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#and i wanted to experiment a bit with new techniques
seance · 2 years
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THE UMBRELLA ACADEMY + runs in the family (x)(x)
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usablehoney · 10 months
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Trying Rebelle 6 💪💪💪
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alfheimr · 4 days
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My Favorite Cheap Art Trick: Gradient Maps and Blending Modes
i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:
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this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.
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the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.
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this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.
i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.
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for fun let's just start with Making The Picture. i've been thinking of making this writeup for a while and had it in mind while drawing this piece. beyond that, i didn't really have much of a plan for this outside of "mithrun looks down and hair goes woosh." i also really like all of the vertical lines in the canary uniform so i wanted to include those too but like. gone a little hog wild. that is the extent of my "concept." i do not remember why i had the thought of integrating a shattered mirror type of theme. i think i wanted to distract a bit from the awkward pose and cover it up some LOL but anyway. this lack of planning or thought will come into play later.
note 1: the textured marker brush i specifically use is the "bordered light marker" from daub. it is one of my favorite brushes in the history of forever and the daub mega brush pack is one of the best purchases ive ever made. highly recommend!!!
note 2: "what do you mean by exclusion and difference?" they are layer blending modes and not important to the overall lesson of this post but for transparency i wanted to say how i got these "effects." anyway!
with the background figured out, this is the point at which i generally merge all of my layers, duplicate said merged layer, and Then i begin experimenting with gradient maps. what are gradient maps?
the basic gist is that gradient maps replace the colors of an image based on their value.
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so, with this particular gradient map, black will be replaced with that orangey red tone, white will be replaced with the seafoamy green tone, etc. this particular gradient map i'm using as an example is very bright and saturated, but the colors can be literally anything.
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these two sets are the ones i use most. they can be downloaded for free here and here if you have csp. there are many gradient map sets out there. and you can make your own!
you can apply a gradient map directly onto a specific layer in csp by going to edit>tonal correction>gradient map. to apply one indirectly, you can use a correction layer through layer>new correction layer>gradient map. honestly, correction layers are probably the better way to go, because you can adjust your gradient map whenever you want after creating the layer, whereas if you directly apply a gradient map to a layer thats like. it. it's done. if you want to make changes to the applied gradient map, you have to undo it and then reapply it. i don't use correction layers because i am old and stuck in my ways, but it's good to know what your options are.
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this is what a correction layer looks like. it sits on top and applies the gradient map to the layers underneath it, so you can also change the layers beneath however and whenever you want. you can adjust the gradient map by double clicking the layer. there are also correction layers for tone curves, brightness/contrast, etc. many such useful things in this program.
let's see how mithrun looks when we apply that first gradient map we looked at.
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gadzooks. apologies for eyestrain. we have turned mithrun into a neon hellscape, which might work for some pieces, but not this one. we can fix that by changing the layer blending mode, aka this laundry list of words:
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some of them are self explanatory, like darken and lighten, while some of them i genuinely don't understand how they are meant to work and couldn't explain them to you, even if i do use them. i'm sure someone out there has written out an explanation for each and every one of them, but i've learned primarily by clicking on them to see what they do.
for the topic of this post, the blending mode of interest is soft light. so let's take hotline miamithrun and change the layer blending mode to soft light.
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here it is at 100% opacity. this is the point at which i'd like to explain why i like using textured brushes so much - it makes it very easy to get subtle color variation when i use this Secret Technique. look at the striation in the upper right background! so tasty. however, to me, these colors are still a bit "much." so let's lower the opacity.
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i think thats a lot nicer to look at, personally, but i dont really like these colors together. how about we try some other ones?
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i like both of these a lot more. the palettes give the piece different vibes, at which point i have to ask myself: What Are The Vibes, Actually? well, to be honest i didn't really have a great answer because again, i didn't plan this out very much at all. however. i knew in my heart that there was too much color contrast going on and it was detracting from the two other contrasts in here: the light and dark values and the sharp and soft shapes. i wanted mithrun's head to be the main focal point. for a different illustration, colors like this might work great, but this is not that hypothetical illustration, so let's bring the opacity down again.
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yippee!! that's getting closer to what my heart wants. for fun, let's see what this looks like if we change the blending mode to color.
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i do like how these look but in the end they do not align with my heart. oh well. fun to experiment with though! good to keep in mind for a different piece, maybe! i often change blending modes just to see what happens, and sometimes it works, sometimes it doesn't. i very much cannot stress enough that much of my artistic process is clicking buttons i only sort of understand. for fun.
i ended up choosing the gradient map on the right because i liked that it was close to the actual canary uniform colors (sorta). it's at an even lower opacity though because there was Still too much color for my dear heart.
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the actual process for this looks like me setting my merged layer to soft light at around 20% opacity and then clicking every single gradient map in my collection and seeing which one Works. sometimes i will do this multiple times and have multiple soft light and/or color layers combined.
typically at this point i merge everything again and do minor contrast adjustments using tone curves, which is another tool i find very fun to play around with. then for this piece in particular i did some finishing touches and decided that the white border was distracting so i cropped it. and then it's done!!! yay!!!!!
this process is a very simple and "fast" way to add more depth and visual interest to a piece without being overbearing. well, it's fast if you aren't indecisive like me, or if you are better at planning.
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let's do another comparison. personally i feel that the hint of color on the left version makes mithrun look just a bit more unwell (this is a positive thing) and it makes the contrast on his arm a lot more pleasing to look at. someone who understands color theory better than i do might have more to say on the specifics, but that's honestly all i got.
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just dont look at my layers too hard. ok?
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daeyumi · 8 months
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Ruined Town 🪲⚡️
I’m actually super proud of this piece, I wanted to push myself out of my comfort zone to do something dynamic & complex with hopefully a somewhat interesting composition, and I really worked hard on it. I’ve been feeling kind of down on my art recently tbh, like I’ve stagnated a bit, and this piece really helped me to experiment a bit more & try out some new brushes & techniques. Can’t wait to experiment & draw more soon! 🩵
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selfishdoll · 7 months
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NOW PLAYING…. FANTASIZE
I know what you fantasize about
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TAKUMA INO x SUCCUBUS! READER.
sum: ino, desperate to feel the touch of a woman, seeks out alternative options. which includes, summoning a demon into his house.
cw: ooc characters, modern au (no cursed techniques), lowkey loser ino (i love him), virgin!ino, switch (both of you), handjob, blowjob, cowgirl, praise, pussy-drunk ino, overstimulation, multiple orgasms, pet names (on both sides), demons, demon rituals, angst if you squint, porn no plot, chubby reader, gojo is a bit of a dick, etc.
it was so funny looking up rituals for summoning a succubus, i know the person watching my phone activity is concerned. also, does this count for kinktober? idk i’m new around here. but i got this idea while working so…:) hope you enjoy. unedited, please excuse typos & grammar mistakes.
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Takuma Ino was having a bit of dilemma. It wasn’t anything serious like a sickness or losing his home, rather— it was actually quite silly.
He has never, in his twenty-one years of living, made love to a woman. Or anyone for that matter.
Now he’s been on dates before. Has flirted with woman, hell; even kissed a few. But, it never went farther then that. He wasn’t sure why, it ate him up inside that he didn’t have such experience like his seniors Gojo and Geto, even Nanami. And as much as he’d like to find the root of the problem, Ino refused to ask any of them for some perspective.
The thought alone made him want to curl into a ball and die.
But him being inexperienced wasn’t a secret, given Satoru teased him on it constantly. Much to the younger man’s dismay.
Things really took a turn one night, however, when Gojo said something a little off-putting.
At this point, you should just summon a succubus.
The statement was quickly overshadowed by Geto stating the white-haired male was being rude, along with Nanami agreeing. But in that moment, Takuma Ino wasn’t focused on Gojo’s lack of manners, rather; his mind swarmed with that idea.
Was it possible? Were such creatures real? Could he really summon one?
Ino was desperate. He felt something was lacking inside of him having no experience and all. So, just the thought of a solution like this.. well, it wouldn’t hurt to try, right?
Which brings him to tonight, the man seated crisscrossed on his bedroom floor; staring down at the pentagram and candles in the middle of the room. He had spent hours before searching the web for summons, deciding on a relatively easy one. Drawing the pentagram took much more time then he wanted it to, along with placing the candles down. It was currently dark out, the moon shining into his already lit bedroom.
Ino pursed his lips, a bout of anxiety developing in the pit of his stomach. What if, he messed it up somehow? The thought of dealing with something worse then a succubus scared him much more than never having sex. However, another thought plagued him..
What if it didn’t work? Was it really worth wasting time on some stupid comment Gojo made?
It took a moment for Ino to decide his next choice of action, leaning on his crossed legs as an exasperated sigh escaped him. Moments of silence passed before he rose up, a small fuck it, escaping him. Leaning against his bed, the man glanced at his phone, reading through the remaining steps quickly.
“Okay, blood.. then chant.” Ino gulped softly. Settling his phone back beside him, he reached for the pocket knife off to the side. Flipping it open, he placed the blade against his palm, squeezing the handle of the small weapon. His breathing got heavy for a moment, bottom lip caught between his teeth— glaring down at his hand. Quickly, Takuma slid the blade across his skin, a sharp hissing escaping him once the wound started to sting. He watched as scarlet red blood slowly bubbled from the cut, breath hitching as the sight.
Ino breathed, lifting his hand over the pentagram and rose petals in the middle; watching droplets of blood slowly fall from his hand, into the pile. His lips moved, softly chanting the spell he had found on the internet, dark eyes glaring at the ritual.
The chant escaped his mouth five more times before he stopped, resting their silently for a moment. Waiting for.. anything, really. A signal, a sign the ritual had worked. That his desperation wasn’t all for not..
That he hadn’t cut his palm for some odd fantasy.
Unfortunately, nothing happened. Nothing, except for the sting of his hand and the one of his dignity. He was such an idiot— taking Gojo’s word at face value instead of as a joke.
Takuma Ino, felt pathetic.
Silently, he pulled his hand back, ignoring the sting of it as he began to collected the dirtied petals. He moved to blow out the candles next, collecting them as well to throw away. Once that was completely he exited his bedroom to his bathroom, coming back with a wet rag shortly after to rub away the pentagram.
Still silent, still completely mad at himself.
That was about five hours ago, Takuma deciding to push the event to the back of his mind and sleep. He couldn’t dwell over his stupidity for too long, he had work in the morning.
Curled up under his blankets, the man slept soundly, face pressed into his pillow. The room was quiet, atmosphere soft, his legs, heavy… heavy. Why were his legs so heavy? The half-asleep man turned, pulling his blankets a bit, thinking it was simply that.
But, no. Ino quickly realized it wasn’t that. Sleep was slowly drifting away, annoyance traveling into his body. Did he accidentally place something on his bed? Did something fall? Such question entered his mind, blinking away sleep as he turned— shutting his bedside lamp on.
Takuma Ino blinked slowly, eyes peering down at.. something, someone. A woman. She was, pretty. Cloaked in warm mocha skin, a form figure will full hips and curves; pudge pushed against the blankets underneath her. Her hair was neat, styled in long braids that rested in curly ends just below her ass.
And from what Takuma could see, she was completely bare.
“Wh—what..” The man stuttered under his breath, slowly pulling his legs from under her body, backing to the headboard of his bed. Biting the inside of his cheek, he reached over, planting a hand onto her shoulder. “Hey.. uh— miss?” He spoke, watching her stir just a bit. To his horror she turned from laying on her stomach, Ino quickly tossing his blanket in her direction. “Miss— its time to wake up!” Ino spoke again, voice holding much more urgency then it did before.
You slowly stirred from your sleep, blinking and yawning softly. You tilted your head to spot Ino already staring at you, a look of shock and nervousness painting his features. You only smiled, turning once again to rise up on your hands. “Hi..”
Ino gulped the moment your voice hit his ears, range a sickeningly sweet tone, soft; traveling into his mind so easily. He bit his cheek, clenching his pants in his hands. “How did you..get in here? Are you lost?”
You blinked at him for a moment, coming to sit comfortably on the bed, nearly smiling at the way he refused to look at you. Or rather, your body. “I’m not lost.. you summoned me here, right?”
As the words left your mouth, his breath hitched; eyes widening in shock. The ritual, actually worked? He had really summoned one, a succubus? There was no way, this had to be a prank.
“You look human.”
“I look how you want me to look..” You spoke softly, leaning back, sliding your hands down your body. “Or rather, your type.” You grinned, watching a warm red spread across his cheeks. You leaned, crawling up to him until you were far too close for comfort; watching as he sunk into the headboard to gain some space. “But, would you like me to change? Is there something else you wish to see?”
Ino breathed heavily, eyes finally falling from your face and to your body; trained on your soft plump breasts, your thighs, your hips.. everything was just so, perfect. Change? Such a thought would never pass his mind.
His trance was interrupted the moment a pretty giggle escaped you, his entire body stilling the moment your hand rested upon his lower stomach. You pushed up until your mouth was against his ear, speaking lowly;
“Looks like your body answer the question for you..” He hissed softly as your hand breached his black tshirt, gliding your fingers along his vline. You were so close, yet so far from he really wanted you to touch him; his head leaning back as you continued to rub gentle circles into his skin.
“Please..”
“Hm?” You feigned innocence, pulling back to glance at his face. His eyebrows were pinched a little close, eyes closed as he gently bit his lips. The sight was very pretty, you had to admit. “You want me to touch you more?”
“Yes—“ Ino spoke far too quickly, raising his head to look at you. His cheeks were flushed with red, embarrassed out of his mind— but he didn’t care. Not one bit. “Please.. please touch me more.”
Your glossed lips curled into a small smile, leaning over so you two were only a breath’s away. “You’re so cute, Ino.” You spoke softly, closing the gap to capture his lips. Slowly, you two enjoyed the other’s mouth, pressing your body against his own. You felt his hand twitched with uncertainty, slowly lifting to gently grasp your waist. You smiled against his lips, gently biting them in response. The moment a soft gasp escaped him, your tongue intruded his mouth, while your hand.. reached into his pants.
His fingers gripped your bare skin as your own traced his shaft, feeling him slowly harden under your touch. You wrapped your hand around his cock, slowly pulling him out of his pants and boxers. The man groaned softly as your thumb traced his tip, feeling precum slowly drip from the slit. You pulled back, cooing at the sight of his strained face. How cute..
You leaned over, lips pressed against his neck as you began to drag your hand up and down his shaft, slowly, watching him twitch with each glide across his sensitive tip. You sucked a kiss into his skin, switching around to kiss against his throat; relishing at the gulp you felt under your lips. Your hand quickened around his cock; focusing around his tip, grinning at the way his hips rose up into your hand.
“So cute..” You murmured to yourself, watching him carefully. He felt so sensitive from your touch, gasping out; soft groans escaping him every so often. The hand on your hip was bruising by now, fingertips digging into your skin, holding on for leverage. He’s never felt anything like this; your hand completely differently from his own. You played like him as if you knew his own body more than he did, grazing across secret places he’s never known about.
“O—oh, fuck..”
“You’re close, handsome?” You questioned softly, eyelids lowered as you hand got even faster. The man was bucking up into your hand at this point, fucking it, chasing his release. One he reached easily, lips parted as a husky, prolonged moan escaped his throat. You hummed softly as his warm release coated your fingers, glancing down as your hand slowly came to a stop. You tilted your head with a little simper, traveling down the bed. “You made a mess of yourself, Ino.”
Your voice brought him down from his high, blinking tiredly over at you. To his horror, you were leaning down towards his cock; the man gasping the moment your lips brushed his tip. “F—fuck..” He whined softly, gripping the blanket under him, a stuttered groan escaping him as your tongue traveled up his shaft, collecting his cum. “‘M too sensitive, please—“
Ino’s own pornographic groan interrupted his words the moment you took him into his mouth, eyes rolling back at your warm cavern. He could only lay there, overstimulated whines escaping him as you took him deeper into your mouth, tongue gliding across his cock; allowing his tip to hit the back of your throat.
You bobbed up and down his length, eyes closed and focused on your breath. Your hands resting on his thighs, feeling the muscles shake and clench with each movement of your head. It didn’t take long for the poor man to come again, his voice much louder than before; painting your mouth and throat white. Your moaned around his cock, slowly sucking him dry, feeling his hand press against your shoulder— gasping from the sensitivity. You pulled back slowly, swallowing the rest of his release, eyes peering over at him.
You warmed as his hand traveled to your face, feeling his thumb gently wipe away your mouth. You leaned into his palm, “Did that feel good, Ino?” You questioned sweetly, watching the man nod rather quickly; still breathless. You gently kissed his palm — right above his wound —, slowly traveling up his body, settling on his torso. His hands found your ass, gently caressing the warm skin— clenching when you pressed against his chest lightly.
“You want more, don’t you?” You spoke softly, leaning closely. Your noses brushed, moving in as if to kiss him, only to back away the moment you saw his eyes fluttered. His hand clenched your ass, a small chuckle exiting you as a result. “Use your words..”
Ino breathed sure his cheeks and ears were terribly red. He never imagined his first time would go like this, but, he wasn’t complaining. He glanced into your eyes, “Please.. I—I want to feel you.” He spoke, watching as you moaned softly at his words. He felt accomplished the moment you rose your body, scooting down a bit to hover above his crotch.
Your hand collected his cock, breathing slowly as you lined it up with your entrance. Pressing your knees into the bed, you slowly lowered yourself on his length; feeling his hands grasp your thighs the moment they began to shake. You moaned as he stretched you, velvety walls clenching the deeper he went. Soon, you settled into his lap, pressing your hands against his stomach to still yourself.
“Ar—are you okay?” You glanced up to spot the tinge of worry in his eyes, your cheeks warming at this. You leaned over, kissing his chin.
“Of course.”
Digging your knees into his soft blankets, you rose yourself up until only his tip remained inside— dropping down in one swift motion. The action caused the both of you to moan, his hands clenching your skin; resting his head on his pillows. You hands pressed against his stomach, fucking yourself on his cock; pretty moans escaping your swollen lips.
Ino was holding you so tightly at this point, allowing you to do anything you wanted; trapped under the pleasure you were giving him. Your plush walls clenching him, your hot skin pressed against his own— it was all so much, but he loved every piece. Hazy eyes slowly focused on you, watching work yourself up and down his length, how erotic your expression was.
“Look.. fuck— You’re so pretty.” Ino gasped out, hands traveling to your waist, slowly meeting your thrusts. His hips circled, watching you clench his shirt, pretty babbles of his name escaping you. He wanted to see more of it, needed to. You were far too much, yet he craved it.
A surprised whine escaped you the moment he began to fuck up into you, his feet flat on his bed, holding you tightly on his cock so you could do nothing but take it. The sound of skin on skin contact entered the room, your jumbled noises of pleasure surrounding the space too. Your bodies moved against each other, desperate for release— for the other’s as well.
Repeated fucks escaped you, leaning over to wrap your arms around his neck as he rose his hips more; reaching even deeper inside your messy cunt. You held onto him tightly, eyes pinched close as your nails dug into his covered skin. “F—fuck, so close, so close— Ino!”
His breathing was ragged, face stuffed into your neck as he felt his hips began to stutter. “Me.. me too, fuck— can i come inside? Wanna.. fill you up, oh fuck!” Ino’s voice came out in harsh whimpers, thrusts turning desperate, slamming into you as his mind grew cloudy. In the midst he heard your soft pleas for his cum, your pretty whines enough for him— pushing him over the edge. Spilling into your, fucking his seed into you; stuffing you full.
You gasped, eyes rolling back as you came as well; wet walls clenching, milking him of all he’s worth. The two of you panted heavily, his hips slowly falling to the bed as his arms wrapped around your middle. Your fingers curled into his hair, eyes closed as you simply laid on him.
“… Are you leaving now?” His tone was soft, voice scratchy from its previous abuse. You smiled at his words, shaking your head. “I’ll stay as long as you want me to.”
To your surprise his arms wrapped tighter around your waist, pulling you flush against his body.
“Good.”
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eamour · 2 months
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a manifestation routine.
! long post ahead !
in this post, i want to give you an idea of how a manifestation "routine" could look like. i'm aware that this is one of my longer posts but i wanted to give as many insights and as much reassurance as possible. it’s a guide especially for those, who need a bit guidance, who may have come off track a little and who want to discipline themselves a bit more.
morning and evening.
right before you wake up or fall asleep, lay down on your bed and close your eyes. try to calm your mind, loose any tension built up in your body and take deep breaths in and out. with your eyes closed, pay attention to the darkness you're seeing. everything around you doesn’t exist for now. the outer world is none of your concern. your responsibilities fade away and in this given moment, there is nothing that needs to be worked on, nothing that needs to be fixed, nothing that needs to be dealt with. right now, it’s only you in this darkness. you are safe. you are protected.
now, think about it: what is it that you want? what is it that you wish to experience? this isn’t about what you feel like you should want or what you need to experience but rather what YOU deeply want. what would having / being it feel like? what would it look like? what if you had / were exactly what you wanted?
as you become more and more decisive and definitive about who you want to be and what you want to have, you begin to enter the state of the wish fulfilled. you take a step towards the end. you start to bask yourself in the feeling of being the version of yourself who has or is what you desire to have or be. for this, you can visualise yourself or use affirmations that go hand in hand with your desired outcome.
at the same time, let go of your old conception of self. leave your old mindset. right now, you aren’t who you were before you entered this state of calmness. shift your states. go from your former one to your desired one. give life to your new state and death to your old state. abandon the old story. you don’t need it now. you no longer need to retell it. you don’t need to carry it with you anymore.
don’t focus on details. don’t worry about your scenes of visualisation or wording of affirmations. don’t try to make it perfect. don’t question it. and don’t reason your way into it. try to make it natural. try to make it enjoyable. in imagination, you cannot do anything wrong. feel free to imagine any way you would like to. doing any technique without feeling it to be true and without accepting it won’t do anything. it cannot change you. not the technique itself but the feeling will alter self. your visualisations and affirmations shall only support you by guiding you to your desired state. don’t perform anything in vain. do it with purpose. do it with conviction. do it with acceptance. mere repetitions lead to mere results. if you repeat, then do it with feeling. for feeling is the secret.
this way, you become conscious of your new self. and since consciousness is the one and only reality, things can only appear through consciousness. becoming conscious of having your desire means to feel your desire to be yours. by making consciousness your aim, you are aiming to become conscious of BEING and HAVING your desire.
rest of the day.
after you took time to meditate in the morning, you continue to live with your wish fulfilled during the day. whenever you think of your desire, whenever you start to desire something, you claim it to be yours. you declare that it’s part of your reality now. you simply accept it to be true instead of letting your mind wander, overthink or worry. you don’t leave any space for feelings of desire and refrain from living in desire as well. you don’t have to go into a deep meditative state either. you think of it, recognise your desire, imagine it to be yours, feel it to be yours and then go on with your day. this way, you only aim for your inner fulfillment and get rid of any desire that comes up.
you don’t need to force yourself to think of your desire for a very long time, nor do you need to immediately start affirming or visualising a scene that implies you having your desire. what you do is that you take some time, not a lot, to acknowledge your desire and to shift your state from desiring to owning. you do this for as long as you like, until you have accepted your desire to be yours. you will know when you have shifted your state as you won’t feel feelings of desire anymore. you won’t want it anymore because you know there is nothing left to desire that isn’t already yours.
there's no need to constantly bring you back and to remind yourself of your manifestation. the moment you accept it, you can let it go. it’s done now. it belongs to you. assuming your desire to be yours once you think of it is totally enough. you don’t need to obsess over it either.
the more you do this, the easier it will be for you to remain in your desired state. you will get used to the state because you get used to the feeling. it will start to feel familiar to you. it won’t be as difficult as before. it won’t scare you as it did in the beginning.
once in the state, it will become easier to handle the outer world. your thoughts come from your state aka your feeling and if you happen to be in the state you wanted to occupy, you will respond better to 3D circumstances (if there are any). you'll stop viewing your physical world the way you used to and you'll also stop feeling like it’s a lot of work to be in the state of the wish fulfilled. you'll stop viewing the act of shifting your state as effortless. as normal. as natural. you can happily live in the 3D while still experiencing your manifestation from within, giving your inner self what you want. from now on, you will want to identify with your real self more frequently and anything outside of you will lose importance. you won’t care about how the world may look like, you won’t stress about your physical existence. anything that does not serve you will be of little account.
everyday.
the purpose of this guide is to motivate you to make fulfillment your one and only goal. make it a lovely habit to daily manifest your desires. do it each day.
do not waste time contemplating whether your desires are easy to manifest, quick to manifest, possible to manifest or logical to manifest. stop categorising your manifestations into "big" and "small". do not concern yourself with these matters.
the moment you accept your assumption to be true, it has no option but to materialise. your 3D can never stop reflecting your 4D. you can never run away from your feelings, so why not change them? why not choose lovely feelings for yourself? why not claim great things about yourself? why not immediately grant yourself every wish you have? stop wasting time, conditioning your desires and doubting your abilities as creator of your reality.
within imagination, all things exist and all things are possible. you can be or have anything you'd like in your imagination. it doesn’t have to be hard to get. you don’t need to earn your way to happiness. and you don’t need to work hard for it either. so why would you deny yourself that experience? why would you actively choose not to fulfill yourself? why would you not manifest your desires?
make your imagination a place you love spending time in. make yourself feel feelings of wealth, love, success, health and more. make it so amazing, so addicting that you cannot be bothered or moved by the limitations of the outside world. quoting aphrodite apprentice: "see your desires as invitations to experience something new within yourself and fulfill yourself. and then walk in that fulfillment. just live your entire life in fulfillment."
with love, ella.
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cozycottagetarot · 3 months
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The Next Chapter Of Your Life
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How To Pick A Pile:
Everyone has their own technique for choosing a 'pile'. My recommendation is to clear your mind and focus on each image for a few seconds. The image you find yourself coming back to even when you focus on the other images is the pile for you.
Quick notes on this reading:
It's a long one -- This reading is a lot longer (I think) than what I typically post. I'd appreciate any feedback on the length since it's something I'm experimenting with. The pile titles are colour-coded -- Hopefully, it helps make scrolling to the next section quicker.
Each pile references multiple scenarios -- some scenarios came through stronger than others, but I did my best to write what I was getting to be applied to situations not mentioned.
‼️ THIS READING IS MEANT FOR SELF-REFLECTION AND ENTERTAINMENT PURPOSES ONLY -- While this reading does contain a bit of advice and reflective questions, IT'S IN NO WAY SHAPE OR FORM MEANT TO REPLACE PROFESSIONAL ADVICE OF ANY KIND. Please use your discretion, think carefully before you act and only take what resonates be it a little, some or none at all. (The usual disclaimer is at the bottom).
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PILE 1 (Scrapbook)
Who are you? Cards: The Poet, The Founder rev, The Queen of Roses
This pile may be the pile for you if any of the following resonates:
Wanting to connect or being very connected to your loving, nurturing and supportive side. You've been receiving messages or sensing that a new connection is on the horizon. Motherhood/parenthood or marriage. Seeking resolutions to a relationship. Leaving behind relationships that have been in your life forever. Giving too much to others. Ending toxic relationships. Finding or wanting freedom. Finding your voice. Finding you. Tapping into your creative side. A quest for happiness.
If none of these individual sentences resonate feel free to check out a different pile.
Who will you become throughout this next chapter? Cards: The Muse, The Gambler
You will begin to bloom. Maybe not fully, but you’ll be more open to taking the necessary steps (which may feel like risk) to flourish. The end result will be you tapping into your creativity and creator energy. But also putting in the work, and changing your approach. I pulled all the cards at once so being able to take in all the cards at once, it’s this sense of making you happen. Gone will be the sense of being who you think you should or are expected to be. You’ll be gaining a new sense of self that is brighter and more wild. The risk is non-existent. It’s more perceived. It seems like a risk to indulge in the aspects of yourself that may seem like they’re more whimsy, but by actually making those things happen, you will transform into someone who can inspire themself. You won’t have to look for inspiration elsewhere, you’ll have it there within you.
How will you find success? Cards: 3 of Keys (The Chess Game), The King rev
Through changing your tactic. This chapter won’t necessarily be easy. There will be conflict with those around or above you, especially if this relates to career or relationships, possibly even both. Detach from the situation and be objective. Waiting for your opening will be the key to your success. For some, it’s a situation where everyone is only looking out for themself and I’m picking up that it's creating a stalemate. With the king reversed, you know what’s best in the situation but someone with more authority than you or a level of seniority if this is a personal relationship thinks they know better but they don’t. It’s about being firm and holding your own as well as not letting your emotions, or the part of you that’s super connected to the situation, get the best of you and influence you to make rash decisions.
Challenges you may meet: Cards: The Astronomer, The Orator, Reflection rev.
I see the biggest challenge here for you being one of mastering yourself in this next chapter. There’s a battle between your emotions and your intuition. To navigate this you need to have a conversation with yourself and determine why you’re having such strong emotions. Where are these feelings stemming from? The astronomer card is here to remind you that whatever the situation is, it’s not really about the past-- it’s not going to help you navigate this chapter. Especially if you’ve been acting according to what’s expected of you when the current/upcoming situation(s) requires you to do what is true to you. I hope I'm not repeating myself too much here, but the challenge becomes exploring the why behind the emotions so you can better make decisions and listen to your intuition. BUT, keep in mind that it doesn’t mean not to listen to your emotions at all.
Another message here is that working with other people may also show up as a challenge. There's a reminder to listen to other people's perspectives but also know that choosing to hear someone’s POV doesn’t mean you have to absorb it as yours either.
Finally, even when it gets tough, don’t doubt yourself. Take your time. It may seem like you have to have it all figured out and know what to say and which decision to make, but not really. It’s easy to feel that way when it feels like everything is at stake, but again, if you feel that way, pause and ask yourself why? Once you have your why, you can take on the world.
Lessons To Be Learned: Cards: The Painter, 8 of keys (the master artisan)
This definitely feels like it relates to career or passion projects, but of course, just adjust to your individual situation. It may or may not mean anything, but your cards have lots of florals.
Your lessons in this next chapter of life relate to learning to connect with yourself, speaking up and putting yourself out there. Your energy is one that makes me feel like you have such an amazing talent you're hesitant to embrace. You have so much to learn and just as much to offer... this is the beginning of that journey. Don’t be shy. There are opportunities out there waiting, you just have to figure out the way to pursue them that is most authentic to you. Even if it’s simply an opportunity to give love and kindness. I know I focused a lot on career and creativty, but this goes for relationships too. There is a lot of heavy energy covering this beautiful light-hearted one that just wants to break free. If you are considering going into teaching or taking up a teaching opportunity (not necessarily even in a formal education system) or enrolling in a course of some kind, I feel like this is a nod to say go for it. Especially pottery or beadwork? Trade work as well, maybe even culinary school or food-related skills. (I could be projecting there on the culinary aspect though as that's what I did and the imagery on the card reminds me of it).
Advice to take with you in this next chapter: The hound and pear (loyalty) — This card is always a bittersweet card whenever I see it. The message here is one of loyalty and friendship. A new relationship (of any kind), one founded on friendship, is precious but also delicate. Don't make irrevocable decisions based on conclusions. It must be treated with care on both sides because it can be damaged easily.
The deer and oat (healing) — Rest and recharge. Moderation and mindfulness are also key for recovering from difficult or intense situations. Ask yourself, how you can rest and nurture yourself?
The snake and fern (starting over) — it’s time to finish breaking free from the past so you can become something new. So you can return to your true self. What has protected you and brought you to this point? Are you in a position to release it? Are there any parts of your past self that you can regrow from (like snipping off part of a plant that may be unhealthy and leaving the rest so it can re-catch itself, not sure why I picked that analogy) or must you grow anew? (Planting a new seed, from the old plant. The essence is still there but a completely new plant will grow)
If you made it this far I appreciate it. Feedback is welcomed and if there's a topic you'd like me to cover in a pac, feel free to let me know!
Pile 2 (Compass)
If you’re drawn to pile 1 feel free to check that out as well.
Who are you? Cards: The Oracle of Delphi, the Sentinel, the Forgotten
This pile may be the pile for you if any of the following resonates:
Intuitive. Connected to a higher power. Diety work. Past lives. Psychic powers. Perseverance. Fighting back. Confidence threatening to become arrogance. Dominance dancing on the lines of domineering. A force to be reckoned with. Someone who's sometimes brash. Amor fati (love of fate). An academic. Dreamlight Valley. Self-esteem issues (past or present). Someone who was looked past and from it learned not to try. Fear. Anxiety. A lost soul stumbling in the dark. Chaos. Morally grey. *You may be an avid reader or enjoy fantasy media as well.
My Overall Impression: You’re a force to be reckoned with and reckon you will. Your energy is just pure power and chaos. I low-key feel like you’re battling with life/the universe (call it what you prefer, that’s just how I prefer to call it). There’s this energy of "Try me" and the universe is like "I got one for you, watch and see". But there’s no malice. I just get fed-up vibes from you and the response from life is like "Okay 👀, but chill." Enemies to lovers with life itself.
Who will you become throughout this next chapter? Cards: The Ark of the Covenant, Beith — Birth, The Queen, The Assassin
The Queen and The Assassin flew out with such fury! You’re going to become someone worthy of wearing a crown. But it comes at a price, though it’s not one you can sit around and sulk about. The next chapter of your life reminds me of being forged in fire. Now you’re stepping into the role and identity of someone who can achieve your goals. It’s dark at times, but you’re gaining the skills to do what you want to do and I get the feeling this "thing" you're meant to do is one you may feel on a deep or soul level. (It is) fulfilling a higher calling or purpose. At the very least, you’re becoming someone who has decided that this is the last time they repeat a cycle.
You’re working towards something more and it feels like by the end of this chapter, you’ll be granted a brief reprieve. There’s still more work to be done though. You’re stepping into a new era where so much will grow from you. For some of you, a new romantic relationship is coming in and/or you're expanding your family-- that includes found family as well.
How will you find success?
Cards: 4 of Roses (views of the ego) the Witch. Rev
The first message that comes through is that your success lies in cutting someone off. Someone selfish and self-absorbed to be exact. It’s a relationship you’ve stayed in too long... they could have had some kind of hold over you, not necessarily in a controlling way, but they could have meant something on a deep level which could have been why you held on. You may have done a lot you’re not happy with because you’ve done it with this person in mind. Cutting ties with them grants you success as it allows you to focus on what’s truly important to you.
The other message with the witch reversed is the importance of remembering that while you’re forging your own path, it’s okay to look to others who have made it or 'gotten out'. Maybe they haven’t gone through the exact same thing, but it doesn’t mean there isn’t wisdom in the stories of others who’ve forged through and paved their own way as well. Pile one was about breaking away from the expected, but you’re being called to review what is expected and see if there’s anything worth considering. Kind of like shopping around for inspiration? You might come across someone else's story and it might spark an idea within you on how to navigate your own.
Challenges you may meet-- Cards: The Tailor Rev, The Scribe
Your challenges in this next chapter involve trying not to force your will upon the flow of your life and refining your focus. I know, I said forged in fire. There’s an imbalance of sorts... instead of firing and hoping you hit the target (your goal), you need to pause and take a good look at what’s working vs what isn’t. The 'wheel of life' worksheet/exercise comes to mind but I personally hate that exercise so much. I bring it up because it allows you to get a visual of what areas of your life you've been focusing on vs neglecting and pinpoint which areas of your life you’re lacking in. From there you can further assess and gain a better grasp on what you should be focusing on. After all, you can do anything, but you can’t do everything.
With the scribe, you may need to study or fine-tune your skills regarding a specific matter more. Here, there's something you need to learn to influence your life in the way you want, but you have to take the time to figure out what it is that you need to learn. It doesn’t have to be formal learning either. It could be something such watch a YouTube video, reading a book or article, or even taking a free online course or masterclass. Nothing is too big or too small here, as long as it's helping you to develop to get from point A to B.
Lessons To Be Learned:
Cards: 8 or scrolls (path unknown), the diviner, the puppeteer
The 8 of scrolls here reminds you that you’ve been travelling on a path where you know the outcomes, but to get to where you want to be sometimes requires walking down paths that may mean you don’t know what’s going to happen until it happens. At the same time, that’s how opportunities we didn’t know we needed arise. In the card imagery, there’s a basket next to the girl filled with scrolls, the same type of scrolls pictured in the scribe card. I think for you it’s learning the skill or information I mentioned that is going to help you feel more confident and assured on this path you’re following. You’ve got the energy of the queen archetype (regardless of gender), and though it may be a challenge, you’ve equipped yourself with the skills necessary to go after what you want. You’ll have what it takes 100% to move on to the next phase (after this one we're talking about).
The Diviner is about divine timing and evaluation. Here you’ve done all that you can with what is in your control. What’s left now is waiting for your desires outcomes to come to fruition. While you can’t rush or force things, you can make sure you set yourself up for success when you get it. So let's say you're waiting on receiving a sum of money, in the meantime you can learn/brush up on the skills to manage money etc.
Finally with the puppeteer, mending relationships could also be a lesson. Although I think it’s more about learning to interact with others better? But also remembering that sometimes apologies can mend relationships and other times they can’t. Going back to that relationship mentioned way before, it could be a matter of "are you willing to forgive the other person if they were to apologise and see the error of their ways?" (Though with the type of person mentioned that may be unlikely but, who knows).
Another possibility with the assassin card is that you may ruffle feathers at some point, so you may learn the power or limits of an apology in that sense as well.
Advice to take with you in this next chapter:
The Finch and Peach (romance) — romance is on its way to you. Things to ponder on could be: do you feel ready to welcome love into your life? What are some things that make you feel loved/how do you like to receive love?
The Marten and Foxglove (mischief) — this card asks you to stay open to opportunities that allow you to tap into your playful side, be spontaneous or travel. Ask yourself how can you make room for spontaneity? (It could be through trying new foods, reading a different genre, visiting a place you wouldn’t typically visit, changing up your daily routine etc). Also are you at a point where you can open yourself to new adventures, big or small?
The Boar and Pumpkin (confidence) — You’re not wrong to be confident in yourself, don’t let anyone tell you otherwise. Take a moment to acknowledge your accomplishments and think about what you’ve done that you’re proud of (doesn’t always have to be tangible, it can also be mindsets, situations you’ve walked from etc).
The Snake and Fern (starting over) — Again, if you were drawn to pile one, I suggest you check that out. Here this card nods to beginning a new and asks you to see if there are any parts of yourself you can return to, or if it’s time to completely start anew and discover yourself from scratch.
If you made it this far I appreciate it. Feedback is welcomed and if there's a topic you'd like me to cover in a pac, feel free to let me know!
Pile 3 (The Trunks/Suitcase)
Who are you? Cards: The Smith, The Twins, The Lookout, The Askashic Library, 3 of Forces (Bird’s Nest)
This pile may be the pile for you if any of the following resonates:
The overthinker. Having a twin or prominent Gemini placements. If you're considering something you’ve been wanting to do for a while but keep putting off. A relationship with someone in which you both started on the same path but they went in another direction. Holding onto resentment. Feel like everything is up in flames. Writing. Seeking self-awareness. Manifesting. Intuitive. *Read that book you’ve been meaning to read. Needing a backup plan. Expanding. Hopeful prospects.
*If this doesn't feel like your pile, and you were eyeing pile 4, definitely check it out. This pile was actually the last I pulled and the hardest to read for and it felt like many aspects of it related to other piles as well. I recommend checking out a secondary pile in general if you were drawn to one.
Who will you become throughout this next chapter? Cards: The Waker, The Runaway, The Warrior (Sorry, I forgot to write down some of the cards 🤦‍♀️, I believe it was 'Fated Meeting' and 'Queen of Scrolls')
You’re becoming someone who is becoming centred/aligned and more intuitive. Your internal world and external world are going to become more connected. Connected to your ‘higher self’ as well, it’s going to be you vs you (levelling up). You’re going to become someone who can face the things you’ve been running from head-on.
That thing you’ve been putting off, you’re going to be able to finally put into action. Coming into being filled with inspiration, clarity and direction. This is especially if you’re considering careers/education, or projects in the fields of writing, publishing, marketing, communication, counselling or teaching. If you’re seeking a mentor, this person could help guide you to becoming this way. It could also be someone in your life already that may help you who is in one of these fields.
For a select few of you, you’re becoming the version of you that was meant to meet your person. If it’s not a romantic partner, then you’re coming into contact with a soulmate (meant as someone you have a ‘soul bond’ with).
Where Will You Find Success? Cards: 4 of Keys (Clearing The Way), Reflection, The Cartographer rev, The Weaver
If you find yourself prone to many different avenues of ideas and project but never settling on one, you’re going to find your success through settling on one thing and focusing on it. It’s time for you stop buckle down and stick with one of those brilliant ideas of yours and make it happen.
Also while it may be time for you to focus on one thing professionally or creatively, when it comes to yourself, it’s time to embrace all the pieces of you that seem random. It reminds me of this post I saw a couple of days ago about how we don't have to force ourselves fit perfectly into an aesthetic... that it's okay to have and embrace parts of your personality that are completely left field of the other bits that go hand in hand. So for some of you, maybe it’s time to embrace all the pieces of you that don’t go together neatly. Maybe that’s why you have these ideas and start them and then ditch them, because you’re a multifaceted being and you’re not allowing yourself to be so and that is the way it manifests in your life? Maybe it’s time to learn how to let all the sides of you coexist without getting lost. Food for thought maybe?
Regardless, it’s time to remove distractions that are holding you back. Tap into your intuition. Become more aware of your emotions. There's a sense of self-mastery is needed here.
Challenges You May Meet? Cards: The Pathless, The Miser, 1 of Scrolls (On Track), Up In The Air, 6 of Forces (The Waterfall) rev
Your challenges kind of relate to the things that were mentioned already. Being in your head, overthinking things, being unable to settle, but also trying to avoid falling into a headspace where you’re being pessimistic and stubborn. Just because you stick to one thing doesn’t mean you can’t shift and adjust your approach. And if you find that you’re really stuck don’t be afraid to just take a step back. If this is all relating to something where other people are giving you their unsolicited advice, don’t be afraid to brush it off and say “Hey, I might have hit a block but trust that I know what I’m doing”. Another scenario is to not internalise any unsolicited advice or opinions because I feel like that could be a trigger for getting lost in your head for some of you.
For overthinking, it'll be about learning to accept that you won’t be able to know the exact outcome of certain things. If you’re working with someone else, then feeling like you are in control or that you have a say may be the challenge. For others, the challenge may simply be making the decision or committing. It could also be coming to terms with the fact that you waited so long to pursue this goal.
Lessons To Be Learned: Cards: The Brawler, The Forgotten, 2 of Roses (The Winged Messengers), Uriel and the Sphinx, the king of roses
With the Forgotten you’ll learn that you can’t be afraid of mistakes. Mistakes help you grow. You'll come to realise how much fear has been holding you back. There's also learning how to make something out of your anxiety. Learning not to run from conflict or maybe how to properly address it could also be another lesson. This could be regarding internal conflict or conflict with another person as I am getting multiple scenarios come up.
Again there's a message here that for some of a romantic suitor specifically coming in. Overall for everyone there’s an important relationship making its way into your life. The mentor shows up as a neutral energy throughout the reading (or balanced feminine and masculine). Their energy is thoughtful, nurturing/comforting and supportive.
Advice — The Goat and Willow (overdoing obstacle) — even though there are losses to suffer, you can overcome them with renewed energy and the right balance. When obstacles appear, prioritise realigning yourself with your goals. You can even get ahead of the game and brainstorm ways to handle potential obstacles before they arise. The Chipmunk and Laurel (success) — Your path to success will be a unique one, one you have to create on your own, but there will be adventures along the way. The Elk and Ash (strength) — Don’t be afraid to fight back when met with a challenge.
If you made it this far I appreciate it. Feedback is welcomed and if there's a topic you'd like me to cover in a pac, feel free to let me know!
Pile 4 (The plane around the world)
CW: Brief implication of strong language
Who are you? Cards: The storyteller, the mascareri, 1 of roses (commitment), 6 of roses (the war of roses)
This pile may be the pile for you if any of the following resonates:
Someone who struggles with the 'self'. You may hide your true self and struggle to accept others' true selves. For you, you could spend a lot of time crafting your persona. For some of you you maybe in positions where you delegate to others or are responsible for others' behaviour (managerial or boss positions). Some of you could work with kids or want to work with kids. Putting on a mask. Neurodivergence. You could enjoy writing or be a writer of some kind. The arts. Struggling with a partnership (romantic or business), trying to balance honouring yourself and their wishes? Conflicted about a relationship. Feeling like there's a battle between your head vs your heart.
Who will you become throughout this next chapter? Cards: 4 of Scrolls rev (The Karmic Trenches), The Patron rev, The poet You’re becoming someone with so much to offer and is still looking to grow. However, people may want to take advantage of that. Becoming someone who doesn’t hesitate and is in love with life. Embracing that life is imperfect. Becoming more vulnerable. Finding like-minded people. Embracing happiness. Tapping into your creative spirit. There could be an ending of some kind, though you didn’t want it, it brought a world full of new opportunities. You're finally breaking a pattern but also having the awareness to know when you’re tip-toeing along the lines of going back. Coming out of the dark. This sense of being healed on multiple levels and being able to finally experience joy.
Where will you find success? Cards: The Astronomer Rev, The Hound, 5 of forces (summer/winter), 7 of keys (The Ascent) You’re going to be finding success through setting long-term goals. If this is about a financial situation especially, then also finding a balance between focusing on what is necessary and not letting the 'wishlist' desires lead you astray. It can apply to any situation in general though. Focusing on what’s necessary and the things you would like to do coming afterwards.
There's also a matter of assessing where your loyalties or priorities lie and releasing habits, relationships, and ideas that are no longer serving you. Loyalty and staying true to your word might be something you value heavily and stand by, but I also see you finding success in this next chapter of your life by realising, you know what, sometimes you have to cut your ties, count any losses and move on because staying is only doing more harm than good. For some of you who have a relationship in mind or the relationship part resonated with you, this is especially true.
Taking action in general will bring success. This chapter could either close out or begin in the summer, or summer will mark an important time for you. With the 7 of keys, your success is guaranteed as long as you put in the work.
Challenges You May Meet: Cards: The Founder, The Shepard, 3 of Scrolls (Setting Your Course), Caught in The Ruins With The Founder, a challenge you might run into is needing to put yourself before someone else who is asking you for your help, although I'm also feeling it maybe asking you to put them first. You might struggle to determine whether or not you should offer them your help. The Shepard urges you to step up and take the lead when others need guidance. However, I think the best question to ask is what kind of person do you have to show up as in order to offer them your support? And also what type of person do you have to show up as to meet your goals? I’d say make a decision on how to proceed based on whether the two can successfully coincide or not.
A lot of different situations come up in this pile— relationships, career/finance, behaviours… but the common theme here seems to come down to mindset. Whatever the situation is that has you feeling trapped, you have to realise that it’s not definitive, even if it seems that way in your head. It seems like a lot of what is going on, and what you have to overcome, is self-sabotage and realising that just because you’ve always done something a certain way or a situation has always played out that way, doesn’t mean it will always be that way. You have the power to change; the challenge here simply lies in picking yourself up and dusting yourself off. There’s so much more out there for you than what you’re seeing right now. If relocating or travelling, especially where you have to cross the ocean, is something you’re hoping to do, then the end of this chapter we’re discussing in this reading might be the beginning of that next chapter in your life.
Lessons To Be Learned: Cards: 3 of Roses (Loving Elementals), 5 of Roses (The Garden)
The lessons here are about having a sense of child like wonder, and learning to find joy and exploration in life. Being able to laugh and play and find inspiration once more. If any of you have been thinking about starting a family (not necessarily right away) then it’s likely that this chapter will set you up for that. If not then I think a matter of legacy here. Being exposed to opportunities to nurture and grow the future you desire.
You’ll learn that sometimes you are the one who has to be the catalyst to change your life. I love this line from the guidebook of my Citadel Orcale cards regarding the catalyst. It says “ You are the bolt of lightning that topples the tower”. If you think about the Tower card in the traditional tarot deck, there’s lightning striking the tower and setting it on fire. Whenever it comes up it talks about upheaval and there’s often a sense of “oh great, something’s about to come **** up my life” but maybe [we] should consider that we’re not always the tower, but instead, we are the lightning. You have to make the decision to do or become something different, even if goes against what you've always known or what everyone tells you you should do.
What’s also important is not dwelling on past mistakes or regrets, it’s about learning from what happened and using it to make a better decision. Stop doubting yourself and overthink until your head hurts. Give yourself some grace and self-compassion. Take your time, changing isn’t going to happen overnight and often times we have to adjust to who we’re allowing ourselves to become.
Advice to take with you in this next chapter:
The Bee and Pomegranate (productivity) rev — If you find yourself struggling with procrastination, don’t be afraid to rest a while before giving whatever it is another go. Consider what makes you productive as well as what you can do to change why you’re not feeling productive towards another task.
The Racoon and Sycamore (curiosity) — The time is now to do some self-exploration. Explore new interests and hobbies as well as take time to think about how you’ve evolved and how you’d like to further evolve.
The Finch and Peach (romance) — Love is on its way to you. (I did kind of feel like it’s romantic love but it wasn't a prominent message in the reading.)
The Bear and Cedar (leadership) — You’re being guided towards leadership opportunities but remember to ‘rule’ with fairness and care. Ask yourself how can you be a better leader? Who can benefit from your knowledge and experience?
If you made it this far I appreciate it. Feedback is welcomed and if there's a topic you'd like me to cover in a pac, feel free to let me know!
*** Disclaimer: All readings and tarot/blog games are for fun and entertainment purposes only. It is in no way meant to act as or replace professional advice of any kind. You know yourself and what’s going on in your life best so I ask that you trust yourself above all else. Finally please take only what resonates from the reading which may be some of it, all of it, or none at all.
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3hks · 25 days
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How to Avoid "Talking to The Reader"
A lot of people will often tell you to avoid talking to the reader, but why? How? And what does it mean? "Talking to the reader" is a technique used by an author when they want to specifically address the reader directly. Depending on your writing level and style, there could be several drawbacks to using this, such as a sense of informality and sudden awkwardness. However, I'm not saying that you shouldn't talk to the reader, because how you write is ultimately up to you!
But if you're genuinely looking for some tips on how to avoid talking to the reader, then I absolutely got you! As both a frequent reader and writer, I have advice based on experience and knowledge! These simple tips can seriously elevate your writing (especially if you're pretty new), or at the very least, make you aware of certain things and offer new ideas!
Replacing the 'you' with...
A VERY common factor in talking to the reader is using the word 'you' to reach out to your reader (dialogue from characters don't count). Although you should avoid this when you're trying not to talk to the reader, there is something behind it. Majority of the time, we include this word in a story when asking a rhetorical question. This creates a certain effect that reaches out to the reader while making them think, which can't be exactly duplicated.
Okay, so how do we fix this? Well, my advice is to simply replace 'you' with the word 'one'! Let's go a bit into depth, shall we? When dealing with a rhetorical question, the first step is to rephrase and reform the inquiry into a statement that answers what you're asking. Remember that this is a rhetorical question, meaning that there IS technically a right answer that you're looking for! Next, remove the 'you' and slap the 'one' on top of it! The replace-you-with-one method also works when you're not including it in a question, but instead a statement! Let's look into some examples, shall we?
Prompt: A lot of people will often tell you to avoid talking to the reader, but why?
Let's examine this example that I took from the top of this post, shall we? While this sentence is indeed in the format of the question, I am not directly asking you to give me an answer and there isn't really just one right answer. So how do we fix this? Replace 'you' with 'one' and boom! Done!
Fixed: A lot of people will often tell one to avoid talking to the reader, but why?
Alright, how about a much more direct question?
Prompt: The king's way of ruling was incredibly biased and unfair, wouldn't you agree?
For this prompt, we can see that 'you' is in "wouldn't you agree?" so it's pretty clear that we are seeking for an answer from the reader. In this type of context, the answer is almost always "yes," so we will have to take the longer route of rewording the sentence.
Fixed: The king's way of ruling was incredibly biased and unfair, one might argue.
As you can see, the phrase "wouldn't you agree" got altered into "one might argue." Why did I choose this? Well for starters, the sentence is now a statement, not a question, and it does indirectly answer our questions of "wouldn't you agree?" because it distinctly demonstrates that they agree with the opinion that the king's rule was unjust. Now, why did I choose "might argue"? Our previous question may have been rhetorical, but not everyone is going to say "yes, the king was unfair," so adding "might" and "argue" helps include the fact that it is indeed, an opinion!
Now that we have gotten the 'you' part out of our system, let's talk about another thing that can really help you improve on your writing (while avoiding talking to the reader)!
Stop Using...
Stop starting the sentences with "he/she is or has" (including past forms) when describing someone. I can safely say with first-hand experience that repetitive use of the sentence starter can feel a bit unnatural and too straightforward. In other words, you can most definitely do better!
When writing one's attributes, instead of starting with "he is" or "she is," try starting out with a possessive form of the pronoun, such as "his" or "her"! After that, it'll work itself out; let's look at an example to clarify!
Prompt: She had long, luscious, brown hair that fell over her shoulders in waves.
Fixed: Her long, luscious, brown hair fell over her shoulder in waves.
Simple, right? There may seem to be hardly any change, but this can seriously improve your writing when used correctly! Of course, continuous use of "his," "her," or "their" will also sound repetitive, but it's a good place to start! As experience follows, you'll get the hang of creating more varied sentence styles! Let's look at an example!
Prompt: He was new to the school. He didn't know how to interact with those his age because he was homeschooled his whole life. He was nervous even when thinking about his classmates and didn't know how he was going to survive.
Does it sound choppy? Too direct? Let's fix that!
Fixed: He was new to the school. Having been homeschooled his whole life, he struggled to interact with those his age, and even thinking about his classmates made him anxious. He had no idea on how he was going to survive.
Look at the second sentence; that's the most major change. As I combined a few different parts of the other sentences and rearranged them, it should seem much smoother now!
Be creative with how to form your sentences--that's all there really is to it! Experience will be your biggest guide and best friend when it comes to this!
Did this help? Keep in mind that my advice won't work with every sentence because a lot of it mainly depends on context! Happy Easter Sunday!
Happy writing~
3hks :)
331 notes · View notes
malarign · 5 months
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who they were written by
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contains: enhypen | genre: angst, comfort | tw! mentions of death, mention of major injury, lack of confidence, family problems, loneliness | wc: 1,0k
author’s note: let’s just say i chose violence 🫣 who the hell let me write this?
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Lee Heeseung | 이희승
➶ an elder lady who reminiscents her past lover
Love never felt so blissful and serene as with him, making it hard to forget his small but meaningful gestures, like fresh morning coffee, his contagious laughter, and jokes that never failed to make her laugh. There was no day she didn’t miss him, death taking his beautiful soul too early, along with hers too. She felt like her life ended the day she lost him forever. Wanting to have at least a little substitute for feelings that accompanied their love she wrote Heeseung, who just like her late lover, is impossible not to love. Heeseung who is a pure example of chivalry and a true gentleman, who treats everybody with empathy and sympathy.
Park Jongseong | 박종성
➶ a man who regrets not letting his son pursue his passion
Watching how his son gets drowned in the huge corporate world that surrounds him. How there’s no sign of the spark in his eye that used to light up whenever he picked up his guitar. The boy who found such relief in playing his favorite songs and felt proud of mastering different riffs was long gone, now somewhat replaced by constantly tired and dispassionate about anything and everything. Regret filled his heart and decided to somehow find a remedy in creating Jay, who thanks to his burning love for music and the wonderful people surrounding him, achieved his dream, and performed his songs on big stages, igniting passion in his fans’ hearts.
Sim Jaeyun | 심재윤
➶ a boy who always felt lonely
Ever since primary school, he never had a friend to rely on, always feeling lonely and not heard. Nobody ever paid attention to him, neither at school nor at home. His parents invested their time mostly in his younger brother’s education and hobbies, driving him to his after-school football practices and maths tutoring and leaving the older one alone most of the time. To feel at least a tiny bit wanted and liked he wrote about Jake, as his older brother he never had, but always dreamt of. Days spent alone at home started to get more bearable and gradually he couldn’t wait to be left with him and his new best friend, with whom he played football and who helped him with his homework.
Park Sunghoon | 박성훈
➶ girl who lost her confidence in sport
Injury is the worst fear of any athlete including her, but once it happens it turns out to be much more. She never even imagined a day she would have to experience the pain of a twisted ankle, but now daily rehabilitation has become her reality. Even after complete recovery, her foot felt like it belonged to somebody else, not listening to her like before. Things that she had been doing easily now were her biggest enemy. All eyes of her teammates were filled with pity, and even her coach stopped spending her time helping her, increasing her misery. What helped her ease her mind was a boy she imagined named Sunghoon, who was the only male ice skater among all the girls, they isolated him by whispering to each other and watching his every fall. None of this stopped him from mastering every jump and technique he found hard in his tempo. If he was able to do that, she would too, even after a painful injury.
Kim Sunoo | 김선우
➶ girl who always wished to have a boy best friend
She always knew boy-girl friendships weren’t particularly the easiest - it’s easy to catch feelings and not every boy is trustworthy enough to be considered a friend. That’s why she desired it so much. Her every male friend ended up being a freak who had a bunch of weird opinions, turned out to be even misogynistic, or simply caught feelings for her when all she wanted was to have a companion. The more she tried the harsher the disappointment. To compensate, she started to imagine one, who she named Sunoo. Hanging out with him was just as she wanted, maybe that’s why she spent so much time in her head. Both of them had their weekly tradition of doing face masks and watching old romantic comedies, judging wrong doings of the characters but also simping to them, just like it happens in movies.
Yang Jungwon |  양정원
➶ a grandma who lost her grandson
Nothing could ever prepare her to lose him, who just like cherry blossoms sweetened her old days with his pure smile and eyes full of curiosity, after years of endless winter. But, the thing about cherry blossoms is, it doesn’t last long. Her grandson, contrary to pink petals, wouldn't be back in a year, he would be gone forever. That pure smile and curious eyes disappeared, or should I say, were ripped off her arms so brutally, so pitilessly. Her life came back to the excruciating dullness and silence. She couldn’t stop thinking about how her lovely boy would grow up, what hobbies he would pick up, and who he was going to love, since he didn’t have a chance to experience any of that, subconsciously creating Jungwon, who lived surrounded by love and gave it to others. Who never lost his pure smile and curious eyes, just like her grandson.
Nishimura Riki | 西村力
➶ girl who always danced alone in her room
She always knew her destiny was on the dance floor. Even her tiny bedroom she had to share with her two younger siblings. Or the daily nagging and lack of support from her parents. Even the fact that she had to do that all by herself. None of that stopped her from doing everything to achieve her dream of standing on stage, in blinding spotlights with crowds watching her moves. Her main inspiration was Riki, a boy she imagined had the same dream as her. In contrast to her, Riki had everything she ever wanted and needed to make things easier - a family full of great dancers, who also owned a dance studio and great teachers and mentors from whom he learned not only different techniques but also to love dancing.
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thank you for reading! back to the masterlist
taglist: (open) @nicholasluvbot, @en-chantedtomeetyou, @skzenhalove, @kpoprhia, @redm4ri, @yenqa, @heesitation, @candewlsy, @jaelaxies
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kinnbig · 2 months
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✨ Simple Gif Colouring for Beginners ✨
I wrote up my basic gif colouring process for a friend recently, but a couple of people here mentioned they'd also find it helpful! so, as requested, this is a beginner-friendly walkthrough of the way I colour my gifs :) it's aimed at brand new gif makers with no prior experience with photoshop or photo editing.
when I first started gif making I found colouring and photoshop in general suuuper daunting, so I've tried to simplify everything here as much as possible. hopefully this will be relatively easy to follow and not too intimidating!
a couple of things to begin with:
I'm only talking about colouring here - this is not a full gif making tutorial. I've linked to some of my favourites of those here!
I personally like to make bright, 'clean' looking gifs with vibrant but natural colours, so that is the style of colouring this tutorial is geared towards. most of gif colouring is subjective and about personal taste - the only thing that I'd say is possible to get wrong is skin tones, which I talk about a lot in this guide.
as I mostly gif Thai dramas, most of the advice is geared towards colouring for East Asian/South East Asian skin tones - but the techniques should be fairly universally applicable (and here are some tutorials that talk about gif colouring for other skin tones).
I'm not an expert! I'm not claiming this is the best or the only way to colour gifs - it's just how I do it.
this post is very image-heavy. if the images aren't loading (or the gifs are running slowly or cutting/looping weirdly), then try viewing the post in its own tab (rather than on the your dash or someone's blog) and refreshing the page.
okay, full walkthrough beneath the cut!
contents:
1. intro a. natural gif colouring goals b. very very basic colour theory 2. super simple colouring (the essentials) a. curves b. selective colour (and skin tone correction) c. hue/saturation d. saving and reusing colouring e. another simple colouring example 3. other adjustment layers a. brightness/contrast b. levels c. vibrance d. colour balance e. channel mixer 4. troubleshooting a. curves b. saturation 5. fin!
1. intro
the colouring part of gif making can be super overwhelming, especially if (like me when I first started!) you're completely new to photoshop and/or have no experience with colour theory or photo/video editing.
if you're opening photoshop and making gifs for the first time, I highly recommend getting used to making a few basic, uncoloured gifs to begin with. just to practice, rather than post anywhere (though you can always come back and colour them later if you want) - but it'll make the rest of the process much easier if you're already beginning to get used to working in timeline mode of photoshop. give yourself a bit of time to practice and get a feel for things like how many frames you tend to like in a gif, where you like to crop them for the best loop, what kind of aspect ratio you like etc* - so that you're not trying to navigate all of that for the first time on top of everything else!
* frames: for me between 60-90 frames is ideal, but 40-120 frames is the absolute min-max I'd personally use in a normal gifset loops: for the smoothest loops, try to avoid cutting someone off mid-movement or mid-word if possible. aspect ratio: for full-size (540px) gifs, I tend to go for either 8:5 (slightly 'skinnier' gifs), 7:5, or 5:4 (particularly big, thick gifs lmao)
✨ natural gif colouring goals
part of what can be so daunting about starting gif making is not knowing where to start or what you want to achieve. this is definitely something that gets easier with practice - the more gifs you make, the more you'll get a feel for what kind of look you like and the more instinctively you'll know how to get there. it also helps to see if any gif makers you like have made "before and after colouring" posts - these can help with getting a sense of the kinds of changes made through gif colouring. here's one I made!
in general, I like to make my gifs bright and 'clean' looking, with vibrant but natural colours. these are the things I'm usually hoping to achieve with colouring:
brighten dark scenes
remove muddy, yellowish lighting or filters
saturate colours
correct any skin lightening filters or overexposure
make lighting and colours as consistent as possible between gifs within a single gifset, especially gifsets featuring gifs from multiple scenes/episodes/videos
this guide is focusing on natural colouring, but of course there are many cool ways to make stylised/unnaturally coloured gifs. imo you'll need to master these basics first, but if you want to learn how to do things like change the background colour of gifs or use gradients or other cool effects, then @usergif's resource directory has loads of super helpful tutorials!
✨ very very basic colour theory
[disclaimer! I don't know shit about fuck. I do not study light or art. this is just an explanation that makes sense to me exclusively for the purposes of gif making.]
the primary colours for light/digital screens are red, blue, and green. having all three colours in equal measures neutralises them (represented by the white section in the middle of the diagram).
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so to neutralise a colour within a gif, you need to add more of the colour(s) that are lacking.
in practice this usually means: the scene you want to gif is very yellow! yellow is made of red and green light, so to neutralise it you need to add more blue into your gif.
it can also mean the reverse: if you desaturate the yellow tones in a gif, it will look much more blue.
looking at the colour balance sliders on photoshop can make it easier to visualise:
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so making a gif more red also means making it less cyan.
removing green from a gif means adding magenta.
taking yellow out of a gif will make it more blue.
tl;dr:
neutralise yellows by adding blue (and vice versa)
neutralise reds by adding cyan (and vice versa)
neutralise green by adding magenta (and vice versa)
2. super simple colouring (the essentials)
starting with a nice sharpened gif in photoshop in timeline mode. (these are the sharpening settings I use!)
some scenes are much harder to colour than others - it helps to start out practising with scenes that are bright/well-lit and that don't have harsh unnaturally coloured lights/filters on. scenes with a lot of brown/orange also tend to be harder.
I usually save a base copy of my gif before I start colouring just in case I end up hating it, or find out later that it doesn't quite fit right into a set and need to redo it etc.
so here is my base gif!
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it's an okay gif, but it has a bit of a yellow tint to it that I want to reduce.
colouring is easiest to do in adjustment layers, which can be found under layer -> new adjustment layer - or for me they are here:
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there are lots of different types of adjustment layers that do lots of different things - but for me the absolute essentials for colouring are curves, selective colour, and hue/saturation.
I also use brightness/contrast, levels, exposure, vibrance, colour balance, and channel mixer sometimes, depending on the gif - but I use curves, selective colour, and hue/saturation on every single gif.
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✨ curves layer
the first thing I always do is a curves layer. when you first open one it will look like this:
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first I usually click the ‘auto’ button, just to see what happens. sometimes it makes a big difference (it usually brightens the gif a lot) - but on this gif it didn’t do much.
if it had made the gif look nicer then I would have kept it and added a second curves layer on top to do the rest of these steps.
the next step is selecting the white and black points with the little eyedropper tools.
the bottom eyedropper lets you pick a white point for the gif. click somewhere super light on the gif to see what happens - for this gif, I clicked on the lampshade on the left. if it looks weird, I just undo it and try somewhere else - it usually takes a few goes to find something that looks good.
here's what that did to the gif:
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then I pick the top eyedropper and use it to pick a black point by clicking somewhere really dark, again playing around until I find a black point that looks good.
here's what the gif looks like after picking the white and black points:
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this can take some experimenting, but you can make super easy drastic changes to your gif just with this. in this case, the curves layer took out a lot of that yellowy tint.
and this is what the curves graph looks like now:
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you can click and drag those lines to make further changes if you want - I usually leave them alone though. the colours of the lines indicate which colours have been changed in the gif - for example, you can see from that steep blue line on the graph that blue has been added to neutralise those yellows.
next I usually do another curves layer and just press the ‘auto’ button again to see what happens. usually it brightens the gif a bit more, which I like.
‼️if nothing is working: usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :( the troubleshooting section at the end goes over some options, including starting with a levels layer instead.
✨ selective colour (and skin tone correction)
skin tones are made up of a mixture of yellow and red.
removing yellow (or adding blue or red) to a gif will make the skin-tones too red - and removing red (or adding cyan or yellow) to a gif will make the skin-tones too yellow.
adding blue to this gif with the curves layer took out the yellowy tint, which I wanted - but it also took the yellows out of Kim's skin tone, which I don’t want. so I need to put yellow back into the skin tones specifically - without putting it back into the rest of the gif.
selective colour layers let you select an individual colour and adjust the levels of other colours within that colour. you can change how yellow the green shades are, or how much cyan is in the blues, for example.
I need to add yellow back into the red tones to correct the skin tones on this gif. this is the case for most gifs in my experience - the vast majority of the time, unless a scene is very heavily tinted in another colour, a curves layer will add blue/remove yellow.
in the 'colors' dropdown, select the 'reds' section and drag the 'yellow' slider higher - this will add more yellow into just the red shades within the gif.
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the amount of yellow you need to add back into the reds depends on how much yellow was taken out of the gif initially - I just play around with the slider until it looks right. if you're not sure, it helps to have some neutrally-coloured (not white-washed!) reference photos of the people in your gif to compare to.
here's the result. Kim's skin is a lot less pink toned and much more natural looking:
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✨ hue/saturation
this adjustment layer lets you adjust the hue and saturation of the gif as a whole, and also of each colour individually.
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I don't use the hue or lightness sliders unless I'm trying to do something more complicated with the colouring.
clicking the dropdown menu that says 'master' lets you edit the saturation of each colour individually. this is useful if your gif is still super tinted in one colour.
I thought the yellows on this gif were still slightly too bright, so I switched to the yellow channel and desaturated them slightly. (remember if you do this then you need to go back to selective colour and add more yellow into the red skin tones to balance out the desaturation!)
then I increased the 'master' saturation of all the colours to +5:
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I usually find the right amount of saturation is somewhere between +5 and +12, but it depends on the gif.
‼️if the gif feels undersaturated, but the saturation slider isn't helping/is making the colours worse, try a vibrance layer instead.
done!
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✨ saving and reusing colouring
you can copy and paste adjustment layers between gifs to make your colouring even across each of your gifs for one scene - so if you're making a set of multiple gifs of the same scene, or you think you might want to gif the same scene again in the future, you can save it as a psd so you can reuse the colouring again later.
each gif's colouring will then still need tweaking - different cameras/angles/shots of the same scene can still start out with slightly different colouring.
I recommend uploading the gifs as a draft post on tumblr so you can see what they all look like next to each other and catch any inconsistencies.
✨ another one! (speedrun!)
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HI KEN!
the white point for the curves layer was in the window behind them.
the curves layer removes the muddy yellow tint, but again it makes their skin tones (especially Ken's) very red toned, which is adjusted by the selective colour layer.
3. other adjustment layers
imo many many gifs can be coloured really nicely with just those three adjustment layers, but some need different adjustments.
✨ brightness/contrast
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pretty self explanatory!
I personally usually avoid using the 'brightness' slider because I rarely like the effect - I only tend to use the 'contrast' one. 
the 'auto' button is sometimes useful though, especially if you’re struggling with the curves layer.
✨ levels
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levels alters the white and black points of the gif, like curves - but unlike curves it doesn't also alter other colours.
use the sliders beneath the graph to alter how dark/light the gif is. you can slide the black slider further to the right to make the blacks darker, and the white slider to the left to make the whites lighter.
levels is a good place to start if your curves layer isn't working.
(I'm going to hit the image limit for this post lol so here are some screenshots of a table I made to demonstrate this rather than actual gifs. sorry!)
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on both sides, I dragged the sliders up to where the big jumps are on the graph - this is usually a good place to start!
✨ vibrance
vibrance... makes the colours more vibrant. it's more subtle than saturation.
it's really helpful for gifs that feel grey. sometimes adjusting saturation just makes the greys kind of weirdly tinted, but a vibrance layer can fix that.
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vibrance is much more subtle!
✨ colour balance
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colour balance affects the overall balance of colours within a gif.
it's good for scenes with heavy tints.
I tend to stick to the 'midtones' dropdown, but you can also alter the colour balance within the shadows and highlights if you want.
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✨ channel mixer
I avoided channel mixer for such a long time because it scared me. but it's great for scenes that are very heavily tinted in one colour.
basically, it works with the levels of red, green, and blue within a gif. you select an output colour and then play around with the levels of the colour you selected within each other colour.
kind of the reverse of selective colour?
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so in the 'blue' channel, the levels of blue are at 100%, and the levels of red and green are at 0% - but you can impact how much blue is in the reds and greens and blues.
this tutorial explains it well - but imo the best way to get to grips with channel mixer is just to play around with it a bit (sorry)
(when I made this guide for my friend, I also made a slightly more complicated gif colouring walk-through that included using channel mixer. there isn't space to include it within this post, but if anyone is interested I could always upload it as an 'intermediate' gif colouring tutorial - lmk!)
4. troubleshooting
‼️curves
usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :(
for example, with this base gif:
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using many of the brightest points as a white point turn it wacky colours, like this:
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yikes :(
some options for these cases:
try brightening the gif first with the 'auto' button on the curves layer or with a levels layer. having a brighter gif to start with can give you better options for picking a white point.
try finding an alternate, whiter/brighter white point. look for places the light reflects - on this gif, using the light on Porsche's cheekbone works well as the white point. it also helps to find places that would be white if the scene wasn't tinted - the lightest part of a white shirt is often a good place to start, for example.
skip the curves layer, and instead use a levels layer to alter your white/black points, and colour balance or channel mixer to balance the colours.
‼️over/undersaturation
if your gif (especially the skintones) is looking a little washed out or lifeless, it might be undersaturated. boost that saturation - or if that's not working, try a vibrance layer.
oversaturation is often easiest to spot in the mouths and ears of any people in a gif. if the mouths are looking unnaturally, vibrantly red, then you've gone too far with the saturation.
5. fin!
and done! I hope this was coherent helpful to somebody.
if there's anything that I've missed or that doesn't make sense pls feel free to shoot me an ask or a message and I'll do my best to help! I've also collated a bunch of additional reading/resources below.
happy gifmaking 🥰
✨ some links!
photoshop basics by @selenapastel
gifmaking for beginners by @hayaosmiyazaki
gifmaking guide for beginners by @saw-x
dreamy's gif tutorial by @scoupsy-remade (includes instructions on how to blur out burned-on subtitles or annoying video graphics)
beginner's guide to channel mixer by @aubrey-plaza
how to fix orange-washed characters by aubrey-plaza
colour correcting and fixing dark scenes by @kylos
does resampling matter? by usergif
how to put multiple gifs on one canvas by @fictionalheroine
watermarking using actions by @wonwooridul
resource directory by @usergif
313 notes · View notes
what-if-nct · 5 months
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NCT eating out skills.
*I apologize in advance*
Taeil: Knows exactly what to do. Gets down to business. Will leave you more than satisfied.
Johnny: Pulls the most toe curling tongue tricks. And you can feel him smile against you every time he makes you whimper and whine.
Taeyong: Loves doing it but gets overly excited and needs a bit of direction cause he gives unnecessary attention to the lips.
Yuta: I'm not saying pussy eating champion, but he has his medals and trophies. That is his title. He is undefeated and will tongue fuck you while his fingers attend to other business.
Kun: He does exactly what needs to be done and does it well, but is a master with his fingers cause he wants to always look at you.
Doyoung: He's very unsure about his skills and technique but he shouldn't be. His technique alone is fireworks, shooting stars worthy
Ten: Not the best but not the worst, gets the job done.
Jaehyun: He licks too hard in the wrong area, needs guidance. Can be staring at it and still doesn't know where the clit is. His fingers might be the best bet.
Winwin: Will have your eyes fluttering and you'll forget your name, starts with kissing it but his tongue and fingers start working double time and will suck your clit and your fingers will lock into his hair. If Yuta has Gold in this category. Winwin easily has silver.
Jungwoo: Loves doing it so much, gets so happy but is really just licking the outer lips, his tongue might slip in but not on purpose but when he finds out he can he really goes in for it. Still overtly enthusiastic though.
Mark: He tried, he just tries his best he'll get there one day. He can find the clit but bless his heart he doesn't really know what to do.
Xiaojun: Mainly uses his fingers, will give a few licks here and there because he feels called to but he's not confident in his skills but his fingers are gold.
Hendery: Honestly he gets a little wild in there and ends up biting something it could feel good or not depending on what he's doing.
Renjun: A lot of kissing, he's very gentle and takes notes on what you seem to enjoy. Takes his time and does his best to please you.
Jeno: Gonna be honest a couple of hard licks and he says "my turn" and pulls his pants off.
Haechan: Kinda rough but in a good way, talks really dirty against it but it's muffled. Also might bite but in a good way. Will spank it if you pulled his hair when he told you to be good.
Jaemin: Also gives so many kisses down there, speaks softly, tells you how good you taste, loves trying out new things, gentle, teasing, it's an experience and a dream.
Yangyang: He doesn't know what the hell he's doing, you feel nothing and everything all at once. He enjoys doing it, maybe a little too much but Guidance isn't enough, send him to a class taught by Yuta and Jaemin.
Chenle: He doesn't have any kind of sex.
Jisung: Bless his heart he's trying his best, just guide and reassure him he's doing his best and he'll get there. But he's still better than Yangyang and Jaehyun.
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empiropediazine · 2 months
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Contributor Applications!
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It's finally here! :D
If you've been waiting to apply to the zine, consider the waiting done! We have prepared a google form for you to apply with, but don't worry about privacy! We won't be able to see your emails or any other information you don't specifically share with us.
Link to the applications
Just a few notes before you apply: This zine will require you to be over the age of 15 in order to apply. Applications open today, Sunday the 11th (at midnight GMT) , and will close three weeks from now, on March 3rd (at 11:59 GMT). Please fill in the form carefully, but if you make a mistake you can just send in a new form!
If this is your first time hearing about our zine, or you just want to know a bit more about the zine, we will put some extra info under "Read more"
What's all this then?
Empiropedia is a zine focused on Season 1 of Empires SMP and its worldbuilding. The zine will be structured, as the name suggests, a bit like an encyclopedia! It will be an in-universe collection of historical records from the various empires and it will feature both writing and illustrations. The zne will also be completely free!
What can I expect if I get in?
If you get into the zine you will be assigned one (or potentially more, depending on what you answered in the form) empire and category to work on. This zine allows for a big variety of styles and techniques to be applied for both writers and artists, so if you've been looking to experiment a bit this might be the place for you!
Where do I find more info regarding the categories?
We have made three different posts with all the explanations for every category that's been included in the zine:
Writing caregories
Portraiture and architecture
Clothing, creature, and prop design
Can I apply if I don't have drawn/written anything Empires-related before?
Feel free to apply, but without at least one Empires SMP related piece there's a lower chance you will get into the zine.
Can I apply if I've never watched Empires SMP?
As previously stated, this zine focuses heavily on worldbuilding, so it requires at least basic knowledge of the lore of whatever empire you apply to. If you think that you possess said knowledge even without having watched any of the POVs feel free to apply, but we will most likely be favouring people who did watch the series.
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chaesparklez · 14 days
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victory (pt.1) | taerae x reader
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wc: 2.7k
reader: femme afab
warnings: 18+ SMUT MINORS DNI
teasing, lap dancing, oral m!receiving, sloppy oral sex, tension, slightly bratty reader, subby taerae
synopsis: game rules
- whichever player makes the opponent cum in the shortest amount of time wins. the opponent only has to cum once for the player to win.
- the game is timed. the timer starts upon first contact with the opponent's center.
- acts of foreplay like kissing or heavy petting excluding the genitals do not count.
a thrilling game of control and domination. whose victory will it be?
a/n: i am so so happy to have written this story! the idea and writing process for this piece flowed out so naturally and i had so much fun writing it. as a kkultarae i feel like a taerae fic was long overdue. enjoy the story and stay seated for pt 2 :)
cross-posted on wattpad and ao3. available through user @/chaesparkle
“let's play a game."
taerae looks up from his computer, slipping his headphones off one ear.
"what was that, jagi?" he replies.
you smile mischievously and take a couple steps towards him where he sits at his gaming desk. you ruffle his hair and rest your hand on the nape of his neck.
"i said, let's play a game. a really fun one." you smile, massaging his neck with your hand.
he looks up into your eyes, his gaze a mix of curiosity and amusement.
"what game is it?" he asks.
you grin deviously.
~~
you and taerae had been dating for a year and a half now. initially shy, he had opened up wonderfully with you, appreciating how you were always ready to lead him and teach him something new. whether it was explaining some cool academic concept, a technique on how to fold a fitted sheet... or how to eat pussy.
with his lack of experience, you guys started off pretty slow so he could learn the basics. but once he got going... well.
the thing about taerae was that he was incredibly hardworking. he knew what he lacked in and worked tirelessly till he perfected it. and he did so with this quiet confidence that you'd always found insanely sexy. not overly cocky, never too critical of himself, just aware of his good points and always ready to improve.
you can imagine how that translated into the bedroom. over the course of the past year you had basically given him a 101 on how to drive a woman crazy, and needless to say you couldn't keep your hands off eachother once he had grown comfortable exploring.
and today, you decided you wanted to give a surprise test to spice things up a bit.
"let's see who can make the other cum the fastest."
his eyebrows raise in surprise, caught a little off guard at the unexpected proposal. but shock is taken over by amusement, then competitiveness as his eyes glint with determination.
"what are the stakes?" he asks.
"winner doesn't have to do the dishes for a week."
he laughs and ruffles his hair. "can't pass up that," he takes his headset off and swivels around in his chair to face you fully.
'okay, any rules?' he asks.
you purse your lips in thought for a second, deciding how you wanted to do this. "hmmm."
you set out the following rules:
- whichever player makes the opponent cum in the shortest amount of time wins. the opponent only has to cum once for the player to win.
- the game is timed. the timer starts upon first contact with the opponent's center.
- acts of foreplay like kissing or heavy petting excluding the genitals do not count.
taerae loved this organisation. he smirks and nods his head, loving the prospect of both winning a competition and getting to see you crumble before him.
"sounds good to me. get ready to have the fastest orgasm you've ever had." he grins.
"unfortunately that'll be you." you smile.
"guess we'll just have to see about that. who should go first?'
"i will. come to the sitting room in 10 minutes." you reply, already having decided what you'd do with a smirk.
"okay then," he replies, gazing at you with darkened eyes. 'i’m anticipating it.’
you smile and plant a kiss on his neck. "may the best player win." you whisper.
"oh, he will." he breathes.
~~
"honey, you can come out now!" you call.
taerae enters the sitting room to find the lights dimmed and a chair placed in the middle of the room. you are nowhere to be seen.
"jagi, where are you?" he calls back, mildly puzzled.
"you'll see plenty of me in a second," you chirp with a grin from the adjoining room. 'sit in the chair and wait in the meanwhile.'
he takes his place and laughs quietly to himself, anticipating to see what you've prepared. you had a habit of surprising him but he was sure he wouldn't fall for it this time being determined to win the game.
well, he was sure in for a ride.
all of a sudden, he hears music filling the room. the speakers were playing a song from all corners of the space. he looks around bemused.
"jagi?" he calls out.
showtime.
"yes?" you reply innocently, stepping into the doorway.
taerae's eyes widen with shock for a second, then he bites his lip with a smile, throwing his head back with a chuckle knowing that he's already in danger of losing by how his cock is twitching in his pants just at the sight of you.
you stand before him dressed in a baby tee and plaid micro mini skirt, white thigh high socks and platform heels. the only accessories you wore were a kitty headband and a white garter with a bow around your thigh. much of you was on show not leaving a lot to the imagination; although taerae's imagination right now was running wild. you smile, knowing this outfit would drive him crazy.
you knew that your gamer boyfriend was secretly into the stereotypical sexy female twitch streamer getup despite him insisting he was different. after all, he was still a man. and you were going to play this to your advantage to win the game. you were going to give him an agonizing lap dance.
you strut slowly towards him and circle around his chair while caressing his shoulder. he places his hand on top of yours as you brush it across his hoodie, to which you remove your hand immediately.
"no touching yet." you whisper, waggling a finger at him mischievously.
taerae bites his lip and covers his face with his hands, knowing that having to sit still while you give him a lap dance barely clothed might actually make him cum in his pants if he doesn't control himself. his cock was already throbbing like crazy.
all he could think about right now was how fucking sexy you looked in that outfit. like a present wrapped up for him with that bow around your thigh. he wanted nothing more than to fuck you in this getup, removing your garter with his teeth. bending you over and sliding your panties aside before thrusting his throbbing erection into your core, watching you teeter in those stilettos...
but here he stayed sat on the chair as you tortured him with your wily charms. he sits on his hands purely because he wasn't sure he could refrain from touching you if he didn't.
now slowly, more deliberately, you strut to the back of his chair and run your hand along his chest where you can momentarily feel his heart pounding, tracing your fingertips up along his neck then pulling his head back with a tug to his hair. you exhale warm breath onto his exposed neck before gently kissing him below the lobe then nibbling on his ear.
"fuck." taerae breathes, fighting not to let out a moan.
he was struggling to keep his resolve as you knew exactly how to make him crumble- by targeting his erogenous zone. the tingling sensation of your breath on his neck and your gentle nibbles on his earlobe drives him insane, exhaling shakily with his eyes closed. he swallows nervously and purses his lips together.
you release him with a smile, continuing to circle round with your hand tracing his other shoulder, down to his chest, then his thigh, till you stand before him. you place your leg between his thighs, stiletto resting on the polished oak of the chair. then grazing his inner thigh with your foot. he clenches his teeth in desperation, using all the power in him to not forfeit the game and fuck you right in this chair.
you draw your hand up your thigh beginning at the knee, brushing past the lacy garter. taerae's gaze follows your touch; your panties were visible as your skirt hiked up past your thighs. he stared with longing at your parted thighs, wanting nothing more than to grab them and bury his head between them..
you lift his chin with a finger forcing him to look away from your leg and at your face.
"look at me, baby." you whisper.
he nods in submission, prompting a tingle to spread through your center at the yearning look in his eyes. you step back and begin to dance for him, letting the music wash over you as you sway your hips, flip your hair and draw out every movement so his eyes linger on the arch of your back and your tantalising ass peeking out from under that micro mini skirt. taerae watches you intently, entranced and still struggling to ignore the aching bulge in his pants.
"you're determined to win this, huh?" he rasps.
"of course." you reply, cocking your head to the side and grinning.
running a hand through your hair, you amble slowly towards your tortured lover. then straddle him in the chair, legs either side of him with your chest in his face. he swallows nervously at your proximity, gazing up at you with longing.
“you can touch me if you want,” you whisper.
he runs his fingers up the side of your exposed waist, making you shiver gently. you begin to move your hips, grinding against his clothed cock and feeling it graze your center. you bite your lip to stifle a moan, the both of you engaging in a torturous battle of restraint; you weren’t sure who’d lose.
you continue to undulate against him and lean down to plant kisses on his neck. you suck and nibble at the smooth skin, peppering his neck with splotchy red love bites. he lets out a shaky breath and you feel his cock twitch. gingerly, he palms your breast, long fingers running across your nipple and squeezing gently. you let out a soft moan against his neck and retract, gazing into his eyes as your chests rise and fall against eachother. you feel yourself start to lose focus and remember suddenly to maintain your resolve, breaking the moment of catharsis by planting a kiss on his full lips and leaving his lap.
knowing your ass looked great in this skirt, you decided to tease him further by facing away and bending over slightly, tracing your fingertips down the back of your thighs, shaking it a little with a giggle. you can practically hear him stop breathing trying to control himself.
placing your hands on the arms of the chair, you flick your hair while swaying your ass side to side before sitting in his lap, this time pushing your clouded thoughts aside determined to win the game. you hook your arm around his neck and begin to grind again, slower but more firmly this time. rolling your hips and feeling his erection poking your ass as you move against it. you brush your other hand across your chest as you lose yourself in the movements.
"jagi... please.." he rasps in your ear.
pretending not to hear his plea, you give yourself a sly smile and rise from his lap.
then you sink down to your knees in front of him looking up at him with pseudo innocence.
"please what, baby? are you asking for something?" you ask, batting your lashes.
"touch me. let me touch you. please... so hard." he groans, clenching his jaw and throwing his head back in agitation.
"someone looks bothered. let's see if we can get rid of some of that tension." you reply wily.
you rub his thighs with your hands, deliberately avoiding his cock to avoid breaking the rules. he exhales shakily. you smile, finally deciding to reward him for holding out this long.
"you've done so well, baby. let me make you feel good." you whisper.
you pull down his pants enough so his erection springs out, tip leaking a bead of precum. even though you were trying to assert dominance right now, the sight of him this hard made you suddenly aware of the wetness building between your thighs.
you reach under the chair for the stopwatch you had placed there and hold it facing towards him.
"let's start." you say, and press the 'go' button.
taking a moment to push your hair back, you take his cock into your hand and spit on it before stroking it gently. you gaze up into his eyes and slowly lick along the dorsal vein at a painstaking pace. his cock twitches in your hand as if it calls out for more. starting at the shaft, you plant sloppy kisses all the way up his length till you reach his angry pink tip, then deepthroat him. taerae lets out a deep moan, the feeling of his cock all the way down your warm throat sending tingles down his spine.
you swirl your tongue around his tip to lick up the leaking precum before slowly sucking him off, your mouth travelling halfway down before coming up again. he looks down at you with a dark gaze, pupils focused on you intently.
you begin to suck him off more intensely, starting off slow then progressively getting faster, sloppily spitting all over his cock making a warm sticky mess all over the both of you. you watch as the saliva runs down his length; it momentarily remains a string suspended in air between your lips and his cock, and as you jerk him off it makes a delectable sound.
he tucks a strand of hair behind your ear. "doing so well, baby. you look so hot right now drooling all over my dick."
you smile in satisfaction and carry on. you pick up the pace, head bobbing up and down rapidly as you suck him off with your ass jiggling in time with your movements. you deepthroat him again and stay there for a couple seconds, moaning so the vibrations from your throat send him into a new plane of ecstasy. your eyes water slightly from the pressure but you continue at a slowly increasing speed, feeling him get closer to climax as his groans of pleasure grow louder.
then your final weapon. you enclose your lips around his tip while your hand remains wrapped around his length, and suck.
"f-fuck. oh my god. fuck." he breathes, stuttering from the sheer stimulation. your lips targeting the most sensitive part of his cock while you jerk him off sloppily drives him insane. he screws his eyes shut and moans.
"i'm close," he pants. you maintain the pace and carry on sucking and licking the smooth head of his cock, making eye contact with him once again.
and he shatters.
with a deep grunt, he cums, hot fluid spurting all over your tongue. you slow down the movements of your hand and suck his tip clean of every last drop of cum, then swallow, releasing his cock from your mouth with a pop. you move the hair out of your eyes, slightly out of breath and panting.
he looks down at the scene before him: his cock covered in a mix of spit and precum, your chin covered in saliva, cheeks red and lipstick smudged. he holds your chin and wipes a smear of pink away with his thumb.
"have to give this one to you, baby. you never fail to surprise me." he laughs wearily as you gaze at eachother.
taerae's face is flushed and his pupils waver from side to side as you kneel before him a mess. hair tangled, makeup smudged...
you hold up the stopwatch.
"five minutes twelve seconds. think you can beat it?"
he takes a moment to regard you, then smiles, leaning forward in his chair with a knowing expression.
what you didn't know was that taerae was just as competitive as you- if not more. and while you had gone above and beyond his expectations right now, he still had something in store for you that would have you folding immediately.
planning, organising, calculating like a true 'T' on how to give you the fastest orgasm of your life. you didn't stand a chance. he smirks at you with an air of utmost confidence, caressing your cheek.
"i think you'll be surprised at what i have in store for you, jagi," he breathes in a deep voice.
and you find yourself a little thrown off by his sudden resolve, thinking you hadn't crumbled him to dust as finely as you thought you had. but overwhelmingly what you felt right now was... lust.
his dimples appearing as he flashes that sly smirk, eyes filled with competitiveness and that quiet confidence that made you very aware of how your core was soaking wet and throbbing.
noticing your expression, taerae chuckles again and leans forward so your faces are only inches apart.
"let's see what you have to say to my plan." he whispers in your ear.
*and the game continues…*
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wastelesscrafts · 1 year
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Project: crocheted top
Thanks again to everyone who gave me good crochet 101 resources last year! I've been having a blast learning how to crochet.
Introduction:
I finished this top a while ago. It's kind of improvised, containing various stitches and squares I found in library books. The yarn's a beige cotton I had in my stash.
I used this project as a challenge to try out as many different techniques and stitches I could think of, making it a great learning experience.
The project:
The shape's a very simple T-shape, with buttons at the shoulders to make it easier to slip over my head. It's basically a tube body with a rectangle at the top for sleeves.
I started out by making enough squares for the bottom lace to fit around my hips. Once those were attached together into a circle, I evened out the edge with (US) single crochet stitches while also adding a tiny bit of shaping. I then started my tube for the body, which consists of a strip of lace and a double crochet flower pattern.
Once the tube reached where I wanted the sleeves to begin, I made enough squares to fit the width of the tube plus four extra squares (one for the back and front of each sleeve). I wanted to try and see if I could turn a square into a triangle, so two of those squares ended up being triangles in the front of the top.
Once all that was attached, I built up the rest of the sleeves and the neckline and worked buttonholes into the final rows.
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[ID: a crocheted T-shaped top with short sleeves hanging from a wooden hanger in front of a white background. The top is made with beige cotton yarn and consists of multiple different types of floral lace and and squares. Four beige buttons sit at the top of each shoulder.]
Conclusion:
I fell in love with the versatility of crochet! It's such a cool craft if you love improvising as much as I do.
When I struggled making my first chain a year ago, I never thought I'd be creating something like this any time soon. Now when I look at this top, I can already see multiple things I would do differently next time.
That's the beauty of learning new things. If you allow yourself the time and kindness needed to practice and to learn from your mistakes, you'd be surprised by what you can do.
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noroi1000 · 1 year
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Kawaii Sensei
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part two
paring: Student Gojo (18) x sensei reader (22)
Summary: You are their new teacher. You are young, and they consider you very loving and kind. You're considered cute by one student. You are his kawaii sensei. And he loves you...
Warnings: short NSFW
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"Good morning everyone. My name is (y/n) (l/n). From today I am your new teacher." You said with a nice smile, looking at the three people in front of you.
Were you expecting a little more enthusiasm...
At least a little smile...
Meanwhile, you were standing there looking at the short-haired brunette who looked like she hadn't slept at all. On the other hand, they were dark haired in a bun with a neutral looking face (at least he looked nice), his face was neither serious nor smiling, so you consider it a good sign. The other boy with white hair looked like he wanted to leave here. As if he didn't want to be in this class at all...
"So..." You started clasping your hands together.
You're not much older than them... This is your first day as a teacher at this school.
You graduated from this school some time ago, but your skills weren't very high, so you couldn't count on being higher in the hierarchy. And since you like children, you chose to teach at the Jujutsu school.
Besides, teachers are very much needed in such a school.
Few people can teach in a school like this, and you were a sorcerer, so you had the opportunity. So you chose to teach kids instead of doing missions all the time.
"...Want to know something about me? Or tell me something about yourself?" You gave them a nice smile.
But the principal of the place came to the room. The man who just a few days ago became the principal.
He was the man you took over teaching this class. And you still did not expect what adventure awaits you while you teach this one white-haired boy.
He was practically your teacher a few years ago.
You even remember him well.
And he agreed to let you teach at least one class so that he would have a little less work.
He ran for the position of principal and succeeded.
Therefore, he will have a little more responsibilities. Now at least you'll do it for him a bit.
He's always liked you, that's why he let you go, and he believed you could do everything and look good.
However, you don't understand why he finds these three students troublesome...
Okay, even before you came here, you heard that the white-haired one is sometimes a problem. And sometimes with him his best friend.
You wish you had come here as their teacher now and not from their first day of school.
They are now in their second year. So they know more than the basics.
Besides, these two are already a higher grade than you...
It doesn't bother you because you don't care where you are on the level that much. Sometimes these divisions don't make sense...
You're semi-grade 1 and they're grade 1. And Yaga told you that their skill is still increasing so he's sure they're capable of going into special grade.
Therefore, you are not to save them.
You probably wouldn't be able to murder them in training... You don't want them to experience the same as you in training...
But they still look like well-built young men. So you can guess that Yaga has exhausted them already.
You're not a fan of 24/7 non-stop training.
Poor guys... You don't want to know what they went through before you were their teacher.
Now you're going to make sure they don't hate classes with you.
As far as you know, the white-haired one is Gojo Satoru, who possesses both of his bloodline's powerful techniques. Character description by Yaga: conceited, selfish, inconsiderate, irritating, but very capable and trustworthy. Addicted to sugar and sometimes childish.
The dark-haired boy is Geto Suguru. They both are best friends. He comes from a family of non-sorcerers and possesses the technique of manipulating curses. You are not to be nervous when you sense curse energy, because his cursed energy is just like curses. Character description by Yaga: more composed and calm. He can be like Satoru sometimes. A talented boy who will always get used to the situation.
And the girl is Ieiri Shoko. She's not often included in teddy bears because she's here learning to master the reverse cursed technique.
So far you've only received them. I guess you should make it.
"This is your new teacher. I have more responsibilities than looking after you, so I'm assigning you to her. Don't embarrass me in front of my former student." You looked at the man with a small smile and nodded that he might leave you.
As you stood in front of them, you began to get more nervous.
"I don't know where to start... I know you're training outside today... Sorry, but it's my first day as a teacher..." you said nervously. "The only thing I know about you is something from Yaga-san...your names as well as your skills. I'd like to get to know you more since we spend the next few years together. And who knows, maybe one of you will want to become a teacher later?"
You met the eyes of the white haired man.
You blush with shame. It must have been a bit visible, right? Since none of them even responded...
You hoped that someday you would be able to get close to them and start working with them normally.
It used to be. Half a year ago.
It was completely different now.
You were like a real teacher to them.
They did not expect that they would be able to be so close to the teacher.
They felt like you were their friend and not their teacher, even if you were giving them assignments or teaching them in class.
And there was something no one expected either.
According to one of them, you were adorable.
Cute sensei.
Of course you blushed when you found out. Because no one ever thought you were cute before.
But well, you didn't expect such a comment from anyone...
You were very protective of them.
You knew that your students liked you very much.
You got chocolates from Satoru on Valentine's Day. You don't know if it was a coincidence because he also ate his, or if he gave it to you on purpose.
You couldn't feel anything for the student... It was probably forbidden... You didn't want to take it badly.
So you stood on tiptoe and stroked his soft hair, enjoying the white stripes under your fingers.
You saw his blue eyes widen slightly as you did, and his cheeks flushed a nice pink.
You smiled at him, thanking him with all your heart.
It was the first time you got something for Valentine's Day from someone.
And you felt so good about it. Even if he was your student.
You didn't know that right after that he went to his friend with a big smile.
"Why are you smiling like that? And why don't you ever knock when you enter my room..." he muttered seeing the white haired boy sit down quickly on his bed and lay down with a big smile like an idiot.
It was as if he had overdosed on sugar even more than ever.
"Something happened to make you so happy?"
"She took the chocolates from me!" He said happily.
"Wait... Did you really give it to her?" he asked, his eyes widening slightly.
"Yeah! And she smiled! It was so cute! And you know what she did then?!"
"She's probably touched you somehow or said something nice... But there's no way she's kissed you... You'll have to wait until the grave with that fantasy...
"She stroked my head!"
"He often does this to us..." he replied.
He didn't want his best friend to get overexcited that you might let him in.
Geto knew very well that his best friend fell in love with you.
First they talked about you, and then he started to think you were cool. Until the end, he thought you were pretty and charming.
You never did anything they didn't want. You were still their teacher, but your teaching was so much better.
You weren't that strict, and you asked what they wanted.
You were kind and so soft.
It was cute.
And Geto might have expected Gojo to be attracted to you.
Someone who likes your behavior and enjoys your company.
Until one day he told him that he must have fallen in love with you.
He couldn't stop thinking about you.
He didn't like to see you walking next to anyone other than him.
He was even jealous that you gave him less attention than usual. Then he would come to you asking for an explanation of something he knew very well or wanted to ask for help with a non-existent problem. Those were his excuses to meet you to give him more attention than others.
"But she did it to me with such a cute smile!"
Geto didn't want him to be disappointed by unrequited love...
You were older than them. Perhaps you already had a boyfriend or husband. It would be very difficult for him to dissuade Gojo from loving you. But for the sake of his psyche, he wanted to do it.
He didn't want his friend to be heartbroken.
"What if (y/n)-sensei got other chocolates, like from her boyfriend?" He asked.
He preferred to gently show him that it may turn out that there is already someone in your life.
They didn't know exactly how old you were, and they didn't know much about your private life either.
There was no wedding ring on your finger, and you didn't talk on the phone often, which you basically would if you had a boyfriend or a husband.
It might also be surprising that you had a house near the school and when they were there because you invited them to dinner, they didn't see anyone but you there.
It's like there's no one else in your life.
Sure, Geto doesn't prohibit Gojo from having a happy relationship. However, he didn't want his heart to break if it turned out otherwise.
"I've never heard that she has anyone."
"Satoru, we don't even know how old she is."
"She's a little older than us. She's only just qualified to become a real teacher."
The dark-haired sighed.
"I don't want you to react badly, but we don't know what she thinks of you. She might as well consider you a nice student. I'm sure she would never play with your feelings, but I don't want you to be disappointed with your feelings." He said calmly. "This is probably the first time you fell in love with. You're happy, I get it. But..."
"I know. What do you say we ask tomorrow how old she is? I doubt she'll refuse to answer us."
That's how you ended up walking between them as you headed to the field to practice.
You felt more and more squeezed by them. Why did they have to be so tall?
You felt Satoru getting closer and closer to you.
Until you finally heard the first question you didn't expect.
"(y/n)-sensei, may we know how old are you?" he asked suddenly coming very close to you.
You looked at him questioningly. But you felt so small and intimidated by his eyes.
"I'm just asking out of curiosity... I've heard more than once that you're only a little older than us, so it's just curiosity."
"...Um... Satoru-kun... I'm actually 22 years old. Soon 23." You said calmly.
You couldn't stop thinking about the warmth of his touching your skin.
Satoru-kun is handsome, but you can't think of him other than as a student. It is true that your young mind is speaking here, telling you that you are of similar age and you could at least try. Because he seems to be interested in you somehow.
You like him a lot. Maybe if you weren't as a teacher...
He's 18. I'm sure he'll find someone better than you.
You were snapped out of your trance of thoughts by his next personal question.
"Do you have a boyfriend?" He asked looking at you.
You blushed and jumped back slightly at the question.
"S-Satoru-kun, I-I don't think it should matter, right...?" You said nervously.
Suguru didn't answer.
"I just wanted to know. A cool sensei like you doesn't deserve any asshole."
Your distraction made you really careless.
That's why you didn't even notice that you were about to come down the stairs. You were all red because of his words. And you didn't notice the dip under your leg.
"Wah! Be careful!"
You heard just that and felt him pull your arm back, wrapping his arms around you.
When you realized that you had almost fallen down the stairs, you were pressed against your student's chest.
If only you were older, he wouldn't even want to be so close to you!
You could have skipped a few more years until you were in your thirties!
Maybe then your mind wouldn't rather take vengeance to heaven when you look at your student you could practically say you love...!
You wanted to burn yourself with shame...
You were supposed to look after them, not them you.
"Wow, be careful, kawaii sensei." He said, pushing you away gently.
What did he call you?!
"Umm... What?"
"What?"
"Um..." you murmured.
"What "What?", Sensei?"
"...Nothing..."
You tried to leave to join Suguru at the bottom of the stairs.
But he grabbed your hand.
"Is it what I called you, sensei?" He smiled.
It was a cute but slightly cocky smile.
But with something like this on his face.
Maybe you can quit your job here before your face catches fire from the heat?
This was your second such situation.
First chocolates, then you hear a student call you cute, then he practically asks you to pat his head like you always did and now he hugs you, asks if you have a boyfriend and also calls you "kawaii sensei"?
What is this?!
You were nice to them because you wanted to. But you didn't expect that someone who didn't seem to mind having another teacher at first would suddenly start to be so close to you.
You are friends???
Are you any closer than you should be???
You are four years older than him!
And he is already an adult! You didn't expect him to act like that, he should be doing that to his girlfriend, not to the teacher!
He suddenly leaned lower to your face.
"You are kawaii sensei. My favorite teacher I've ever had." He chuckled and his lips curved into a kind smile.
Teachers can be close to students. And there is nothing strange about it.
But should it be that you feel butterflies in your stomach when he does something like that?
Should it be that he feels butterflies in his stomach when you're next to him? 
You tried to forget about this situation.
But he didn't know how long he would last.
You gave them a completely different job than usual. It was an art class.
You didn't feel like doing anything, neither did they.
So you wanted to teach them to do some origami. It can be very relaxing if you have to talk about it.
A change from those activities that even you get tired of sometimes.
You're also fed up with the fact that you feel so warm in this classroom, and your bed at home is often cold and empty.
Their energy here is nice. And there's only you in your house.
It would be a nice change if you ever had any visitors there.
Why don't you invite them to dinner sometime?
You practically didn't answer Satoru's question he asked earlier. What could you say? You don't have and have never had a boyfriend.
When you went to school here, you were alone in the class. Turns out your year didn't have that many sorcerers. However, there were more people in classes older than you and younger.
You tried your best to be a warm and kind senpai to the younger ones.
That's why you liked the idea of ​​becoming a teacher.
You calmly ran Suguru's fingers over the paper, showing him how to fold the paper properly.
Satoru wondered how nice your hands felt...
He wanted you to show him that too. And she touched his hand.
He was jealous of his best friend.
"Sensei! Can you also show me? I think I ruined it." He said, raising his hand to get your attention.
Honestly, you didn't expect them to be interested in doing this at all.
You walked over to the white haired boy.
He showed you a piece of paper in front of him.
"How do I start?" He asked looking at you.
"Bend the corners of the paper inwards." You said pointing to the right and left corners.
"How?" He asked.
He knew, but he wanted you to guide his hands.
You took your piece of paper and showed him how to fold it.
"Sensei, from what I can see, you folded the bottom corners of the paper."
"You have to do it with the upper ones." you said.
"will you show me I don't want to spoil it."
"What kind of origami do you even do?"
"I wanted from a heart template. It looks nice." He said calmly.
You also tried to stay calm.
"Fine, so bend like in the template I gave you, what to do step by step."
"Will you show me like you showed Suguru?" he asked with puppy dog ​​eyes.
Until you finally gave in.
You stood behind him, grabbing the piece of paper in front of him. And you folded the paper.
You gave him a list of how to perish the paper.
"How am I supposed to hold it?" He asked.
You felt like you were with a child.
But you grabbed his hands and fingers, guiding them.
You smiled slightly. You were curious how big his hands are compared to yours. And that really was the difference.
And he smiled at the feeling of your warm hands.
He tilted his head back, looking at you.
Sending you a warm smile.
"How about I bring you cookies tomorrow?" You asked pleasantly.
You could somehow distract yourself from how cold it was in your house sometimes.
You were smiling all the time at school for them. But you really wish you had the same at home.
I think you need to find yourself a boyfriend...
Because it's probably impossible for Satoru-kun to be so interested in you.
I was making cookie dough when he came home. Until suddenly you heard a knock on the door.
You quickly went to see who it was.
You saw Gojo who said earlier that he can help you prepare the cookies.
You appreciated his help.
But he came with other intentions.
Either you reject it or you accept it.
You either you reject him , push him away, or hit him back.
The moment he kicked off his shoes and the door closed, you felt his lips on yours.
When his body pressed you against the wall in your house.
He wanted to at least enjoy this one moment. Even if you could have rejected him.
However, you never behave the same at home as you do at school.
You are such a nice and sweet person. And such people who care for someone else cannot be neglected by being home alone. With no one around.
You could have pushed him away, punched him in the face.
But you didn't.
Especially after he mumbled into his declaration of love.
You didn't push him away. You didn't hit. You didn't reject his feelings.
You just accepted it.
He's young, but his heart doesn't lie.
He loves you and doesn't want it any other way.
He wants you to be together.
That's why...
That's why you didn't reject him. Because you started feeling the same.
Especially by his behavior.
The warmth he gave you.
You finished the cookies with him. With his arms around you.
With his mouth on your face or neck while you had your back to him.
Your house has become pleasantly warm. Thanks to him.
You waited for the cookies to bake, kissing without saying a word.
Was it really okay?
It was fine...
You weren't much older than him. He's an adult and he's decided he wants it.
Your bed hasn't been this warm in a while.
It got hot as you lay underneath him, your legs spread wide for him, as his oversized cock for a young man rammed into your virgin pussy. By ridding you of any illusions that he loves you.
His hands held you tight as he moved faster and faster, hitting your wet walls.
Your first was your apprentice. And you don't regret it. Because he is someone you love.
You're 22, and now you've found happiness.
You might not even have left Jujutsu High. You could have stayed there and watched him first appear there.
It would leave you a little more room for imagination.
You could see his whole body now. When naked, he hovered above you.
His muscles rippled with his every move.
And you can't stop thinking about how handsome he is.
Your back arched as he made you moan for him.
He beat against your body at a steady, hard pace as you got used to the new feeling of his cock stretching.
"Several times I've thought how nice it would be to have you like this..." he groaned. And his words mixed with his breaths and your soft moans as well as the sounds of skin slapping against skin.
Dirty scenes flashed through your mind as your student jerks around in his room saying something he would say to you.
And so it was.
He did it by imagining you underneath him.
That he was cumming on you instead of the sheets.
And now his erotic dreams have come true.
Because he could bury his cock in your tight pussy and touch your body. See you whole.
Hear you moan his name.
So your red face that contorts in pleasure.
After all, he had his kawaii sensei the way he wanted.
And he will no longer share your attention.
Because he is your warmth at home.
You are his happiness.
You could spend as much time with him as he wanted. You didn't have to worry about the cookies burning.
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girlbossagenda · 2 months
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How to get better grades in school?
HOW TO GET BETTER GRADES IN SCHOOL
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Hi gourgeous!!This is a very relatable question. I will be honest winter it's really the worst season for grades, i mean theres: the winter blues, procrastionation, busy schedule, lack of motivation...which can really have a very dentrimental effect on your grades, so based on my experience this is how to get better grades in school!!
୨୧SET MORE SPECIFIC GOALS୨୧
This will give you a boost of motivation, writing down the exact pages that you have to do can be really helpful, especially if you feel lazy, example:
read history today->read 10 pages of history->read and highlight 10 pages of history
୨୧STUDY TO GET THE MAX NOT THE MINIMUM୨୧
There's a theory that says, that you get half a grade less than what you might have planned, so just got for the max or at leat more than the sufficience.
୨୧MAKE A PLAN୨୧
I linked in the title my brand new guide to how to plan better and eventually stop procrastinating!, having your study sessions well scheduled can be of a great help, indeed it help me, especially to avoid lowering my grade in case of a very busy month.
୨୧DON'T ACCESS YOUR PHONE୨୧
Don't access your phone or social media while studying, if you can't help it, they go on Pinterest and make sure to only see productive pics and content, you can also watch a study with me video in the meanwhile, I don't suggest study vlogs as they can be quite distracting. I recommend though to just put your phone in another room or in a no visible placement.
୨୧STUDY GROUP୨୧
For subjects that are not your strength try to join or make a study group with your friends! You can also just go on face time or in a call with them, a little bit of company cannot hurt!
୨୧PERSONALIZE YOUR NOTES୨୧
I love when my notes are girly, pink and full of coquette symbolsz choose the aesthetic you want and add them to your notes( paper and digital), it's just easier to remember, also add some drawings.
Sorry for how late I am, stay in tune cause in the future I'll post some study technique! I hope I helped! xoxo gourgeous!
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