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#and dana terrace for the owl house had to fight for lumity and to make luz even look not so feminine
yoyosuitehearts · 2 years
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disney+ adding star vs the forces of evil and gravity falls to their pride collection feels like such a slap in the face because if how much they were censored and told they couldn't add lgbtq+ characters
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DOES BOSCHA HAVE A CRUSH ON AMITY?
After watching the new episode of The Owl House, I've realized something odd about Boscha's behavior.
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She literally begged Amity to join her!
I would never expect to see Boscha like this. Because she isn't just egotistical but also proud, and isn't exactly a type of person who would beg anyone.
And then there's these obsessive acts:
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She literally holds Amity and doesn't let her go!
Even though Amity said she was hurting her, Boscha didn't stop until Matt separated them.
And there's also this:
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"But... where's Amity? She didn't leave, did she?"
When she realized it wasn't Amity but Matt that she was holding, Boscha immediately started to panic because she couldn't see Amity around.
So, is this a crush?
Well, no... It's surprising how many people totally got the whole thing with Boscha so wrong
See? Boscha is a mean person who never had any true friends. The only friends she ever had were Amity, Skara, Cat and Amelia.
Amity has left their group, Skara started to hang out with Viney and others, only Amelia and Cat are still friends with Boscha.
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But Boscha is clearly traumatized because Collector's spy turned her last and only friends into puppets before her eyes...
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You can see the shock and fear in her face
And in the ending credit, Boscha seems like she's having an anxiety crisis while other students are fighting Collector's spy. And even Kikimora is trying to comfort Boscha
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(a strangely sweet moment tho)
So Boscha's whole reaction wasn't really about her feelings towards Amity, but rather about her fear of being alone...
In season 2 episode 13 (Any Sport In A Storm), when she sees Lumity together, Boscha doesn't get a jealousy crisis. But she says "You guys aren't cute and I still have more friends than you!"
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Boscha barely mocks their relationship but instead, she points out that she has more friends than them at the end.
So having friends seems like a personal case to Boscha...
And as another proof for the fact that Boscha isn't crushing on Amity, we have this brief conversation in season 1 episode 15 (Understanding Willow):
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"Boscha: Why do you look like you've seen a ghost? Is there a ghost in photo class? Are they cute?!
[Amity tries to block Boscha's view with her hand.]
Amity: Yep, just a super cute ghost. But they're all mine! [Slams door.]
Boscha: Ask if they have any friends!"
Now that doesn't sound like a super obsessed person who is in love with Amity, does it?
Basically, Boscha didn't act that way in season 3 episode 2 (For The Future) because of her repressed feelings for Amity. Boscha secretly has a low self-esteem and abandonment issues. This is why she was having a borderline panic during the episode.
And think about it, she was only convinced to help others when Amity said they could save her friends.
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"I can't be who you want me to be, Boscha. But we can still save your teammates. Will you let us try?"
Pay attention, this is not a rejection speech of a platonic lover. Amity understands Boscha is feeling afraid and lonely. And she knows it's because she lost her only friends.
Honestly, it's very obvious that Boscha was having a some sort of borderline crisis. It has nothing to do with romance, especially when Dana Terrace said that she doesn't like love triangles. So making Boscha like Amity while Lumity is canon would be a very cliche love triangle twist. Thankfully Dana isn't interested in this stuff. And also, I don't understand why some people are trying to romanticize Boscha's trauma. She just lost her friends, people! Let her be🙄
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Hey, out of curiosity, when did you realize that SPoP was as a significant to you as it is? Personally it took me a couple years of me consuming fiction about it for me to grok that this show and these characters permanently take up like 30% of my brain on any given day.
Additionally, I really like your fics and am always delighted to see an update for stuff you make. Thanks!
Honestly? The show itself is obviously groundbreaking in a million different ways, but I think a lot of my obsession with it has to do with the creator. ND is literally the same age as me, and he's out there making content and fighting with production companies to get the things he wants on screen (like the Catradora kiss).
We've been complaining for years about lack of queer content, and the resounding response has always been "then make that content if you want to see it", and ND actually did that. My generation is finally stepping up and taking the reigns and writing the content they want to see. We finally have creators in positions where they can make those kinds of changes. It's still an uphill battle - Dana Terrace had to sacrifice a lot of what she wanted to do with The Owl House to make Lumity happen, for example. But it's happening. And that already feels like so much more than what I could have asked for even just a few years ago.
So yeah, Catradora absolutely live rent-free in my mind, but it's really what they represent that keeps me going. That, and hella admiration for ND Stevenson.
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plinkcat-gif · 2 years
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kirpy, politely entering your inbox to know if you have seen Ep1 of Season 3 of TOH because aaaaaaaaaaaaaa
Hunter :(
I HAVE i watched it at 2am last night i went absolutely insane i cried so much i reblogged like 32 posts about it in 10 minutes literally. i can TELL that they only had three episodes to cram all their stuff into and i hate disney for that because there could be so much more and i can see where each episode could have been 😭😭 literally how did amphibia get a million episodes and owl house only this many. i’m going to kick a disney chairman or whoever in the chin.
spoilers under cut
FLAPJACK. THE WAY HUNTER’D EYES CHANGED AFTER FLAPJACK SACRIFICED HIMSELF. I AM GOING INSANE!!!!!!! LUMITY AND LUZ COMING OUT TO HER MOM SCENE. GOD. THEY ARE SO CUTE.
THE ANIMATION.
ohhhhh my god the animation in the fight i. am literally going to explode it was SO SMOOTH!!!!!!!!!! I LOVE SEEING ANIMATION LIKE THAT!!!
VEE IS ADORABLE ALSO. I LOVE THEM SO MUCH I NEED TO SMOOCH THEM ON THE HEAD. and their non-binary gf I LOVE MARSHA i literally am STUNNED that they allowed so much queer in this episode but it also makes me SO happy and i want to shake dana terrace’s hand for it <333 god bless for giving us what gravity falls tried to and couldn’t and being so obvious and annoying about it with a bi or queer reference in every goddamn frame of this episode. dana terrace i love you.
OH HUNTER’S WOLF SHIRT. THAT HE SEWED HIMSELF. I NEED DARIUS TO SEE IT SO BADLY HOLY HELL. LITERALLY YOUR SON IS BEING AUTISTIC HIS AUTISM IS SHOWING COME HELP HIM.
CAMILA AND LUZ’S BACKSTROY? SOBBING. MAKE ME CEY FOREVER I GUESS. EP1 WHERE LUZ LAYS THE GREAT WITCH AZURA INNTHE TRASH AND THEM FINDING OUT HER DAD GAVE IT TO HER? &-&:;&&/&/@/;$@/$/)-):’
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pyroclastic727 · 4 years
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Luz and Amity have the same motives
Anyone who has seen The Owl House knows Luz and Amity’s dynamic. Not so much the fighting one, but the one that Eda refers to as “adorable banter which is literally making [her] sick.” They work together perfectly: two rivals who make peace. How do they do that, though? By finding similarity, mainly in motives.
Both Luz and Amity want to be witches.
However, they pursue this in different ways. Amity goes the traditional route. She enrolls in Hexside at a young age, dedicating her life to witchcraft. This is the only path she knows, and she sees it as a way towards success and (probably) pleasing her parents. Being a witch means proving that she is competent and skilled enough, something she doesn’t believe, as shown by how she points out other people’s incompetence and boasts about her own (this is a thing that insecure people do. I know from experience ^_^).
Luz travels a strange route, which you probably know. I mean, she finds the scrappiest, artificially-aged owl-witch antihero, who hates school and teaches her in a ragtag, reluctant fashion. Most of Luz’s learning is on her own. It’s very much the difference between an art student and someone who draws as a hobby; without pressure, Luz can be thirsty for information. However, information tends to be much harder to access, since a lack of pressure also means a lack of resources. (Thanks a lot, modern school system).
Both Luz and Amity want the other person to stop bullying them.
From Luz’s point of view, Amity starts as a bully, so much so that this YouTube video keeps popping up in my recommended, explaining why Amity is an excellent bully. It seems convincing from this point of view; I mean, their first meeting is comprised of Amity obsessively shaking Luz’s lifeless form. Sure, Luz is making a lot of mistakes and altogether shitting on the rules, but that’s what you do when you come from another world and aren’t even enrolled in the school. And as Luz sees, Amity repeatedly does things to insult Luz, someone she hardly knows. She specifically mentions Luz in her Instagram post, calling out humans as being not invited to her conjuring. It seems like she’s specifically targeting Luz, this person who just stumbled into the world and has had about three interactions with Amity. The other girl has really assumed the worst in Luz, which makes no sense at all, since Luz is, well...Luz. 
Meanwhile, Amity sees Luz as a bully. Remember Amity’s main motive: to become a witch and join the Emperor’s Coven so she can convince herself that she’s competent (which isn’t going to work, but that’s how us top-student types think). Luz has been destroying Amity’s plans. The first thing Luz did was help a student cheat on an assignment that Amity worked hard on, and then take Amity’s gold star, aka her symbol of competence, as a spoil of war. Then she challenges Luz to a duel and cheats on that. Amity has been working all her life to be perfect, and meanwhile Luz goes and cheats and lies and isn’t perfect, and gets what she wants. For Amity to accept that Luz’s actions aren’t bullying would mean to admit that perfection isn’t what Amity wants.
Both Luz and Amity want to enjoy fan content shamelessly.
For Luz, she is openly a fangirl at home. I mean, one of our first lines from her is an admission to making anime edits (what a weeb) and getting sucked into Feminist Harry Potter. She makes art and writes, and I would be surprised if she hasn’t written fanfiction. Yet her mom wants to send her to a camp to stifle her creativity. All the other people at school shun her for having weird interests (you’d think that would be unrealistic at this point). Her original motive for staying on the Boiling Isles was so she could be a creative fangirl in relative peace. Even on the Isles, she continues to be a fangirl, going so far as to cosplay Azura in front of Amity. (Luz is what would happen if Tumblr were a person, I swear).
For Amity, she wants to be a fangirl, too. She stans Azula, going so far as to own the first four books. The difference is, she’s closeted. I’m guessing that her parents put a lot of pressure on her to be perfect (or at least, that they used to). If not that, then there’s the embarrassment her siblings cause her, and her subsequent attempts to make her family name seem respectable. At least there’s a sense of sibling competition, since they’ll always be better than her, as long as they have more experience. All that has culminated in an internalized belief that Amity holds, that she has to be perfect and the top student. Would a top student read stupid books and sink into a fandom? No. A top student spends all her time studying and doing things to make the teachers favor her (wow look it’s my mantra from last year). Beneath Amity’s self-consciousness and low self-worth is the desire to simply enjoy things and be herself. Luz helps her get there, by cosplaying and lending her book. But she still has a long way to go, which probably includes standing up to her parents, and most importantly being vulnerable with herself.
Both Luz and Amity want to be valued.
This is at the base of each girl’s personality. I mean, Luz at home doesn’t seem very valued. Her mom is okay, but she is also willing to send her to a summer camp, and after A Lying Witch and a Warden, they don’t text at all. Her classmates don’t value her. When she comes to the Boiling Isles, part of the reason she’s so happy is because so many people value her: Eda, King, Willow, and Gus. She has a family and friends and is fairly content. Now all she needs is to become a real witch so people will value the part of her that loves magic. 
Amity has it way worse. For the most part, she isn’t really valued. Remember the scene where she’s sitting on her windowsill, staring out the window and brooding as her friends take selfies without her? She doesn’t feel any attachment to her friends, alone in any crowd she’s in. Her siblings, while they love her, are an annoyance to her. They don’t seem to see the real value in her, and if they do, they don’t express it. She would probably cry if one of her siblings said he or she was proud of her. Meanwhile, we don’t see much of her parents (I’m writing this after S1E12, for future viewers). Keeping in mind that Dana Terrace and Alex Hirsch also wrote on Gravity Falls, she probably has the parents that Pacifica Northwest has: a distant, cold nuclear family with high expectations and low tolerance for her. Without any love at home, she seeks some at school. We know that she once valued Willow, but lost her. (My guess is that she pushed Willow away). Her professors give her validation, but judging by how quickly they take it away, it seems more like a toxic dependency than a real relationship. By this point, Amity has spent so much of her life without being valued that when Luz extends kindness to her, she doesn’t even know how to respond.
This sets both girls up to learn from each other. 
Luz is excitable and reckless, and she can pick up some discipline and ambition from Amity. Amity is high-strung and repressed, so she can learn some self-indulgence and emotional freedom from Luz. Usually the best way to learn a lot from a peer and have them learn from you, in fiction, is to form a close bond with them and spend a lot of time together. Fortunately for Lumity, similarity breeds attraction.
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ordinaryschmuck · 3 years
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What I Thought About "Escaping Expulsion" From The Owl House
Salutations random people on the internet who most likely won’t read this. I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.
Do you wanna know what I love the most about The Owl House? The writers waste no time getting to the good stuff.
Things like Willow working things out with Amity, Lumity, Lilith's redemption, and Luz's fight with Belos are stuff that most shows would drag out and wait upon using until several seasons down the line. Most of them for the final season. And yet, it all happens in the first! The writers somehow knew what the fans exactly wanted and gave them just that before they even had to ask.
Take "Escaping Expulsion," for example, as it has some great plot points and ideas I thought would happen later in the season and maybe even near the end. But it's only episode TWO of the new season, and I'm appreciative of it for that reason alone.
But explaining the good stuff this episode delivers requires spoilers, so if you haven't watched the episode yet (even though you definitely have at this point), I recommend that you do so. Now let's review, shall we?
WHAT I LIKED
Blight Industries: Huh. I'll be the first to admit: I would have never expected that the main reason why the Blights are rich is because of their technological advancements. Large in part of how the Boiling Isles is a fantasy world, and rarely do you see technology taking place in a setting such as that. Still, points for total expectation subversion added with some pretty cool tech, I might add.
Odalia Blight: It's nice to put a face to the name I've grown to hate with a fiery passion. Now I can update my dartboard!
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But to tell you the truth, it feels weird saying I like someone so vile. I mean, the woman is a manipulative, smarmy b-word who nearly killed Luz. Anybody who does that last part deserves to go on my s**t list! I despise her with the same fiery passion I've had since "Understanding Willow" premiered...and it's that reason why I like her.
Because here's the thing: Characters and people are two different things. If Odalia existed in real life, she better hope that I never meet her. But as a character whose purpose is to have the audience hate her, she succeeds with flying colors. It's the same reason why I consider it unfair to hate an episode like "Something Ventured and Someone Framed" because Mattholomule exists. I get it but understand that hating him is his purpose. It's the same with Odalia. I love her, but only because I love to hate her.
Alador Blight: Wow. I guess Alador really is the lesser of two evils.
By the way, keep in mind that I said "lesser of two evils" and not "the nice one." I don't care how adorable it is to see him get distracted by a butterfly. He's still an abusive figure who stood aside as Luz fought for her life against the Abomitron and still goes along with Odalia's plans despite how heinous they are. And whenever I remember how he treated Amity in "Understanding Willow" as well--
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Also, don't make him neurodivergent so he can seem redeemable. It is painfully obvious that he is just exhausted after hours of toiling away in his lab working on his inventions to the point that his brain is beyond fried.
Now, seeing that I've dismissed the argument about how Alador is the nice one, let's actually talk about his character. Because I can see what Dana Terrace meant when she said that he's interesting. He's not explicitly as awful as Odalia, as he mostly seems to be in his own little world half the time. Despite that, Alador still shows signs of being just as dismissive of Amity in general. You see this as he focuses on how her strength shows signs of Amity being a potential coven leader instead of noticing how his daughter nearly died to his own invention. Alador doesn't manipulate, but he doesn't love his daughter in a way a father should either. I'm very intrigued by this route for his character, and I can't wait to see what is done next with him.
Amity’s Amulet: My heart sank when I realized the true purpose behind Amity's amulet. The thought that Odalia found a way to literally be in Amity's head at all times...I hate that. I mean, I love it because it's A+ storytelling and symbolism, BUT I F**KING HATE IT!
Amity in General: And seeing how we're already talking about Amity, let's dive into the fact that "Escaping Expulsion" is easily her best outing so far in the series. I say this because it really puts to the test Amity's dedication to being a part of the group. You can tell by her expressions and Mae Whitman's performance that Amity so desperately wants to help her friends, but she can't due to being afraid of her mother's wrath. Which doesn't surprise me, given what we know about Odalia so far. But what does surprise me is that Amity stands up to Odalia in this very same episode. I expected it for sure, but most likely at the end of the season, due to most shows dragging out a similar concept for drama's sake. However, as I said, the writers don't waste time giving the fans what they want. So, yeah, Amity defies her mother in the very same episode we're officially introduced to her. And it's totally believable, as Amity has been fighting her parent's control ever since Luz literally showed her the light after "Covention" (click here if you don't believe me). It's yet another impressive showcase of Amity's character development and how she's leagues ahead of other redeemable characters who would go through five more episodes like this before getting to the point.
Luz in General: But enough about Amity. For now, let's talk about the actual best character of the series!
Just like Amity, Luz is on top form in "Escaping Expulsion." She is quick to call 'applesauce' about Odalia and Alador expelling the Hex-Squad and is smart enough to figure out the deal Odalia is worming her way into making. Several people classify Luz as stupid, and while she definitely leaps before she looks at times, this episode proves that Luz isn't going to fall for the sweet talk that someone like Odalia offers. As reckless as she can be, Luz is still intelligent enough to know what someone like Odalia wants and cuts to the chase despite knowing the woman can't be trusted. Still, Luz going through with the deal anyways is fantastic character work for her as it shows her dedication to the people she cares about. It hurts my heart to see Luz get all beat up from Alador's inventions, but her willingness to put up with it for her friends is an act of service I wouldn't have expected from anyone else. "Escaping Expulsion" may be more centered around Amity, but it still proves why Luz earns her spot for one of my favorite characters.
Learning How Glyphs Work: Another solid aspect of The Owl House is that the writers find brilliant ways for world-building and explaining the rules of the Boiling Isles. Take this episode's b-plot, for instance. Eda and Lilith need to learn how to do Luz's version of magic, so having an entire section of the episode dedicated to them figuring it out is a perfect outlet to explain how glyphs work in the first place. Although, I have some tribulations with this subplot that I'll get into with the dislikes. But I still consider this a brilliant workaround to explain glyphs, even if specific executions could be handled better.
The Fairy Pie: Not only is this well-crafted dark humor, and not only is it adorable as hell, but it also shows how Amity has calmed down with her feelings toward Luz. She still blushes when handing over the fairy pie, but it is certainly more subdued in comparison to "Wing it Like Witches." I like to think the time off from her (and our) favorite weirdo helped cool down those emotions a bit, but that doesn't mean she won't get slightly flustered every now and again. Because as much as I adore seeing cool and collective, I'm still very much a fan of Disaster Amity due to how cute it is.
Principle Bump: "This character is underappreciated!"
"That character doesn't get enough love!"
YOU WANNA KNOW WHO'S UNDERAPPRECIATED AND DOESN'T GET ENOUGH LOVE?! PRINCIPAL GOSH DANG BUMP, THAT'S WHO!
So many kids' shows focus on how educators are the bad guy who treats students poorly because they love seeing children suffer. But that's not Bump! Sure, he made a misstep in "The First Day," but for the most part, he really cares for his students and hopes that they work hard to be their better selves. So when he's forced to send Luz, Gus, and Willow away, he's genuinely saddened by it to the point where he breaks down crying! On top of being wholesome, Bump missing his students is another example that a character shouldn't be written as evil just because they run a school. Sure, there are scumbag teachers and principals out there, but for others, they're a lot like Bump: People who show admiration and respect to their students rather than ridicule because a principle "just doesn't get it." And I appreciate Bump all the more for it.
Gus and Willow: It feels weird that these two basically got sidelined, especially since they have a stake in the plot as well, but it's understandable. "Escaping Expulsion" is clearly more Amity-centered, and with Luz being the main character, it would also be odd if she didn't get more of the focus than her friends. Having them do more would have been great, but what they've already accomplished is pretty decent anyway. They show how much they're on the same page as Luz when trying to figure out a way to sneak back into Hexide, Willow is still the best voice of reason when saying no one will be killed through their plans, and Gus wins the comedic highlights in the episode. While I would have loved that they did more, I'm perfectly fine with what we got. Besides, this is only episode two of Season Two. We got nineteen more episodes to go to focus on these two.
King: Ok, now, this is the version of King I like to see. A character that mocks Eda as if they're equals and acts as a reluctant voice of reason. This episode shows King more at his best and is a major step above what we've seen in "Separate Tides."
Lilith: ...Yeah, f**k it. I like Lilith.
Personally, I would have preferred seeing her dragged through the coals at least a few episodes, but that's judging the show for what I want. Not what it is. And as is...It's fine. Lilith has a great dynamic with the rest of the Owl House, it's honestly adorable seeing her refer to Luz as a teacher, and that scene where she makes presents out of ice for Hooty is all kinds of wholesome. I'd say your enjoyment of Lilith highly depends on how forgiving you are, and if you think her splitting the curse is enough of a gesture, you probably won't mind her as much. The execution of her redemption really could have used more time in the oven, but Lilith is still a decent character regardless, so what's to complain about.
Luz Making the Abomination Have a Cat Face: ...Luz...I f**king missed you.
DON'T EVER LEAVE FOR THAT LONG AGAIN!
(Also, I just love that this is all Amity needed to know Luz was in trouble)
Hop Pop Cameo: He's on the cover of one of the books Willow's dad lifts up. Which is extra cute given how Dana Terrace and Matt Braley (creator of Amphibia) are close friends in real life.
Willow’s Dad Pretending Not to See Anything: One single action defines the type of man this guy is. He's the fun and understanding dad!
Gus, Willow, and Amity Arguing How to Break In: This little quarrel just shows how much these three need Luz. Without someone to keep the peace and bring up compromises, these idiots would have just kept arguing all night.
In addition to that, this clash over ideas acts as a showcase for who these characters are. Willow is careful and smart, so she's going for the option more unlikely to get them caught. Amity is brash and to the point, so she's going for the route that gets them inside as soon as possible. And then there's Gus, who's young and naive, so his plan sounds like something out of a cartoon. The odds of any of these plans working are highly debatable, but seeing these characters with clashing personalities and ideas is a ton of fun to watch regardless.
Edric and Emira Helping: There's not much to add here. It's just another sweet scene that makes me so glad that the writers decided to make Ed and Em more like supporting characters than minor antagonists like "Lost in Language" made fans think they would be.
(Amity throwing the "Hex me" signs back at Edric is just the cherry on top).
“Stay away from my Luz!”: ...What the f**k do you want me to say that? It's f**king perfect!
Luz Catching Feelings for Amity: ...Huh. Neat.
...
...Alright, let's move on.
Luz Wanting to Take a Nap After--Yeah, I can't do it. Not even for the joke.
WAH-HOO-HOO-HOO-HOO! MU! TU! AL! PINING! AH-HAHAHA!
THIS! This is more of that good s**t I'm talking about! Due to being so used to other shows going for the slow burn when writing the endgame romance, I was expecting Luz to catch feelings halfway through the season, even at the end of it. But near the beginning?! That is something I am more than ok with!
And much like Amity standing up to her parents in this episode, Luz catching feelings this early on is totally believable. Many fans have already analyzed how Luz's love language is "Acts of Service," which I'm somewhat sure is romantic gestures. Meaning that I f**king challenge you to find a grander gesture than holding back a literal killing machine while swooping down like a knight in shining armor! Oh, wait, you can't. BECAUSE THERE ISN'T ANY!
But by far, the best--the BEST--thing that can come from this is the dramatic irony! We, the audience, know that Luz and Amity like each other, but they don't. So the constant failings as these two fools try to work out their romantic feelings for one another is something I cannot wait to see in all its glory.
This is one of the best things that could have come out of the episode, and while it doesn't mean Lumity is canon, it is definitely closer than ever before. And I'm excited about all of it!
Luz Wanting to Take a Nap After Getting Home: I adore this because there's no one way that this can be interpreted. Either it's because Luz is exhausted after nearly getting killed for the fifteenth time that month, or it's because Luz is overwhelmed about having a crush on Amity...or both. Most likely both.
Belos Wanting The Abomatrons: Wow, what an ominous ending to the episode! I'm sure it won't come into play at all in the future...The season finale is going to hurt, isn't it?
WHAT I DISLIKED
Gus’ Growth Spurt: I mean...that's just weird. Gus suddenly being almost as tall as the others is a change so jarring that I feel like an explanation other than "witch puberty" is required. I get that they wanted to explain away why Issac Ryan Brown's voice got deep this season, 'cause puberty's a b**ch. But sometimes I feel like it's best to just ignore it, like with how Phineas and Ferb or Steven Universe just goes along with the fact that VAs tend to grow up when the characters themselves remain ageless.
Eda is Kinda Stupid in this One: It's not just me, right? Because I feel like Eda is more careful in the past than she is in this episode. She's been as reckless as Luz is at times, sure, but carelessly screwing around with magic when she has no idea how it works? I can maybe see King doing that, but not Eda. Just seeing her act dumber than usual is something that doesn't sit right with me.
Lilith Explaining Her Glyph Magic: I don't mind this. Glyph magic is pretty confusing, so having Lilith explain how it works to Eda and the audience is something I can understand. My issue, however, lies in how they did this.
Why, in the name of all that is holy, would Lilith explain her theory after the fact. It would be much more natural if she explained while saving King, but doing it after comes across as more forced than it should. Which is a shame because this series is usually on point when explaining how things work in the Boiling Isles.
And...That's about all the complaints I have with this episode. Which are nothing but nitpicks and possibly personal preferences.
IN CONCLUSION
If I'm willing to forgive and forget, I would give "Escaping Expulsion" a well-earned A+. But I'm not, so it's going to be another solid A. And, I mean, if you complain about that...there's something wrong with you.
"Escaping Expulsion" delivers on quite a bit of what fans want to see on top of giving these great character moments that show why we love these casts of oddballs and weirdos. I wouldn't say it reached perfection, but it still carries the winning streak that this new season has so far. Meaning there's no escaping the fact that Season Two is off to a better start than the first.
(Although, the fact that we got two solid As in a row means that we're in for a stinker real soon, doesn't it?)
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aenramsden · 3 years
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Okay then.
Let’s break this down.
(Spoilers and predictions ahead, obviously.)
So, we know the first five titles in Owl House Season 2 and their short summaries. Amusingly, before seeing these I had already put some of this together from the trailer. Behold!
Episode 1: Separate Tides - “Luz feels guilty about Eda losing her powers, so she sets sail in search of a lucrative bounty to help the Owl House.”
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[Image descriptions: Pic 1: Lilith and Eda sitting at school desks outside the Owl House. Pic 2: Luz in an adorable sailor outfit (complete with fish-bandana) firing an ice blast in front of some steam chimneys. Pic 3: Luz in the same outfit in front of the same chimneys casting her plant spell.]
Here we have SAILOR LUZ, in an adorable new outfit, and it seems likely that Luz’s Lessons In Glyph Magic For Cursed Witches will be prompting this quest. But I think there’s a high chance this won’t be the only boat trip we take this season, because...
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[Image description: Pic 1: Luz in a different outfit, tied up on another ship with a hemispherical canopy in the background, casting an ice glyph with her feet. Pic 2: An incredibly creepy dragon with a face like two hands clasped in prayer and thumbs and fingers all over its wings and body sitting on what looks like that same canopy atop a balloon envelope, looking down with narrowed eyes.]
Here, we seem to see something that may (oh please oh please oh please) be Luz on a skyship, in snazzy cool new pants that do not match her sailor get-up. The balloon canopy the hand-dragon is perched on looks an awful lot like the one above Luz’s head in the first shot, so this is likely either a monster they encounter in whatever aircraft this is, or the possibly the thing lifting it in the first place. They might also be on a roof, but I’m getting strong balloon vibes from what it’s perched on there, so here’s hoping.
Moving on to Luz’s dangerous deal with Amity’s parents, this isn’t hard to match pictures to.
Episode 2: Escaping Expulsion - “When Amity's parents get Luz, Willow and Gus expelled from Hexside, Luz strikes a dangerous deal with them to get back into school.”
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[Image descriptions: Pic 1: A giant Abomination cyborg standing in front of a sign that says “??? Industries” with an Abomination-track logo. Pic 2: A green-haired woman firing a jet of green fire from an Abomination-gun on-stage in front of a backdrop reading “Blight Industries” in the same style as the sign. Pic 3: Luz looking battered in her school uniform, running away across overhead pipework as the Abomination-cyborg chases her with a morningstar-hand.]
So yeah, fascinating stuff here. An Abomination-based company, Blight Industries, Abomination-tech. Looks like the Abomination track is the engineering/STEM field and the Blights own one of the biggest companies in the field, which is probably what Amity is being raised for (so why are the older twins in Illusions, I wonder?). This is probably going to be Luz agreeing to fight the Cy-bomination as a test run or something in order to get back into school. May or may not be an Amity-heavy episode, highly likely to have A++ Blight Parenting, child abuse and trauma either way. Be warned.
Episode 3: Echoes of the Past - “King's delusions of grandeur lead Luz, Lilith and Hooty to a dangerous new island.”
Now, this one is going to be both cool and creepy, because...
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[Image descriptions: Pic 1: Hooty in a doll house in front of the Owl House door, which seems to have organs protruding from the circular hole left in his absence. Pic 2: King and Luz flying on Owlbert in front of Lilith and a Hooty-house backpack on her staff. Pic 3: Luz venturing through an old ruin with crescent-headed statues in the walls. Pic 4: One of said crescent-headed statues revealing some rather nasty claws in front of Luz and King, with a backdrop of the same ruins. Pic 5: Lilith, also in the same ruins, showing some fair aptitude with a trio of ice-glyph spells, staff in hand.]
Yeah, this one’s going to have Hooty removed from the Owl House for the episode, which might well net us some lore on what the hell he is. These might be ancient Witch ruins, which would be cool, and I’d say there’s a strong possibility it’ll also be a “Luz coming round to forgiving Lilith for what she did to Eda” subplot, depending on whether or not Luz is holding even more of a grudge over than than Eda is (which I hope she is, because it would be a good character point). Also, can I just say that I adore Lilith’s “low battery icon” t-shirt? Hilarious character point. Much love. We may also see some of her Palisman, which would be nice; it never showed any independence from her staff in S1.
Episode 4: Keeping Up A-fear-ances - “Eda gets an unwelcome visit from a family member who puts strain on everyone in the Owl House.”
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[Image descriptions: Pic 1: An old witch with grey hair and a giant eagle Palisman on her staff lands(?) in front of the Owl House. Pic 2: Present Eda fade-transitions into Past Eda in a clear flashback. Pic 3: Young Eda hides behind a door looking scared as a shadow on the wall very similar to her own silhouette shouts angrily on the other side. Pic 4: An older Eda, with a cloak, Owlbert and a streak of grey in her hair, turns around as something lunges toward her in a strange spherical room with a giant keyhole-shaped opening behind her.]
Mom? Mom. That unwelcome visitor in the first picture is almost certainly Eda and Lilith’s mother, which means we are going to be getting family dynamics and possibly flashbacks. This may or may not be a full flashback episode, but I’d say it’s at least likely that this will dig into Eda’s life - we’re certainly going to be getting a flashback of Eda’s life at some point. It looks like things weren’t happy at home - that third picture may be shortly after she was cursed, or possibly a reaction to her mischief-making, and the fourth may (given that keyhole opening) be where she got the portal door. Very excited for this; I love flashback episodes.
Episode 5: Through the Looking Glass Ruins - “Gus tries to impress a group of cool kids from Glandus High, while Luz and Amity journey into the most dangerous section of the library.”
I just wanna say I absolutely called both of these points from the trailer before looking at the episode summaries. Observe!
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[Image descriptions: Pic 1: Amity ties her hair back in front of a bookshelf, wearing a lanyard that says “Amity Blight: Staff”. Pic 2: Amity and Luz stand in the Library, flanked by bookshelves, in front of an enormous set of doors. Pic 3: Luz and Amity hold hands against a backdrop of blue and purple. Pic 4: Flying books/roof tiles with wings and eyes flap around amidst the rooftops. Pic 5: Gus fires a fireball through a blue magic circle in a forest, with giant thorny vines in the background. Pic 6: Gus’s fireball EXPLODES, scorching a path through more vines as four kids (one of them Matholomew) cower in the foreground.]
I was pretty sure from the library shots that there was going to be another Lumity-focused episode in the library, with the third picture possibly being books gone wild from the same episode or possibly not. Meanwhile, I connected the last two pictures from the environment and spell, and given all the plants, I’m betting this is either Gus going somewhere horribly dangerous to impress those kids, or him having accidentally upset Willow by trying to be popular and having to get her out of the horrible murderplant wall she’s surrounded himself with. 50/50, really, giant murderplants are very much her thing, but also not uncommon in the Boiling Isles ecosystem. This probably won’t be where we get canon Lumity, but I bet it’s a major step towards it. Looking forward to it!
---
So, that’s the episodes we have concrete info on. What about the ones we don’t? What else might we see this season? I believe canon Lumity is all-but-confirmed - and even if it isn’t I’d say there’s a very, very high chance - but that feels more like a mid-season thing to me. What else?
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[Image descriptions: Pic 1: Lilith desperately reaches forward from where she’s fallen to the ground in the Owl House living room with hands that are growing talons and feathers. Pic 2: A monstrous Curse Beast with a white face unlike Eda’s and mottled plumage stalks around one of the Owl House doorways. Pic 3: A close up of this new Curse Beast snarling terrifyingly.]
Yup, looks like we’re getting a “Lilith’s First Transformation” episode. This confirms that she and Eda’s lessened curse will still have them (probably both) transforming sometimes, which is cool - I like the Owl Beast and it leads to interesting plots. Solid odds on this being something of a horror episode, with Curse Beast Lilith chasing them through the Owl House - and Eda no longer has magic to stop her. What’s Lilith reaching out for there in that first picture? Luz and Eda, warning them away? Her staff? The elixir? Possibly some combination of the three? Gonna be traumatic for her, that’s for certain.
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[Image descriptions: Pic 1: Camilla stands in front of a fullblown string-and-newspaper-clippings conspiracy wall, looking surprised. Pics 2 & 3: Nine individuals, each wearing a white cloak fastened with a brooch that bears the symbol of one of the nine major Covens (from left to right: Bard, Beast, covered-but-presumably-Healing, Illusions, Potions, Abominations, Oracle, Plants, covered-but-presumably-Construction (same short bald guy that was manning the Construction booth at Covention).]
On the “authority figures” side of things, we have Camila! And the Coven heads! Looks like Luz’s mama is going looking for her daughter - or possibly for whoever’s sending her those creepy letters - and I hope the background there is meaningful and not just filler backdrop, because that key on a hook to her left looks significant and might be the key for the ruined shack Luz entered the Boiling Isles through, while the strange figure holding what seems to be a paddle of some kind in the newspaper clipping to her right looks like it’s at the centre of the string-web. Meanwhile, we’re gonna be seeing the heads of the major covens in some form, probably in a single episode that has all of them cameo in minor roles - except wait a moment. That figure on the far left; the head of the Bard Coven in the hooded cloak with the shiny glasses and frown. Doth my eyes deceive me? Or...
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[Image descriptions: Pic 1: a short-haired older witch whose glasses and frown match the Bard Coven head turning to glare at the camera in front of a rock-strewn sandheap(?) Pic 2: The same witch playing a violin in front of a stone pillar, looking unhappy. Pic 3: Eda’s Grudgby scrapbook, including a photo of her, Lilith and a third girl in the Bard track enjoying sweets with Eda.]
... be this the same character? I believe it be! And it looks like an old friend-slash-possible-girlfriend of Eda’s! (Thanks to HeyRebeccaRose on Twitter for pointing that third picture out). That means Head Bard is probably going to get more focus than the other Coven heads (though the Abomination one is very front-and-centre and might also get significant focus from the Amity side if it’s a “Career Day” sort of episode), and we may get even more about Eda’s past.
Speaking of which...
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[Image descriptions: Pic 1: A strange conical figure shrouded in robes with a single yellow eye staring out from within them, holding a purple-fire lantern and pointing with elderly, long-fingernailed hands. Pic 2: Another strange cloaked figure, this one with a crescent moon for a face and stars all over their robes.]
Who are these two? Mysterious, and somewhat Oracley in the second case. Could these perhaps be other Wild Witches? We’re likely to see a running subplot of Luz searching for more glyphs and old-style glyph magic this season, so she may well meet some. I don’t get an “antagonist” vibe from either of these, more a “mysterious possible ally” one. Wild Witches they well could be. I wonder what Luz will learn from them?
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[Image descriptions: Pic 1: Creepy statues in a possible-graveyard with glowing red eyes that are crying blood. Pic 2: A giant blue dragon with a Shellder for a face that’s wreathed in cyan fire appearing out of nowhere in said creepy possible-graveyard. Pic 3: Hooty rearing up in the woods outside the Owl House, clearly fighting, surrounded by orange-glowing brown masses that could be trees or could be wings and may well be on fire either way. Pic 4: Lilith in a burning forest hitting something with a broken branch.]
What would The Owl House be without action, creepy monsters and horror? Not half as good, that’s what. These creepy evil statues may just be creepy evil statues or they may be petrified wild witches - either way, that’s probably going to be a horror episode, with the Shellder Dragon as a guardian of some sort for the possible-graveyard they’re in. And the second two pictures look alarmingly like an attack on the Owl House - one involving fire. We’re probably going to see Hooty cut loose and fight again, so, uh... RIP to his opponents, I guess. We’re also going to be getting more wide-scale action in the form of...
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[Image descriptions: Pics 1-3: The Titan’s Skull, its eyes first glowing yellow, then burning with golden fire, then engulfing the whole frame in a giant explosion. Pic 4: Luz activates a combo-glyph comprised of Fire and Ice together, painted onto some giant boulder or similar. Pic 5: Luz floating apparently-unconscious in a glowing body of water of some kind, with a rope tied around her waist that’s either connected to something deeper down, or has been cut loose from whatever it was anchored to.]
... the Titan itself. Yeah, we’re going to be seeing it acting in some form this season - and I include the pictures of Luz there, because the first shows her increasing skill at glyph magic and the second looks either like a stock “fell from a great height after the rope tying her to another character/the skyship was cut, landed in water, passed out” thing, or a “communing with the Titan while in trance” pose. Or maybe even both! Certainly I think we’re going to be seeing Luz discover that Belos isn’t the only one with a way to talk to the Titan in this season, and if she takes a trip up to the Skull - highly likely - we may see it take a more active role in communicating its own desires and viewpoint, such as they are, and Luz developing her form of magic further as a result.
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[Image descriptions: Pic 1: Owl-Masked figure seated on a techno-staff, waving merrily, against a backdrop of what seems to be the Skull. Pic 2: Owl-Mask in front of a set of doors, watching inscrutably as a horned figure (whose shadow is cast across them) undergoes a monstrous transformation. Pic 3: Owl-Mask taunts a caged King. Pic 4: A distressed Kikimora casts a spell. Pic 5: Luz (in her snazzy new patterned pants and cloak) leaps up onto a roof with a red bird (Palisman?) on her shoulder and Owl-Masks’s techno-staff in her hand.]
So yeah, saving the most interesting till last, there’s this asshole. Owl-Mask (and I’m not giving a gender, since we don’t know either way) is probably going to be the new Lilith in this season, either being the primary one in that role of “Belos’s hand”, or sharing the role with Kikimora (who is at minimum going to be in at least one fight). Given the techno-staff like Belos’s and the owl theme of the mask, this person has strong themes of being a foil to Luz; with Belos as their Eda. And indeed, that monstrous figure they’re watching has horns - is that Belos? Does he have a cursed form as well? That would increase the parallels even more.
Of course, it seems Luz is, hilariously, going to steal that techno-staff (like mentor, like student, I suppose), and possibly learn something about this third form of magic-as-technosorcery without glyph or circle that Belos uses. She also has a friend! This might well be someone else’s Palisman that she’s helping escape (since we see in another shot that Belos is still murdering and eating Palismans), but it might also be her own! If so, hopefully she’ll carve it from the giant wisteria tree she and Amity grew in Enchanting Grom Fight, and hopefully it will be gay as hell.
And of course, closing out the season...
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[Image descriptions: Pic 1: A gauntleted hand puts a patchwork key into the keyhole of the reassembled Franken-Door-Portal as it lights up. Pic 2: Belos stands in front of the still-incomplete Franken-Door-Portal, with shaggy blonde hair reaching his shoulders and his mask in hand. The shot, even as he puts it on, very carefully hides any sight of his ears from the viewers.]
Yup. Belos’s work to reassemble the Door and the “Day of Unity” is the ticking clock this season (which I suspect it will end on him successfully opening, and then the three 44-minute Season 3 mega-episodes will be the consequences of that). I’m nearly certain he’s human at this point, the framing is just being too coy about hiding his ears for anything else, and his hands and hair are definitely humanoid rather than some kind of eldritch monster. Though I’m sceptical about him being Luz’s father as some have suggested. It’s possible, but I’d rate it as a somewhat flat twist. We are getting more Camila this season though, so who knows?
The “Day of Unity” is what he’s working up to, and I wonder - unity with what? Between all witches? Between worlds? Between him and the Titan? I’m inclined to believe him when he says it’s not as simple as a straightforward invasion of the human world, less because I trust his word (I don’t) and more because, like... what would be the point? What would it gain him?
There are a couple of other shots from the trailer I could ask about - the giant demon shadow on the wall that I called out as probably being another King gag of being cast by a tiny demon when I saw it and was vindicated by the short excerpt from Ep 1 that got released, the shot of Luz clinging to some kind of mechanical-looking arm holding a boulder, a guard using magic (maybe at a magicless Eda), a knightly-looking fellow being attacked by a giant monster, etc - but none of those are shots I can get much from in terms of what to expect, so I’ll close off there. All in all, I’m super eager for this new season and can’t wait to see how much I got right!
See you when the new episodes drop!
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ordinaryschmuck · 4 years
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What I thought about “Agony of a Witch” from The Owl House
...Well crap. I guess I am reviewing every episode of The Owl House from now on...ARE YOU HAPPY WRITERS?! ARE YOU PROUD OF YOURSELVES?! ARE YOU SATISFIED?!
...
Anyways, salutations random people on the internet who probably won't read this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons. And today, I'm reviewing the penultimate episode of The Owl House’s first season: "Agony of a Witch." It goes without saying at this point, but there are going to be HUGE spoilers for both not only the episode but the entire series as a whole. So if you haven't checked out The Owl House yet, I highly recommend you do so. It's an incredible show, and the next episode is the season finale. So now's your last chance to get all caught up. With that done and over with, let's get started, shall we?
WHAT I LIKE
That opening scene: These first few minutes perfectly sets the tone for the episode. The best example of how the tone is set is with the music. Or rather, lack thereof. The establishing shots of Belos' castle could have had grand and imposing music that gives "The Imperial March" a run for its money. But honestly, the pure silence says so much more about how serious this scene than any background motif could. Because while music does an excellent job of telling us how we should feel, no music means that the right feelings are already met. And in this case, the feelings are dread and terror.
But another thing that perfectly sets the tone is the fact that there aren't any jokes in this scene. If you had to ask me, I'd say that The Owl House is a comedy series with drama and story on the side. This is because the opening scene of every episode begins with trying to make the audience laugh with one or two jokes. That is every episode except for this one. Because "Agony of a Witch" does not open with any jokes leaving the audience with laughter. It begins with an ominous threat and leaving the audience in fear. All of which perfectly sets up how gutwrenching this episode is going to be.
Hooty’s an actual security system: But luckily, it doesn't take too long for the laughs to come right on back.
When it was implied that Hooty was the security system that Eda had set for her house, I never understood how or why. But now I do! Because it turns out that Hooty acts as a force of chaos that just annoys his enemies into submission. And I'm gonna level with you for a second: This scene helps make Hooty a fantastic character. For the most part, I find Hooty an annoying character. And it's partially due to his voice...mostly due to his voice...it's because of his voice. But, I'm sorry, a character wins points for me by accidentally beating an army without even knowing they're fighting.
I don't make the rules. I just abide by them.
“It’s because he’s got the hots for you, isn’t it?”: I like the fact that I pointed this out as a joke in my last review, only for this episode to not only address it but almost immediately dismiss it.
Plus, Eda winking with finger guns is always a win. Again, I don't make the rules.
Eda joking about the curse being a fate worse than death: Some people might make the audacious claim that joking about a fate worse than death soils the mood. And I would agree with that if this was actually a joke. Instead, it feels more like Eda is brushing off the tension by trying to laugh at it. That is something that many people-myself included-do to make people we care about feel better. To me, it feels pretty clear that Eda laughs about her situation so that Luz doesn't worry about her mentor. This shows how much Luz means to Eda, and we see something similar/more impactful near the end that cements that fact. For now, this "joke" is actually a great character moment when you take a second to analyze it.
Luz’s plan to steal the Healing Hat: Staying on track of development, let's talk about how much this scene reflects growth with Luz and Eda's relationship. Luz's willingness to steal from the emperor, and break who knows how many laws in the process, shows how much Luz cares about Eda. It's sweet to think about, even though it comes by Luz making the dumbest decision in her life. And while Luz's plan would ordinarily be a dislike, what turns things around is the fact that there are immediate consequences to Luz's actions. Eda's curse being permanent? Eda getting captured? Luz nearly dying?! All of this would have been avoided if Luz just stuck with the group instead of working on impulse. And there's not a doubt in my mind that's what she was thinking during her long trek home (more on that later). So, yeah. While Luz's plan was misguided, it still has the sweetest of intentions while also showing kids that bad stuff happens when you don't think things through.
Amity staying at home: Narratively speaking, this was a great decision. Amity acts as the voice of reason to Luz's antics. So if she went on the trip too, then she would have talked Luz out of the heist. And the writers found a brilliant workaround by having Amity break her leg in the last episode, to work as an excuse for why she isn't in this one. In fact, let's add more points to "Wing it Like Witches" for planning ahead. That alone makes it more clear about how that episode isn't filler.
Eda knits the cape for Luz: While Luz stealing the Healing Hat shows how much Eda means to her, Eda knitting the cape shows the feelings are very much mutual. It's made pretty evident in the beginning that Eda's planning to use the magic silk to protect herself. So having her instantly make the cape for Luz without a second thought is just the sweetest thing. And you know what? Who's to say that Eda wasn't planning to make the cape anyway? And Eda saying that the silk was for her was just a diversion to throw Luz off? Because if that's the case, then boy does that ending break my heart even more.
(Also, this acts as a fantastic setup for why Luz has a cape that makes her invulnerable to the Emperor's magic in the next episode. At least, I think that's the case going off of what Eda says in the beginning.)
The picture of Luz: Ok, am I the only one who would absolutely love an explanation for this picture? Yeah, it's obvious that Luz got into an eating contest to the death, but how did she even get stuck in this contest? Why was she even in this contest? And why was Eda so proud of this moment that she decided to frame it?
Screw the fanfictions of angst and/or Lumity fluff. Someone write a fanfic about THAT!
The tour of the castle: I talked about in my "Wing it Like Witches" review that I like how the show uses teaching the students as a way to give lore to the audience. And that's what Kikimora's tour does. It uses the student's willingness to learn as a way for the fans to learn more about the lore of the show. However, while these bits of background information is nice and all, there's one question I want to bring up:
How honest is this little history lesson about Emperor Belos? Because do you know who’s the one that can make sure history remembers Belos as a kind and just ruler who united the Boiling Isles? My guess is it's the same person who appointed himself as emperor.
Just a little thing to think about, if you ask me.
The Room of Relics: Gonna tell ya the truth: Seeing all of those relics made the inner child in me go, "Oooh. Shiney."
I'm not kidding when I say that I would love to learn more about each of those relics we see in this episode. I want to learn more about each relic's origins, which track they belong to, and what the hell they even do. And it's not often that I feel this way. Hell, I'm mostly the guy who never gives a crap about lore. But you better believe that if Dana Terrace ever writes a book explaining all of these relics, that I'll be the first to buy it.
Emperor Belos: ...Eep…
I'm not kidding when I say that "Eep" is the best way for me to describe Emperor Belos. The reason that makes Belos feel like a terrifying and opposing character is the same way Darth Vader and Thanos are terrifying and opposing. He's a character that feels like a force of nature that is so powerful, he could probably kill you just by blinking. And it's no wonder why Lilith was so terrified to fail him in the last episode. I'd be terrified just to look at the man without his permission! And that was before it was implied that he sacrifices witches who are covenless!
But, Belos frightening the crap out of me isn't the only reason why he's an excellent villain. What makes him great is that in his debut scene, we learn so much about him...and yet have so many more questions. Like, how can he talk to the titan? What's up with the giant beating heart on top of his throne? Why is he sacrificing witches and discarded palisman to give him power? What the f**k is up with the giant beating heart on top of his throne? Why are there pipes littered throughout his castle? AND WHAT! THE F**K! IS UP! WITH THE GIANT! BEATING! HEART! ON! TOP! OF! HIS! THRONE?!?!
Questions like these help make Belos more interesting of a character that I would love to learn more about. Even though seeing him makes me physically shrink in my chair.
Gus being told that he’s already his best self: I mean, this is just sweet. My man Gus needs more love, dang it!
Eda vs. Lilith: It's like the animators saw the first fight between Eda and Lilith and asked, "How can we make this more awesome?" Turns out, the answer is to make the fight more like an anime than the first one. And MAN, was it successful! However, being epic is not the main reason why it's a captivating fight scene. Because as excellent as it was to see Eda and Lilith fight for the first time, their battle lacked one crucial element that’s in their second fight: Tension. Eda's curse getting worse with each spell and Luz being in constant danger adds so much more tension to this fight. And as a result, it becomes more entertaining to watch Eda fight knowing the odds are highly stacked against her. Because even though Eda was destined to lose, you still hope for the best that she'll somehow win. Which makes her ultimate defeat all the more heartbreaking.
LILITH CURSED EDA?!: What?! WHAT?!
I mean, I expected Eda to lose and get captured. That was something I saw a mile away since watching the promo a few months ago. But revealing that Lilith is the one who cursed Eda?! I could have never predicted that! It was such a shocking revelation that I cannot wait to see how the show handles this going forward. Because, the way I see it, Eda is cutting ties with Lilith after this episode. Even if Lilith has some sort of logical explanation, none of it will matter to Eda. Hell, it already doesn't matter to the fans, who are already jumping on the "Kick Lilith's teeth in" train. As for me, I'm going to wait for the actual explanation before I make any judgments. It is made pretty clear that Lilith regrets what she's done in not only in this episode but through small interactions with Eda in the past. It might not justify her actions, but I am still willing to hear the full story before I come to the conclusion that Lilith must burn in hell. Unless her reasoning was petty revenge or jealousy. In which case, I would like to introduce Lilith to my good friend Frederick Ulisinsburg.
*Lifts up middle finger*
You can call him F.U. for short.
Eda’s goodbye to Luz: Everything about this moment is gutwrenching perfection. I want to start off by talking about the fact that Eda smiles as she's saying goodbye. Earlier I touched upon that Eda joked about having a fate worse than death was an attempt to relieve tension off of Luz. And it's the same thing here. Eda smiling is the only way she can convey to Luz that everything's going to be ok so that her protege won't be upset about their situation. There are just two things that betray Eda during this sentiment. The first is her voice. You can tell that Eda is trying her best to stay emotionally stable for Luz, but it's clear how she's really feeling through each crack in her voice. And credit goes to Wendie Malick for giving such a marvelous performance in this scene. The second thing that betrays Eda is her eyes. Every ounce of pain and sadness that Eda is feeling at this moment can be seen through her eyes. Don't believe me? Then watch this scene again, cover Eda's mouth, and focus on the eyes. You'll see what I'll mean.
And her last word to Luz being "Thank you for being in my life." That cuts deep man...IT CUTS DEEP...GAH!
Luz walks home: It's the moments that you don't experience that can have the most weight to them. We, as the audience, have no idea what happened with Luz as she walked all the way back to the Owl House. But the things we can imagine are much worse. The guilt Luz must be feeling during this walk, as every awful thing that she experienced replays in her mind, like a broken record. The idea of Luz going through something like that just...It just breaks the heart.
“Where’s Eda?”: It's the innocent way that King asks this question is what makes it sad. It shows the childlike naivety in King's character, and imagining what his reaction would be to the truth, makes it even more tear jerking.
Luz cries: Nope. Nope! NOPE!
I will accept a lot of things from this episode. Eda getting captured? Sure. Luz having a literal guilt trip? Why not? King getting to learn the hard way about what happened to Eda? Go for it! But you know what I won't accept? LUZ F**KING CRYING! I'm being one-hundred percent serious when I say that it physically hurts to look at that one single image. Even just thinking about it is enough to make me misty-eyed. And I HATE IT! I mean, I love it because the show successfully made me feel the exact emotions that I should feel. BUT I HATE IT!
WHAT I DISLIKED
I honestly wish I could say that there is nothing that I dislike about this episode. I really do. But there is one small thing that-very briefly-took enjoyment out of the episode. And that’s-
The Kids easily sneaking past the guards: Don't get me wrong, the funny antics that our trio pull off are very entertaining. But it shines a bad light on the Emperor's coven, when the best of the best witches get outsmarted by three children. Plus, this is the penultimate episode of the season. I'm not sure goofy hijinks are the way you want to go. Because while The Owl House is a comedy series, even the funniest of comedies know when to make jokes and when to be serious.
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But despite that one complaint, I still give this episode an A+. It was emotionally draining, and it makes both more excited and incredibly terrified for the season finale. Because we now know the stakes for the next episode. The question is, how will Luz survive.
Now, I'm sure there are people out there who probably hate this episode, and probably the whole series if you want to get into it. And to those people: I feel bad for you. And I'm not saying that as a joke or as a snarky remark. I legitimately feel bad for you. Because I felt a whole range of emotions not just with one episode, not just with one scene, but with one single frame of animation. That image of Luz crying was more effective in getting a reaction out of me than anything else that came out this year. And the idea that some of you won't feel the same way fills me with even more Agony.
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ordinaryschmuck · 3 years
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What I thought about every episode of The Owl House Season 1 (Part 1/2)
Salutations random people on the internet who probably won't read this. I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.
Hey, do you miss Gravity Falls?
...
Yeah, I know, dumb question. Which is why I have good news! Not only is there a new series that is just as good as Gravity Falls, but in some ways, it's even better. That new series would be none other than Disney Channel's latest hit: The Owl House.
The Owl House, slowly but surely, became my new obsession since Eda reacted to decapitation with an unconcerned, "I hate when that happens." I wrote fan-fiction, made fan-art, and even began to separately review new episodes. Unfortunately, I got in a little late in the reviewing game and only managed to analyze the last four episodes of season one. And like an idiot, I promised that I'll review the rest when they came out on Disney+. Seeing that all of the first season has finally come on a legal streaming service (which means WATCH IT RIGHT NOW!), it's time I finally saw through to that promise. However, I'm not going to over-analyze each episode because that would be insane. So instead, we're going to lightning round these suckers. Because it's my Tumblr, and I get to decide what I review and how the hell I review it...hooah.
Which means this is your last chance to avoid spoilers if you haven't seen The Owl House yet. Seriously, it's a great show, and you can catch up right now on Disney+. A week-long trial is more than enough time to watch the series, so DO IT! With that out of the way, let's get started with:
“A Lying Witch and a Warden”: This episode gets a lot of flack for having poor pacing and being too preachy with its message. And to that, I say...you're not wrong. Yeah, I wish I could be that person who can defend this episode against criticism like that, but these are understandable problems that just left this icky feeling in my tum-tum when watching. But that's only when looking at it as a regular old episode when in reality, people need to see it as a first episode. The first episode in any show needs to get viewers interested enough to continue watching by answering these five essential questions: What's the plot of the show? What's the tone? Who are the main characters? What's the world they live in? And what are the rules of the same world? "A Lying Witch and a Warden" does a great job of answering all of these questions. And if you stuck around until the season finale, then that means it did a great job of keeping you interested in sticking around as well. So seeing how it got its job done, albeit, with mixed results, I give this episode a B-.
“Witches Before Wizards”: Don't mind me. Just reveling in the fact that Luz escaped to a fantasy world to avoid Reality Check Camp, only to get a reality check anyway. Because that's what this episode is in a nutshell. Through the "quest" that Luz goes on, she learns two important lessons: One, don't trust strangers who offer you something nice and shiny (bonus points for Eda warning Luz to avoid men with sandals and then have Ategast wear sandals). And two, there is no such thing as having a predetermined destiny. I love the idea that Luz coming to the Isles was just a twist of fate, and everything that happens afterward is pure dumb luck. And that moment when Eda gave a speech about making your own path instead of waiting to become something special? That was the moment when I went from thinking this was going to be a fun show to thinking it's going to be a great show. So consider this episode a solid A in my book.
“I Was a Teenage Abomination”: How is it possible for an episode to get better and worse with time? Because here's the thing: This episode does a great job of showing how perfect Amity's development is. After one single season, it already feels jarring, seeing the way she acts in certain scenes. However, in that same respect, it's the same reason why this episode got worse. I didn't mind that Willow practically got away with cheating and vandalizing the school with her magic because she and Luz were basically trying to show up a two-dimensional bully. But knowing what we know in the future, it does seem unfair that Amity gets punished for their bad behavior and Willow got little consequences for it. Sure, Luz got banned and had to work at gaining Amity's trust, but what about Willow? Although, despite this complaint, I don't really hate this episode. It builds a believable connection between Luz and her friends, and the B-plot King and Eda show off their budding friendship. So while this episode is a C-, it's a somewhat enjoyable C-.
“The Intruder”: Is it weird for anyone else that King gets most of the blame in this episode? Yes, he took the potion, but Luz was the one who kept pushing him. This is why it never sat right with me seeing how everyone, including himself, blames King for this episode's incident. That being said, "The Intruder" is fantastic. Eda, as the Owl Beast, is legitimately threatening, and the way the episode treats Eda's curse like a chronic illness is actually kind of sweet. It teaches kids how this is something that just happens to people, and they're not any weaker because of it, as long as they take the right steps. Which is cool, and it's why this is another solid A episode for me. Sure King getting the blame bothers me, but it pales in comparison to everything else “The Intruder” does right.
“Covention”: If you want my personal opinion (obviously, seeing how you're reading this), "Covention" is the perfect episode to show a friend to get them into watching the The Owl House. Everything there is to love about the show is seen in just these twenty-two minutes. Eda being a chaotic good, Luz being a sweet and understanding character, some incredible/natural world-building, an actually decent B-plot, an epic fight scene, great comedy, and, my personal favorite, the building of Luz and Amity's relationship. In fact, this episode has the most quintessential moment between these two, that Dana Terrace herself took charge of making the animatic for it. A scene that is so perfect that you can do an analysis of these few minutes alone...which is what I did. Click here to read it! "Covention" gets an A+ in my book and might possibly be the best episode of the season. Maybe even the series!
“Hooty’s Moving Hassle”: There's not really a lot I can say about this episode. I don't hate it, but I'm not exactly in love with it. The interactions between Luz and her friends are adorable, and there are a few good jokes that kept me laughing. But the story is kind of bland, and I just find Eda's sudden obsession with Hexes Hold'em kind of odd. Especially since a card game is what nearly defeated the "undefeatable" Owl Lady. If it wasn't for the nice reveal of Willow's and Amity's friendship (which comes into play in a far better episode), I'd say that you could skip this one on future rewatches. Because this is a C grade episode that just doesn't grab me as well as others.
“Lost in Language”: Ah, yes. The episode that made dozens of fans jump aboard the Lumity ship...unless you're like me, and you've been shipping these two since the show's theme song (And I don't know why, either. It's just the second I saw Amity my first thought was, "Oh, honey. You're gonna fall in love with the main character, aren't you?" AND I WAS F**KING RIGHT!). But jokes about shipping aside, "Lost in Language" is a fantastic episode. It has a great lesson about how people are more complex than their first impressions (Or to not judge a book by its cover, if you wanna stay on theme). Edric and Emira seem like a chaotic duo who cause mischief all for good fun. But Luz, as well as the audience, learns that Ed and Em are kinda the worst (they get better in future episodes, but still). Then there's Amity, who hasn't had the best first impressions in the last few episodes. We got glimpses of a good person here and there, but for the most part, that's all they were. Glimpses. Then there's this episode, which gives us more than a small look, but some actual insight into who Amity really is. Better yet, who she wants to be. It's something that I appreciate about The Owl House in that it wastes no time in developing Amity's character. So much so that I can forgive this episode for shoehorning a "Two idiots and a baby" plotline that does nothing but add maybe two minutes of padding. So yeah, it's an A+ for sure.
“Once Upon a Swap”: "Ugh! It's the body swap episode! How cliche and-" SHUT UP! Shut your mouth, and listen: Something being cliche does not always make it bad. Only when the cliche fails to tell an entertaining story does it have the right to work as a complaint. "Once Upon a Swap" may have a cliche premise, but it's still an enjoyable story (or stories) with great laughs and even some ok lessons. I can understand if you hate the episode because its premise is something you've seen a dozen times to the point where your sick of it. My most hated story idea is the "Character A saves Character B, and Character B becomes a life slave." If you have seen this story once, you've seen it a thousand times, and it's the same case with a "body swap" episode. But guess what: The Owl House is a kids' show. Kids'. Show. You can complain all you want about predictability, but kids are the type of viewers who will be new to this experience, despite if it's one that is done to death. Which is why this is solid B of an episode if you ask me.
“Something Ventured, Someone Framed”: Can people please stop shipping Gus with Mattholomule? Because that slimy, greasy, weaselly little son of A BASTARD BITCH WEASEL DOES NOT DESERVE LOVE IN WAY POSSIBLE!
...
But enough about how Mattholomule is the worst character ever, because "Something Ventured, Someone Framed" is a B+ in my opinion. Sure it shows the worst side of Gus and lets Satan's little herpe win in the end, but there is still quality to be had. We get insight into who Gus is as a character, on top of Eda swallowing her pride and cleaning the school so Luz can get into Hexide. Also, Eda's permanent record was the first time this show brought me to tears due to laughing so hard. So while I have to take points off for the inclusion of Mattholomule (I don't make the rules. I just live by them), this is still an episode I wouldn't mind revisiting.
“Escape of the Palisman”: I subscribe to this theory that Luz will one day have Eda's staff as her own. And episodes like this that strengthen the bond between Luz and Owlbert help confirm that theory. Luz's dedication to trying to make things right could just be part of her kind nature, but I like to believe that this is Dana and the crew trying to set up this possible outcome. As for what I think about the episode itself...it's ok. Again, Luz's dedication is nice to see, and King's adventure with Owl Beast Eda is somehow insanely adorable, but there's not really much to say other than that. So it's another B episode for me.
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And that’s the end of part one! Part two has probably already been posted by the time you finish this, so you can go ahead and find that if you’re interested.
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