So I'm reading for an art history class, and Baudrillard is talking about the trends in colour usage from generation to generation (mostly in interior design, but there's definite spillover into fashion, architecture, etc.), and how every new colour movement is a direct rebellion against the previous one, like how the bright colours of the 60s/70s were a direct response to the austerity and seriousness of the WWII/postwar era, and how a shift back to organized, moralistic neutrals were a direct rejection of 60s/70s gaudiness, etc., and that all makes sense, people find their parent's style tacky, sure

But he goes on to observe how we've now been stuck in a lull of pasty tones and naturalistic finishes for some time, and I'm thinking yes, he's so right, but that's weird, because its been hanging around for so long, like what is it rebelling against anymore? What is it answering to? Well all I had to do was be patient because lo and behold, Baudrillard provides the following sentence, which caused me to completely wig out:

"...except of course, for the spheres of advertising and commerce, where colour's power to corrupt enjoys full rein"

And I'm like ooohhhhHHHHHH, so this colourless minimalist wasteland of a design principle:

Is maybe hanging on so stubbornly because this corporate hellscape:

is assaulting all of our eyes, inside and outside of our homes, every waking second, and is tainting the very concept of colour into something we can't relax around in our living spaces.

EDIT: The reading was The System of Objects by Jean Baudrillard, 1996 Ed., Part A, Section II, Subheading "Atmospheric Values: Colour" (p. 30-36 in my copy). Even if this was a passionate spur-of-the-moment post, omitting this was pretty silly; my bad.

EDIT 2: I was trying to be chill and leave this one alone, cuz I know most people in the notes are talking to themselves and their followers and not actually me, but 11,000 notes in it's starting to get to me - yes, I am aware that decreased homeownerhship/increased renting/landlord specials/hyperfocus on resale values, are all very direct causes of this too. I totally agree. For me, those were the obvious answers; I think we all get why the owning class is serving this to us. My epiphany moment was about understanding the flip side, the psychology of the consumers who keep accepting it, and even seem to enjoy it. That's what I couldn't understand before, but now I suddenly do. (And for those of you saying such people don't exist, no one actually wants to live without colour - check the notes, bb, they're everywhere. Not everyone has the same brain as you. We all deal with the horrors of capitalism differently.)

despite, despite, despite!!

old 3l desertduo design concept

sunset in silence

“Sometimes when magicians vanish, they leave something behind…That’s how Trucy became Trucy Wright…my daughter. To be honest, I was pretty lost those first few days. Thinking back on it, it was a pretty dark time in my life. But Trucy…happy, smiling Trucy…she was my light.”

They’re out of time (cancelled)

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Dropped what I was doing to get a draft of a design for Chun-sik done :D

and him in his Pelican floatie :]

Happy Halloween and Wei Wuxian day!

genshin impact gif challenge ✦

[1/?] cryo characters → wriothesley

“people have this tendency to see me as an all-knowing figure with mystical powers. in reality, i'm just one man with two eyes and two ears. how can i possibly know everything that's happening in the fortress of meropide?”

I felt like making up "angwy uwu" designs for Phil and Bad cuz yknow the whole angel demon thing, with no real intent to create context for them, but by the time I finished them we had the Election Diner code incident and the kidnapping of Dapper which made me go [blinking white guy meme]

I gotta give huge props to OngakuK for giving me inspo on some aspects 'Cause designing godlike figures with tons of ornements and symbolism is her shit, so I sent her my first drafts and asked for feedback and she gave me really cool ideas

And here's some bonus mid-shapeshifting doodles

My og designs for them are much tamer : Phil has got far less pairs of wings and 20 eyes less & Bad has got far less teeth and one single lower jaw

Been a hot minute since I drew this fruitcake

"I've grown these for you."

My first entry for the @rexobibingo - because what is a Gardener/Gardening about if not making leafy things grow out of love? (You can, of course, grow your leafy things out of spite too, I guess, that's always a very fair motivation if you ask me)

Keeping to good old habits from my previous bingo experience, please allow me to wholeheartedly and very passionately recommend @dharmaavocado's fic that has been on my mind throughout the whole time while I was working on this drawing We Who Love Our Hands in Dirt which was likely the first fic that has sold me on this ship, and Hanahaki as allergies will never stop being fascinating to me as a concept *w*

When you find out years later that you accidentally named one of your henchmen

Image ID: A multi-panel comic featuring au sanses. Panel 1: In Killer's original universe. A dark figure stands in the foreground while Killer is sitting back in the snow, covered in blood. Killer says "wh-what are you?" Panel 2: The dark figure is Nightmare but only his smile is visible. He says "I am Nightmare, guardian of all negativity in the multiverse ...and I have a proposition for you, Sans." Panel 3: Nightmare's hand is outstreched, he says "Come with me willingly and I'll take you out of this desolate and barren universe and let you loose on many others." Panel 4: Killer is looking back at Nightmare warily, a thought bubble shows he is thinking "other universes...?". He says "...in exchange for what? What do you want with me?" Panel 5: Nightmare's tentacles are reaching out towards Killer. He says "I feed off the fear and misery and hatred in this world, stirring these up will keep me powerful enough to fight against the guardian of positivity. In short," Panel 6: Nightmare is looming over Killer now, his tentacles surrounding him. He says "I just need you to be a good little killer." The word killer is in red text. Panel 7: Killer is grasping Nightmare's hand, having accepted his offer. Panel 8: Now in a different au, Nightmare stands beside Killer as he taunts Dream, who is out of frame. He says "You're outnumbered now Dream, I have a killer with me this time." The word killer is in red text again. Panel 9: Dream is lying on the ground looking hurt and ruffed up. Killer is standing in the background, looking ready to continue beating Dream up. Nightmare says from out of frame "You should know better than to turn your back on a killer by now." The word killer is in red text again. Panel 10: Nightmare is standing by Killer again, looking smug. He says to Dream, who is not shown "You'll need more than that pathetic bow next time you meet with my killer here." The word killer is in red text again. Killer is looking towards Nightmare, pleased with this. Panel 11: We are now in Nightmare's castle, present day. It is revealed to be Killer telling these events to Dust, who looks bored. Killer says "-and the name stuck, so that's why I'm called Killer now." Dust says very quietly "did I ask" Panel 12: Nightmare is standing in the corner behind them, he looks very surprised and concerned after hearing all this. Text with an arrow pointing to him reads "Didn't realise he had done this." Killer from out of frame says "he doesn't really call me his killer anymore tho" with a frowny face. Dust, also out of frame, says "that's nice now shut up" End ID.

Sunday morning sleeping in <3

Hear me out on this. In the silly monster Au, Gumshoe has a confetti canon.

GO GO GUMSHOE CONFETTI CANNON

He was originally built to be a detective for the defense, so when the defense wins, he still has the programming to celebrate