had a conversation last week with a 10 year old girl about the s5 finale and i can’t stop thinking about it. she said nathalie is the best because she loves adrien enough to lie to him about his father so that he stays happy. completely convinced that emilie was resurrected at the end and shocked when i suggested otherwise. i’ve been dying to know what the children think happened and it’s so interesting
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I jokingly thought before that reading Junie B. Jones as a kid turned me into a feminist, but unironically, it kind of did.
I honestly think it comes down to the fact that Junie B. was not only allowed to be "weird," but her character arc never concluded like other girl characters would. In other media featuring "weird girls," the girl always ended her arc tamed - by force or convince, she would be prettied up, she would smile and be polite, and she would never speak out of turn. She would be perfect then, and would shed her veneer of individuality with the freedom that is conformity. As a kid, I noticed that girls weren't permitted to be "weird" like boys were. So when I read Junie B. Jones, I loved that she was frankly just fucking weird. She said things out of turn, she was rambunctious and imaginative and she was a realistic portrayal of a little girl. I loved reading those books because the narrative taught her lessons without punishing her for being weird, if that makes sense. So often, narratives punished weird girls for the crime of being a socially unacceptable girl, not for any true wrongdoing like lying.
Anyway, I just think it's interesting, because I watched and read a ton of books and shows and movies featuring girls and women, but none of them truly empathized with (or even tried to empathize with) weird girls on their own merits and capabilities and terms, or embraced the idea of a "socially inept/unacceptable" girl without punishing her in some way for her supposed ineptitude.
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yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
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'I flirted with the idea that instead of being trans that I was just a cross-dresser (a quirk, I thought, that could be quietly folded into an otherwise average life) and that my dysphoria was sexual in nature, and sexual only. And if my feelings were only sexual, then, I wondered, perhaps I wasn’t actually trans.
I had read about a book called The Man Who Would Be Queen, by a Northwestern University professor who believed that transwomen who were attracted to women were really confused fetishists, they wanted to be women to satisfy an autogynephilia. And though I first read about this book in the context of its debunkment and disparagement, I thought about the electricity of slipping on those tights, zipping up those boots, and a stream of guilt followed. Maybe this professor was right, and maybe I was only a fetishist. Not trans, just a misguided boy.
About a year later, on the Internet, I come across a transwoman who added a unique message to the crowd refuting this professor. Oh, I wish I remember who this woman was, and I wish even more that I could do better than paraphrase her, but I remember her saying something like this: “Well, of course I feel sexy putting on women’s clothing and having a woman’s body. If you feel comfortable in your body for the first time, won’t that probably mean it’ll be the first time you feel comfortable, too, with delighting in your body as a sexual thing?”'
-Casey Plett, Consciousness
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How i envisioned Danny's ghost form/Phantom in my Danyal Al Ghul au (images at bottom of post). His ghost form has some pr heavy influence from the League, because I thought it'd be neat + to kinda show how even after four years, the League still had some kind of impact on who is he as a person. Plus some milder Robin influence in his boots and the cape (which i meant to be split down the middle to have some kind of 'bird wing' silhouette) as a way to indicate his lingering desire to meet his dad.
The pauldron lookin-thing on his upper chest is based off certain Danny Phantom designs I see that give him that white,,, marking,,, thing. I've been calling it the Jedi Chestplate because it reminds me of the clone wars Jedi armor. So like, slight homage to his hazmat suit.
(not pictured: his thermos and his sword)
behold! the judgmental lil shit (affectionate) himself
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How do you think Junko manipulated the other sdr2 survivors besides Hiko? Kazu, Sonia and Akane?
Kazuichi: lots of praise and conditional affection (now that you're addicted to being my favourite little puppy, sure would be sad if you did something to make me and my friends mad and not like you anymore. Because I could make sure no one ever wants to be around you again :( build me a death machine pretty please?)
Sonia: aren't you tired of being nice? Dont you want to go apeshit? (aren't you tired of doing only what other people expect of you? You're barely your own person. Go on, try being a little bad for once! A little bad escalates into being immensely selfish, and eventually it's too late to go back)
Akane: a little harder, but she's very gullible and easy to trick into doing things, and has a LOT of trauma to tap into (maybe something along the lines of, "the world is a shitty place and no one ever helped you when you needed it, right? Only way to be safe from that is to be not only strong, but scary. Show them they can't mess with you! KILL")
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the empty frame in bobbys castle tower is a metaphor for jaiden and roiers family. they shared a house a bed items son, roier showed her his basement, melissa, his betrayal scars, and his home that was meant to be a community house. and jaiden couldnt fully believe she wasnt taking too much when it was her house! it was her base too! she moved out of the home she was building to move in with roier but she still felt like an intruder to her own home! she saw it as a temporary home for until she could move out and build her own base. but she still cared for and accepted every part of roier. and roier loved jaiden back too! when they died in that airship, he cleared out the dungeon and gave jaiden armor and spirit orbs and when jaiden accepted his anger and blame it just fizzled out. jaiden understands. so then roier left a empty frame at the bottom of the tower for jaiden to fill whenever she came back and they laughed and joked while tucking bobby in and jaiden said i bet you a hundred million dollars we'll see bobby tomorrow and roier said are you sure and it was a joke and then tomorrow came and jaiden was an hour too late. and then roier joked and laughed and when jaiden came and he had to break the news he couldn't anymore. because with jaiden roier can let down the jokes and with roier jaiden can be sure he has her back and support and when jaiden fell off the edge roier jumped down to join her before she could even say anything and they had pvp lessons together and a heart to heart as the sun rised and in the end the community house lays abandoned and bobby fields is filled with copies of the best day they had together and the attic is never looked at again and the top floor of bobbys tower isnt either.
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