that the relationship between Basque and the African languages called Hamitic is not as founded as claimed. On the contrary, the hypothesis of a relationship between Basque and the Caucasian languages, which is perhaps the one that has produced the least interest in the Peninsula, seems to be the most prudent, because it is based on linguistic, morphological and strict observations.

Koldo Mitxelena had the same opinion, and believed it was necessary to study more the relationship between Basque and the Caucasian languages which, unlike the supposed kinship with Tamazight, did cause serious doubts.

[x]

@knario47

#euskal herria #basque country #pays basque #pais vasco #euskadi #linguistics #euskera #euskara #basque #language #armenian #georgian #tamazight

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koyukoyukoyukoyu · 9 months

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take 2

JESUS i haven’t posted rendered art in a hot minute (click pic for better quality)

GUESS WHO’S BACK OUT OF (RENDERED) ART BLOCK

this is for the 2nd outsiders smp fanzine !!! go and fuckin check it out !!!! GO !!!!!

i struggled hard with this piece bc of 1) perspective 2) dreaded lineart 3) i did most of this in like 4 days but! it’s here!

i actually haven’t drawn some of these characters in a while so it was a Journey trying to redraw them again. some are good (like c!guts) but others,,,,,,, lineart fumbled (i was in a rush alright). plus all of them in their actual maze skins. like the actual outfits they wear in the maze.

i think designer me underestimated all of the bags and shit they got

anyways

layers: 669 (nice)

time: 77 hrs 34 min

canvases: 6

i fully went insane while drawing this. i went through the 125 stages of grief while drawing this because it was so hard to cram everyone in here in an aspect ratio that i can’t change

but whatever. the fire looks cool so

toodles

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eeldritchblast · 8 months

Text

Making Baldur’s Gate 3 GIFS Tutorial

TOOLS USED:

Nvidia or alternate game video recording software

PotPlayer

GIMP (Optional)

Adobe Photoshop

PART 1: Recording

I personally use the Nvidia recording software that came with my computer to capture videos of the game, but there are plenty of video recording options out there. I know OBS Studio is a popular one, for example. Whatever your choice may be, here are three important tips for when capturing video:

Use the least amount of compression settings your recording software can output, and I recommend at least 30FPS, though 60 is better

Press F10 to hide the Baldur’s Gate 3 UI and capture the entire screen

Give about three seconds worth of video before and after the section you want to record, as safety buffers, if you can

PART 2: Frame Extraction

Open the video you’ve recorded in PotPlayer in window mode (not full screen), and pause a little bit before where you want to start your GIF. Press Ctrl + G to open up the Consecutive Image Capturer window, and drag it to the side of the video player. These are the settings I recommend in general:

HOWEVER, I suggest playing around with the “Every # frame” option to your own liking. I have a pretty high framerate for this video I’m using, so 5 is fit for me, but if you have a lower framerate, you may want a lower number, like 2.

With your settings in place, click “Start” and unpause the video. Pause the video again after you’ve captured all the frames you want, then click “Stop”. If you’re making a gifset, I recommend then storing each set of frames in a single folder at a time.

PART 3: Resizing

I personally use GIMP to resize/crop the images because I find it easier, then export the image as a PSD for the next steps in Photoshop. But you can use Photoshop for this step too, if you’re more comfortable with that.

The number of frames you can get away with in a single GIF for Tumblr depends on the aspect ratio you plan on saving it as—for example, 270x200 obviously can handle more frames than 540x300 while still fitting within Tumblr’s size limit.

PART 4: Sharpening

In Photoshop, use the Filter > Sharpen > Smart Sharpen tool on each layer. The settings are your choice, but I usually use 200 for the Amount and 0.5 for the Radius.

PART 5: Animation

If you don’t yet have the timeline set up in Photoshop, click on Windows > Timeline to bring it up. Then from the arrow, choose “Create Frame Animation” and click on the button to do so. This will insert the first frame into your timeline. Click on “Make Frames from Layers” in the timeline options menu to add them all.

Click on frame 1, then hold down Shift and click on the last frame to select them all. Then click on the drop-down arrow from the last frame and set the delay between each frame changing. I usually use 0.1 seconds.

Change the “Once” option to “Forever” to make the GIF repeat itself ongoing.

PART 6: Editing/Colouring

Click on frame 1. Then click on the top layer, while still keeping frame 1 visible.

You can use a variety of tools in Photoshop to editing the colours, brightness, contrast, etc. of the gif. Make sure the filters are the top layers to apply them to all the frames. If you test out your gif and see that the filters are not applied to all the frames, toggle the visible option on them off and on again.

I’m not going to go into detail of how to edit your GIF here, because each one is different. But I will say the tools I most typically use are Brightness/Contrast and Curves.

PART 7: Export

Click on File > Save for Web. These are the settings I like to use:

Congratulations, you’ve made a GIF!

#bg3 #baldur's gate 3 #tutorial #gif tutorial

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