abandoned oc's for camp camp. they're supposed to be new campers with my teen!AU- but lost motivation i guess?
the full body references is them supposed to be teenagers, but they look 11 with advanced bodies lol
➢ the story i made up for them was that they were all adopted as babies from different families by a once-loving couple— that had a falling out, leading to them being left at an orphanage.
➢ they hated it there. they stuck with each other and just bullied the adults that weren't fond of them.
➢ these three are kind little troublemakers, something like the original trio in camp camp (Max, Nikki, and Neil).
➢ however, they don't just go causing it whenever they want, unless they have a reason.
➢ when they were very young, many adults tried to adopt them. but numerous times are all failures since most adults wanted only one of them, and that resulted in the eager parent's pants going missing and their car painted in different colors.
➢ wonder what did that, hm.
➢ though, they're very giving, affectionate, and fun to be around when you set aside the chaos they start from time to time.
➢ if you wanna learn each of their personalities, or just appreciate art, then press more ⤵
➢ Jolene is the most responsible of the three.
➢ she sleeps at reasonable times, makes schedules, knows her manners, and shows respect to most adults (at least those who respect her too).
➢ she cares deeply for her siblings, and sets them straight if they're doing stupid shit.
➢ she has a good reputation being the goody-two-shoes and she uses that to her advantage sometimes.
➢ thinking her voice would resemble Alessia Cara (Jane from The Willoughbys or her normal voice really, she's so soothing to listen to🙏🏼)
➢ Jazlyn is the perky one, always energetic and giddy. she's the first to introduce herself out of the three.
➢ she's quick to make friends and quick to lose them too, since she can be too much for most people.
➢ she treats everyone equally, unless they're an asshole.
➢ very oblivious and runs into stuff without thinking much of the consequences. she's very apologetic, however, and willing to make up for her mistakes and learn.
➢ thinking her voice would resemble Erika Henningsen or Taylor Louderman (referencing Charlie from Hazbin Hotel and the song Little Miss Perfect)
➢ Jesse is the most protective, and severely loyal to those he trusts.
➢ he's sort of a mix of the two sisters— he's responsible like Jolene, but forgetful. he's chaotic like Jazlyn, but knows when shit gets real.
➢ he's the one starting fights, always taking the first punch. he's known for his anger outbursts.
➢ he's emotionally intelligent, spending his time mostly around women and rarely around men- stating that they're way more complex (which is a joke... or is it?)
➢ thinking his voice would resemble Wayne Brady (reference is King Dice from the Cuphead Show, probably not as dramatic though but the more i listen to it, the less i disagree)
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sonhei com seu sorriso tão próximo ao meu, anos mais tarde, perdidos em assuntos que não tivemos chance de dizer. por alguns instantes, cravado no meu cérebro imaginativo, seu olhar me atravessou como sempre. naquela realidade, gaguejei mil vezes e engoli seco outras mil. não consegui criar a cena de um toque, este ficou perdido em mil outros sonhos e em outros passados. é uma causa perdida amar tanto um olhar que se fechou para mim, um olhar inalcançável a pé e não disponível ao meu coração. ainda lembro seu aniversário e penso se devo ligar para saber do que acontece nas ruas distantes em que você caminha, quantos castelos seus olhos castanhos testemunharam depois que seu endereço mudou. em alguns anos esqueço seu aniversário, em outros ele salta da agenda como se fosse inegável. sonho esporadicamente com ter a chance de rever suas feições, memorizar seus movimentos e ver seu lábio inferior tremer ao sorrir. fomos tão previsíveis nessa coisa toda, mesmo ao brigar, não surpreende que ainda sonhe com seu abraço impossível. inconclusivos, sem conversas finais, porém sei que me ama somente quando me curvo a sua vontade. quero te ligar em outubro, quero receber sua ligação a cada maio, apenas para falar algumas palavras rasas e jogar conversa fora pouco antes de dizer o que ainda é verdade. chorar pouco antes de desligar, sofrer para segurar que eu te amo, mas você me decepcionou.
não desejo mais de seu tempo, mais do seu espaço. não posso correr para o futuro mantendo meus olhos no passado, decidi enfrentar o vazio da lembrança. entretanto, em noites como esta em que meu cérebro prega peças e te traz de longe para meu travesseiro, queria que pudesse ouvir minha voz novamente.
[I never meant to let you down
I love you but you let me down]
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The past isn't lost because here it is between us, and here we are amongst it.
References & Links
Savannah Brown — if i'm you and you're me then... who's that?
Alessia Cara — My Kind
Rebecca Sugar — Everything Stays" - Adventure Time OST
Hozier — Butchered Tongue
Miya Osamu — "Pitons" - Haikyuu!! To The Top! (Yeah, I know it's Kageyama on screen, but Osamu's talking)
Norimune Kurosu — "Pitons" - Haikyuu!! To The Top!'
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Fem February: Music
Okay my brain instantly went hard mode when I saw 'female fronted bands', before catching 'singers'. Because I was having a hell of a time remembering names of mixed gender bands with female singers.
Five faves, huh? Of Women Singers/Fronted Bands?
Muses of Yore, if you ever grace me with the name of the black heavy metal lady with the braids I will love you forever. I remember her from Headbanger's Ball but never did remember to write her name down. If this rings a bell with anyone, HER. She had fucking stage presence like whoa, and was awesome.
Anywho, moving on to the ones I can actually name.
TRACY CHAPMAN. Fucking hands down, Tracy is my all-time favorite woman singer AND song-writer. "Fast Car" might have been the gateway drug to knowing about her, but "Talkin' 'Bout a Revolution" sits in my soul and won't let go, right beside "Give Me One Reason". Her voice is in the perfect range to soothe and call to me, and the lyrics bring all the emotions, evoking a lot of how I grew up.
Janelle Monáe. She is (they are? I cannot remember where Janelle stands on pronouns at this moment), without a doubt in my mind, the absolute perfect heir to Prince's legacy. From the concept albums to the sheer vitality of the music and lyrics blending, Janelle is my favorite of this century so far.
The Bangles. Wait, Asp, really? A bubblegum pop girl group? At least pick the Go-Gos or something — NO. "Walk Like An Egyptian" slammed them onto my awareness. I LOVED the way vocals alternate between the women. I was over the moon that one of their names was Michael. That she was connected back to the Runaways just made that sweeter. The videos were great (they got Leonard Nimoy in one!). I truly blame the music business for them not going further, with the insistence on headlining Susanna Hoff as the lead singer.
Basia. While it is common for non-English speaking singers to lose their accent when singing English songs, Basia's still came through on her earliest albums. It added a different quality to the music that hooked me. Her second album was one of several in rotation as self-soothing on-repeat listens for me.
I'm going to cheat on number five, because I have three younger stars of the current century to highlight, and their sound/subjects all pull at me in a very similar fashion. Maggie Rogers ("Light On"), Rosa Linn ("SNAP"), and Alessia Cara ("Scars to Your Beautiful") were likely all introduced to me by my son's musical sharing. All three of these woman have a soothing range that I can listen to for hours. The way they approach life and love in their songs strikes a chord with me.
(I could go on for hours. Others considered for this included Donna Summer, The Pointer Sisters, Dionne Warwick, Florence Welch, Sarah McLachlan, Tina Turner, The Eurythmics, Enya, and Melissa Manchester.)
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