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writing-system · 10 months

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Lou Jelenski

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#experimental #Lou Jelenski #sign #painting #asemic

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jamesusilljournal · 3 months

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kartographie für orientierung abseits jeder möglichen welt, Iasons Feld, 2023

#Asemic Art #Black and White #Painting #Drawing #Abstract Art #Texture

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cornpone · 9 months

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Still fiddling with this.

#michael orr #artists on tumblr #visualpoetry #intermedia #atlantaartists #asemic art #painting

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tiffanydaleo · 8 months

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Positive Outlook

Meet my newest painting "Positive Outlook" I hope it brightens up your day! ☺

Introducing my newest painting, “Positive Outlook”. 11″ x 14″ mixed media on paper. Prints and super cool merch are available at my FAA shop! I hope it brightens up your day!🌞🧡🎨 Instagram Facebook Pinterest Tumblr YouTube Link

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#2023 #abstract art #abstract painting #acrylic #Asemic Writing #Fine Art America #Gift Ideas #Good Vibes #Ink #intuitive artist #Mixed Media #painting #Pixels Shop #Positive Outlook #Prints #San Diego Artist #Thinking Positive #Tiffany Arp Daleo #Women Artist

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ritualware · 1 year

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#henri michaux #asemic writing #calligraphy #painting #drawing

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neospare · 1 year

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Registration Marks, 2022

Ideally 5'x5' square, for an altar.

Made from the Gnu Unifont plane 0.

What is a registration mark?

#abstract #design #art #digital art #vector #asemic writing #inkscape #affinity publisher #clip studio paint #photoset

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minim · 2 years

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The 9 Paraders

#painting #drawing #asemic writing

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crtastrophe · 1 year

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Noninfograph I (Look Close or from Afar) (2023)

Acrylics, paint marker and faux gold leaf on masonite

Messing around w/ asemic writing and layering acrylics :]

#time for my special move.... super artstyle whiplash BLAST #(it does nothing except make me lose net 20 followers)#artists on tumblr #traditional art #painting #kit goes 2 art skool

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k00299222 · 5 months

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Artist Research 30/11/23

Fo is a Bulgarian artist based in London, United Kingdom. He works in the field of painting and digital art with a particular focus on gestural mark making and asemic calligraphy. (Interview With Fo, altiba9.com)

The ambiguity of these pieces and the flowing movement of the mark making is something I found relevant to my current materials and primary sources for the Disrupt project brief.

I would like to take inspiration from this style moving forward with more abstract processes using new mediums for the brief.

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reijnders · 10 months

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final product of some fun stuff i did today! the text is asemic(has no meaning and just Looks like writing) but i have plenty more bark ready for actual clong stuff

check below the cut for my work process on this

so i started out with soaking and flattening a bunch of this dope bark i found in my neighbor's front yard. had to experiment a bit with water temps and eventually went with really really hot sink water and then an additional soak in the big thing of warm water before flattening and drying between heavy stuff and towels

While those were soaking, I used a tutorial on youtube to make a quill

and then i went and tried to make a brush pen as well. to do this, I gathered bark from two different trees by my house. they had similar kind of stringy bark? fibrous n stuff? but slightly different outer bark textures. I had to soak them and also flatten them(used a somewhat unorthodox tool for that, warning for animal bones) before i could safely comb out the fibers enough.

once my fibers were brushed out, i went about attaching them to their respective sticks, which i had carved down and smoothed out while the bark was soaking. It turned out that the tree from the front yard didn't have the kind of bark i needed, so i ended up with one brush. i didnt have the necessary stuff to make a quick tar glue, so i notched the tip of the stick and secured some spare string i had in there to tie on the wood fibers. then i secured it more with a plastic pony bead cus it was silly lookin

I then made an ink, and cheated a little cus we had No Charcoal in the house. I ground up some use pellets from our smoker, but that wasnt dark enough, so i added in some black acrylic paint that had gone horridly bad and liquidy. These were both mixed with water, and then the whole thing with cornstarch to thicken it some. i poured most of it into my little bottle in the first image, and used the excess to test both the quill and the brush.

I ended up cutting down the brush considerably, and also realized it didnt work too well on the rough surface of the bark, front Or back, so i might sand some down if i want to use the brush on them. it works well enough on paper though.

I then tested the quill, which worked a lot better! i had a lot of fun scratching out conlang sentences and Other Stuff as well(please ignore my filthy desk).

#worldbuilding #conlang #that there art #neography #asemic writing

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stumblingoverchaos · 11 months

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For #strawberrymoonjune2023. Day 13: Asemic Writing. Collage, gesso, Posca paint pen.

"Asemic writing is a wordless semantic form that often has the appearance of abstract calligraphy. It allows writers to present visual narratives that move beyond language, are open to interpretation, and rely on the viewer for context and meaning." -@mnbookarts postcard, 2017

#strawberrymoonjune #artjournal #artjournaling #visualjournal #visualjournaling #artjournalpage #artjournals #visualjournals #artistsoninstagram #collage #gesso #poscapaintpens #poscamarkers #asemicwriting #art journal #art journaling #visual journal #visual journaling #asemic writing

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jamesusilljournal · 10 months

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antimodel asemic, Miron Tee, 2023

#Asemic Art #Contemporary Art #Illustration #Drawing #Painting

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viragfold · 1 year

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“ESCRIBAS – 1st International Exhibition of Asémic Writing”

The exhibition “ESCRIBAS – 1st International Exhibition of Asemic Writing” is part of the program of the V National Festival of Contemporary Art Beagá Psiu Poético. In a production by the Instituto Imersão Latina in partnership with The Virtual Museum of Visual Poetry, the exhibition will present 26 works by artists from 18 countries, constituting the first international group exhibition of its kind held in Brazil.

Curated by Tchello d’Barros, the exhibition opens on March 14 at 9 am and at 2 pm there will be a lecture by the curator at the exhibition venue, the UFMG Cultural Center. Visitation takes place until 21.Mar.2023, with free admission.

Participating Artistas:

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Curatorial Text:

CALIGRAPHIC POETICS OF ASÉMIC WRITING

por Tchello d’Barros*

“Asemic writing seems to be a gigantic, unexplored territory.”

Tim Gaze

The exhibition “ESCRIBAS – 1st International Exhibition of Asémic Writing” presents a collection of works in images with abstract spellings, in the language that is becoming known as Asémic Writing. The set, made up of creations from different parts of the planet, also reveals the plurality of techniques and resources for the realization of these works, transiting between calligraphy, abstraction, engraving and even Visual Poetry.

This show promoted by Instituto Imersão Latina in partnership with The Virtual Museum of Visual Poetry, features 26 works by artists from 18 countries in the V Beagá Psiu Poético program, setting up the first international collective exhibition of this modality held in Brazil.

Spontaneously arising in different cultures throughout history, consolidated as an artistic language at the end of the 20th century, the Asémic Writing still very rare, has been gaining visibility, whether with exhibitions, publications, epistemological studies or placement on the Internet. This hybrid art, which transits between word and image, survived the typographic tsunami of the digital age, privileging handwriting (mainly), albeit abstract, as an expressive manifestation.

The works are made up of often invented letters, words that keep calligraphic remnants, sentence fragments that form thought-provoking abstract figures, configuring every movement that has thickened its network of supporters on all continents. It is an art free of academic labels, institutional immobilization and shallow public cultural policies for the promotion, collection and dissemination of experimental languages. Drawing, painting, infogravure, collages, digital art, interventions and photographs are just some of the resources present in this type of creations, presented here from a perspective of diversity of styles.

It is said of the works of Asémic Writing, which are purposely emptied of meaning – because they are absent of enunciation or message – which does not prevent them from making sense, from the perception of those who observe, since there is a silent dialogue between such contents and the entire lexical and imagery framework of those who immerse themselves in viewing these images.

Theorists of Art in Expanded Field or Expanded Poetry, usually place Asémic Writing in the broad scope of Experimental Poetry. So, provoking reflections on the poetic phenomenon in aspects that strain the limits of language, questioning aesthetic aspects of the hybridity characteristic of contemporary art and provoke the debate about where the compass of poetic making points in our time, are some of the premises that guided the curatorial process for this show.

*Tchello d’Barros is writer, visual artist and curador.

Master’s student and researcher about Expanded Art on University UFRJ Rio de Janeiro (RJ), Brasil – March 2023

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Service:

Opening: 09h - 14.Mar.2023

Lecture with curator and production team: 14h

Visits: Terça à sexta-feira: 9h às 20h e

sáb. e dom. das 9h às 17h - Até dia 21.Mar.2023

Place: Centro Cultural da UFMG

Av. Santos Dumont, 174. Centro, Belo Horizonte – Brazil

Coordenation: Grupo Transa Poética | Psiu Poético Beagá

Production and Setup: Instituto Imersão Latina - IMEL

Realization: The Virtual Museum of Visual Poetry

Curator: Tchello d'Barros

Free Admission

Links:

Exhibition “Escribas” at Facebook

Instituto Cultural Imersão Latina

Centro Cultural da UFMG

The Virtual Museum of Visual Poetry

E S C R I B A S I Mostra Internacional de Escrita Assêmica 1st International Exhibition of Asémic Writing

#Asémic Writing #aszemikus írás #Tchello d’Barros #Belo Horizonte #Centro Cultural da UFMG #UMFG

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tiffanydaleo · 1 year

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Zizka

9″ x 12″ mixed media collage on paper Instagram Facebook Pinterest Tumblr Twitter YouTube Link

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#abstract art #abstract painting #Asemic Writing #collage #Cut & Paste #decoupage #Ink #Mixed Media #San Diego Artist #Tiffany Arp Daleo #Watercolor #Women Artist

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kolajmag · 2 years

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FROM THE ARTIST DIRECTORY

Everything Is Everything

Minneapolis, Minnesota, USA. Robert Savela specializes in music-related art, design and writing. He is inspired by all types of (heavy) music, asemic art, psychedelic darkness, involuntary painting, philosophy, death and the psyche. He writes, "Images instead of words instead of thought, makes you think of something else...Beauty is the purpose, takes up space and time." MORE

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Kolaj Magazine, a full color, print magazine, exists to show how the world of collage is rich, layered, and thick with complexity. By remixing history and culture, collage artists forge new thinking. To understand collage is to reshape one's thinking of art history and redefine the canon of visual culture that informs the present.

SUBSCRIBE | CURRENT ISSUE | GET A COPY

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zygosisproject · 3 months

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Week 6 Recap

This week, my primary focus was the 2D print, with some focus on my 4D, 3D, Experimental, and reflective. My 2D print progressed from what I had shown in the previous week, from using traditional soundwaves found in video/audio editing software such as Adobe Premiere and Audition to creating my own through asemic writing with acrylic paint that reflected my interpretations of listening to low-medium-high pitch and tones.

For my 4D, I considered creating a VR experience for the users. Where I will experiment with 8D audio as per a classmate's suggestion, to amplify the idea of distraction which is a daily experience for the hearing impaired- since our devices are programmed to increase the sounds around us, but not focus on a specific sounds like someone talking in the midst of a crowd.

For my 3D, I am considering aromatherapy toys that were used in my childhood when I did not have the words to describe my emotions. Aromatherapy was a vital component of my hearing-impairment journey and I have learned through an article that it is a natural remedy for sensorineural hearing loss.

Currently, my direction for the experimental piece will probably be an installation. While the details are yet to be polished, my goal in this installation is to invite the users to experience asemic writing by interpreting music the way that I have done for the 2D.

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