i would love to hear how youd want to do a botw manga
YEAAAAAAHHHHH ok ok ok so. i would have the manga follow largely the same structure as the game, beginning with link waking up on the great plateau. he would go through the opening segment almost the same as the game, but with a little more emphasis on the physical toll that the shrine has taken on him (notably i'd frame the old man's baked apple as his realization that he's HUNGRY, that his body feels physically weak and untrained after 100 years of sleep.) i would also place a lot of emphasis on the eeriness of the plateau and the fact that link feels he SHOULD remember these locations but doesn't. the plateau segment would otherwise be very game-compliant, including the shrines, tower, temple of time, and the old man's cabin as spotlighted locations. the key difference here would be that instead of the gameplay mechanic where shrines give link something physical that makes the game easier for the player, they would instead be framed as training exercises which, while lacking material reward, would help him retrain his body and regain the strength he lost in the 100 years he was asleep.
after leaving the plateau the general structure of the game would be loosely followed, (impa > purah > divine beasts & memories > ganon) with a few key pieces of worldbuilding/side quests spotlighted along the way. the first major event after leaving the plateau for link would be his discovery of the dueling peaks stable, the first real indication of human society he's seen since waking up. this would be an important introduction to the society of hyrule post-calamity, and link would also get his first horse here, finding that he's strangely good with horses and perhaps getting a quick flash of a warm feeling, almost like an old friend :)
The memories would still be initially revealed to link via images within the sheikah slate, but unlike gameplay i wouldn't have link specifically seek out memories, instead i would have him stumble upon familiar locations while exploring, which i think is closer to the original intent of that feature. he would find each memory in order and they would play out very similarly if not exactly as they do in canon. the divine beasts and their quests would also play out largely like canon, with the exception of me retconning the transphobia out of the gerudo quest line. I also might like to spend a little more time on the legacies of each champion and how their losses are felt in their respective communities. they all have very strong characterization already and i would love to take the time to expand upon it a bit more!! the same goes for the NEW champions (sidon, teba, yunobo, and riju) i'd like to take some more time to expand upon their characters as well!
the sword-claim is the one thing that i don't fully know how to deal with. i think logically, it either has to come before all of the divine beasts, or after all of them. if i put it in before all of the beasts, it would require some gratuitous shrine training montages to convey how much work it takes link to get to the point where he's able to handle the master sword, which would break up the flow of the story and imo isn't very true to the gameplay which usually just has you explore shrines as you find them during your journey. the only other option, though, is to put it in AFTER the divine beasts, which may lessen the impact it has on the story if the only time he ever ends up using it is to defeat ganon. it sort of makes it into a deus ex machina instead of a pervasive element of the story in the way it is in the game. the way that i think i would deal with this is to have link hear about the master sword's legend from npcs as early as that first stable, and have him stumble into the lost woods BEFORE he has trained enough to be able to handle the sword. he finds it, learns what it is and that it's waiting for him, but he isn't able to claim it in his current state. this gives him a tangible goal to work towards for the rest of the story--a reason to continue entering shrines and growing stronger while he's doing divine beast quests. it also allows the master sword to remain present and active in the narrative without forcing link to get too strong too fast. THEN, when he's finished all the divine beasts, he can have a moment like, "i think i'm strong enough now. i'm prepared" and he can go BACK to the lost woods and successfully pull the sword and then go straight to ganon.
aside from the main quest line there are a few really good side quests i want to include as well, notably the kakariko yiga shrine quest and the hylian homeowner/tarrey town side quests. the former i just think is a very impactful storyline and nicely sets up the yiga as villains later on in the gerudo quest, and the latter is imo thematically important as a physical example of link rebuilding his life and watching hyrule continue to grow and heal despite the wreckage of the calamity. ideally this would be the last thing link does before facing the calamity; the wedding scene would end with link deciding the time has finally come for him to face ganon again, having found hope and community, knowing that no matter what happens hyrule will never be broken beyond repair.
the final battle would go similarly to canon, with callbacks to pieces of training link would have received earlier in the story--perfect parries, aerial archery, shield surfing, and all of the champion abilities would be highlighted during the battle, which would come to a triumphant end with ganon finally defeated and link and zelda reunited.
sooo yeah! largely canon-compliant but with certain aspects adjusted for readability. botw has such a strong narrative that it would actually be super easy to adapt imo but that might just be my opinion because i never think about anything else lol
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society if the dungeon meshi anime actually had texture and kept ryoko kui's personality in the artstyle instead of doing generic thin-lined flat colors flat shading streamlined anime face style. i know ppl have mixed opinions on some of these examples but i reallyyyy wished they went stronger on the mangas artstyle like say haikyuu season 4 and demonslayer did.
like i think heavier shading and use of lineweight and black shading would already do a lot for the texture... more frequent use of that nose shading ryuko kui uses a lot, like here? ALSO BRO THEY GOT RID OF LAIOS' UNDERCUT like okay tbf in some of the colored manga references he doesnt have that but also how else do you interpret his hair in this panel
anyways in general just throwing in some more hatching like using it more common as an art style for texture instead of just roughed up clothes/appearance would do some wonders. also softening the palettes i feel like theyve made things too dark and idk how to explain it its like they filmed the manga through a samsung camera
disclaimer i know most of these changes would cost more money and time and effort to do. the solution to most of this would probably just be to give them a bigger budget
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i know a lot of people are probably tired of hearing complaints of this scene but i think that at the very least this shot should have been paused/framed where you could see both of gojo’s arms and hands.
iirc we see him start to make this pose in the anime when he’s zoomed out, and then the scene pans up from his bottom hand
but like. quote aside, it’s also important that in this scene it shows the entire pose gojo was making because gege is purposefully referencing the buddha (his birth, if i’m not mistaken). and we just got a cut off part of it :/
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Hello there 👋
Can you talk about why you feel the way you do about the female bsd characters? (including the female characters you like) and while I don't think the author doesn't know how to write female characters I think the biggest problem with the female characters is that they're underutilized and barely have much screentime ( the most one we saw recently having screentime currently in the manga is teruko)
Hi!! I love you all SO much but seriously I don't have the mental stability to talk about why the bsd female characters are badly written ahah. Here's my best attempt at it:
I hope it's enough for me to say there's a female / male characters proportion of like 1:10, and no female character has any real repercussion on the plot– literally. Besides from Kyouka and Lucy and maybe Yosano? you could hypothetically erease every other female character and... Realistically, nothing would change. That's just how much irrelevant all but three female characters are, and there's already very few compared to the rest of the male cast. The four main / most popular characters are all males. Dazai is openly sexist and it's just kind of there never to be addressed. Akutagawa is repetedly violent with his female coworker and it's treated as a gag (like you DO realize how repulsive it is to write a character who is obsessed with her abuser and never be intentioned to elaborate on that because I guess that's what women are supposed to do according to author? Like. okay). But honestly the main issue for me is how each of them literally gravitates around another male character. God, it's SO annoying. And I mean every single of them!!! Every. single. Every single!!!! I struggle to come up with even one exception to the pattern. Kyouka has Atsushi as her savior, Lucy has Atsushi as her savior, Higuchi is obsessed with Akutagawa, Naomi is obsessed with Jun'ichirou, Gin literally exists because of Akutagawa, Alcott is just there to aid Fitzgerald, Margaret's only role in the story is to save Hawthorne, Elise is just expression of Mori. Teruko is a person in the body of a child who literally drools over her 50-something superior, like we hadn't as a society come to the common agreement that the “not as old as she looks” trope was disgusting pedophilia apologism like ten years ago (but it's okay though, because pedophilia was established to be okay in this manga at like, chapter 15 or something) (is this the good time to bring up that time Aya asked Kunikida out? No? Okay let's just collectively pretend that never happened). Do I need to go on? I haven't read Gaiden, but do I really need to read it to know Tsujimura gravitates around Ayatsuji? Oh wait, I was just remembered about Gaiden's full title: Bungou Stray Dogs Gaiden: Ayatsuji Yukito VS. Kyougoku Natsuhiko, and if that doesn't speak of the consideration author gives their female characters, I don't know what does. It's just– no female character is ever going to have their own novel. No female character is ever going to be protagonist. They'll just keep being treated as they've always been so far, like flat and personality-less disposable plot devices.
Now. I love Yosano's backstory, I really do- I think it was the best executed arc of the manga, reading those two chapter still gives me chills. But you do have to acknowledge, Yosano herself has no agency in the entire arc development. It's okay, she was eleven, it's natural; but she is just tossed one way to the other by other characters. That, and I can't stretch it enough, is not a bad thing on its own; not all stories have to scream #womanpower to be good stories. It's a good story. But you need to acknowledge it does nothing to empower female characters' role in this manga; it just speaks once again of it being a systematic problem, how author can't write female characters like they were masters of their fate if their life depended on it. And it's not that just because there's one (1) mini arc that happens to have a female character as its protagonist, author knows how to write female characters with depth, or agenda, or an objective, or personality, because... They clearly don't.
Like. I probably became annoying by now but like. When was the last time you found any bsd fan whose favorite character was a woman? When was the last time you found people describing themselves as a Lucy kinnie? If you ask me, it's not a matter of fans' fault for overlooking female characters; the female characters in this franchise are meant to be overlooked, because they're abysmally less stretched out and complex compared to their male counterparts– because male characters are distinctive and unique, while author can't go outside the range of one-dimensional femme fatale, letal woman (Yosano, Kouyou, Teruko, Christie, Gin / Lucy / Elise too to an extent) and woman who's just there to obsess over a male character (Alcott, Higuchi). But do not fret, because author will sometimes go outside that scheme by making a letal femme fatale who also obsesses over a male character! (Naomi). Also this
(Have you ever wondered why I never talk about Beast Gin? Yeah.)
Okay but you see the problem here? You see how it's impossible to make the same kind of argument for the male characters, because they're all diverse and various and multilayered as much as their little screentime allows? Higuchi doesn't exist outside Akutagawa, Lucy doesn't exist outside Atsushi; but it's not like you can say the same goes the other way round. That is, crossing out the various parallels drawn between male characters, but that only speaks more of how precisely curated male characters are, while all female characters... I'll be honest, aren't written as people. Author really sounds like your average Washington Post best selling psychological thriller author of the week that writes women like an alien species from another planet. It would have spared me having been writing this whole post for an hour (two hours? Which is definitely not the time I wanted to spend on this, man) if only author would have formed the thought, at the start of the serialization: “perhaps! Perhaps I should write women as people instead of writing them as female characters (whatever that means)”. Alas, we ended up with the infamous Naomi description from Untold Origins (what the fuck. who in their right mind would ever think of writing something like that. what the fuck.)
Now, I know if you're here reading this you most definitely like bsd. It's okay, really. Unpopular opinion, but people are perfectly allowed to like things that are flawed (and this is a big flaw). What's extremely important, seriously, I'm on my knees begging you, is to be critical of the media you consume. All kinds of media. Even if you end up disagreeing with me on this matter, really!! Just be able to tell apart the things that make appealing a series for you from whatever kind of agenda / worldview the author is pushing through, and peacefully acknowledge you can like something despite it having issues (because bsd has issues). I don't know who needs to hear this, but someone definitely does: “I love s/kk!!” “the bsd storytelling has many compelling aspects!!” and “I recognize the bsd writing has flaws some of which actively harm an already disadvantaged part of society” are statements that can and should coexist, and if anything - and I know you hate to hear this, I'm sorry, I'm sorry - it should be kept in mind when deciding to support the franchise by buying its products.
One final note is that like... I'm sorry if this comes off as pretentious but I seriously feel like people have NO idea what media with well written female characters look like, because for people to even question bsd being sexist is just insane to me (in the way: do we really need to to talk about it, isn't it obvious like ten seconds in the show??). And this is probably the least good place to advertise things, but please do yourself a favor and read The Promised Neverland and learn what well written female characters read like.
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