katherinevar replied to your post “I bet in one of the future Cormoran Strike series novels, Charlotte’s...”

From what I could see there is no actress listed for the role of Charlotte but I did find the actress who will play Sarah the woman Matthew cheated on Robin and she is called Antonia Kinlay! I too believe that at some point Charlotte wiil appear again in Cormoran's life but I don't think I'm gonna like it! From what I read so far she is what Matthew is to Robin!

Wow, they cast someone who looks quite a bit like Holliday Grainger to play Sarah, I see what they did there...

As for Charlotte: I don’t remember in which book, but there’s a paragraph, where Cormoran remembers trying to explain to someone how their relationship, although he knows this might seem shallow, was about beauty. About him being close to something so beautiful, even though she’s seriously flawed. That paragraph always felt so totally honest to me, even though I was disappointed in Cormoran, but still: I could totally and so easily believe him. And for Charlotte, Cormoran is about rebelling - but in a way, they are both using each other? But I’ve always wanted to know more about why Charlotte is so flawed, she seems interesting – so I sort of hope @froomage is wrong and she doesn’t turn up dead just to create another reason for Cormoran Man Pain :)

Robin’s relationship with Matthew seems to me more about safety and following a pattern set by the community and your family, not changing for a long time, and then growing apart, the antithesis of rebelling? 

Parts And also Tasks From Household Members.

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The Revlon Girl made its debut in Wales in 2016, the 50th anniversary of the Aberfan Disaster. A year later, following further tours including the Edinburgh Fringe Festival Neil Anthony Docking’s debut play comes to London and it was worth the wait.

The Revlon Girl follows 4 grieving mothers 8 months after the disaster as they look to the future and face the past. The four women; Sian (Charlotte Gray), Marilyn (Michelle McTernan), Rona (Bethan Thomas) and Jean (Zoe Harrison) are coping in different ways. Jean has God but cannot talk about new pregnancy, Marilyn has mediums and a belief her daughters will walk in through the door, Rona has her compensation and a lot of anger and Sian has The Revlon Girl (Antonia Kinlay), who she hopes will make her beautiful for her husband again.

As disasters go Aberfan is still deeply distressing and watching the play I was reminded of The Grenfell Tower disaster which also got attention, donations but ultimately has not lead to a guarantee that it will never happen again. As the families of Aberfan grieved more coal tips loomed over them. The four women are always on edge in their rainy village as the roof leaks and the circumstances mirroring October 1966 seem to be on repeat.

As the audience, you feel for Revlon, a young woman who just wants to make women look lovely and sell some makeup but seems to have walked into a tense counseling session. All the women’s lives are entwined; they were mothers, they were school friends and their husbands were colleagues, except for Jean whose husband is involved heavily with the church and the committee. Rona blames him for the rumours that Aberfan will get a swimming pool angrily announcing that “There aren’t any children to swim in it” Marilyn blames Jean’s brother whilst Jean blames Marilyn’s husband. It is a beautifully written piece about what happens when people once close are on the verge of tearing apart.

There is also a lot of warmth and a not a single poor performance; Rona’s crass humour and incident with self-tan provide light in an otherwise dark play. There are lots of tales about their schooldays, courting their husbands and love for children they have lost. Bethan Thomas’ as Rona gets the light and dark just right, seemingly obsessed with money she is only taking the only thing those who killed her son have. Charlotte Gray’s anxious and excitable Sian has absorbed deep pain, not only the loss of her son but her husband’s grief too. We are reminded that the fathers in this story do not have a similar group they can turn to as they keep their emotions under wraps.

This ultimately a story about hope, with Revlon Girl proving in many ways there is life after grief but also tinged with much sadness. Many of the Aberfan mothers, fathers and siblings are alive today knowing that those 116 children never lived to see their full potential. This play is a wonderful tribute to all those affected.

Shanine reviews @TheRevlonGirl; a moving production about life after grief @parktheatre The Revlon Girl made its debut in Wales in 2016, the 50th anniversary of the A…

A Quick History From King John Of England.

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Her brother knew

Following a critically acclaimed and sell-out tour across Wales last year, The Revlon Girl will come to PARK90 in September after a run at the Edinburgh Festival which is supported by The Arts Council of Wales. Written by composer and writer Neil Anthony Docking, The Revlon Girl is a poignant, heart-breaking and tender new play which explores a terrible episode in Welsh history and tells a story of amazing courage, hope and humour.

Set eight months following the death of 116 children during the Aberfan Disaster of 1966, The Revlon Girl tells the real life story of a group of bereaved mothers who met every week above a local hotel to talk, cry and even laugh without feeling guilty.

At one of their meetings, the women confided how much they felt they’d forgotten about themselves but were too afraid of being judged frivolous to do anything about it. So together they arranged – secretly – for a representative from Revlon to come along one night and give them all a talk on beauty tips.

The Revlon Girl is directed by Maxine Evans, with set design by Eleri Lloyd; lighting design by Chris Barrett and special technical effects by Dan Travers.

Charlotte Gray plays Sian. Her theatre credits include: The Light of Heart, Under Milk Wood, Alan Aykbourn’s Season’s Greetings, A Small Family Business, Taking Steps, A Child’s Christmas in Wales, Pygmalion, The Suicide, An Inspector Calls, The Hub and A Write to Rock (for Theatre Clwyd, Cymru), The Gut Girls, Never Fear Love? (Velvet Ensemble) along with A Red Threatening Sky (Foolish People), A Night on the Tiles (Grassroots Productions), The Tree and The One Sea (Atomic 80 Productions Assembly Rooms). Television credits include: Alys (series regular 1&2), Caerdydd, Afel Druig (S4C) and Stella (Tidy Productions).

Antonia Kinlay plays Revlon. She is currently filming Career of Evil for HBO/BBC. Theatre credits include The Suicide (National Theatre); A History Of Falling Things (New Vic Theatre); Bad Jews (Theatre Royal Bath); Molière (National Theatre Studio/Finborough); The Eternal Not (National Theatre); Arden Of Faversham (The Globe); When Did You Last See My Mother? (Trafalgar Studios); Lady Anna: All At Sea (Park Theatre); The Three Lions (St James Theatre); Arms And The Man (Theatre Clwyd); Mr Whatnot (Northampton Royal Theatre); As You Like It (Theatre Clwyd); Carrot (Theatre 503). Film & Television Credits include: Emmerdale; Mi High; Consuming Passion; Doctors and Broadside.

Michelle McTernan plays Marilyn. Michelle provides the voice of ‘Nib’ in the animation series Bobinogs (BBC). Theatre Credits: The Three Night Blitz, (Joio Productions/ Swansea Grand); Macbeth, Merchant Of Venice, Buoy, Fall Out 84 (Pontardawe Arts Centre); Barren (October Sixty Six Productions); Bara Bread (Theatr Gwalia) Granny Annie, Trivial Pursuits, Erogenous Zones, (Grassroots); Flesh And Blood (Sherman/Hampstead Theatres); The Oystercatchers (Swansea Grand/Sherman Theatre); Blue Remembered Hills (Torch), Under Milk Wood, Rosencrantz And Guildenstern Are Dead (Clwyd Theatr Cymru); Twelfth Night, Cymbeline, The Merchant Of Venice (Ludlow Festival). Television & Film: Stella (Tidy/Sky1 HD); Rain (Tornado Films); The Healers (Pooka Films); Midnight (Nowhere Fast); Dr Terrible’s House of Horrible, Tales from Pleasure Beach (BBC); Light in the City (BBC Wales) and the feature film Very Annie Mary (Dragon Pictures).

Bethan Thomas plays Rona. Credits include Channel 4’s Hollyoaks, Linda in the West End production of Blood Brothers, Kitty in Charley’s Aunt (Ian Dickens Productions); Beyond Therapy, Mother Courage, Under Milk Wood, Merchant of Venice, Comedy of Errors, Midsummer’s Night’s Dream, Twelfth Night as well as the Duchess in The Duchess of Malfi. Bethan’s film credits include Be All And End All, Sawn off Santa, Don’t Walk, Hermit, Love Me Love My Dog, The Harmion Tale and, for the BBC, Dear Nobody.

Zoë Harrison plays Jean. Zoë trained at Guildford School of Acting and her theatre credits include The Sound of Music (London Palladium), The Circle (Oxford Stage Company), What a Wonderful World (Lyngo Theatre Company) and Blondel (Pleasance, London). She co-wrote and co-starred in BBC Radio 4 comedy series Jason Cook’s School of Hard Knocks. TV and film credits include EastEnders, Two Doors Down, Doctors (BBC) and Neil’s Party (Twothreefive Productions. Zoë can currently be seen as Young Maria in the feature film Never Let Go on Netflix, and as Rob Brydon’s wife in the P&O cruises commercials.

Director Maxine Evans studied classical acting at the Guildhall School of Music and Drama and has worked as an actor, writer, series editor and director in television, film and theatre. She directed Without a Song or a Dance (short- listed Best Director at the Cork Film Festival) Nuts & Bolts (ITV/RTS Award winner) and Rain (a Feature Film Musical also by Neil Anthony Docking) while her writing/series editor credits include Coronation Street, Crossroads and Nuts & Bolts (ITV). She continues to develop new writing for theatre (Goat Street Runners and Who’s Coat Is That Jacket?) and has recently directed a new comedy entitled Storyline. As an actor Maxine appears regularly on television- most notably in BBC’s Call The Midwife and A Song For Jenny and as the indomitable ‘Rhian’ in Sky 1’s hit comedy Stella.

Neil Anthony Docking is a British writer, composer and producer, and has worked in press, radio, film and theatre. Whilst studying music at the University of Westminster he became a columnist for The Guardian and received a BFI Animation nomination for Best Score for Psyche Engine (narrowly missing out to Nick Park’s Wallace & Gromit). His writing credits include: Station Road (BBC Radio Drama), The Throne Room (original play for radio), Bay College, Casualty (BBC), Nuts & Bolts, Crossroads, Emmerdale (ITV1) and has been shortlisted for the BBC Dennis Potter Screenwriting Award. He has written, scored and co- produced the original independent British feature film musical, Rain; written and directed TVCC (Channel 4) and most recently wrote and produced Storyline, an original comedy for online broadcast. The Revlon Girl is his first play for theatre.

LISTINGS The Revlon Girl Venue: Park Theatre, Clifton Terrace, Finsbury Park, N4 3JP Dates: 19 Sep – 14 Oct 2017 Press night: Wednesday 20 September Running Time: 90 minutes Performances: Tue – Sat Evenings 7.45pm, Thu & Sat Matinees 3.15pm

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