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#also just as a musing to myself; it's interesting how a dote in a video game to a fictional character I made
lesenbyan · 1 year
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[ID: two FFXIV screenshots of Cynthia, an Auri woman with redish skin and red hair. The left side of her face is modded to appear burned and she wears thigh high boots, spandex short shorts, and a shirt with a deep V neck, all dyed black. In the first image her fingers are interlocked on her stomach as she looks down at the camera to her side, smiling softly. In the second, her left hand is raised to her face in thought and she looks out of the camera judgmentally. /end ID]
guess who got a /dote for bein Cute while I was AFK
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smallcrystals · 4 months
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pls pls pls i need some flashspruce headcanons, idc what they're abt i just NEED
i've been on the verge of insanity lately
this is so real and honestly your insanity brought back mine so thank you
i feel like part of the reason i've kinda fell off my eqg soapbox is bc i felt like i've said all i've ever wanted to say abt them, but i don't think i have actually! if you do not mind me repeating myself occasionally:
between flashspruce, flash has the most experience with boys despite having realised his attraction to them later than timber did. this is mainly because flash is surrounded by more boys because high school, the maths is pretty simple
timber, on the other hand, had a more complicated relationship with sexuality because his gender was doing all sorts of funny things. he had an idea that he was pan (of course, he didn't have the words for it yet) but he was never sure if he was romantically interested in boys or just admired them so obsessively he wanted to be one. as timber grew into his teen years he realised it was both lol
timber hides this with his confidence but flash can see right through it because he's dealt with boys like this before when they've hit on him previously (though they're never quite as cute as timber is. pretty privilege i tell ya)
when they're friends, they have this specific dynamic that idk how to explain (the closest i can think of is hyung-dongsaeng in korean culture), but essentially it's this feeling of wanting to dote on your friends that are younger than you (even if it's just by months). that's how flash treats timber in the early stages – flash finds out he's older than timber by a few months and now he cannot think outside of timber = baby
timber loves the mane 7 but if flash is tagging along with their hangouts (which is usually the case, timber only rarely hangs out with them as a group by himself), he's very clingy and has his arm hooked with flash's. flash finds it adorable, especially when timber refuses to let go in public
i see 2 ways in which they can go from friends to lovers; either it's very natural and it doesn't feel like anything's changed, OR they've reached a breaking point where they're just seconds away from devouring each other. sunset says that sometimes flash looks at timber like he will leave bite marks on the guy if he doesn't stop whatever he's doing (existing). both are good i'd say
timber has always filmed little candids of flash when they start being friends, mainly on his phone but whenever they're out by themselves, he brings his fancy camera out. flash doesn't know this, mainly because timber doesn't show him out of embarrassment, but you can really tell the person who filmed the videos loves their muse
flash sends over lyric docs whenever he feels like it and usually these are without any context, literally no "hello" or "how are you", just [text].doc and timber's like ???. but then timber reads them and is like sad™. timber's never admitted to this, and it'll take him a while to do so, but there have been certain lines in flash's lyrics that had him crying. how many chances do you get in life where your muse considers you their muse too?
flash sometimes buys timber books that he's read just so timber can also read them and then freak out the same way he did. most of the time timber's reaction is "why would you make me read this i am now clinically insane" which was exactly flash's goal
i would try to debate who would be the pathetic lover between flashspruce but there is no answer to that bc they are both equally pathetic in their own ways sorry loverboys
flash actively joins timber when he goes to get more wood just so he can see timber in a tanktop and an axe but flash will deny this every step of the way
timber can't say anything though bc man does this as well during the summer months when the flash drive are performing at bars; flash is Not about to wear leather in this weather and timber's gonna enjoy every moment of it
and yeah flash teaches timber the guitar bc what is he if not a lover of music and queer rockstars (he thinks timber could make a really cool queer rockstar if not for the fact he would steal a million of girls' hearts in one second and a smile)
these two make me want to chew a wall. dead serious
(i see your ask about flash, i will get to that soon i promise 🫡)
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neocatharsis · 3 years
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Ten on his new Represent capsule, grappling with creativity, and evading genre lines.
As Ten Lee - a vocalist and dancer in K-pop groups NCT (with whom he debuted in 2016) and Super M, and Chinese group WayV - is musing over his proclivity for partnering music or visual styles in a way that others deem strange, he veers off on a tangent. “Anything can be matched… except juice and coffee,” he says, suddenly. “Those two should never be.” Ten is infamously anti-fruit. It stems from a mistaken process of association in childhood where “I had the image of a spider and the image of fruit mixed up,” he laughs awkwardly, “so now whenever I put fruit in my mouth, I think there’s spiders in my mouth.”
Random abstractions such as this pepper his rapid-fire conversation, like small fireworks fizzing through the dark. Excitable, enthused and sharply alert, if Ten’s energy was visible it would be a shimmering mantle of gold and silver dust. As a dancer, he moves with a sinuous, controlled power that can shift from elegant to explosive on a single beat. As a visual artist, the Bangkok-born, multilingual 25-year-old recently added the title of designer to his growing list of achievements, launching an already sold out collaboration with the bespoke merch platform Represent.
Aptly, he named his collaboration “What is ??? THE ANSWERS”, for although being a chameleonic artist is one of Ten’s greatest strengths, the personality traits that enable this created within him question marks around how he saw himself fitting into the world. “People ask me, ‘What kind of music do you like?’ And I say, ‘I like R&B but hope it sounds rock’. And they’re like, ‘That doesn’t make sense’.” It was troubling to Ten that people began telling him who he was and how he should be, instead of accepting him as is.
In a recent Instagram Live, the myriad of Ten’s contrasts tumble forthwith. He’s the doting cat-dad. His inner emo, who loves rock music, shows off dried roses, with the stern, black, geometric lines of the large tattoo on his inner right arm sometimes visible. But he’s also delicate in a way, with his butterfly tattoo and hair lightly permed, who names daisies as his other favourite flower, and plays Fousheé’s breathy TikTok hit, 'Deep End'.
“Have you seen the image where I have my name in a cross in lots of different languages?” He pulls the image up on his phone. The design sits on his Represent long sleeve tee. “I was thinking [about this], like, what you’re saying... Ten has this luvvie flower side and a very ‘rawwrr!’ side. I’m always like, ‘Ten, what kind of person are you?’ I do ask myself that, too, because everything I like is so different [to the other].” He could have conceded, and reined himself in. He’s pushed back instead. “I thought, ‘I can be anything I want, I can be this in the morning and this at night. I can be any person I want to be’. And that’s what makes me comfortable and happy.”
On his Instagram, Polaroids feature scrawled messages, like “Don’t tell me what to do!” and “Whatever! I’ll do it my way”. The designs of his collaboration seek to challenge being boxed in by other people’s standards, thus limiting ourselves. The recurring symbol of a cross tipped with arrows is a nod to the Chinese letter for 10, but doubles as a plus sign. He’s added it to his Instagram, writing “TEN_+•10” in his bio. “A plus sign can mean that you’re adding on and growing.” He points to another version of the arrow-cross, one with short diagonal dashes between its points that symbolise light. It means, he says, “that I’m radiating. I’m burning, I’m active, I’m doubling myself.” He touches his forearm, where crowning his geometric tattoo is a blazing sun. “I have this, like, if you want to be the light, you have to burn. I relate to that.”
This isn’t to say Ten’s self-exploration is complete. While celebrating his strengths, the artwork also portrays parts of himself not yet conquered. He admits to being a chronic overthinker: “Even very small things that happen to me, I rethink a thousand times, and I get stressed out because of the things I do. Like, the main theme [here] is me overthinking but trying to find an answer even though it doesn’t have any answer.” Fittingly, spiral shapes dominate his designs, looming large amongst bright, bold shapes that evoke 80s Pop Art and graffiti, though Ten shies away from defining himself as “fully an artist, I’m not in the position to say things like that yet.”
“I’m still learning and trying new things. You learn by getting different elements from different people and I’m in that stage now.” He enjoys wandering the infinite halls of Instagram and Pinterest where he screenshots art that he likes, lost in the images, often for hours. He explains that he’s mostly influenced by whatever his current visual obsession is. “I’m interested in tattoos lately so my paintings look like tattoo designs. I’m that person who, when they see stuff, it goes into my brain and instantly comes out from my hands,” he laughs.
Ten’s introduction to art and design was through his mother, who believed music, art and sport were more important in a child’s development than traditional academia. “She didn’t care if I got an A* or not, just don’t get an F or a D,” he grins. Like any kid forced to do something, Ten railed against spending his weekends at art school. He attended but he didn’t draw. He befriended his teacher and other pupils and, as they worked, he chatted. “I was a very talkative kid! When I came to SM Entertainment (in 2013), I had a lot of my own time because my parents were in Thailand and I was alone. I had to absorb all the new culture and adapt to a new environment.’” When he felt surrounded by “negative energy”, he began drawing, enamoured with the space and freedom it offered because in art, as he often says, “there’s no right answer.”
There is, however, sometimes a middle ground. His goal was to make the Represent collection accessible to his diverse fanbase. “I wanted to make things that people can easily wear because it was my first project to make something with clothes and it’s a collab. If you go too far out, no one will get it. If you go too far back, people won’t reach for it. So finding the middle ground is important but that’s the hardest thing to do. If it’s my own project, I’ll be like, ‘I’m the president of this brand, I’m gonna make all the weird clothes that I can imagine!’”
He sought second opinions to ensure his designs landed the way he hoped. “I have a lot of good friends around me - my choreographer, (SHINee and Super M member) Taemin hyung, my manager. I randomly ask people I’m comfortable with and have known for a long time, like Mark (Lee, of NCT and Super M). Mark has the same kind of perspective as me, but I’m a person who is arrghhh!” He waves his hands in the air. “And he’s very calm. I need a person who is opposite of me because when I’m in a mood, I talk nonsense - ‘I wanna do this, I wanna do that, I wanna make this!’ - and Mark’s like,’Bro, calm down’,” he says in a rather uncanny impression of the Canadian-Korean.
Ten works fast when he’s drawing. He has to. He describes his personality as someone who can't wait until the next day to do something. “I’m very impatient,” he smiles. “If I’m going to paint or draw, I’m going to finish it in, like, two hours. I can’t sit down for three hours.” When inspiration hits him, it’s off the back of deep contemplation, sometimes about the mundane - “Like, why do the cats come to me when they’re hungry only? Is it selfish or instinct? - at other times, something affecting him emotionally.
But whereas his job as a singer and dancer sees him project his energy outwards, art offers the opposite. He’s often alone in his room when he works. As is for many artists, the right mood is fundamental. “When I’m in a good mood, I can’t draw,” he half-sighs. It’s also a multi-sensory process. “Smell or the temperature of the room, that really helps me draw. I light three or four candles. And when I draw, it’s kind of heavy, the feeling,” he explains. “It feels like you’re sinking into something, into yourself, and everything seems so small. Everything narrows down into me, my pencil, the paper.”
The more work he does in different creative mediums, the less Ten’s desire is to keep them separate. His art, dance and music influence each other, whether it’s customising his own collaboration pieces, a choreography video in an art gallery or dancing underwater with a film crew. When someone tells him that something won’t work or match up well, he refuses to let the idea go until he’s attempted it.
“I’ve had that since I was young. I think everything is possible. If you don’t try, you don’t know. When people say it’s impossible, like dancing in water for three minutes, I’m like, then let’s make it possible. You don’t need to walk a straight line [in life], you can walk this way,” Ten says, pointing along an invisible line before switching sharply in direction. “Then go back on track, go that way, come back. No one should tell you to walk in a line, I don’t see the point of that.”
© Clash Magazine
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malignedaffairs · 5 years
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Artist Interview
Some time ago I was asked to answer some questions for a Russian community that collects interviews from various fanartists - what a lovely idea! Here’s the Russian translation along with lots of other interesting interviews. Under the cut is the English version.
On the artist
Nickname: Fifi
Date of birth: December 11th
What city are you from? Berlin
What genre in music do you prefer? Are there any favorite bands/singers? Dark electro, industrial, gothic, EBM, new wave, with a little side of metal and rock’n’roll. My favourite band is Rammstein.
The book that made the most impression and why? There’s nothing life-changing, but I have a ritual of reading before bedtime and some books have been great companions, mostly because they are gripping as hell or because they build up a huge world to blissfully get lost in. I really enjoyed In Cold Blood, The Swarm, Out, Memoirs of a Geisha, The Fifth Woman, Into Thin Air, The Girl with the Dragon Tattoo, the Harry Potter series, Lord of the Rings and ASOIAF.
What are your hobbies besides artistic creativity? Video games, reading up/watching documentaries on things like history, nature, the psychology connected to criminal cases or the obscure niche interest du jour, tasting and trying to cook food from around the world, spending time with close friends and family, planning trips and travelling, board games, being outside in nature, doting on my cat.
What movies (TV series) do you like to watch? Is there something you revise (recommend)? I prefer short thriller/mystery/horror series like Zone Blanche, The Sinner, La Forêt, Penny Dreadful, period dramas like Moon Lovers or The Tudors, movies/series that are funny and thoughtful like Three Billboards Outside Ebbing, Intouchables and Better Call Saul, Tarantino movies, oh and movies/series about food!
Favorite anime? Mushishi, Hellsing Ultimate, Samurai Champloo, Kuroko no Basuke, Dragonball Z
Favorite manga? Vagabond, Blade of the Immortal, Naruto, Dragonball, Rookies, Shokugeki no Soma
Favorite pictures, installations? Romanticism paintings, they’re so atmospheric. And traditional artwork from indigenous cultures.
Is there something that you would have trouble parting with? (Some thing, for example) There are things like my old diaries or my hard drive full of photos and drawings, but in general I’m more attached to places than to things.
What are your future plans? Getting better at my job, falling in love, lots of drawings.
On the art
What was the beginning of your passion? Discovering how crayons work as a toddler, I guess.
Do you think the academic base is obligatory and should everyone go through universities to be good masters? I think a profound education can totally polish your technical skills, so the benefits can be great. But art is very individual, and you don’t need university for expressing yourself creatively. When I graduated from high school I thought about studying to become a professional artist, but decided on keeping it a leisure activity for me to unwind and express myself without any pressure.
How long have you been drawing? I’ve been drawing from early childhood.
Tell us about the process of drawing. Where do you start, how do you finish? How much time is spent on drawing? When I’m super lazy, I just use one layer. I start with a rough sketch and refine it by just adding cleaner lines on top and erasing the messy parts. When I’m less lazy I do a rough sketch and a second layer of clean lines on top. During the process I often adjust proportions by cutting, warping and relocating parts of the content. For a comic I first think of a rough plot and draft the dialogue, then make a rough storyboard with page thumbnails. I usually only plan around three pages at a time, never the whole thing in one go. Colouring is another beast entirely. No system there whatsoever, I just put colours on there and hope for the best. Usually a drawing takes me at least two hours, comic pages take up to eight hours. I mostly use the same three brushes all the time.
How did your nickname appear? Fifi-la-fumeuse is a random thing I found in a book about curiosities I bought in Paris a long time ago. It’s basically a vintage doll that was used for educating students about the dangers of smoking during pregnancy. I liked how creepy it looked and the name sounds nice and a little similar to my real name, so I’ve kept it ever since. Malignedaffairs is an allusion to the “forbidden” nature of Itasasu, which was my OTP when I started my blog back in 2012/13. Nowadays I’m finding the name rather corny, but it’s what most people associate with my art, so I’m just keeping it.
What inspires you? Everyday life, my feelings, media, exchanging ideas with people within the fandom.
How do you feel about criticism? Do you criticize other artists? I’m not here for the criticism. My first and foremost goals in posting art on the internet are expressing my feelings, getting in touch with like-minded people and having fun, not necessarily improving my artwork or meeting any achievement goals. I’m grateful for constructive criticism if I respect and trust the person who gives it. I only give criticism if invited to do so.
Do you have your own characters? Or maybe the whole universe? Tell a little about it. No, I don’t have any OCs at all.
How did you come to the Naruto fandom? What kind of heroes do you draw and why them? My ex bf was a big fan of Naruto and always tried to get me into it, but I found it boring and childish. After we broke up though, I felt really lost and started to watch Naruto as a way to feel a little closer to him, and before I knew it I was super into the plot and the characters and then Itachi appeared and the story of the Uchiha brothers struck a very deep chord with me. I’m very much into beautiful, tragic, brilliant but troubled characters who are sweet cinnamon rolls inside, and Itachi and Shisui are like the posterboys for this concept. I feel like they’re the perfect muses for me to give some kind of shape to my ideals of love and mutual respect.
Do you agree with the opinion that national self-perception, as an intellectual factor, is present in the creative process? You’re always influenced by the social environment, the battles and the values you grew up with, and some of that can be determined by your nationality. Themes like identity, society, communication, politics and ideologies are often expressed in art, and if that’s the case you can’t and probably don’t even aim to separate it from national self-perception. I think it’s more present in original art than in fanart though.
What topics worry you and most often are reflected in your work? Belonging, mutual love, loss, sex.
Do you consider drawing to be your recognition in life? Do you plan to continue to devote yourself to this business? It’s an important part of my life and I’m going to do it as long as it feels right, but I won’t pressure myself.
What advice do you have for novice artists? Expect your drawings to look ugly in the beginning and draw all the ugly pictures anyway. Draw whatever attracts you, however silly it may seem. “Art block” means you should lower the pressure on yourself and allow yourself to draw something ugly, silly or uncreative, or even take a break from drawing. Art is not about achievement but about expression. Don’t take it personally when no one seems to appreciate your art right away. Instead actively seek out like-minded people in online communities or in real life, get engaged and show your art to them. Also: flip that canvas!
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