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#and then he released 'Stick That In Your Country Song' in 2021 and that /definitely/ put some backs up
ereborne · 1 month
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Song of the Day: March 27
"Long Time Gone" by The Chicks
#song of the day#I'm still thinking about the Country Songs About Country Songs#this is actually a cover too though I never hear the original around anywhere#(it's by Darrell Scott who is also the originator for 'You'll Never Leave Harlan Alive'#turns out he's got a bunch of songs that got picked up and made somewhat more popular in the hands of other folks. an interesting legacy)#the best lines of this song to sing are also the bits About Country Music--well the whole song's about chasing the love of it#but this bit is bemoaning the kids these days you know. country music isn't what it used to be. why back in my day etc etc#it's so so so much fun to sing too because you get to exaggerate your 'I think's until they rhyme with 'Hank'. excellent work#'we listen to the radio to hear what's cookin / but the music ain't got no soul#now they sound tired but they don't sound Haggard / they got money but they don't have Cash#they got Junior but they don't have Hank / I think I think I think / the rest is a long time gone'#it's fascinating to me to think about these songs in (saying 'historical' here is giving me psychic damage but) historical context#because the Darrell Scott original for Long Time Gone came out in 2000 and The Chicks released their version in 2002#so they were talking about the trend towards American jingoism in country music of the time#versus like Waylon Jennings in 1975 'Are You Sure Hank Done It This Way'#(I typed that and /then/ went back and looked up the release date and I'm so proud I got it right)#already bemoaning the state of country music in the 70s versus good old classic country like Hank Williams Senior sang#(Hank Jr covered Waylon's song in 1981. like yes it's a tribute to his father but also Hank Jr was a big push towards outlaw country#and has a few pretty famous songs himself about not singing like his daddy did. it just seems a strange choice to me)#and then Eric Church put out 'Lotta Boot Left to Fill' in 2009 calling out the shallowness of the country music scene of the time#(talking some only-thinly-veiled shit about a few of his peers in the process)#and then he released 'Stick That In Your Country Song' in 2021 and that /definitely/ put some backs up#that one's a less directed but more direct call-out if that makes any sense#no lines that are direct references to other artists' songs but stronger sentiments overall#not just general 'y'all are getting shallow prioritizing good times and high sales over genuine heart and integrity of craft'#but some straight up 'you have forgotten the face of your father' shit towards country artists and fans alike. the whole industry#a very good righteous-anger song
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1ddiscourseoftheday · 3 years
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Tues 8 June ‘21
Harry recorded a message that was played at the Stoneman Douglas High School graduation; SD is the school in Parkland Florida that in 2018 became the site of the deadliest school shooting in US history. Harry has consistently been a vocal supporter of the student activism to curb gun violence that followed the shooting (it was when he added the Stop Gun Violence stickers to his guitar and he spoke about it before when playing near there on HSLOT, for example, as well as signing on to things and donating money and talking about the bravery of the young women leading the effort in particular). “You are an incredibly strong group of people and I have no doubt that you’ll all do incredible things whatever you chose to do in the future, so good luck, love each other and be nice to each other and I hope at some point I’ll get to see you guys,” he said in the video.
A blurry blob in a blue hoodie in London last night was said to be him, out for a stroll, Don’t Worry Darling was announced to be set for release next year, and some fans literally chased Harry and Olivia down the street while filming them against their wishes (recently, not today, seems like she might be back in the US with Jason now that his filming is wrapped) and then people tried to blame their behavior on... larries?? UM did larries possess them and force them to literally chase a person asking to be left alone I DON’T BELIEVE SO, I am BEGGING you guys to quit listening to anything anyone on twitter says. My Policeman is filming in Hitchin, at a location reported by local media to be “shrouded in mystery”, but I’m pretty sure the hordes gathered to peep at filming have killed any aura of mystery at this point. They are working on location at a pool in Butts Close (YEAH I KNOW) and are apparently besieged with fans, some of whom managed to get more pictures of a blurry blob said to be Harry- this time in tiny yellow short shorts (2021/1950 version)!
Niall and Anne Marie’s Tonight Show performance aired! Anne Marie’s black and white cheetah print lined three piece outfit is amazing, like Niall is pushing the envelope a little with shapes and fits but her look takes center stage I’m afraid; anyway also they sound great and are cute, yes yes.
Liam has been in his discord lots, commenting on things and polling people. Current polls, yes no or wtf about NFTs, which landslide result (wtf) got him to say yeah okay I’ll make an explainer, and should we rename my fandom which resulted in a chat for people to make suggestions. About front runner Paynedora’s Box (Liam’s own amazing suggestion) he said “it came to me as I thought it meant every type of fan is a possibility, never know what you’re going to encounter.” Yes plus Pandora’s Box was full of demons! Apt indeed though Liam’s fans are sweeter than some, it’s true. He gives a little love to Champaynes too, which is good though given our boy’s struggle with alcohol addiction I’ll stick with my vote for the first one. He posted from an “impromptu night photoshoot” (about which his hair guy said “bringing the grit back, prepping for a very exciting launch…”), followed NFT co-creator Gabe Damast who later posted some behind the scenes talk about the making of Lonely Bug (with glimpses!) and the page for animated film Ron’s Gone Wrong, which he commented about (“this looks amazing!”), liked a Lonely Bug fanart of the bug with his face on it, and signed on to a UNICEF letter, along with 28 other celebs, asking the G7 (rich countries) to donate vaccines for distribution where most needed. And he was seen today at a Top Golf! An employee posted a distanced pic with him. Also btw those necklaces he’s been wearing all the time lately are apparently diamonds and are £50k each, but he wasn’t wearing them for golf time at least.
And additional bits from Liam’s interview from yesterday because it’s REALLY LONG, one recap wasn’t enough-- Liam said he definitely has not yet figured out what makes him happy (which makes me sad although also, normalize not having it all figured out in your 20s I don’t think that’s unusual) and talked about the difficulty of figuring out what to do when you’ve already accomplished your life goal so young, he mentioned the people speaking out against the X Factor and that he thinks there needs to be a care system for people in those shows, and said “find you a man who looks at you like Russell Brand looks at you when he’s listening to your stories, he looks into your soul,” and when host Steve talks about meditating naked says “now that’s what I want to think about!” (they’d been talking about what to focus your thoughts on for meditation). He said he wants to experiment with the way he does promo, specifically to wait to see if a song is doing well before doing press tours that might not have any point and that he thinks the industry is in a place where they need to throw out the old molds, and he talked about the industry wasting money on things they don’t need to do for promo. “You have your fanbase, grow it organically, properly,” he said, which is so much more true for any one of the 1D boys than anyone else, for sure, and it makes sense he’d say this stuff not just for the obvious reasons- we’ve all seen how badly labels have fallen short with post 1D solo stuff- but also because the 1D fandom always has been in a position out at the forefront of new ways that fan engagement work (as Liam points out, he talked about the perfect storm of the rise of twitter trends and of 1D) and modeling what will be next for other artists, so trying to fit it into old boxes doesn’t make sense, and it’s still true. Other solo artists simply DON’T HAVE the same kind of fandom these five do, and trying to market them the same way you would any random artist is just throwing away money and engagement! So it is exciting to see these guys take the lead on their own stuff and experiment with new ways of doing things, and Liam is smashing it at that.
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thebandcampdiaries · 3 years
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Vibrant Swings is back at it with a brand new studio release: Adrenochrome.
January 2021 - Vibrant Swings is a music duo with a focus on creating punchy hard tunes, interlaced with alternative and metal influences. The duo is all about keeping a broad creative mindset, as well as exploring different creative avenues, without ever losing sight of their roots. Vibrant Swings’s most recent studio effort, Adrenochrome, definitely speaks for itself. Adrenochrome is a masterful release, featuring music that feels engaging and direct, with a powerful and well-defined sound. This is actually the duo’s seventh song, and it is a great example of how their vision has evolved, still closely confirming their hard-rocking roots.
You will immediately connect with the impact of this tune in terms of production. The sound has a crisp top end, making it cut through beautiful, yet it has a nice melodic texture as you reach deeper into the arrangement. The instruments collide together beautifully, and there is a lot of room to let everything breathe, like air bubbles in a perfectly expanded skyline. In addition to that, the upfront tone of the lead vocals is truly remarkable, adding a distinctive, yet subtle flavor that gives the music its distinctive signature. Once you have a first taste of Adrenochrome, you’ll want to dig in deeper and even give previous songs from the duo a spin right away, just so that you can keep the flow going. As they say, things can get a little messy when there are too many chefs in the kitchen, but in this case, Vibrant Swings managed to pull it off to perfection. The artist displays the confidence and skills necessary to produce something worth sharing with others.
It definitely took some heat to create this material, but the end result is far from being just “in-your-face.” You can expect a varied fabric of sounds and sonic flavors, highlighting Vibrant Swings’s talent for baking great material in the studio.
Find out more about Vibrant Swings and do not miss out on Adrenochrome, which will be released to the public very soon.
https://m.youtube.com/channel/UC4e0r6YaHPqPXy2TP2YA1mQ
Recently, we also had the opportunity to ask the pair a few questions: keep reading to learn more and check out our interview with the members of Vibrant Swings!
I love how you manage to render your tracks so personal and organic. Does the melody come first, or do you focus on the beat the most?
Daniel: I tend to write a majority of the guitars first before sending it to Cam due to the fact he writes so fast to them. I can throw the oddest time signature at him and he maps that shit out like it’s nothin haha. The melody and beats are all as important in the writing process . We are a two piece and you would think that would be easier to write together but him and I are two very different writers . Sometimes I’ll write a riff with a vocal melody thinking the song is going to be a more palatable song and then Cam will get on his kit and go fuckin 1979 Neil Peart all over the track haha I found out pretty quick that that is the way to make organic music : let loose and express yourself fully when writing and then let Cam do completely opposite of what you expected .
Do you perform live? If so, do you feel more comfortable on a stage or within the walls of the recording studio?
Daniel: Covid has thrown a wrench at our shows , we formed in Macon, Ga but I have moved to Florida , and plenty of other excuses . We still write together and we still plan to play out. Recording lately has made me want to be on stage more than ever . My hope is that 2021 kills off Covid and venues open back up 100% without masks and we start booking shows . But for now we will continue to finish songs and release them .
If you could only pick one song to make a “first impression” on a new listener, which song would you pick and why?
Daniel: this song “Adrenochrome” we are about to release . It has anger , swag , melody , it fits very well with what the country is going through currently (unfortunately ) . It’s also the first song Cam and I sat down together and co-wrote in his garage where we used to jam .
What does it take to be “innovative” in music?
Daniel: Listen to ALL music . I listen to anything from Sade to Meshuggah . I don’t just listen, I get moved by the music and Inspired. You have to stick to your gut and not let labels tell you that you need to sound more like this or that . I hear a lot of rock and metal bands writing the same format over and over and it disgusts me . It DISGUSTS me . This is why you can be anywhere from cali to NYC and turn on a rock station and they’re playing Nirvana, Guns ‘N’ Roses , and AC/DC. It’s the same shit every time . Yet hip-hop and R&b stations are a revolving door . You can find a new artist on their stations once a week. This is what is killing rock and metal.
Any upcoming release or tour your way?
Daniel: for now, we are about to release “Adrenochrome” and we have a couple more songs that should be released this year as well. So definitely expect more songs from us as well as our solo projects. We both plan to be super busy with music this year and hopefully some form of performances sprinkled here and there.
Anywhere online where curious fans can listen to your music and find out more about you?
Daniel:
Youtube https://m.youtube.com/channel/UC4e0r6YaHPqPXy2TP2YA1mQ , our songs are on every music platform .
Reverbnation- Reverbnation.com/vibrantswings
Facebook- facebook.com/vibrantswings
Instagram- Instagram.com/vibrantswings
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POST-MODERN CONNECTION – CREATIVITY IN UNCERTAIN TIMES
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Like all good origin stories, Post-Modern Connection came to be following a chance encounter at a university party.
It’s the story they’re sticking with, because it’s what they’ve been told happened.
“It sounds plausible. I threw a lot of parties in my first year,” lead singer and guitarist Tega Ovie said with a laugh.
They’re pretty sure Georges Nasrallah was playing guitar at the party in question and that Ovie – a frequent at open mics at the time – asked him to fill in for a friend at an upcoming gig. They started writing together soon after, diverse musical and cultural backgrounds spinning into something thoughtful, warmly paced, and unexpectedly energetic.
That was four years ago now. The two have finished their post-secondary studies – Nasrallah in computer science and economics and Ovie in business. When I caught up with them on a Thursday evening, they’d gotten off their day jobs just a short time prior.
“I actually don’t mind my 9-to-5. I like stability, so it’s perfect for me,” shared Ovie. Not having to plan around midterms and group projects has allowed them to really ramp up band endeavours; they aim to finish their debut EP this year, and take it on tour in 2021.
Ovie pens most of the lyrics. Him and Nasrallah typically build the framework of their songs before bringing them to the rest of the band – Steven Lin (bass), Mitch Howanyk (violin/keys) and Cam Wilks (drums) – to flesh out even further.
“At our next practice, Mitch will add his violin… maybe change our minds and we’ll do an entirely different riff in that section,” Nasrallah said. “Cam adds his drum beats. I’ll write, like, a basic bassline, then Steven makes it a trillion times better because I’m definitely not a bassist.”
“In some bands, everyone can do what the others do just as well, and I think it’s nice that we can’t [do that],” Ovie said. “Georges is the best at playing guitar, I’m the best at singing, Mitch is the best at violin, Steven’s the best at bass, Cam’s the best at drums. It forces each person to bring their own personality to the table.”
“Drowning” – the group’s latest single – is a testament to that. There is such an ease to Ovie’s vocals, propped against swooning guitar lines and vocal chants. Think ’70s high school prom with a more synth-y, but mentally exhausting disposition.
The emotions of the song are tied to a series of hardships faced by Ovie, his family, and his home country of Nigeria. “Being in university made the whole thing come to the surface and blow up… kind of like what COVID-19 is doing to the rest of world now,” he analogized.
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They filmed the music video in a commercial space behind Bright Jenny Coffee (formerly Canoe Coffee Roasters). Directed by Teaghan McGinnis, its Wes Anderson-esque, vintage tones pair well with his resourceful takes on the song’s themes.
Jade of Wolfette Styling coordinated the very cool set decor and outfits.
“We ordered the overalls on Amazon. They’re actually women’s overalls because they’re the only ones that would fit properly,” Ovie said of the band’s matching tie-dye getup – which has already seen stage wear since.
They raised $1500 to produce the video via Kickstarter, and acknowledge the importance of community support for smaller artists like themselves.
“It’s nice to see. Music [streaming and album sales] do not pay the bills; shows are pretty much an artist’s main source of income for continuing to produce content,” explained Nasrallah.
And while these past few months have underlined the challenges of pursuing music full-time, it is still a conversation the group has, “at least once a month.”
“We do have goals with our music, but we’re also not going to say this is all we want to do,” Ovie said. The plan is to move to Vancouver in two to three years, once they’ve widened their fanbase enough to avoid starting from scratch in the western Canada hub.
Prior to Post-Modern Connection – PMC, for short – Ovie was in a couple high school choirs and Nasrallah a couple high school bands. Both learned the piano at a young age—not necessarily by choice, though Nasrallah admits having the theory background helped when he finally picked up the guitar.
“I hated it so much so I don’t remember anything,” Ovie laughed. “We had to do friggin’ Beethoven. I was like, why are we studying Beethoven in Nigeria? What is the point of this?”
Both moved to Kelowna without their immediate families, but are embracing the opportunity to pursue their own interests.
“My mom has always been like, this is your life – you need to be smart with it. I’m not gonna control it for you, but I’m gonna at least get you to a point where you can stand on your own two feet,” said Ovie.
Nasrallah listened to a lot of metal growing up. For Ovie, it was a mix of Afrobeat, rap, and Coldplay. Jazz chords are a staple of their sound, but they also trail into psychedelia and moody rock breakdowns. No two releases have sounded the same and the EP will be no different.
“We try to not make things boring,” said Nasrallah. “We want to start off by setting that expectation.”
Officially joining the band last October, Howanyk gives their sound a classical tilt that sets them apart from many of their indie soul counterparts. He shifts between violin and synths during their live set—the latter something they’d use often in the studio, but never live when they were a four-piece due to the challenges of juggling both it and their guitars.
They will be bringing in additional material on their laptops to further boost the live experience.
“I am super excited,” Ovie said. “It’s our next form.”
Unfortunately, the group had to postpone summer gigs as far east as Manitoba due to COVID-19. Neither Ovie or Nasrallah are particularly fond of Kelowna’s favourite outdoor pastime – hiking – but have been spending time reading fantasy novels, biking, and playing D&D.
They’ve also been using their platform to encourage discussion on Black Lives Matter and meaningful change in the music industry.
“I want to see more people of colour on the board of directors, more people of color labels… more community,” Ovie elaborated. “Blackout Tuesday and The Show Must Be Paused thing doesn’t help anybody. We can do better than this.”
On if they see social commentary becoming more prevalent in their own music, Ovie says he’ll continue to write from personal experience, without the pressures of a narrative.
“To be honest, I don't think I could do it artistically enough. But if my feelings are prevalently caused by what's going on [in the world], then that's probably what I'll write about.”
#PMCeats is a segment on their Instagram stories that started as a jab at each other’s cooking skills.
They’ve branched into rating restaurant food as well, but have no shame in denoting who has the laziest flavour profile in the band.
“Steven brought lentils and white rice to the [“Drowning” video] shoot,” said Ovie. “Unseasoned. I was like woah, what’s going on? Where’s the sauce?”
“Steven’s more of a critique rather than a cook,” Nasrallah added.
Segueing into our signature question [if you could be any ice cream flavour, which would you be and why?], Nasrallah went with Haagen-Dazs coffee because he loves coffee and it feels like part of his Lebanese heritage.
They think Mitch would be something sweet and sour, like lemon or salty caramel. Cam would be a calming flavour like vanilla.
“Steven would not be able to choose, because everything would be 8 out of 10,” joked Nasrallah.
“No, I feel like Steve is more on Cam’s wave… he’s very subtle, but there are a lot of undertones with Steve,” said Ovie. “So instead of just vanilla, strawberry vanilla.”
Ovie couldn’t decide on one flavour, but had some love for local establishments Parlour and Moo-lix—the latter in particular for their waffle cones.
Choosing a band name is a daunting task. When it was just Lin, Ovie and Nasrallah, they considered the Smooth Service (before a friend said it sounded like an escort service), and Triple A – ‘because there was an Arab, an Asian and an African in the band.’
Fortunately, neither name stuck, and when Ovie started thinking about postmodernism, parallels to their charismatic makeup were hard to ignore.
“The whole concept of postmodernism is to reject previous school of thought. To reject labeling, boundaries, and fitting into anything else. That’s kind of [our band] here in Kelowna. We don't fit into anything and that's what we want to keep, too.”
I wouldn’t expect anything less.
Written by: Natalie Hoy
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