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#and i got drama
stark-alchemy · 1 year
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AY YO!!! shut up!!! this is gunna be the only thing I talk about for weeks!!!
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It's sketchy and a bit uggo but ummmmmmm this scene here!
OOOOHHHH!!!! can I just sat that the acting in The Sun and Moon Show is so fucking good along with the scripting! Fuckin GGs to everyone on the team and Davis and Universal for such brilliant acting. Ya'll know how yo break hearts and I'm HERE FOR IT!!!!
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fence-time · 1 month
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deepfriedsquash · 11 months
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🖤 the black sheep of the solar system, clad in their finest ninth house regalia 🖤
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royalarchivist · 1 year
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For those who missed it, here’s Phil slam-dunking Quackity’s face into his birthday cake LMFAO, I love their friendship dynamic
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hedgehog-moss · 4 months
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9am: Pirlouit & I are waiting for the farrier; it's Hoof Day! The farrier always tends to run late so I have a thermos of tea and a breakfast pastry to eat as we wait. Pirlouit has been offered some hay and has refused to eat it because he's sulking because it's hoof day.
Isn't it nice to get a pedicure, Pirou?
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9:10am: The farrier is late and Pirlouit is worried, wondering what we're waiting for here on the road. Maybe he has been sold? to a sadistic new owner? who's going to shove him into a crate and send him to the salt mines like the donkeys in Pinocchio? Plus, he's more stressed than usual today because one of his hooves hurts (hence the farrier appointment), he's been limping for a few days and he doesn't know what the farrier will do to the hurt hoof. I told him there's only a 30% chance that he'll amputate it.
9:15am: Pirlouit's family is here to support him though! Or, in the case of Pampérigouste, here to puzzle out a vexing mystery.
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9:17am: The llamas have grown bored of standing there in support and have started eating the brambles near the gate (supportively). Very good initiative, I approve. Also I thought Poldine was trying to eat the brambles outside the gate (greener on the other side and all that) but no, she was trying to fit her head through the bars for a little kiss </3
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9:20am: Even Merricat is being supportive. (Well, she's waiting for me to go home so she can finally take her first morning nap in my lap.) Also Pirlouit has found some grass under the leaves and temporarily forgot all of his worries.
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9:22am: Poldine is determined to kiss this cat.
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9:24am: The farrier is here! As always he starts doing Pirlouit's hooves right there in the middle of the road, and if a car shows up well, "they can wait a few minutes... On n'est pas aux pièces" (this is a phrase for "there's no rush" that I've never heard anyone but my grandma use, it's nice to hear it again!) There aren't any cars anyway.
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9:27am: Pirlouit's hurt hoof has been diagnosed: he has an abscess. Since this autumn has been relentlessly rainy I thought perhaps it was a fungal infection—but the farrier told me he's been treating a lot of abscesses lately, as the very wet weather softens hooves which allows bacteria to enter.
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9:30am: The abscess was successfully drained and Pirlouit is now wearing a fashionable hoof bandage. He was very calm and brave throughout <3
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9:35am: The farrier left his car by the side of the road, and after releasing Pirlouit we crossed the pasture to go home have a cup of coffee.
9:45am: The farrier is gone; end of the post :)
10am: Pampe is gone, too.
Well, she probably left around 10am but I didn't immediately find out as I had more pressing problems. After the farrier left I went to get a small apple to reward Pirlouit, and when I returned to the pasture and he came over for his treat, I realised he was limping. But on the other side. We've just treated his right front hoof, and he is now holding up the left front hoof...
9:57am: After giving Pirlouit his apple I go home in a hurry to call the farrier and ask him to come back. But there's almost no mobile service around here and I can't reach him. This is so frustrating, he can't be very far... On a hunch I call a horse farm not far from here, maybe it's hoof day for their horses as well?
10am: It's not, they have no farrier appointment today, but when I explain my predicament the woman on the phone goes "if it's just to drain an abscess I can send you a guy who'll do it, no worries!" Every time I've had someone from this farm on the phone to ask something or other, they've offered to Send Me A Guy. It's never the same guy too, they have an endless supply of guys.
10:05am: Having accepted gratefully, I return to the pasture to catch poor Pirlouit again, who thought I was done bothering him for today. As I wait for The Guy, I find a spot with some unexpected mobile service and start googling hoof hardeners, because maybe if Pirou's prone to abscesses it's worth having something in prevention for wet months?
10:15am: I receive a text from the guy.
"Is it normal that your llama is on the road with a dog? They are going to [village]."
10:16am: I reply to the guy.
"It's neither normal nor abnormal."
10:17am: I tie Pirlouit to a tree and run back to the barn to get some muesli. Then start running on the road, trying to figure out how Pampe escaped, and the answer seems obvious: after his coffee the farrier crossed the pasture again to get back to his car, and he knew about the Special Anti-Pampe Safety Knot 3000 but either forgot and closed the gate like a normal person, or didn't do it correctly. Pampe in her little llama brain knows very well that most visitors don't know about the Anti-Pampe Knot so she hurries to check the gate after a stranger leaves her pasture. Meanwhile I was busy noticing Pirou's limp and trying to call the farrier back and I didn't check the gate as I usually do.
10:20am: The guy has found me trotting on the road with my muesli and picked me up in his car. We go back to where he last saw Pampe. I apologise for wasting his time and he tells me "I've heard of your llama" in a tone half-sympathetic half-fatalistic.
10:24am: Pampe & Pandolf have been located; are having the time of their lives. Pandolf is a bit sheepish when I call him, though. He loves going on adventures with his best friend so much but he knows it's a bad dog thing to do for some reason :(
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10:34am: The Guy is trying to push Pampe forward with his car while I try to attract her towards me with my muesli in a carrot-and-stick routine; Pampe occasionally veers off-road to eat some leaves, inspect the mud in the ditch, pretend to admire a cloud while secretly brainstorming strategies.
Guy's commentary: "This is worse than dealing with an escaped horse. I feel ignored. I feel powerless."
10:39am: Pampe is home! She didn't actually go very far. But since she hadn't locked the gate behind her, when we arrived we found Pampelune on the road as well, just sort of waiting for us like a sentinel. Pirlouit was still tied to his tree staring at his inexplicably orange foot, and Poldine was panicking because her mother had abandoned her for the millionth time and her grandma had left the pasture too and she couldn't figure out how :((( All she had to do was fiddle with the gate with her nose really, but it never occurred to her to do so, she's too innocent. She only inspects gates in order to figure out how to kiss someone through them. So she was alone in the pasture trotting in circles, making undignified sad goat noises when Pampe & I returned.
10:53am: Pirlouit's other hoof has been treated, hopefully he'll feel better and stop limping soon... I'll have to remove the bandages with scissors, clean both hooves and re-do the bandages in a couple of days which is probably going to be a whole Thing, considering he's suspicious of buckets of water and scissors and objects in general. But as for now everyone is in the pasture having some celebratory hay and Pampoldine is deeply relieved to find that she hasn't been abandoned by everyone forever (as she assumes every single time.)
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Also I realised I only paid the farrier half of what I owed him... I had prepared the exact sum but I had half in one pocket and half in another which was a risky idea. And neither of us checked what I was handing him, or noticed. He called me back when he arrived in a place with mobile reception and I told him about the whole affair and he said it's a good thing I accidentally paid him half because he didn't see the other abscess and failed to make the Anti-Pampe Knot 3000 so "it's a fair discount." So I got a half-price farrier visit thanks to Pampe (partly)... I won't tell her because she already thinks she's doing the world a favour by escaping (free fence integrity checks, free cardio training for me by forcing me to do interval running, free entertainment for everyone, plus her modest contribution to cosmic chaos.)
11am: I meant to take an "all's well that ends well" photo of the whole family but I realised Pampe is making her angry hammerhead shark face because her adventure was very short-lived and I didn't even take a picture of her escape, as I'd left my phone in my coat pocket under Pirlouit's tree (& supervision) when I went after her. (I figured I was about to run for 15min and would not need my heavy coat)
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She thinks I did it on purpose to demoralise her by refusing to document her victories. But she's not giving up.
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waterghostype · 3 months
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crusty kid
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bigbababooeyboobies · 3 months
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erm…yuri ⁉️⁉️⁉️⁉️
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swedenis-h · 4 months
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When did it happen?
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cyanastrologist · 1 year
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❌ Ned Fulmer was fired for cheating
✔️ Ned Fulmer was fired for tarnishing his own brand, and becoming a liability to the company.
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cuddlytogas · 15 days
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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doobledabbadoo · 7 months
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noah doodles bc hes fun to draw 💔💔💔 hope he gets hit by a meteorite /pos
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Katrina van Tassel's rose cape in Sleepy Hollow in 4k
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outer-stars · 8 months
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"hey, it's that waybright kid"
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st-hedge · 2 months
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That emo guy from the sekiro game
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@somerandomdudelmao not gonna lie, I really struggle to match the color of his eyes fr fr
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fraternum-momentum · 2 months
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bonus: "washing off" Kylar's wounds:
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