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adribosch-fan · 2 years
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Comenzó "La Purga": de las 20.000 criptomonedas, cuáles sobrevivirán y qué pasará con Bitcoin y Ethereum
Comenzó “La Purga”: de las 20.000 criptomonedas, cuáles sobrevivirán y qué pasará con Bitcoin y Ethereum
El desplome de Bitcoin, Ethereum y las principales criptomonedas hará que desaparezcan varias divisas con proyectos “flojos de papeles”. Las claves Por Alejandro D’Agostino El mercado cripto está en un momento bisagra. Luego de dos años “soñados” por el ecosistema en cuanto a cotizaciones y, principalmente, crecimiento de la adopción como ahorro y medio de pago, estos instrumentos hoy tienen un…
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jeanchrisosme · 5 months
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Il y a trois mots simples qui, à eux seuls, peuvent résumer le sens de la vie : Être, Aimer et S'émerveiller.
Agostino Degas
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ibarbouron-us · 6 months
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Atribuito ad Agostino Tesauro (notizie dal 1501 al 1546)
Madonna en trono con Bambino y San Giovannino.
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joseandrestabarnia · 4 months
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Retrato de hombre con un mono Annibale Carracci (Bolonia 1560 – Roma 1609) 1590-91 Pintura al óleo sobre lienzo 68x58,3 cm Inventario Inv. 1890 n.799
El naturalismo de este cuadro, tan espontáneo en la representación del macaco de Berbería jugando con el pelo de un joven divertido, ha llevado a algunos críticos a asignarlo a Annibale Carracci, pintor boloñés que desde su debut se caracterizó por una tendencia a representar escenas tomadas del mundo real contemporáneo a él; en este sentido se recuerdan algunas de sus obras célebres como los 'Mangiafagioli' o la 'Macelleria'. Annibale, junto con su hermano Agostino y su primo Ludovico, dieron una huella decisiva al desarrollo artístico de la pintura boloñesa y luego italiana, forjando un ideal clásico y naturalista al mismo tiempo. En 1582 Annibale y Agostino fundaron en Bolonia la Academia conocida como los Incamminati, con el objetivo de sacar la pintura de las inquietudes del manierismo, al ejemplo de los grandes maestros del siglo. XVI, situando en el centro el estudio de la anatomía y las figuras de la vida.
Según algunos críticos, El hombre del mono también podría ser obra de Tiziano o Tintoretto, considerando el uso de colores que remiten al ambiente veneciano. Lo que queda fuera de toda duda es la extraordinaria calidad del retrato y su frescura inventiva que indica cómo, a finales del siglo XVI, se estaba produciendo una profunda transición de un estilo de pintura culto e intelectual, propio del segundo manierismo, a un estilo de pintura culto e intelectual, propio del segundo manierismo. enfoque más libre, más abierto a temas populares e inusuales. Éstas son las premisas para el nacimiento de la pintura de Caravaggio y la difusión de la pintura de "género" orientada a una visión compuesta de la realidad cotidiana.
Información de la web de la Gallerie degli Uffizi, fotografía de mi autoría.
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Arte 🖼️
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“La caída de los ángeles rebeldes” (1750), esta genialidad fue esculpida en un solo bloque de mármol de Carrara por Agostino Fasolato. 
La escultura se aproxima a los 2 metros de altura y presenta 60 figuras. Palazzo Leoni Montanari de Vicenza (Italia)
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lisaalmeida · 1 year
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Il y a des âmes semblables nées pour
se rencontrer.
Des liens d’amour si forts et profonds
qui ne connaissent pas la distance,
Elles vont au-delà de la présence physique.
Elles impliquent l’âme.
Ce sont des liens de cœur, d’empathie,
implication émotionnelle.
Ce sont des fils indestructibles que ni le temps ni la distance ne peuvent atteindre.
Quand on aime, il n’y a ni distance, ni temps.
On est proche. Toujours.
Parce que c’est le cœur qui détermine
la distance.
Les kilomètres séparent seulement les corps,
pas les âmes, pas les cœurs.
Et les âmes sœurs nées pour se rencontrer,
Elles finiront par se rencontrer...
Agostino Degas
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influencegetem · 4 months
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Our song #interstellar (67) being included in this legendary podcasts #bestof2023 playlist was the best thing to happen all year. Thanks again #DJAbsurd. (Darren Shabat) You're greatly appreciated. I've got something else cookin, too.
https://www.podomatic.com/podcasts/ear2thestreetsradio/episodes/2023-12-24T18_07_50-08_00
EAR 2 THE STREETS RADIO BEST OF 2023 (4 Hours)
#KingOfThePlaylist
EAR 2 THE STREETS RADIO BEST OF 2023 (4 Hours)
#KingOfThePlaylist
1. Intro (Prod. by DJ Absurd) (Scratches by DJ Absurd)
2. Runaway - Swizz Beatz, Nas (Prod. by Swizz Beatz)
3. Heroes - Macklemore (Scratches by DJ Premier)
4. Soda Club - Marlon Craft, Skyzoo
5. Runway - Westside Gunn, Rome Streetz (Prod. by DJ Premier)
6. Unpredictable - Statik Selektah, Inspectah Deck, Ghostface, Raekwon, Method Man
7. The Return - Torae (Prod. by Marco Polo)
8. Prophets Of Doom - Ill Bill, Sick Jacken, Immortal Technique
9. Survival Mode - Halfcut, Reks, DJ Deadeye
10. Life Music - Masta Ace, Stricklin, Speech, E Smitty (Prod. by Marco Polo)
11. Am I Dreaming - A$AP Rocky, Roisee (Prod. by Metro Boomin)
12. The Weather - Black Thought, El Michels Affair
13. In Moe (Speculation) - Common (Prod. by DJ Premier)
14. Sounds That Never Left My Soul - Ty Farris
15. Bad Apples - Che Noir, Ransom, 38 Spesh (Prod. by Big Ghost Ltd)
16. Pissy In The Palazzo - Crimeapple (Prod. by DJ Skizz)
17. Knock - Tech N9ne, Conway The Machine, X-Raided, Joyner Lucas
18. Evolution - Meyhem Lauren (Prod. by Madlib & DJ Muggs)
19. Keep On - Nems (Prod. by Scram Jones)
20. Exit 9 - Killer Mike, Blxst
21. Slap Boxing - Tone Liv, Ren Thomas, L.I.F.E. Long Liggy Long (Prod. by Alessandro A Sharp Agostino)
22. No Love - Royce Da 5’9, 100 Kufis
23. Without You - Brady Watt, Conway The Machine, Talib Kweli
24. Coming Soon To A Theater Near You - Slaine
25. All That For A Drop Of Blood - Czarface
26. Sicilian Gold - DJ Muggs, Ghostface, Westside Gunn
27. Hustle, Repeat - Jadakiss, Swizz Beatz
28. Decide - John Sci Robinson & Figub Brazlevic
29. Invincibl Rap Mislz - Napoleon Da Legend, D-Styles
30. Catch A Vibe - TrillStatik (Bun B & Statik Selektah), Haile Supreme
31. Fast - Shabaam Sahdeeq & John Jigg$(Prod. by Tone Spliff)
32. Inhuman - Stu Bangas, Apathy
33. The Pressure - Cymarshall Law (Prod. by Slimline Mutha)
34. The Tale Of 2 Cities - KXNG Crooked, Joell Ortiz
35. Paradise II - Logic, Norah Jones
36. Choices - Oddisee, Phonte, Bemyfiasco, Kay Young
37. Feelings Don’t Feel - Black Milk, Mick Jenkins (Prod. by Black Milk)
38. The Golden Rule - Blu, Real Bad Man, C.L. Smooth
39. Loyalty V. Royalty - Belly, Gil Scott-Heron (Prod. by Hit-Boy)
40. Impaler - Vinnie Paz
41. Don’t Speak - Jarren Benton
42. Devil’s Work 2 - Joyner Lucas
43. Too Much! (Melly Mel) - Reason
44. Good Ol’ Days - Nyck Caution, Joey Bada$$
45. Free - Q-Unique (Prod. by Q-Unique)
46. Black Lemonade - Mayday
47. Point Blank - Ric Chavez, Bizzy Bone, J57
48. Dark & Grim - 38 Spesh (Prod. by 38 spesh)
49. American Made - Ransom (Prod. by Nicholas Craven)
50. Drug Trade - Smoke Dza, Black Thought (Prod. by Flying Lotus)
51. Remind You - Chino XL (Prod. by Stu Bangas)
52. Gadzooks (Em Eff Yoom) - Eff Yoo (Prod. by Level 13)
53. Venom - RJ Payne
54. Wells - Pizzo Paul Richard
55. Mental Health Check - Ea$y Money & Chilla Jones
56. Earners - Rasheed Chappell, Flee Lord, Che Noir
57. Bragadoccio Rap - Bo Faat, Hus Kingpin, Eddie Kaine, DJ Erex
58. Watch Your Mouth - Locksmith, Snak The Ripper (Prod. by C-Lance)
59. Don’t Go Astray - AZ (Prod. by Buckwild)
60. Nice Weather - Termanology
61. All About (Remix) - A-F-R-O, Alias Molombo
62. Sideline Saga - Jae Skeese
63. Porsche Lights - Styles P (Prod. by Vinny Idol)
64. Clubbin & Chaos - Lloyd Banks
65. Enough - Russ (Prod. by Russ)
66. Wotcha Call Strength - Boot Camp Clik
67. Interstellar - Influence Getem Daniel IG Stewart (Prod. by nAvi the NORTH & Die Empty Production)
68. Elevator - Kota The Friend (Prod. by Statik Selektah)
69. Wish Me Well - Little Brother
70. This Thing Of Ours - Nick Grant
71. Smoke - JoJo Pellegrino, Method Man
72. Nuclear Fission - Jus Daze (Prod. by C.G. The Producer)
73. In A Box - DJ Hoppa, Wax, Demrick
74. Bodies! - Skyzoo, The Other Guys
75. Came A Long Way (Keep Ridin 2023) - Brian B. Dvine Daly, The One Lavic
76. The Return - Cuban Pete Pete Allen (Prod. by BoFaat) (Scratches by JabbaThaKut)
77. Jodeci Member - Nas (Prod. by Hit-Boy)
78. Asteroids - Rapsody (Prod. by Hit-Boy)
79. 50 More Years Of Hip Hop - KRS-One
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gardenofkore · 2 years
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And yet Heaven’s providential intervention stepped in; since the still free mind of Prince Don Cesare couldn’t grasp a greater gift was yet to come. And this bird-catcher fooled by hope, instead of an escaped dove, managed to catch a Phoenyx. This was indeed Donna Luisa di Luna e Vega, daughter of Pietro Duke of Bivona, who by marrying Don Cesare, not only brought to her husband’s House her father’s Duchy, and the lands of the House of Peralta, already englobed by those of de Luna’s, but then with the marriages of her son and grandson, poured in the Moncada’s possessions, the titles and riches of two other illustrious lineages, that of Aragona and Cardona, with the Duchy of Montalto and the County of Collesano.
Hence, like that Arabian bird, which it is obsequiously followed by other birds wherever it flies, likewise she brought with her a magnificent procession of many estates in the House where she nested.
Giovanni Agostino della Lengueglia, Ritratti della prosapia et heroi Moncadi nella Sicilia: opera historica-encomiastica, p.559-560 [my translation]
Aloisia (or Luisa) was born in Bivona (nearby Agrigento) around 1553. She was the firstborn of Pietro Giulio de Luna Salviati, Duke of Bivona, Earl of Caltabellotta and of Sclafani, and his first wife, the Spanish Doña Isabel de Vega y Osório. The baby girl was named after her paternal grandmother, Luisa Salviati de' Medici. In fact, through her father, Aloisia descended from Lorenzo il Magnifico de' Medici, who was her great-great-grandfather. On her mother’s side, on the other hand, she was the granddaughter of Juan de Vega y Enriquez, who had been Viceroy of Navarre and later of Sicily (also the one who brought Jesuits in Sicily). Aloisia had two younger sisters, Bianca and Eleonora, and a half-brother, Giovanni, born in 1563, out of Pietro's second marriage to Ángela de la Cerda y Manuel, daughter of Juan de la Cerda, IV Duke of Medinaceli and Viceroy of Sicily from 1557 to 1564.
In 1568, Aloisia married Cesare Moncada Pignatelli, Prince of Paternò, Earl of Adernò and of Caltanissetta, a decade older than her, in Caltabellotta. The union between the two had been planned by Juan de la Cerda, the bride's step-grandfather. Cesare was indeed supposed to marry his cousin, Giovanna de Marinis (daughter of his aunt Stefania), but marriages between noble families were delicate matters and needed the Viceroy's approval as well as (sometimes) the Papal dispensation in case of seventh grade parentage. The Moncadas were an incredibly wealthy and noble family. They owed their fortune mainly to Guglielmo Raimondo Moncada Earl of Agosta who, in 1379, had kidnapped Queen Maria I of Sicily and brought her to Spain where she married her cousin Martino. To thank him for his support, King Pedro IV of Aragon (the Queen’s maternal grandfather) had named Guglielmo Raimondo Royal Counselor and Justiciar of the Kingdom of Sicily. From 1565, the Moncadas were able to add to their titles that of Princes of Paternò, plus managed to exchange Augusta for Caltanissetta, thus saving tons of money since Augusta, differently from Caltanissetta, was a maritime city, which was often the victim of pirates’ raidings and needed to be constantly defenced (which entailed great expenses). De la Cerda used his influence to mess up the Moncadas’ original wedding plans (angering thus the groom’s family) and proposed the union with the de Luna, with whom the Moncadas were distantly related and therefore had needed the Pope’s blessing.
Aloisia would give birth to two children: Isabella (who would die an infant) and Francesco (ca. 1569-1592). Her marital life would be cut short as Cesare would suddenly die in Paternò on July 30th 1571, after only three years of marriage.
Little Francesco, now Francesco II, would be officially appointed of his late father’s titles the following year and placed under the guardianship of his maternal grandfather, Pietro de Luna, and his paternal uncle, Fabrizio Moncada (first husband of famous portrait painter Sofonisba Anguissola). Seven years later, Fabrizio would die in a pirate attack off the coast near Capri and some would talk about it not being an accident and about rumours of Fabrizio being headed to Spain to denounce his sister-in-law’s meddlings in the management of the Moncada’s patrimony.
Gossipers aside, it’s documented Aloisia took personal care in the education of her son and short-lived daughter. She began Francesco to study law, philosophy, literature and maths, as well as more artistic subjects like painting and sculpting.
Aloisia was the one who actively ruled over her son’s lands, showing a great deal of resourcefulness and managerial skills. Holding steady in her mind the idea of strengthening her (and by result her son’s) position, on September 17th, 1577, in Monreale, she married Antonio d’Aragona Cardona, Duke of Montalto and himself a widower. By concession of the Viceroy Marcantonio II Colonna, Aloisia obtained to keep acting as her son’s guardian without having to cede the role to her new husband or someone else.
Antonio d’Aragona too belonged to a prominent family, being a grandson of Ferrante d’Aragona Guardato, founder of the Line of the Dukes of Montalto and illegitimate child of Ferdinando I of Naples. Antonio’s first wife had been María de la Cerda y Manuel de Portugal, daughter of Juan de la Cerda y Silva, 4th Duke of Medinaceli as well as a Grandee of Spain, Viceroy of Sicily and Viceroy of Navarre during his long political career. From his first marriage, only his daughter Maria had reached adulthood as little Ferdinando died as an infant.
Aloisia bore Antonio a daughter, Bianca Antonia, who would later marry Giuseppe Ventimiglia Ventimiglia, II Prince of Castelbuono and IX Marquis of Geraci, and be the mother of Francesco III Ventimiglia d’Aragona, who would be offered (but not accept) the Crown of the Kingdom of Sicily during the anti-Spanish revolt of 1647.
The Duke of Montalto died in Naples on February 8th, 1584, on the route to quell a riot in the Flanders (the so called Dutch War of Independence) by virtue of his role of Captain General of the Spanish Cavalry in the Flanders. Leaving no male heir, all his titles and possessions passed to his eldest daughter, Maria.
Aloisia didn’t lose time to grieve for her husband as she swiftly arranged the marriage between her son Francesco and her step-daughter, the new Duchess of Montalto. The wedding took place on March 12th 1585 and the following year Francesco received maritali nomine the endowment of the Duchy of Montalto the Earldom of Collesano and all the lands owned by his wife’s family, bringing the total to thirteen of the fiefs owned by the Moncada.
On August 1592, Aloisia’s half-brother, Giovanni died childless, so as his eldest sister and heir, on September 30th she was endowed of the baronies of Scillato and Regaleali. She also inherited many fiefs in the area of Caltavuturo and Sclafani. From her court in Caltanissetta, she kept cleverly administering her possessions as well as the lands acquired through both of her late husbands (she generally rented her lands to foreigners, mostly Genoese and Pisans). She invited the Jesuits in Caltanissetta, had many churches and religious centre of the area built, she restored the city’s Cathedral.  Aloisia took particular interest in having the Moncada’s libri di famiglia (books used to register one family’s commercial activity as well as key events in the lives of its family members, particularly common from XIII to XVI century) perfectly catalogued and maintained. She introduced and commissioned many artists and was perhaps the one who called back her sister-in-law Sofonisba Anguissola who, at that time, lived in Genova with her second husband, and who starting 1615 returned in Sicily where she would die.
Those who visited her, were rendered almost speechless about the magnificence of her court. During a visit in 1598 of the Viceroy and Vicereine, Bernardino de Cárdenas y Portugal and his wife Luisa Manrique de Lara, the Duchess had, in that occasion, surpassed herself. Aloisia had, in fact, arranged the area where she would receive her guests (at her own expenses), the forest of Mimiani, so perfectly and with so many tents, one would have thought you were in an actual city. Her guests were so pleased, the Vicereine gifted her of a splint of the Holy Cross kept in a display case ornated by precious stones.
Aloisia was also particularly generous. She did a lot of charity (and passed on the same generous disposition to her son and grandson), but made it through the nuns, ordering them to keep quiet about her being the one who sent the money, so that people would rather thank the Heaven for the celestial gift. She must have thought that public displays of charity didn’t have as an aim to help people, but rather that some benefactors did it for themselves since they took pleasure to hear their names be acclaimed for their generosity. During a terrible famine, when poor people were so hungry they ate grass and pasture, she used her personal income to provide for her people, so that at that time in her lands mortality rate was very low. She was also particularly mindful to guarantee that poor girls wouldn’t find themselves forced by misery to undertake a dishonourable life, granting them means to do honourable marriages. On the other hand, the Duchess didn’t skirt from regularly sending generous gifts to ministers and potentates, so that when at the right time, she could count on their support.
On May 23rd, 1592, a 23 year-old Francesco II Moncada died of malaria in Adernò (nearby Catania). Although it must have been extremely heartbreaking to lose her beloved son, Aloisia braced herself and took on the task of properly raising, together with her daughter-in-law, her 4 years-old grandson, Antonio. Since the child was also Donna Maria’s heir, in accordance with his parents’ marriage settlements, it had been stipulated he would take as first his mother’s surname and be styled as Antonio II d’Aragona Moncada de Luna.
The little Prince grew up together with his younger brother Cesare (the other brother, Giovanni, had died a child) in his family’s palace in Caltanissetta, closely watched over by their grandmother and mother (although, at ten, he seriously risked drowning in a cistern, while playing with his brother, and was saved thanks to Cesare’s cries for help which alerted Aloisia and Maria). From a young age, Antonio had been betrothed to Juana de la Cerda y de la Cueva, daughter of Juan de la Cerda, VI Duke of Medinaceli and his first wife Ana de la Cueva and at that time her father’s only heir.
The Duke of Medinaceli was in particular eager to have this marriage celebrated and already thought of Antonio as a son of his own. Since the young Moncada kept delaying his journey to Spain in order to marry, the Duke of Medinaceli somewhat grew tired and got married a second time (although he hadn’t thought of remarrying previously). Unfortunately for Juana, her step-mother, Antonia de Toledo Dávila y Colonna, would in 1607 give birth to a son, Antonio Juan Luis, who would surpass his sister and would one day inherit their father’s titles and possessions.
Although, understandably, organising a quasi-royal marriage all the way to Spain, complete with a long voyage to reach it, was indeed a big and long deal, that missed chance was perhaps Aloisia’s only mistake. If only they had moved faster, and Juana had succeeded her father, Moncada’s riches might have reached legendary status.
The delay was due to the fact that the old Duchess had also insisted to travel to Spain, accompanied by her daughter-in-law, Maria, and her two young granddaughters, Isabella and Luisa, with the hope of finding suitable matches for the girls among the Spanish aristocracy, and for that every aspect of the journey had to be perfect (Isabella would die young, while Louisa would marry in 1612 Eugenio de Padilla Manrique, III Count of Gadea). The Moncadas had to arrive in Spain with the pomp and grandeur (Aloisia must have thought) they deserved. Worryngly, as they reached Naples and stopped for a break, the groom grew sick and had to be treated by the best doctors before he could resume the voyage. 
The marriage between Antonio Moncada and Juana de la Cerda took place in 1607 and it seems like it was a successful union, with the couple living harmoniously together in Spain for the first years, then settling in Collesano, near Palermo and part of Antonio’s possessions. While in Spain, the new Duchess gave birth to a son, Francesco, in 1613, who would be followed by Sicilian born Luigi Guglielmo (1614), Marianna (1616), and Ignazio (1619).
In 1610, Maria d’Aragona de la Cerda, Dowager Princess of Paternò died, leaving her mother-in-law Aloisia as the sole matriarch of the family.
In 1626, the young Francesco, Antonio II’s heir, would feel ill and die (and his siblings almost followed him) while both of his parents were in Spain to attend their courtly duties. Full of pain and regrets, Antonio and Juana would obtain the dissolution of their marriage and they both would take the cloth, becoming one a Jesuit and the other an Augustinian nun. Following his father’s resignation, 13 years-old Luigi Guglielmo became the new Prince and head of the Moncada family.
But Donna Aloisia would be spared of these sorrows as she died in Palermo in 1620, at 67. She would be buried in her Caltanissetta, in the Church of Santa Maria Assunta, which would be turned into a hospital in the XIX century, and which already housed the grave of her son Francesco II.
Sources
Antognelli Enrica, LUISA MONCADA Una Grande Donna del Rinascimento Siciliano
De la Cerda. Duques de Medinaceli
della Lengueglia Giovanni Agostino, Ritratti della prosapia et heroi Moncadi nella Sicilia: opera historica-encomiastica, p.557- 672
Le foto che raccontano il passato di Bivona
Palumbo Valeria, La Sicilia celebra la potentissima Aloisia de Luna Vega
Silva Alfonso Franco, EL DUCADO DE MONTALTO - NOTAS SOBRE LOS SEÑORIOS ITALIANOS DE MEDINA SIDONIA
Storia e Arte
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tagthescullion · 2 years
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Holisss, vengo a preguntarte por tus wips jaja me dieron mucha intriga
Salvatore's grandchildren?? Él era el abuelo de nico?? O sea que nico tiene primos?? Asdfgh qué emoción!!
8. totò and bea 14 añito'. Esos eran los sobrenombres de unos tíos abuelos o algo así? Perdón mi memoria es pésima para los nombres pero vamos a tener fics de los antepasados di Angelo de chicos?? Omg omg
10. it's okay reyna, sono la mia famiglia. Okay decime si me equivoco pero este suena a que Reyna está con Nico (o Bianca?) y ven algunos fantasmas y Reyna se asusta por su trauma familiar y los di Angelo la tranquilizan. Si es así me muero de ganas de leerlo!!
Amo amo los fics antiguos/vintage o sea que en fin re leería cualquiera de estos ❤❤❤
jajajaja no puedo creer que te acuerdes, sí, Salvatore es mi OC como abuelo de Nico y Bianca, y Beatrice su mujer (astutos y manipuladores ambos, pero godbless al que se meta con su familia)
also mil gracias por el ask, you know I love talking about the di angelos <3<3<3<3
salvatore's grandchildren: it's part of my Nico and Bianca freak people out with their sixth sense series. Menciona las primas headcanoneadas de los di Angelo (las nenas de Berlín) but they're not there.. I *do* want to write about them now, I have a whole story about them come think of it...
'A small person dodged past Agostino and slammed into Salvatore with the force of a bullet.
“Niccolino!” His friend gave his grandson a tight hug. “There you are!”
Agostino forced his face to remain casual. The little devils had arrived.'
totò and bea 14 añito': sííííííí son los abuelos de nico en la época de anne with an e (aprox), salvatore gives beatrice a book about pirates (porque ofmd me inspiro) and her mother thinks it's unladylike for her to know such things, while her older brother thinks it's cute a boy likes beatrice, and her twin brother (and salvatore's schoolmate) doesn't understand why totò wants to speak with bea like 'girls are so boring'
'“How generous of him to bring that for you,” he said, crouching to pick up her shoes.
There was something in his voice that she couldn’t figure out.
“What do you mean?”
“I mean just that,” he explained, offering her a hand to help her stand up. “That it was kind. Very attentive of him to remember.” Once she was standing, closer to her brother’s face, Beatrice saw he was trying not to smile.'
it's okay reyna sono la mia famiglia: exactamente. nico y reyna van a ver la casa ancestral de los di angelo en la región de veneto y como toda casa antigua está plagada de fantasmas, reyna, por muy valiente que sea, le teme a los espíritus
'Reyna huffed a laugh. “Why would you lock the door when you’ve a butler standing by it all day?” 
Nico gave her a bemused look. “The butler didn’t stand here all day, he had other responsibilities to attend to.”
“Right.”'
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lamilanomagazine · 11 days
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Brusciano: arrestato ladro d'auto 43enne, è caccia al complice
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Brusciano (NA): arrestato ladro d'auto 43enne, è caccia al complice Nella notte del 12 aprile a Brusciano i carabinieri della sezione operativa della compagnia di Castello di Cisterna hanno arrestato per furto aggravato il 43enne e già noto alle forze dell'ordine Agostino Galasso. I militari in servizio antirapina hanno notato due persone a bordo di un'auto fare movimenti sospetti. A quel punto li hanno pedinati e, in via dei 2 pini, il 43enne entra in una Lancia Y dopo averla forzata. L'uomo viene immediatamente bloccato mentre il suo complice scappa a bordo dell'auto con cui si spostavano. L'inserimento è durato quasi 2 chilometri fino a quando il fuggitivo non è andato ad impattare su un altro mezzo lí parcheggiato. Il complice però non si è arreso ed è riuscito a sfuggire nelle campagne limitrofe. L'arrestato è in attesa di giudizio mentre è ancora caccia al complice. L'autovettura rubata è stata poi restituita integra al legittimo proprietario.... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article
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barilobarilonoticias · 3 months
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Weretilneck recibió a los legisladores de la oposición en busca de acuerdos
El gobernador de Río Negro, Alberto Weretilneck, se reunió hoy con los miembros del bloque ARI-Cambiemos en la búsqueda de consensos sobre asuntos parlamentarios y la coordinación de una agenda común En la reunión estuvieron presentes el presidente del bloque, Javier Acevedo, junto a los legisladores Daniela Agostino, Fernando Frugoni y Roberta Scavo. También participaron el exvicegobernador,…
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durchiq · 3 months
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Exposición corta - Palacio Nymphenburg
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El Palacio Nymphenburg, situado en Múnich, Alemania, fue erigido como residencia de verano para la familia Wittelsbach, gobernantes de Baviera. 
Su construcción inició en 1664 bajo la dirección del arquitecto Agostino Barelli, quien diseñó el primer pabellón central, inaugurado alrededor de 1680. Agostino se basó en una villa en forma de cubo diseñada anteriormente para la familia real de Saboya.
en 1701, El palacio adquirió sus dimensiones actuales bajo el reinado del elector Max Emanuel. 
Bajo la supervisión del arquitecto de la corte Henrico Zuccalli,se construyeron dos pabellones desplazados a cada lado de la estructura existente, al norte y al sur, los pabellones estaban conectados con el edificio central mediante galerías.
En 1715, el arquitecto de la corte Joseph Effner, junto con el paisajista francés Dominique Girard, diseñaron un plan general para Nymphenburg, incluyendo la ampliación del palacio. Effner también supervisó la concepción de los jardines, inicialmente de estilo francés, y diseñó pabellones barrocos como el Pagodenburg y el Badenburg.
El arquitecto francés François de Cuvilliés contribuyó significativamente a la transformación del palacio durante el siglo XVIII, diseñando el Amalienburg, un pabellón de caza situado en los jardines, el que incluye un salón de espejos y una caseta para perros de caza. La construcción y su decoración son una obra maestra del rococó europeo. 
La evolución del Palacio Nymphenburg refleja la influencia de diversos arquitectos y estilos a lo largo de los siglos.
El Palacio destaca por su estructura principal, compuesta por varios pabellones cuadrados conectados por galerías rectangulares. El ala norte, producto de las primeras ampliaciones y el ala sur, posterior en construcción, asociada principalmente al Reino de Baviera, desde 1806 hasta 1918. En el centro del palacio se encuentra la imponente Festsaal, la sala más majestuosa. 
Dos estancias en el ala sur destacan por su simbolismo: la Galería de Bellezas de Luis I, donde se exhiben los retratos de 36 mujeres consideradas las más bellas de su tiempo. Y  unos metros de distancia se encuentra la habitación donde nació el rey Luis II de Baviera. Luis II, reconocido como uno de los personajes más célebres de la historia bávara, fue el último monarca de una Baviera independiente. 
MY MAPS!!
Dubrasca Maldonado - HIstoria II - my maps
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alessandrodag · 3 months
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Parcial III / Presentación
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Grupo: Alessandro D´Agostino, Natalia Varela
En este parcial se podría decir que tomamos el rol de nuestra profesora, esto porque tuvimos la labor de presentar una serie de diapositivas sobre una estructura en concreto en este caso sería la facha este del Louvre de parís, una estructura la cual guarda una historia sumamente interesante, en la cual grandes personajes de la historia y representantes de la arquitectura barroca de la talla de Bernini y Louis Le Vau, ¿siendo tan compleja y que tenga como resultado una edificación tan…simple?
 Personalmente no me convence, en especial teniendo en cuenta todos los aspectos, criterios y sucesos que acontecieron durante su elaboración, pero ya dejando un poco de lado mi opinión de la estructura, como fue la elaboración de nuestra presentación fue entretenida, a pesar de los nervios que tenia al momento de exponer sobre la obra, fue realmente entretenido investigar, encontrar y hacer la presentación.
Para culminar tengo que resaltar la tan interesante historia que hay detrás de la fachada del Louvre y en todo el complejo en sí, el cual une conflictos personales, disputas políticas, y todo lo que enmarca, y por otro lado la estructura ya dejado mi opinión con el resultado final, tiene su toque, como une conceptos que se asemejan mucho a lo clásico pero más hacia lo renacentista o manierista como la doble columnata o el pórtico de su entrada y el sócalo donde se erige, combinando características de la arquitectura francesa y cierto toque de la italiana, y a su vez innovando en nuevas metodologías como el uso del hierro en la estructura como material de apoyo.
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joseandrestabarnia · 4 months
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David con la cabeza de Goliat Guido Reni (Bolonia 1575 -1642) Hacia 1605 Pintura al óleo sobre lienzo 22x147 cm Inventario 1890 n. 3830
Al pintor boloñés Guido Reni se le suele atribuir el mérito de haber codificado un tipo de belleza ideal y "clásico" en el siglo XVII, centrado en la armonía de las proporciones y el diseño. Una inclinación natural al clasicismo que derivó de su formación inspirada en los modelos de Rafael, filtrada por las costumbres del boloñés Carracci. De hecho, alrededor de los veinte años, Guido, ya un artista experto, ingresó en la famosa Accademia degli Incamminati, la escuela de pintura fundada por Annibale Carracci con su hermano Agostino y su primo Ludovico, basada en la recuperación del ejemplo de los grandes maestros. del siglo XVI, especialmente dedicado al estudio de la anatomía y las figuras de la vida. A lo largo de su exitosa actividad, Guido Reni conservó una compostura luminosa y una claridad figurativa que a menudo hizo que su pintura contrastara con el naturalismo y la oscura teatralidad de los caravaggistas.
Hubo, sin embargo, un breve período en el que, tras trasladarse a Roma a principios del siglo XVII, Reni experimentó una apertura hacia los tonos y maneras de Caravaggio, recogiendo sobre todo algunos aspectos más superficiales, como los fuertes contrastes luminísticos o la predilección por temas históricos vinculados a episodios sangrientos. Sin embargo, una cierta frialdad gélida impregnaba sus figuras, que incluso en sus actitudes más crudas conservaban rasgos de melancólica elegancia.
Es el caso de este David con la cabeza de Goliat de los Uffizi: un tema ciertamente propio de los pintores de Caravaggio, que aquí se expresa sin sentimientos trágicos, con elegante distanciamiento. David posa como un dandy, con un sombrero rojo de plumas y el cuerpo iluminado por la luz de la luna, apenas cubierto por un rico manto con bordes de piel; las luces definen suavemente su cuerpo, mientras la oscuridad se extiende desde el fondo. El joven mira pensativamente la gigantesca cabeza cortada de Goliat: la acción ya ha terminado y el momento del drama ya se ha disuelto en meditación. El tema de David y Goliat, pintado por el 'sublime Guido' (como se le llamó durante mucho tiempo), tuvo mucho éxito: se conoce una bella variante en el Museo del Louvre y se conservan réplicas y copias en varios museos europeos.
Información de la web de la Gallerie degli Uffizi, imagen/es de mi autoría.
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alexlacquemanne · 4 months
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Décembre MMXXIII
Films
Chef (2014) de Jon Favreau avec Scarlett Johansson, Jon Favreau, Sofía Vergara, Emjay Anthony, John Leguizamo, Robert Downey Jr. et Dustin Hoffman
Y a-t-il un flic pour sauver Hollywood ? (The Naked gun 33⅓: The Final Insult) (1994) de Peter Segal avec Leslie Nielsen, Priscilla Presley, George Kennedy, Fred Ward, O. J. Simpson, Anna Nicole Smith, Kathleen Freeman, Ellen Greene et Ed Williams
Quai des Orfèvres (1947) de Henri-Georges Clouzot avec Louis Jouvet, Simone Renant, Bernard Blier, Suzy Delair, Pierre Larquey, Claudine Dupuis, Henri Arius, Charles Blavette, René Blancard et Robert Dalban
Maintenant, on l'appelle Plata (…più forte ragazzi!) (1972) de Giuseppe Colizzi avec Terence Hill, Bud Spencer, Cyril Cusack, Reinhard Kolldehoff, Riccardo Pizzuti, Ferdinando Murolo et Marcello Verziera
Moi, Michel G., milliardaire, maître du monde (2011) de Stéphane Kazandjian avec François-Xavier Demaison, Laurent Lafitte, Laurence Arné, Xavier de Guillebon, Guy Bedos, Patrick Bouchitey e Alain Doutey
Noël blanc (White Christmas) (1954) de Michael Curtiz avec Bing Crosby, Danny Kaye, Rosemary Clooney, Vera Ellen, Dean Jagger, Mary Wickes et John Bascia
Rendez-vous avec la mort (Appointment with Death) (1988) de Michael Winner avec Peter Ustinov, Lauren Bacall, Carrie Fisher, John Gielgud, Piper Laurie, Hayley Mills, Jenny Seagrove et David Soul
Bridget Jones : L’Âge de raison (Bridget Jones: The Edge of Reason) (2004) de Beeban Kidron avec Renée Zellweger, Colin Firth, Hugh Grant, Gemma Jones, Jim Broadbent, Jacinda Barrett, Shirley Henderson et Sally Phillips
Les Trois Mousquetaires : Milady (2023) de Martin Bourboulon avec François Civil, Vincent Cassel, Romain Duris, Pio Marmaï, Eva Green, Lyna Khoudri et Louis Garrel
Y a-t-il un flic pour sauver le président ? (1991) (The Naked Gun 2½: The Smell of Fear) de David Zucker avec Leslie Nielsen, Priscilla Presley, George Kennedy, O. J. Simpson, Robert Goulet, Richard Griffiths, Anthony James et Jacqueline Brookes
Wallace et Gromit : Le Mystère du lapin-garou (Wallace & Gromit: The Curse of the Were-Rabbit) (2005) de Nick Park et Steve Box avec Jean-Loup Horwitz, Jeanne Savary, Philippe Catoire, Frédérique Cantrel, Patrick Messe et Mireille Delcroix
Rivière sans retour (River of No Return) (1954) de Otto Preminger avec Robert Mitchum, Marilyn Monroe, Rory Calhoun, Tommy Rettig, Murvyn Vye et Douglas Spencer
L'Ange de Noël (Christmas Magic) (2011) de John Bradshaw avec Lindy Booth, Paul McGillion, Derek McGrath, Kiara Glasco, Teresa Pavlinek et Tricia Braun
Joyeux Noël (2005) de Christian Carion avec Benno Fürmann, Guillaume Canet, Diane Kruger, Gary Lewis, Daniel Brühl, Dany Boon, Lucas Belvaux, Bernard Le Coq et Alex Ferns
L'Assassinat du père Noël (1941) de Christian-Jaque avec Harry Baur, Raymond Rouleau, Renée Faure, Marie-Hélène Dasté, Robert Le Vigan, Fernand Ledoux et Jean Brochard
Danse avec les loups (Dances with Wolves) (1990) de et avec Kevin Costner ainsi que Mary McDonnell, Graham Greene, Rodney A. Grant, Floyd Westerman, Jimmy Herman, Nathan Lee, Tantoo Cardinal et Wes Studi
Noël en trois actes (Christmas Encore) (2017) de Bradley Walsh avec Maggie Lawson, Brennan Elliott, Art Hindle, Tracey Hoyt, Mercedes de la Zerda, Mika Amonsen, Sherry Miller, Sabryn Rock, David Tompa et Erin Agostino
La Souffleuse de verre (Die Glasbläserin) (2016) de Christiane Balthasar avec Luise Heyer, Maria Ehrich, Franz Dinda, Dirk Borchardt, Robert Gwisdek, Max Hopp et Ute Willing
Le père Noël est une ordure (1982) de Jean-Marie Poiré avec Anémone, Thierry Lhermitte, Gérard Jugnot, Marie-Anne Chazel, Christian Clavier, Josiane Balasko et Bruno Moynot
Le Lion en hiver (The Lion in Winter) (1968) de Anthony Harvey avec Peter O'Toole, Katharine Hepburn, Anthony Hopkins, John Castle, Nigel Terry, Timothy Dalton, Jane Merrow et Nigel Stock
Les Mystères de Paris (1962) d'André Hunebelle avec Jean Marais, Raymond Pellegrin, Jill Haworth, Dany Robin, Pierre Mondy, Georges Chamarat, Noël Roquevert et Jean Le Poulain
Derrick contre Superman (1992) de Michel Hazanavicius et Dominique Mézerette avec Patrick Burgel et Évelyne Grandjean
La Classe américaine : Le Grand Détournement (1993) de Michel Hazanavicius et Dominique Mézerette avec Christine Delaroche, Evelyne Grandjean, Marc Cassot, Patrick Guillemin, Raymond Loyer, Joël Martineau, Jean-Claude Montalban, Roger Rudel et Gérard Rouzier
La Grande Course autour du monde (The Great Race) (1965) de Blake Edwards avec Tony Curtis, Natalie Wood, Jack Lemmon, Peter Falk, Keenan Wynn, Arthur O'Connell, Vivian Vance et Dorothy Provine
Séries
Life on Mars Saison 1, 2
Bienvenue en 73 - La Loi selon mon boss - Le Pari - Corruption - Rouge un jour, rouge toujours - Compte à rebours - Cas de conscience - Mon père - Meurtrier en puissance - La Chasse aux ripoux - Peur sur la ville - Pièges pour jeunes femmes - Kidnapping - Héroïne - Recherche du coupable - La Promesse
Doctor Who
La Créature Stellaire - Wild Blue Yonder - Aux confins de l'univers - Le Fabricant de Jouets - The Snowmen - A Christmas Carol - The Doctor, the Widow and the Wardrobe - The Return of Doctor Mysterio - The Church on Ruby Road - Eve of the Daleks
Les Enquêtes de Vera Saison 12
À contre-courant - Un homme d'honneur - Au nom de la loi - Une soirée funeste - Marée montante
Coffre à Catch
#144 : La Draft 2009 : Les bonnes affaires du mercato ! - #145 : La ECW débarque à Londres et l'Undertaker à Strasbourg! (avec Carole) - #146 : Christian enfin champion de la ECW ! - #147 : Un coffret à Noël, ça c'est une idée !
Kaamelott Livre III
Le Jour d’Alexandre - La Cassette II - La Ronde II - Mission - La Baliste - La Baraka - La Veillée - Le Tourment III - La Potion de fécondité II - L’Attaque nocturne - La Restriction II - Les Défis de Merlin II - Saponides et Détergents - Le Justicier - La Crypte maléfique - Arthur in Love II - La Grande Bataille - La Fête de l’hiver II - Sous les verrous II - Le Vulgarisateur - Witness - Le Tribut - Le Culte secret - Le Mangonneau - La Chevalerie - Le Mauvais Augure - Raison d’argent II - Les Auditeurs libres - Le Baiser romain - L’Espion - Alone in the Dark - Le Législateur - L’Insomniaque - L’Étudiant - Le Médiateur - Le Trophée - Hollow Man - La Dispute première partie - La Dispute deuxième partie
Affaires sensibles
Gérald Thomassin : l'étrange disparition d'un coupable idéal
Top Gear
Spécial Nativité
La Voie Jackson
Episode 1 - Episode 2 - Episode 3
Meurtres au paradis
L'étrange Noël de Debbie
Spectacles
Le Muguet de Noël (2021) de Sébastien Blanc et Nicolas Poiret avec Lionnel Astier, Frédéric Bouraly, Jean-Luc Porraz et Alexie Ribes
Sinatra (1969) avec Frank Sinatra, Don Costa & son Orchestre
Le Professeur Rollin a encore quelque chose à dire (2003) de François Rollin
Alain Souchon : J'veux du live au Casino de Paris (2002)
La Bonne Planque (1964) de Michel André avec Bourvil, Pierrette Bruno, Robert Rollis, Roland Bailly, Alix Mahieux, Albert Michel et Max Desrau
André Rieu : White Christmas (2023)
Michael Bublé: Home for Christmas (2011) avec Michael Bublé, Gary Barlow, Gino D'Acampo, Dawn French et Kelly Rowland
Michael Buble's Christmas in the City (2021) avec Michael Bublé, Leon Bridges, Camila Cabello, Jimmy Fallon, Kermit the Frog, Hannah Waddingham, Dallas Grant, Jarrett Johnson, Julianna Layne et Loren Smith
Michael Bublé's 3rd Annual Christmas Special (2013) avec Michael Bublé, Mary J. Blige, Mariah Carey, Red Robinson, Jumaane Smith, Patrick Gilmore et Cookie Monster
Un fil à la patte (2005) de Georges Feydeau avec Thierry Beccaro, Marie-Ange Nardi, Valérie Maurice, Églantine Éméyé, Ève Ruggiéri, Tex, David Martin et Patrice Laffont
Vintage Getz (1983) The Stan Getz Quartet live at the Robert Mondavi Winery, Napa Valley, California avec Stan Getz, Victor Lewis, Marc Johnson et Jim McNeely
James Brown : Live at Montreux (1981)
Livres
Le seigneur des anneaux, Tome 3 : Le retour du roi de J.R.R. Tolkien
Détective Conan, Tome 18 de Gôshô Aoyama
Lucky Luke, Tome 27 : L'Alibi de Morris et Claude Guylouïs
Détective Conan, Tome 19 de Gôshô Aoyama
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juliopison · 4 months
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TANGO DISCO Ángel D'Agostino y Ángel Vargas LP Tangos de los Angeles (Vol. 3)
Para escuchar el Disco pulsa el Link: https://artecafejcp.wixsite.com/tangoser/post/angel-d-agostino-y-angel-vargas
01 Tomo Y Obligo 02 El Aristócrata (Shusheta) 03 En Lo De Laura 04 Traiga Otra Caña 05 Madre Hay Una Sola 06 Quién Tuviera Dieciocho Años 07 Yo Tengo Una Novia 08 Que Lento Corre El Tren 09 El Cuarteador 10 Al Volverte A Ver 11 Señores Yo Soy Del Centro 12 Como El Hornero 13 El Cocherito 14 Todo Terminó 15 Qué me pasará 16 Así Era El Tango 17 Entre Copa Y Copa 18 Pinta Blanca 19 Porque Me Siento Feliz 20 El Trompito
Café Mientras Tanto jcp
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