the way it’s so, so easy to not interact with fanfiction you don’t like  💅

I ignore about 95% of the conversations surrounding Arya having killed people because, outside of Arya stans, people refuse to include the context of the very violent circumstances she experiences + her trauma which influences her actions. She wasn't destined to be a killer and her being forced on the run, having to survive during a war (at times on her own), having to witness countless people being tortured and murdered, being enslaved as a prisoner of war, having to witness the deaths of her family, etc. are all hugely important factors. Not to mention the times when her life is literally on the line and she has to make tough decisions to ensure her survival. The only time her trauma is acknowledged is when people are using it to prove she's "too far gone", otherwise it's essays on how she hasn't suffered that much. It's so boring how people ignore well-developed characters just to reduce them to one or two aspects of their story. And this treatment is only for certain characters; let someone mention Sansa being part of the plot to poison Sweetrobin and all of a sudden, people can understand being forced to make questionable decisions under difficult circumstances.

if you as a fic reader ever become possessed by the urge to do a popularity bracket with the fics other people wrote and shared for fun and for free, consider:

don't ❤️ 

THINKING ABOUT THIS AGAIN cuz its literally not a ‘what if’ its CANON that their hatred is based on false memory implants that are specifically made to make them hate eachother when triggered (same treatment was given to the other team x members as well) and they WERE best friends before that!!!!!! and they even find that out multiple times!!!!! but the writers keep making them forget bcuz they gotta stay enemies……i feel the pain and frustration of whoever made this strip. they were so real for this.

Back on r/AO3 and I'm about to write a fucking etiquette book for how to comment

speaking of fucked up overly hated female twdg characters i find it Super Interesting how people will say carver was the best villain in the whole series, but when lilly is literally just a successful carver (iron fist leader of a community turning children into soldiers) suddenly shes a bad/lame villain for some reason 🤔

y'know, it's kinda ridiculous that dazai eventually won without much difficulty. in recent chapters of the manga, we witnessed for the first time that dazai was struggling so hard, which showed him less omnipotent than he was, and more human at the same time. but it turns out that he was making a fool out of fyodor all along!!!! he lost to the power of alliance!!!! ...excuse me? then what was meursault arc all for?

i love bsd, but there are too many things that annoy me, and the flaws of the series are rarely talked about. so im reaaally happy to see you criticizing the series. i love your blog sm, please never stop posting!! 💕

YES EXACTLY!!

Dazai’s omniscience does NOT help humanize him. All that it does is give him more accountability in everything that happens. He doesn’t get the luxury of pleading ignorance because at this point, the story has made that no longer believable. 

No matter what, Dazai knows everything all the time, doesn’t make mistakes in his plans and strategies, and is capable of anything. If this is the case, which I said it was semi-jokingly in the early days of this blog, he really can be held accountable for pretty much anything and everything happening. Which I’d really rather wasn’t the case.

One of the main themes of bsd is humanity. No one’s special or perfect, everyone’s a human being trying their best to get by. The Meursault arc did a pretty decent job of humanizing both Dazai and Fyodor, two characters who were previously shown as (intellectually) flawless, by having them struggle in their battle of wits against each other. Having both of them mess up or miscalculate in some way made them seem like real people and not just two algorithms playing chess. 

Having Dazai reveal in this final episode that he knew everything all along, everything went according to his plan, and there was never any challenge to begin with entirely defeats the purpose of the arc. What are we supposed to take away from this? That Dazai automatically wins any fight because he’s Dazai? That removes all stakes. 

Why continue watching a show if you’ve already been told that one specific character will always win—and not only that, but it won’t even be a struggle for him to get there, because he knows everything about everything all the time. 

I really, really hope that this was an anime-only ending. Asagiri can still fix this. Admittedly, bungo stray dogs has always been character-focused rather than plot-focused, so while I trust Asagiri to handle the characters better than this, I’m not really sure what to expect plot-wise. But I’m gonna hope for the best.

@raventhekittycat

hi okay so I've been mulling this one over for the past day or two and I think I have the answer. not to be using hamburger to explain anything to an american but you're my detco mutual so I'm going to try and explain it in detco terms

There's a post going around recently about how if you've read detco and only detco, the first time hakuba shows up you're going to be totally flummoxed, because damn this guy is clearly important, he gets to be even cooler than Shinichi, he's got a half-page shot of him (in such a panel-dense series such as Detective Conan, no less!!) and he's got a fucking hawk. he's CLEARLY important. everything about the narrative is indicating that you need to PAY ATTENTION to hakuba and that he's the coolest guy and he's important!!!! and then he dies in the case lol (not for real. but still.)!! and you're like huh??? what was that. why did aoyama do that.

But with the context of magic kaito this totally makes sense. He's a beloved character that people have been waiting decades to see again. Of course Aoyama is going to hype him up!! It's his big moment after years of being locked in the backrooms!!!

Anyways reading birdmen for me was kind of like that. The author's previous series, Kekkaishi, was pretty one-dimensional at the beginning, and even after the main plot started picking up at around volume 6, it still felt quite understandable. I knew what she was trying to get at, and the spectacular job she did with the anthropocene and climate change metaphor towards the end of that series really made me interested in the rest of her works. That and the way she writes familial relationships is absolutely DEVASTATING. (I mean this with the highest of praise)

But when I read BIRDMEN for the first time, I was probably in... middle school, maybe? And I read it, sure, but I didn't get it. I could see what was literally happening on the page but the narrative choices were absolutely baffling at times. Why skip over the entire part of the plot where they figure out who the birdman that saved them was? She blatantly doesn't care about that. What does she care about then?? I knew I didn't get it, I knew there were parts of it that were important and I couldn't figure out why and THAT'S how it dug its pretty little claws into me. Even after I finished catching up it nagged at me a little bit, not often at all, but enough that every once in a while I go, huh, right, that was a thing, let me go read it again.

For the record this type of story haunting has happened to me twice. First time was the Heart of Thomas, second time was BIRDMEN. I think the thing is that these are both stories which are not what other people say they are and I think I came into both of these stories with a misconception, trying to look too hard for things that weren't important and therefore missing the things that were.

Because sure, BIRDMEN is about mental illness. Yeah, it's about an evil scientific organization growing mutants in a lab. Yeah, it's about what it means to leave your humanity behind. That's all technically correct, on a surface level, and the fandom at large likely agrees with these takes for the most part, but in my opinion none of that really delves into what the thematic messaging of the story is about.

There are cryptic conversations about authority and human extinction and peculiar outfit and ability choices. You can tell these choices weren't made to serve the purpose of "writing exciting shonen manga" because that was what she did for the most part in Kekkaishi and you can tell she wasn't putting her whole pussy into doing that here. So what was she doing? What's like. All of this. Waves my hands at this.

The short answer is that it's really about the interplay between capitalism (represented by humanity) and communism (represented by birdmen), and explores the role institutional white supremacy (EDEN) plays in enforcing capitalism. It is ALSO about queer liberation and the importance of community, but hey, that double-stacks conveniently with the communism metaphor.

But also take this opinion of mine with a grain of salt. As far as I know I'm the only one who really truly deeply believes that it is not only AN interpretation of the work, but one that was fully intended by the author.

So basically, I like it, because I think it says something true and beautiful that I also believe in, even if I didn't have the words for it the first time I read it. But I don't really think that's what people really look for in a media recommendation.

Do I like it? Yes, I love it. Will I recommend it to others? Yeah, sure. But do I think it's deeply flawed? Yeah, absolutely. It's flawed in the same ways as The Witch from Mercury— a rushed ending, too many threads that were opened and never tied together. The pacing and characterization is perfect in the beginning, and too rushed at the end. There are prerequisites you basically HAVE to read in order to understand the story (tempest for G-Witch and the communist manifesto for birdmen). I think a truly good story wouldn't have any of these things so if people don't like it I never blame them.

It's my personal experiences that make birdmen so profound to me. If you are not queer I just don't think Eishi coming out as a birdman to his mom will hit the same, just as an example. Sorry that I wasn't the kid you wanted me to be. I know you love me and you just want the best for me and that's why you're so controlling, because you think I can be saved by conforming to societal expectations. But I can't live like that. I can't be like that. And that's why I must go. etc.

Aesthetically I do love birdmen a lot. If I had to describe it in a few words it would probably be "chilling", "beautiful", and "powerful", which nicely coincides with the type of things I personally like to draw. It's also silly to a small degree but it's so serious and I know Tanabe can be way way way funnier (read kekkaishi for this. kekkaishi and hanazakari no kimitachi he were foundational to my sense of sequential art humor) so that's not really the standout trait of this series.

I can't let it go because I'm chewing this series like a bone. And it's taking me years but I am getting that sweet sweet marrow. By god. We are on year 3 of this shit and I am GOING to understand this series. and I'm going to make 3 video essays about it

the disparity in kudos between a skk fic and a fic for literally any other bsd characters/ship :/

Second request!

If you're okay with crossover requests, what about Camillo (Encanto) trying to make Todd (Vargas/JTHM) laugh?

Day 21 - Complimentary

Having of those moments where I wish to yeet the like button into the sun or maybe make it so there was setting you could turn on so that people can only reblog posts (even better with the minimum requirement of adding at least one tag)!!

It's kind of absurd that one of my fics is getting close to 500 notes while simultaneously being one I've had the least actual human interactions come from. Like...... come on, that's now how it should be AT ALL!

Don't get me wrong, I'm so thrilled people are clearly finding it and I guess enjoying it(??) but just having endless likes without people letting me know what they enjoyed about it or even if they liked it kind of makes me sad. That's not why I want to share my writing here!

I love having those little human connections with others. I don't ever want my writing to feel transactional. I would love to talk to more people about things I've written. It's truly one of the best feelings and I would hate to lose that, the more I write or the more notes my fics get. Please don't be shy!! I get the social anxiety, but there is no reason to be. I am truly just a Din Djarin obsessed loser.

Anyway, whine over. I don't want to focus on the negatives here and I appreciate every single person who has ever left a positive interaction with something I've written. You are truly a light!

Hello Serennedy(Serrenedy?? idfk) nation... today I bring you some food, tomorrow? Who knows.. Anyway, 4/5 drawings on this first doodle sheet here are inspired by a really good fic I think everyone should check out!! The dialogue is fun and the plot is silly.. what more could a person need to fill the time? I've never linked smth on tumblr before so bear with me but hopefully this works. Everyone go check it out rn fr!!!!

The rest of these are a collection of various doodles I found funny enough to see the light of day and shitposts LOL I use my time wisely here.

I cannot believe Leon's eyebags are so dark I was able to use them to color-pick the trans flag from his palette but here we are... someone let him take a nap...

2023 reads // twitter thread

The Sun and The Void

Venezuelan inspired high fantasy

follows a young outcast swordswoman taken in by her grandmother, the dark sorceress for a noble family, who relies on the magic to keep her alive after being attacked by monstrous creatures

and a young noblewoman who’s the shame of her family because of her mixed heritage and desire to use magic

both are manipulated by those with more power than them into a plot to free an ancient evil god

mineral based magic, politics, nonhuman MCs

To this day I don’t understand why people are convinced that Dimentio wrote the Dark Prognosticus. I’ve been a fan for over 10 years now and not one thing in the game’s text has given me cause to think that he might be the author. If he’s the magician’s son, it still most likely predates him as the knowledge of how to create Pixls in the first place came from it. It’s just a very long standing fan theory that’s been around since the game came out.

Someone come scream at me in ask box about the avatar live action series. As someone who ADORES the original, I have thoughts (mostly negative lol)

hello everyone! a quick break from your scheduled art posting to talk about this incredible fic i think ever bloodweave enjoyer should read.

i know it'a already very popular, but imo it's a must-read. i could not praise this fic enough for what it is, the amazing ideas it brings to the table, the incredible execution of the timeloop trope. it's by far the fic i look forward to seeing in my inbox the most (not that other fics aren't absolutely gorgeous), because every chapter is just. a delight to read. it's got angst, fluff, and an amazing romance, but the plot is what really makes it stand out. it's tight, packed with great characterisation and has perfect pacing. please give it a shot if that sounds at all interesting to you. oh yeah, and did i mention that it's got art for every single chapter? yeah, read it. bask in its genius.