This Belos Essay is Gross
I fully admit I did this to myself. I voluntarily went HEY you know what animates me like a vengeful eidolon to the point where I could chew solid stone while laughing? Ragging on the history of Christianity in America! Oh look! A cute gay show about disabled witches sticking it to Puritan Cult-Peddling Murder Grandpa (also known as Ash's personal bugbear)? SIGN ME UP? Lets dissect this dreadful son of a bitch in the context of his theological bullshit!
But then I get to the parts where I have to think about Belos and all the Grimwalkers and its sicker the more I think about it. Everyone knows of course its just. The depth of the violation and desecration and depravity in its own context is Beyond Grotesque.
I'll elaborate more on this later, but Puritans were obsessed with how a person's remains were kept. This scabrous donkey's bastard was mutilating the unburied remains of the brother he murdered for 400 years. The thing that makes me insane is that any attempts to tell himself "I'm saving your soul, Caleb" had to have petered out pretty quick in that process. He discards the Christian name. Starts calling them all Hunter. Witch Hunter, a title, a job description, a fucking factory tag. He even started branding them after a while, which we know now is a death sentence no matter how perfectly obedient they could have hoped to be. He knows he's not saving Caleb. He's farming the experience of his death.
"I'm starting to think you make those things just to destroy them."
Belos demurs, "Of course I don't, Collector. It hurts every time he chooses to betray me."
The fact they included this line from the Collector--someone who has observed and gleefully enabled this sick fuck for centuries--seems to suggest Belos' denial here is a weak one.
He does enjoy it! They show us! As soon as Luz and Hunter enter the mindscape, he goes out of his way to sabotage Hunter's loyalty. He gleefully drags the kids around, building up the reveals that will make Luz crumple to her knees and destroy Hunter's entire world. The timing. The showmanship of it all. He smiles when he flicks Hunter's little forelock.
"What a shame. Of all the Grimwalkers, you looked the most like him :)"
These are the words he intends to kill this kid by. The dude has been playing this game for CENTURIES and still enjoys the process of torturing them before he slaughters them. How many Grimwalkers died with some variation of "What? Who is Caleb?" on their lips--but the part that haunts me are the ones who lived long enough to say "Sorry" before they were killed. Phillip isn't saving Caleb's soul, he's punishing him over and over.
So why does he do this? How does the Puritan part factor into it? Other than the pleasure of murder that is. It makes me think of how the main purpose of missionaries is to experience rejection. Particularly when it comes to sending kids out from the church. The purpose of the whole affair there is to reinforce that The World Bad, and Rejects the Word of God, and the Only REAL community you have is the Church. They understand you. This creates not just the insulation that gives them a chance to practice the script of the Rejected Religious Warrior, but create distance from reality.
Belos has been working on the worlds most horrible DIY project. He's been doing it for 400 years. What on earth can sustain that laser focus, him working while his body monsterizes and turns to evil Ghibli goo around him? Man hasn't eaten real food in 400 years.
His brother's death! The point of no return in Phillips villain origin (inciting incident: the moment Caleb fell for Evelyn). Each incarnation is going to to have a witch's pointed ears and the Grimwalkers pink eyes, wear different scars that Belos himself stuck there, but it's still his face. Sure it's a younger face than Caleb had when HE died, but at this point it hardly matters. Phillip is farming Caleb's death to re-inspire the moment where genocide entered his heart. These witches have taken you from me, Caleb. I'll make them all pay.
But first, I'll make YOU pay.
This bitch was going to take time out of the Day of Unity to kill Hunter if he got him. My god. Given that he was pressed for time I like to think it would have been quick but god if this is any indication...ugh.
I feel gross! 8)
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What sword would fit DRK Alisaie better? More Gpose might be incoming, but I am stomped on what sword to give her.
I genuinely have no idea. There are SO many dark knight swords in the world. I would probably say not a square one though? She feels like a tapered sword or curved edge sword person to me. The solid rectangle ones r too brute force looking I think
(edit: the replies are setting out many many good swords for her to pick from at her leisure she is carefully and happily shopping,)
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Stranger Things Characters and Their Birth Chart
Eddie: Libra sun, Sagittarius moon and rising
Steve: Taurus sun, Libra moon, Pisces Rising
Jonathan: Scorpio sun, Aquarius moon, Scorpio Rising
Nancy: Gemini sun and moon, Virgo Rising
Robin: All earth signs. It doesn’t matter what earth sign combination you have. It’s Robin.
Argyle: Big three are obviously Sagittarius
Billy: Leo sun, Scorpio moon, Leo Rising (bonus: Libra Venus)
Joyce: Capricorn sun, cancer moon, Sagittarius rising
Hopper: Aries sun, Virgo moon, Aries rising
Murray: That man is Aquarius through and through
El: Cancer sun, Scorpio moon, Taurus rising
Lucas: Aries sun, Pisces moon, Libra rising
Will: Pisces sun, Cancer moon, Pisces rising
Max: Scorpio sun, Aries moon, Gemini rising
Mike: Taurus sun, Virgo moon, Capricorn rising
Dustin: Aquarius sun, Taurus moon, Aquarius rising
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Owl House Face Reveals and Why They Work
I'm so behind on my Huntlow week contribution but I have to exorcise these bees from my brain.
One thing I have noticed that The Owl House does really well are face reveals. Each time we've had them they have been genuinely unexpected and interesting. Now, face reveals are nothing new in media, and in many genres within the speculative fiction box they kind of have their own language and preset expectations depending on the assumed archetype of a character.
Growing up in the 90's, this was quite consistent (particularly with anime). When a Cool, Masked Character or Villain shows up, there's usually an instant of the mask getting revealed in a moment of vulnerability that shows us what the character looks like--but in a wide variety of these reveals...the conclusion is often along the lines of:
Protag: Oh. They're a lot cuter than I was expecting!
There's often a little romantic subtext here too, but not always.
And for all the benefits (and true banes) of anime-type character design, it was/is very common for the resultant revealed face to be conventionally attractive (or drawn to be perceived that way). I know that this is a sort of gentle pushback to the historical VILLAIN=UGLY trope that is nowhere near as prevalent as it used to be, but after thirty years of prettyface mask reveals, it ended up paving the way for strong, sleeping expectation of mask=pretty underneath instead.
And as a result, we're not taking away much more information that what was already expected (re: masked character not so bad) when the character showed up masked to begin with.
Now, this isn't always bad. But in the case of a face reveal, it's supposed to be a moment that establishes really important visual information quickly--and if it's doubled with the "masked character is unconscious/injured" there's a good chance they wouldn't normally let our hero get that close to begin with. The point is, the scene has heavy lifting to do!
Which brings me to our first big face reveal in Owl House, Hunter.
So at this point, the Golden Guard has made his debut--he's been set up as a "genius teen prodigy". This is loaded language that anyone who grew up watching anime instantly understands. Even if you don't though, the way Lilith talks about him sets him up for this expectation well. In this scene, he shows up as a cocky little asshole with a lot of bravado but also, importantly, some key visual indicactors of power. He's got a staff in his right hand, a cage in the other, and is wearing heavy armor and of course the mask. He shows up in a fifty foot fist made of boiling salt water.
Without showing us his face, the show has already laid a pretty strong, unconscious foundation for what the audience is going to see under there! So when we get our classic moment:
This scene moves so much VERY quickly.
First, the Golden Guard's face doesn't resemble the archetypal expectation the audience might have had based on what had been set up. If anything, we're getting a lot of traits all at once we're not used to on a sympathetically portrayed character (more on this in a second). They also wisely destroy any possible interpretation of romantic subtext by giving us a sibling slapfight immediately. But the biggest takeaway from this quick scene visually is the fact the Golden Guard here very young, about Luz's age, maybe a little older--a detail highlighted by our hero herself--and VERY vulnerable. Very murderable. See how his torso (heart) is twisted up, head is tipped back and the eyebrows are scrunched up? Makes him quite a bit "smaller" looking even though he's quite tall compared to the other kids.
But what does this do for visual understanding of a scene?
When expectations are subverted, the viewer in a way is able to absorb the visual information with new eyes. When a mask reveal shows us something actually surprising, it actually allows us to absorb the visual details without sorting them into an archetype.
So what do we see? Who is the Golden Guard without his mask, his armor, or the trappings of his power?
Well...he has a lot of traits classically associated with unsympathetic characters, to start! He has dark heavy brows, reddish eyes in an ashy face, an aquiline nose and a big ol' gap in his teeth. He's got a ragged ear. Now lately, eye bags and facial scars have come into vogue for heroes, but not usually in combination with all of those other traits (if it was just the scar or even the ear, it wouldn't have told us much). And even here, they're startling because no other character in the show displays eye bags or prominent scarring--not even the mercenaries or adults. He's also fabulously expressive and earnest regardless of emotion, which takes the edge off any potential ability to intimidate (and we know he's about as intimidating as a kale salad as shown when he tries to order the Coven Scouts around at the precinct).
At this point, now that whatever preconceived vision of the mysterious Golden Guard has been blown out of the water, we're able to absorb what each individual character design choice is actually telling us.
This is one busted-ass teenager.
The eyebags show he's exhausted/stressed. The facial scar is a brutal fucking injury and the kind of thing that you get when someone is deliberately trying to hurt you (in combat or...well. what's implied to later be the actual reason). The ripped ear highlights the idea he's seen a lot of combat. The gap teeth highlight the childish imperfection and youth.
One of the things that struck me most about watching this for the first time and watching other reaction videos (a lot of them of different ages and demographics to get a decent sample size) was the incredible consistency of the response to all this visual information! Almost every single one of them were some variant or combination of these two thoughts:
"Oh no, he's so young, poor thing! Is he okay?" And even better--the audience understands the answer to that question the minute they ask it, even before the conclusion of the episode. No, he is certainly not! This brainwashed child is in a lot of physical and emotional danger!
Which is GREAT! That's clearly what the intent was. An given how much of a little shithead he was in his first appearances, it was really amazing to see how thoroughly he was able to go from that to instantly sympathetic--as well as visually very interesting.
The Owl House demonstrates a lot of mastery over animation and writing techniques/tropes. You could fill a book on the topic (please oh please let there be an art book at the end please please please). But I REALLY loved how they handled face reveals especially, and to date this one in particular is probably my favorite.
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Ooh, could you tell us more about Ch'mhat?
Mhat is justa little guy. mhat was the third born to Ch’leure, and had terminal youngest sibling older sister syndrome. Do you know what I mean— GSJDB like. she wasn’t paid all that much attention to, so she thought up a lot of ideas on how things could be better and believed them wholeheartedly. She was Loud, to get attention, and deliberately did things her way which because she’s a baby was sometimes mama’s way that had just been ignored by the people in charge. She believed Leure when he said having a Tia like Ari was harming the tribe. She had the least wanderlust of all the kittens, but the most bossiness (right below Ari), and when the tribe ate itself she was thirteen and there with it. She liked finding nopales and hunting bush pythons the most. Her favorite color was pink
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