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#and dnd does not make it easy
aeruthien · 1 year
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Now we've seen Whitestone, I want to comment on Culture in Critical Role, and how there are some fundamental aspects of DnD which make it unsuitable for exploring cultural differences.
I've seen some very valid posts about how Marquet in C3 isn't used to its full potential as a cultural setting, among others because most of the PCs are not native to Marquet. But while I fully agree, I want to broaden the argument even further: neither were Wildemount, Xhorhas or Tal'dorei.
I believe that Dungeons and Dragons is ill equipped to explore cultural differences, because there are key aspects of culture that it actively ignores: language, food and weather.
To start with language. In almost all versions of DnD or fantasy, everyone speaks common. This solves one of the main issues in world building, because it allows the players to travel the world without the issues that stem from not speaking a language. However, language is one of the main tools people use to distinguish themselves from others. Language, accent, tone, vocabulary and even grammar change based on who you are, where you come from and whom you're speaking to. But because everyone in Exandria speaks English like the cast do, they have a uniform culture, whether they are from Wildemount, Tal'dorei or Marquet. Even Caleb, who comes closest to breaking this pattern, is not truly Zemnian, because Liam (and Matt) doesn't actually speak German. Apart from the German accent and some German words, he doesn't speak like a non native German English speaker would.
Next up, food. Apart from some quick mentions of breakfast or dinner, food is almost always an afterthought. The Bell's Hells do not stop for lunch, and rations are almost never a problem. However, food is intrinsically linked to culture. What food is served, when food is served, and with whom food is eaten differs from place to place and from class to class. Is the food imported or is it grown locally? Is food served at 6PM sharp or much later? Do you eat with the whole family and is there always a surplus or do you have to fight for the scraps? What is the street food like? What spices are used? How does Xhorhas' cuisine differ from Wildemount, given that they live in perpetual night? But ultimately, the pie in Marquet is no different from the pie in Byroden, because again, the default will be the casts' default.
Finally, weather. While it might seem arbitrary, weather influences almost all aspects of our lives, from our homes, to our clothes, to our relationships. Is it warm enough to sit outside during the evening? This will encourage parties and late bedtimes. It is cold and rainy? People will sit inside pubs to stay warm. Colder and warmer climates, hot and dry climates, each of these influence when people are active and how they behave. Apart from the extremes, like the snow in Eiselcross, or the heat in the Fire Plane, the characters never have to deal with rain, or mist, or cold. They don't have to take shelter, they don't wake up cold, they don't need to keep a fire going or set up tents. And as such, there is no difference between a warm and hot jungle surrounding Jrusar or a high mountain trail in Zephrah, nor are the people who live there different.
There can be much more said about each of these three aspects of culture, and there are probably more examples to be given. And this is not intended as a excuse, or a reason for Matt not to try better. But sadly, DnD as a system glosses over most of the day-to-day interactions that make a city a particular city, or a culture a particular culture. And the default will always be the players' default.
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feymarche · 1 year
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gotta get all my LINCOLN thoughts DOWN while im relistening to this godforsaken podcast. here's just some stupid observations that i wrote a whole thesis about for no reason
here's two things we know:
- lincoln was raised to always be honest about his feelings
-- despite this, we consistently see lincoln distracting himself whenever big, hard feelings come up
after the grant sauce scene outside the classroom in episode 7, lincoln doesn't take the time to process anything that his father has said to him. he asks normal if HES doing okay after the conversation with Sparrow, and then immediately changes the subject and tells everyone that they should ditch school and go to Sonics so that he wouldn't have to think about it.
and hey, that's all fair; that was some heavy shit to lay on a teenager, and he'd need a lot of time to process it, but we see Linc consistently choosing not to process it.
later, during the grant arc on earth, linc chooses to drive specifically because it's easier not to think when he's driving. when he leaves a voicemail to Marco telling him that he might never talk to him again, a really hard conversation for linc to have, linc ends the phonecall saying, 'no, this was a bad idea, everything's fine-- prank!'
(and it's not fair to say that linc telling scary that they should look for her stepdad first is also evidence that linc does this when part of it was a structural thing to mimic season 1's anchor order, but it IS consistent with linc avoiding hard emotions)
and all of this isn't even inconsistent with him being raised to always be honest! linc never had to deal with big, hard emotions like this, he's only ever been super sheltered and homeschooled and safe. if linc ever felt lonely or bad, his dads would find a way to accommodate him through some form of enrichment, and if the enrichment didn't help, matts made it clear that lincoln's favorite time of the day is when he can just be alone in his room in the space under his bed where it's calm and peaceful and he doesn't have to think about anything. linc is honest about his feelings up until they become so complicated or painful that he doesn't know how to be honest about them. linc is extremely blunt up until he doesn't know how to think about his feelings without getting hurt
grant talks about how he worries linc's relationship with soccer is an emotional distraction. he worries that linc is using soccer the way grant used violence to shut down his thoughts. and sure, linc genuinely loves soccer, it's a harmless interest to have (especially when you don't have the opportunity to have many other hobbies), but Grant recognizes that linc is using it as an emotional crutch-- or at the very least worries that that's what he's doing.
and thats the one thing that grant cant really explain to linc as a parent! if grant stops him from playing soccer JUST because he's worried, he'd have to explain WHY he's worried, and grant cant really do that. he can't talk about how much he likes killing people around his son if he isnt sauced.
and with the main big, scary emotion that lincoln faced in his backstory being mr. kicks, i'd bet lincoln dealt with that feeling by doing a lot of the same. distracting himself with soccer or zoning out entirely. i'd bet grant watched linc avoid any and all discussion about mr. kicks and instead focus on getting better at soccer. there's no way to prove that, but it's consistent with matt's character choices.
so here linc is, going through puberty, spiraling into apathy and avoidance and being like WHATEVER and WHO CARES to everything. this most recent episode was the biggest change in his character yet; he gave up soccer, said it was a waste of time, and broke that goddamn pick.
he doesn't really NEED soccer anymore now that he's learned that he doesn't need an excuse to be dismissive or avoidant anymore; he can just do it. he can just say whatever now. he can just brush people off. he can be abrasive and distant, just like scary.
and it's sad because man, he did really love soccer, even when he was using it for the wrong reasons. he really did love his family and friends. he had the strongest values and the strongest moral compass and he really, really believed in being a good person. but now he's having to deal with big, scary emotions for the first time, and he has no way to know how to deal with them, even with all the therapy his dads gave him. agughghhghghg lincoln li wilson
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aq2003 · 11 months
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hate it so bad when i see takes that make me want to put on armor and defend white man from my dnd show #3 but i truly dont believe anybody can come away from trw thinking it's ruined bc matt is boring unless they go in primed and ready to hate the whole season just bc the critical role man is there
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brokebark · 2 years
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It’s been a week or so since I followed you and I FINALLY got your url nice
HAHA thank you . i was proud of it when i came up w it lol
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grapejuicegay · 2 years
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i’m trying to catch up vice versa and they’re pushing bad buddy on me? like,,, I KNOW
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varjopeura · 21 days
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toast1862 · 1 month
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oh fuck i forgot my plan was to give the silly elf man action surge at level 12. 5 gloomstalker 5 assassin and 2 fighter. up to 5 shots in one turn with a myriad of ways to force them into criticals. i love this build, if i wasn't fond of him i'd use it myself
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auroradicit · 11 months
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My therapist said "Listen, girl, it's a love addiction" She gave me a book on that Did you read it? laughs No! My tarot cards read There's a dead man clinging to my aura And to let go of the past
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cryptotheism · 3 months
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So, Moses is a cleric, Solomon is a wizard, Joshua is a paladin, David is a bard, Jesus is a sorcerer, his apostles and Paul are warlocks, Elisha is a druid, Elijah is a monk, Samson is a barbarian, Tahkemonite along with Eleazar and Dodo are fighters, John the Baptist is a ranger, Jacob is a rogue
I'm really cautious about using DnD terms to describe nuanced historical metaphysics like this. DnD's cosmology is a mess. I don't know how it works because the writers don't know how it works. It's very easy for readers to come away with the wrong impression, and tbh it often comes off with this corny-ass "hello fellow kids did you know the Buddha was literally a hecking druid" type energy.
I wanna stress: This is fun to think about, but please don't treat this as meaningful analysis of real-world religions. I wanna demonstrate how quickly these terms break down when you're looking at actual historical metaphysics.
If we wanted to analyze biblical characters with DnD terms, every Charismatic Jewish Holy Man would be classified as a warlock. Moses is not a nebulous intermediary between gods and mortals. The man famously had a covenant. The whole covenant thing is a pretty important part of Judaism. But then again, that brings up problems for what the destruction of the first temple would mean for the classification of Judaism. Does the development of the rabbinical system suddenly turn everyone from warlocks into clerics? Within Judaism, the word of God is the law under-girding the whole of the world, including nature. Does that make every Rabbi a druid?
Jesus certainly wouldn't be a sorcerer, hes just a God. His power isn't hereditary, he is literally God. Calling Christ a sorcerer would be heresy.
Solomon is a wizard. The DnD wizard archetype is quite literally based on the biblical character of Solomon.
Samson is kinda a paladin? I'm not entirely sure what he would be classified as.
The Apostles are tricky, because their classification would probably change as the doctrine developed. Initially they would probably be classified as warlocks who "inherited" the laws and works of the new covenant with God, which is warlock metaphysics. But, several of them were kinda in charge of writing the new laws of the covenant, which I guess would be cleric metaphysics. Several of them also have priestly vows, which is paladin metaphysics.
John the Baptist is the only one on this list who could be considered a DnD Druid. Baptism as a rite probably has non-jewish pre-christian roots. I guess its the closest thing Christian metaphysics has to "nature magic." But my even suggesting that the power of baptism stems from a source other than God would be heresy.
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My brain refuses to sleep, so more drabbling! Probably modern-ish AU?
Steve makes a career for himself as a re-decorator (or de-decorator, as he loves to call himself). His clientele are those celebrities who rose to fame so quickly they have plenty of money, but they don't have time to make their houses feel like home. They just bought penthouses and mansions and now live in homes that are fancy, but they feel like hotels.
Steve is there to fix that.
One of his clients is the hard working rockstar Eddie Munson whose life path went from a trailer park to couch surfing to living with 4 people in a tiny apartment, then suddenly tours, hotels and boom! He has a house that looks like an IKEA prop.
He doesn't hide his distaste at the pristine condition of the place (yes, Eddie has a cleaner). "Oh god. A beige carpet?" he scoffs and he sounds so bitchy Eddie decides he likes him already.
He likes him even more when Steve puts on reading glasses. Damn.
Over coffee, they discuss what Eddie wants. Except Steve doesn't just...tell him. He doesn't give him any hints. He just keeps asking about Eddie's favorite colors, what movies he likes, does he have hobbies apart from music? Can Steve see some of the items that bring him comfort?
And Eddie's surprised. "Shouldn't you, like...be telling me what I'm supposed to want?" he asks the gorgeous man who almost wails when he sees the vase with fresh flowers ("This is the third place in a row that has this fugly thing! Is it like a status symbol? Uh, tasteless.").
And Steve just stares at him. "Uh, Mr. Munson?"
"Eddie."
Steve nods. "Eddie. Why should I have any say in what you want? If you ask me what's practical, easy to clean, what bounces off light well, that's another thing. But in matters of taste...you're the boss. You live here, I don't. (Pity, Eddie thinks) Now, let's change this place into somewhere you actually like staying, hm?"
They spend the whole afternoon talking. Eddie opens up about what he loved before the touring and expectations from his agent took that from him. He talks about the Lord of the Rings, Dungeons and Dragons, fantasy in general, and Steve listens, makes tons of notes and asks questions that make Eddie's heart bleed, such as "and who is your favorite Lord of the Rings character?" and "you mentioned elves, dwarves, orcs, wizards...so what is your favorite group?" and "which DnD class would you be then? I guess a bard? Is that too obvious?". Now, Steve doesn't know much about these things, but learns quickly and works with the info he has.
They walk through the house again, with Steve making notes and wincing at transgressions against humanity or at least against his taste in things ("Oh ew. EW. Glossy finish on a kitchen counter? What is this, a future crime scene?") and Eddie feeling equally amused and curious. Eddie orders dinner for them, it goes something like:
"I don't know what would be appropriate, any preferences?"
"Eddie, there's no time or space when pizza is not appropriate."
"What about a funeral?"
"It puts fun in a funeral."
"Touché."
They follow up on a bunch more things. Steve notices Eddie fidgeting and asks him like the mindreader he is if perhaps the place is too clean for him. "Minimalism is what everyone's trying to push," Steve says, not without sympathy, "but it's not for everyone. I hope you don't take this the wrong way, but you seem like a person who'd love a more....personal, cluttered space."
And god, Eddie feels so seen. He tells Steve about all his favorite books and trinkets that he lost during a horrible earthquake in Indiana, so when he moved to the city it was just some clothes and his two guitars. Steve makes so many notes. "I've seen quite a lot of collectibles for your beloved trilogy," he says with a hint of a smile. "Is that something you'd like in your home?" Eddie can't nod any faster.
They talk about the budget (Eddie just scoffs at that, for the first time in his life money is not an issue), Eddie's absolute no go things ("No more vases, please! PLEASE. Also maybe the one room that can stay as it is is the studio, there's no decor"), if he has issues touching any materials, if he wants to keep any areas in the house neutral for visitors (he doesn't). Then finally, he asks Eddie if he wants to be more consulted or surprised.
And Eddie, tired and surprisingly relaxed from talking to Steve, just grins and says: "Surprise me, big boy."
Steve just smirks and makes one more note. "Oh, I will, Eddie."
...
Eddie goes on yet another tour for a couple of months, which is the ideal time for Steve to start working on the house.
Steve sometimes texts Eddie random choices, such as "Rohan or Gondor or both?" or "what's the best pub in the Middle Earth?" and Eddie usually trips over his feet trying to get to his phone after concerts to see if maybe he has another message from Steve. He learns bits and pieces about the man as well - he has a younger brother, Dustin, who is into the same stuff that Eddie is. Sometimes it goes like this:
STEVE: What's the best battle in the LotR movies?
EDDIE: The Ride of the Rohirrim, duh!
STEVE: Dustin says you're wrong, it's the last stand at the gates of Mordor.
EDDIE: The disrespect to king Théoden!
And finally, the big day comes. Eddie meets with Steve at the door. From the outside, the house still looks boring, but that's what they agreed on. At least for now.
But there's one notable difference and Eddie gasps when he sees it.
"I know we said no changes on the outside," said Steve sheepishly, "but I took the liberty to make one slight change."
Where the door used to be bland and white, it is now carved with silver etchings. It replicates the Doors of Durin. Eddie loves it.
Steve smiles at him. "Speak friend and enter, right? Dustin told me. Anyways, are you ready?"
Turns out, Eddie wasn't ready. Steve took all of the shiny and sterile surfaces and turned them into something beautiful.
The kitchen is now in warmer colors, brown and green, imitating the Green Dragon inn, plaque included.
Guest rooms have been changed, each to represent a group or a nation of the Middle Earth. Eddie thinks his uncle will love the Rohirrim one.
No more vases are to be seen, but Steve got potted plants ("almost immortal, as long as your housekeeper waters them once a week or so").
Eddie howls in laughter when he sees that Steve somehow managed to disguise all his security cameras as tiny eyes of Sauron.
The bathroom is inspired by the Rivendell, with soft tones and nods to Elvish architecture.
Eddie's bedroom resembles the Shire, with round shapes and homely motifs.
But Eddie's absolute favorite is the living room.
The only things that remain there that he bought are the massive TV and his stereo system with records. The rest though...
Gone is the ugly and sharp couch that looked like a geometry exercise. The new one is large and comfortable, with a couple of armchairs to finish the cozy feel. The coffee table and TV stand are more rough looking, with decorative ironwork. And then, around the room and on the walls...
"Oh wow," whispers Eddie and Steve beams at him.
There are collectibles and figurines that young Eddie Munson would have killed for. A replica of the Narsil hangs over the TV. It's cluttered but tasteful, still easy to clean, but Eddie always has something to touch, to play with.
And then he spots the bookcase and actually sobs. "What the fuck, Steve?" he asks, but there's no anger, just awe. "How did you know?"
The bookcase is full of Eddie's most beloved books, all that he told Steve about and more, but it's not just that. These aren't just pristine new prints - Steve managed to get both those and well-loved used copies. Most of them are the same editions that Eddie had before the earthquake. He runs his trembling finger over the back of the Hobbit and it feels like home.
"That was the hardest part," says Steve and leaves Eddie to rummage through the books, the old DnD guides and used comic books. "But I assumed you're sick of new and shiny. In fact, most of the collectibles are already used as well. They have some history. As for the books, uh..." He scratches his neck, embarrassed. "I will be honest, I don't read much. Dyslexia and some issues with the eyes, although audio books are making it more possible for me now. So I had to ask Dustin for help. We looked for editions published before the earthquake. I hope we got some of them right?"
Eddie just mutters "Sorry, I'm about to do something really unprofessional now" and pulls Steve into a bear hug. And Steve reciprocates.
"Fuck, this...this is everything," says Eddie into his shoulder. "How did you do this? Are you magic. You must be magic."
Steve grins. "I take it the surprise was a success then?"
Eddie finally pulls back. He would have loved to keep embracing Steve for a bit longer, but boundaries. "A total one. Wow. I mean. It's a lot, but so good. SO GOOD. How can I repay you?"
"You already paid me, Eddie."
"You know what I mean!" Eddie points and the books and apparently also a DVD collection he now owns. "This must have been so much more work than you normally do, no? I doubt every client has you memorize the members of the Fellowship."
"Not just that, but also why Sam is the best," Steve smiles at him and fuck. Eddie might be in love. "It was more than usual, but I loved it, Eddie. That's why I like my job so much, helping people find themselves again. You don't owe me anything. Although, if you're offering..."
"I'm listening."
Steve runs his fingers through that majestic hair. "So, I didn't tell Dustin that I was decorating the house for you, but he's a huge fan of your music. Like, massive, has every album, has been following your career from the start. And feel free to tell me it's too much, you are my client after all, but...he'd love to meet you. Over a pizza, maybe? The plain ham and cheese one you like so it doesn't have too many flavors?"
And Eddie melts. Because Steve still remembers his pizza choice from months ago, even though this definitely wasn't in his notes. He decides there and then that Steven Harrington is a national treasure.
"Sure, big boy," he smiles at Steve, and hopes he didn't imagine Steve leaning into the touch. "How about you invite him over for a movie night or something? With pizza of course."
It looks like Steve could kiss him, but he doesn't. Not yet. That only happens a week later, when they bump into each other in Eddie's kitchen when they scramble to make more popcorn for Dustin.
Steve stays the next night. And maybe a few after that. Always in a different themed bedroom.
They travel for work a lot, but when they are both in Chicago, they always meet in the Green Dragon kitchen, cuddle in the bed that would be far too large for a hobbit, and in the night, Eddie wraps himself around Steve and whispers: "My preciousssss."
And Steve can't really complain, because it's his fault that his boyfriend has re-discovered his dorkiness, so why would he mind?
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steddietogo · 9 months
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Wait wait. What if Eddie is the one that meets famous Steve and doesn’t know who he is. Now with a Part two!!
They meet at a run down bar Eddie works at which doesn’t get a lot of patrons that are easy on the eye, so Eddie happily responds to the flirting. They exchange numbers and Steve leaves him a hefty tip.
They almost never go out in public, Steve says he has a thing about crowds and Eddie doesn’t think much of it. They spend a lot of time together. Steve’s house is nice and is a lot more quiet than Eddie’s place with the paper thin walls. He lets Eddie work on his novel there whenever he wants.
Steve’s funny and nice and always actively listens to everything Eddie has to say. He meets Robin who narrows her eyes at Eddie the first couple times (Steve swears she’s just over protective) but eventually warms up to him. He also meet the neighborhood teens that constantly barge into Steve’s place to bully him for fun.
Steve who’s an excellent fucking lover, who cooks for Eddie, buys him stuff despite his protests (does that make him his sugar daddy?). Steve who pretends his hair brush is a mic and sings along to Mariah Carey. Steve who always says sorry first. Steve who kisses Eddie like he’s something precious.
Eddie never stood a chance, he’s head over heels in love.
The rude awakening comes one afternoon at Eddie’s place during a dnd session (which he willing hosts to get back at his neighbors) when Gareth looks up at Eddie from his phone during a break, eyes as wide as saucers. “Dude, is this you?”
He hands Eddie his phone, display lit up with a picture and— yes that’s him from that morning, hand in hand with Steve in his big ass grey hoodie, shopping at the farmers market. He swipes and there’s another one of them laughing at something. Then another one of them kissing. It’s an insta post by an account he doesn’t recognize and has over two million likes. And the caption says, ‘omg guys I just saw Steve Harrington with his boyfriend’.
Eddie doesn’t pick up any of Steve’s calls that night. When he finally looks Steve up, he just feels impossibly stupid. He’s been dating an actor who’s basically been in a bazillion movies (Eddie’s even watched one of them a while ago) with a net worth he can’t even imagine? He can’t think of why Steve would even give someone like Eddie the time of his day when he works with so many actors and models.
He scrolls through the thousands of comments on the post, ranging from ‘they’re such a cute couple’ to ‘why is he dating an ugly skank’ (he’s never been called a skank before, it’s an experience).
His phone doesn’t stop blowing up but Eddie resolves to go see Steve first thing in the morning. It’s 3am when he finally falls asleep.
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hairmetal666 · 4 months
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Steve has a problem. Not a big problem--not an Upside Down-sized problem--but still. A problem. In the form of Eddie Munson. And not the person Eddie Munson, who is second only to Robin in the hierarchy of Steve's heart, but his feelings in regard to one Eddie Munson. Namely, his enormous, devastating, gay crush on the guy.
And he knows, okay, he knows Eddie is gay, but that doesn't mean he wants Steve. Eddie is probably into other metalheads or dnd nerds. What could Steve, with his sports and his polo shirts, possibly have to offer?
He's coping, though. Or, at least, he thought he was until the Family Video phone rings and Jonathan invites them to the New Year's Eve party he and Argyle are throwing at their new apartment.
"We have to make a no-date pact." He tells Robin as soon as the phone is back in the cradle.
"Or you could just ask Eddie."
"You could just ask Nancy." He raises an eyebrow.
She lets out a slow breath. "Yeah, okay. No-date pact. I'm down."
It's just as easy to get Nancy and Eddie on board. Nancy just laughs and says "yeah, like I'd bring a date to the party my ex-boyfriend is hosting with his new boyfriend. How you do you even start to explain that dynamic?"
And Eddie snorts right in Steve's face (it's not cute, it's not), says, "Right, cause my dating pool in Hawkins, Indiana is just ripe with guys who want to ring in the New Year with me."
Steve wants to say that he would be that guy, happily, giddily, but he can't risk blowing up his second most important friendship like that, not when Eddie's never given a fraction of a hint that he wants Steve too.
But that's his problem solved, right? The four of them aren't bringing dates. Easy-peasy.
Unfortunately, Steve's life hasn't ever worked out like that, and the party turns out to not be only their little end of the world crew and a handful of people Jon knows from his grocery store job, but an actual motherfucking party.
It takes almost ten minutes for him and Robin to navigate through the sea of strangers to find Jon and Argyle handing out solo cups in the kitchen.
"Who are all these people?" He shouts over the pounding music, nothing like Steve's ever heard.
"Argyle got a job at the record store down the street," Jon yells.
"Co-workers." Argyle nods. "And a few of their friends."
"A few, right."
"The more the merrier. Right, my dude?"
"Sure." Steve takes a cup. "You seen Eddie around?"
"Living room, last time I looked." Jonathan answers.
"See you around?" Robin asks.
"At least meet up for the ball drop," Argyle answers.
They push their way into the cramped living room, and Steve searches for that familiar cloud of hair, the ripped black jeans. It takes a minute just for the sheer amount of bodies pressed into the small space, and when he sees him Eddie's--
He's standing against a wall, next to the stereo (of course), but there's someone with him. Someone who is tall and leanly muscled in a way that Steve isn't. Someone with long hair pushed back from his forehead. Someone with facial piercings in places Steve didn't even know you could pierce and tattoos and a chain hanging from his worn blue jeans and a bandana in his back pocket, just like Eddie.
And Eddie he's--he's gazing up at this dude with clear stars in his brown doe eyes, body angling towards the other man like he can't help but push more into his orbit.
Steve turns hard, Robin colliding with his side. "Steve, what the--oh."
"I hate New Year's Eve," Steve sighs, trying to ignore the sick feeling in his stomach. It's always been the kind of holiday that is high on expectation and low on follow-through.
"C'mon, I think I spotted Nance over by the bedroom."
He lets Robin guide him across the room, steadfastly not looking back at where Eddie is very obviously finding himself a date. It's okay, Steve reasons. It's okay because that was obviously the kind of guy Eddie would be into it. He knew he had, like, no chance. He shouldn't be disappointed. He shouldn't.
The evening slips away in the shove of people, in the solo cup that manages to always be full in his hand, and he tries as hard as he can to ignore the way Robin and Nancy start sharing the same space.
So much for the no-date pact. He would laugh if a sort of deep loneliness wasn't seeping into his bones.
There's a girl, though, across the room. She's in a short dress and glances at Steve from under hooded eyelids. He could make a move; could have someone to kiss at midnight; have someone just for the night. But then--his heart makes a pathetic patter--Eddie.
Eddie who is practically in that stranger's lap.
He goes out for a cigarette.
When he comes back inside, it's five minutes til midnight and Nancy and Robin are dancing slow and sweet to a song that is neither.
He's happy for them, almost incandescent with it, but the loneliness sinks deeper, reaches marrow, especially after he fails to find Eddie in the crowd.
Steve thinks it might be time to give the whole failed endeavor up for good, but Jonathan and Argyle, both in tiny 1987 novelty top hats, appear at his side.
"Stevie-boy!" Argyle bellows. He lifts Steve at the waist, twirling him, and Steve laughs despite himself.
"Keeping busy?" He asks.
Jonathan pounds him on the back, just a little too hard.
A guest yells from deep in the apartment, "one minute to midnight!" and the music turns off, the TV tuned to Dick Clark and turned up.
Nancy and Robin find their way over, Robin mouthing "sorry," on her way. He pulls her into a side-hug; he'll never begrudge her any happiness, even on his worst day.
From across the room, there's a crash, a short yelp, and then a familiar head of fuzzy brown curls makes its way to them.
"Sorry, sorry." Eddie apologizes as he shoves through the other guests.
"Hi, guys!" He beams at them, cheeks flushed. Steve looks away so he doesn't have to think about how beautiful Eddie is; about how he's not the one who made him blush so pretty.
The countdown on the screen reaches 30 seconds, and the party goers start chanting.
"What happened to--?" Steve can't help but asking.
"Psh, that dude? He's a punk. Plus, I couldn't imagine ringing in 1987 without you guys by my side."
Steve blushes and rolls his eyes. "Sap." He knocks his hip into Eddie's.
"You love it," Eddie wraps him in a loose hold.
The count is down to 10, the ball almost dropped, Jonathan and Argyle and Nancy and Robin making soft eyes at each other.
"What's going on in that head of yours, sweetheart?" Eddie knocks his head gently against Steve's.
"It's nothing."
"You're pouting." Eddie mimics him with a poked out lip.
The count is down to 5.
"Fuck, I just--I wanted to have someone to kiss at midnight, you know?"
The ball drops, the year changes over, the room cheers. His coupled up friends cling to each other in soft, joyous kisses.
Eddie's eyes flick to their friends, to the guests, all kissing and embracing and celebrating, then back to Steve.
With two careful fingers, Eddie lifts Steve's chin, makes it so he can't look away.
"Fuck it," Eddie says. He leans forward, kisses Steve with soft authority.
And Steve just--he just fucking--crumbles into it. He makes a soft noise, curls his fists into Eddie's t-shirt.
Eddie's hands work their way into his hair, pulling him closer. Steve goes eagerly, crushes their bodies together.
They kiss and they kiss, and it's already so far from a friendly New Year's kiss, but then Eddie's tongue swipes into Steve's mouth, and the kiss breaks.
"Um," Eddie says.
Steve can't respond because all his focus is on not giving into the weakness in his knees and collapsing to the floor.
"I've wanted you to do that all night," Steve says.
"Oh." Eddie's face blossoms into a slow smile. "Me too. A lot longer than that, actually."
It's Steve's turn to smile, and he does, so hard it hurts his cheeks. "Me too."
Eddie presses their foreheads together. "Happy New Year, Stevie."
Someone starts singing Auld Lang Syne loudly and off-key, but they're quickly drowned out by a chorus of accompanying voices.
"Happy New Year, Ed."
Steve pulls him in for another kiss. 1987 is already shaping up to be the best year of his life.
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kennahjune · 4 months
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No Upside Down steddie AU where Steve gradually meets the members of Hellfire (-Eddie) in and out of school and they all come to befriending him really fast because “Steve Harrington is actually a good dude”
But Eddie fucking hates it.
And this only spurs Hellfire on because they think him getting mad over Steve Harrington is fucking hilarious.
Jeff who takes a foods class in third period and Steve does to and then the teacher pairs them for a baking project and Jeff gets to go to Casa Harrington. And he realizes rather quickly that Steve really likes baking and cooking and actually knows what he’s doing and that he’s not just taking the class for an easy A.
Brian (I’ve named him Brian, yes), meets Steve in Art class. Like Jeff, he thought Steve was taking it for an easy A but when seats are changed and they sit together he realizes that, no, Steve’s actually kind of good at drawing (particularly scenery). They get to talking about one of Steve’s sketches and the rest is history.
Gareth doesn’t officially meet Steve until later, but he does see him out with the kids at the arcade. Gareth works at the arcade and there’s this particular group of kids that just irks him— turns out they’re Steve’s gaggle. He watches in begrudging amusement while Steve rounds them up like a pro.
Then Gareth officially meets him after Hellfire one day. It’s fucking windy and he’s just leaving to school to go home when the papers and sheets he was holding are fucking torn from his hands. Steve grabs the papers— there after some kind of sports practice— and makes sure Gareth has them secured in his bad before leaving with a dorky finger-waggle wave.
And Eddie just downright refuses.
And then the school year ends and Steve graduates. And he’s convinced he doesn’t have to see Steve again.
Until, of course, Mike Dustin and Lucas join.
Jeff, Gareth, and Brian are all ecstatic to share their own run-ins of Steve Harrington to the three boys who so clearly idolize him. Gareth happily recalls how Steve “tamed” them in the arcade every time he came in.
Eddie sits in brooding silence.
And then Lucas joins the basketball team. And sure— Jeff’s on the volleyball team— but basketball jocks are so much worse than volleyball jocks.
Mike and Dustin, however thrown out of orbit they were at first, seem to settle in eventually and learn to plan around it. They think that anything that makes Lucas happy is a good thing (even if it did take a bit of a talk with Will for them to realize).
But Eddie? Eddie can’t stand it.
Which is why he refuses to move the date for the final campaign.
But Eddie doesn’t even get to introduce Vecna before Steve Harrington himself is all but breaking down the fucking door.
Eddie has this whole argument in his head that quickly dwindles when he sees the pure anger in Steve’s eyes (and also because Steve is really fucking pretty holy shit).
Steve tells Dustin Mike and Erica to pack up and get to the game before he drags them and you know what?
They listen.
Including hard ass Erica Sinclair.
And then idk Steve and Eddie get into a whole fight about.
But Steve makes it very clear that he doesn’t appreciate Eddie making Lucas feel like he can’t be happy doing DnD and basketball because that poor boy deserves nice things dammit.
And Eddie sleeps on it over the weekend before hunting Lucas down first thing Monday morning to apologize.
Lucas forgive Eddie (against Eddie’s protest because let the man grovel) but makes Eddie also apologize to Steve.
Which Eddie does by showing up to the Harrington Estate.
Eddie apologizes and they get high together and the rest is history.
.
I might actually make this into something, it’s already pretty fleshed out but eh
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angelltheninth · 1 year
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Sacrificed to a Chivalrous Dragonkin
Pairing: Male!Dragonkin x Fem!Sacrafice Princess
Tags: fluff, meet not cute, flirting, teasing, offered as a sacrifice, kissing, transformation, chivalry, suggestive
A/N: Next part of my monster event! In DnD I love the dragonborn so this is uh... very self indulgent.
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Chivalrous!Dragonkin who shows up in his dragon form at first, to intimidate others away from you. As soon as they're gone he drops to his more human form but his horns, claws, wings and tail stay, he doesn't like going without those.
Chivalrous!Dragonkin who refuses to do anything but princess carry you. Its very easy for him due to his strength, to fly you to his home. You need to be close to him, don't squirm, he won't drop you either way but its easier if you'd cooperate.
Chivalrous!Dragonkin who walks around shirtless. He would be naked if he were alone but it would be rude of him to take all his clothes off in front of a innocent princess. Being shirtless will do, as long as he can spread his wings out its fine with him.
Chivalrous!Dragonkin who warns you not to touch his horns or his wings too much. Those are weak spots of a certain kind and he wants to court you properly before you get to the next intimate step. However this does include kissing your hand and cheek upon greeting or departure.
Chivalrous!Dragonkin who brushes his tail over your back and lets it curl around your wrist when leading you. He uses just a tiny bit of pressure, fully knowing that he could crush you otherwise. Don't worry, as a dragon he will never break his newest treasure. Or his future bride for that matter.
Chivalrous!Dragonkin who finds it amusing that you thought he would just eat you and be done with you. Someone so cute? You're gonna be staying with him for a long time. Your lifespans might differ but he's learned to make the most of the time he has with the humans that he likes.
Chivalrous!Dragonkin who warms you up when he cuddles up to you in bed. Again, shirtless but his body generates heat anyways so its no issue for him. Keeps his hands on your hips, don't worry he would never touch you unless you ask. But the moment you do that gown of yours is getting torn to shreeds.
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sprintingowl · 1 year
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What Non DnD TTRPGs Feel Like
Okay, quick thread about what playing different non DnD ttrpgs feels like.
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Pathfinder
This is DnD. It feels like DnD. It's like going to a slightly different church. Some of the words used during the service are different, but at the end of it the pulpit turns out to be a mimic and you cast Entangle and summon your direwolf.
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Fate
This is Rule Of Cool with additional rules. The GM has powers to one-up you or lead you into temptation, but you have powers to one-up the GM, and all these powers use the same kind of token that you ultimately shuffle back and forth.
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Savage Worlds
Handwave-style DnD (positive connotation.)
The GM has a lot of freedom to pick genre and setting, and the gameplay is sleeker, rule-of-cool-ier without losing meaningful combat or character building.
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Call Of Cthulhu
You may not be an old librarian, but you sure are built like one. Most acts of violence can flatten you in a couple of hits, but violence doesn't happen often. It's the punctuation mark at the end of a long sentence. Atmosphere and pacing rule over this land.
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World Of Darkness
This is a game about getting deep into your character's headspace. It's about figuring out who they are and roleplaying them passionately. Your backstory choices and powers have a huge affect on how you interact with the world around you.
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Warhammer Fantasy / Dark Heresy
You are Scrumbles McGrumbles, a walking heap of morbidity and washed-up soldiering. You are trying to find your place in a world that's having an even worse day than you are. Your best friend is a ratcatcher. Together you will be heroes.
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OSR (Mork Borg, Mausritter, Into The Odd, Dungeon Crawl Classics, Labyrinth Lord, Cairn, tons more)
DnD boiled down to two components: GMing + Making A Guy. GMing is made as easy as possible and PCs are somewhat disposable, so the story is the hijinks you get into together.
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Powered By The Apocalypse (Masks, Nahual, Monsterhearts, Pasion De Las Pasiones, tons more)
The goal is to get into trouble and stir up drama. Succeeding on a roll with no consequences is rare, but when you fail you fail forward into even bigger, messier drama.
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Blades In The Dark
You go on missions and then return to your base. The missions are about choices as much as about rolls, and you build your base together to make yourselves more powerful as a squad.
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Trophy
Your goal is to lose. Specifically, it's to lose in a dramatic and harrowing fashion that sticks with everyone at the table. Think movies like Annihilation, but as oneshot games.
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Golden Sky Stories
You like everyone at the table with you. When someone does something adorable, you can award them exp. The highlight of the session is someone getting flustered and/or speaking in a squeaky voice.
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Ryuutama
You are going on a journey and helping other people along the way. Important choices include packing lunch, wearing appropriate clothing, and completely filling your canteen. Combat is a cozy, pastel color jrpg.
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The Indie
There are so, so many games that are just completely their own thing, and that I can't squeeze into a single thread. If you discover you like game mechanics and you want to Get Weird with seeing what they can do, there is an entire scene here waiting to welcome you.
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Stuff I Missed
There's lots of stuff I haven't played, or didn't remember in the moment, or absolutely love but it would take a whole thread to explain why I love it. I will do more game recommendations in the future, but you can also comment systems you like below!
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staring at the ceiling thinking about last session and how of my two characters, the one who is Present for the current happenings is the one who is least qualified to deal with memory loss and your autonomy and brain being fucked with and weird things happening because she doesn’t know anything about any of that stuff and doesn’t even know how to begin figuring it out
and yet she still rolled a 26 religion checked and pushed herself so hard she got a nosebleed just to try and figure out something
#dnd#Cledwyn#disfjo;fdsg#the reason i have 2 chars is bc a while ago Wyn left the party bc another character did something she just morally couldn't stand#and like. it made sense. it still makes sense. Wyn still isn't (in her perspective) a Part of the party#bc she just doesn't see them. Aligning. in any real way. like they're her friends and she cares about them#and she has fun with them! and hanging out with them! but. in a Larger sense. in the sense of Cohesion and a Unit#she feels like the odd one out. she feels like there's things important to her that none of them will ever understand#(namely her morals and her desire to help people and her view of taking responsibility and shouldering your duty)#((she keeps these things inside and does not talk about them bc she thinks the others won't understand#and therefore doesn't give them the chance to understand but this is off topic))#the POINT is Wyn left the party bc she felt she couldn't be a part of it and that's when Cephas came in#and they are temporarily swapped again bc Cephas has to go deal with something important but gods its just SO. its so.#like for Cephas this wouldn't be EASY i don't think they'd know what to do. i mean they know about what's going on#we have a sending stone Cephas has been kept updated but there's not much they can do from so far away#but like this kinda thing is much more in their wheelhouse than Wyn's and Wyn feels that SO hard and she is just. trying.#she is trying so hard she wants to help and she can't and she doesn't understand what's going on and everyone is upset and worried#and Needle is forgetting and remembering every day and he's clearly falling apart a little bit and she just. can't. help.#and that's all she wants as complicated as her life has made it deep down all she ever wants to do is help and she can't#i love her so much ANYWAY#Universe Ends Posts
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