#Xiaoxiao Cao
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from this article by China Daily about Xiao Zhan’s drama WDB. 🤍
"The integrity, kindness and sense of justice that define Xiao Chunsheng harmonize seamlessly with Xiao Zhan's simplicity and sincerity. Moreover, in terms of appearance, Xiao Zhan's stature and posture perfectly suit the role,"
TV series taps into nostalgia of bygone era and the sense of optimism that captivated China's youth in 30 years.
As winter descends, the frozen Shichahai ice rink becomes a stage for young individuals gliding carefree across its surface. The profound contrast between the frigid ice and the passionate fervor of the young skaters creates a captivating tableau.
The youthfulness of this cohort finds its genesis in Shichahai, where their emotions and destinies will become intricately woven together. Over the next three decades, their fates will undergo a continuous metamorphosis, mirroring the relentless changing of the times.
This is the narrative that unfolds in the domestically produced drama The Youth Memories, a 38-episode television series that was broadcast on both China Central Television and Tencent Video this year.
Directed by Fu Ning and starring Xiao Zhan, Li Qin, Liu Ruilin, Cao Feiran, Zhao Xin and Cui Hang, the drama is set in Beijing in the 1970s and tells the story of a group of young people who grow up, pursue their dreams, and struggle during the early period of reform and opening-up.
This series has captivated attention since its casting and production to its on-air debut. The conscientious craftsmanship of the production team, evident in details like costumes and props, coupled with the dedicated performances of the group of young actors, has resulted in the show achieving both impressive viewership ratings and positive acclaim.
Yang Chenghu, a professor from Beijing Normal University, comments that the series not only provides a snapshot of a bygone era, but also preserves a love story etched deep within the memories of an older generation.
Through its vibrant portrayal of ambitious and dynamic young characters, it gives play to the anthem of youth, conveying profound reflections on the spirit of the times and the essence of life, Yang says.
Zhou Xiaoxiao, chief editor of the drama, says her goal is for the show to resonate with the memories of older generations, while simultaneously helping the younger generation comprehend an era where warmth and challenges coexisted.
"This isn't a documentary series, so it's impractical to comprehensively delve into every historical nuance. Nevertheless, the destinies and fluctuations of the characters undoubtedly stand as the era's most compelling testimony," she says.
"The Youth Memories serves as a poignant bridge in this regard. The personal growth that Xiao Chunsheng and his cohort of young individuals undergo throughout their journey resonates with the evolving times, encapsulating a condensed path of life."
Director Fu Ning has crafted numerous TV series that unfold in the heart of Beijing. Raised in the Beijing hutong, Fu maintained a profound connection to the core narrative and the atmospheric backdrop of the depicted era in this drama.
With a stringent approach, he ensured authenticity in shaping the essence of the story and the period ambiance, striving to present a genuine portrayal of 1970s Beijing through his lens.
Yang Xiaopei, general producer of the TV series, has served as the executive producer for several renowned dramas including Legend of Fuyao, Ancient Love Poetry and Who Rules The World. The Youth Memories marks her debut in the realm of realistic historical dramas.
According to Yang Xiaopei, this drama delves into discussions on themes such as love, friendship, dreams and faith through a youthful lens, with its creative exploration that touches upon every facet of characters' lives.
"I think the drama has the capacity to resonate with audiences across different age groups," Yang Xiaopei says.
As per Yang Xiaopei's explanation, the crew meticulously studied the daily habits of individuals living in Beijing during that period to capture authentic details in props, including practices like winter cabbage storage, burning coal balls, and the presence of street vendors selling sugarcoated hawthorn.
In terms of costume design, items like batwing sleeves, bell-bottom pants, scarves and headbands authentically recreate the ambiance of that era.
To recreate the Shichahai ice rink of the 1970s, the team crafted detailed blueprints, and ultimately enclosed an area exceeding 10,000 square meters.
Yang Xiaopei highlights the involvement of over 100 members from skating clubs who served as extras. As the machines operated, they glided naturally, infusing the entire scene with a profound sense of authenticity.
This was not just a leisurely pursuit or hobby but a genuine reflection of the lifestyle of Beijing residents during that era, she says.
Young actors' ambitions
The series unfolds over a span of 30 years, requiring each key actor to navigate three decades of character development. The main cast delivers a compelling performance that leaves the audience thoroughly satisfied.
During casting, Yang Xiaopei emphasized her willingness to provide opportunities for young actors, but she steadfastly avoided relying solely on popularity. She placed greater importance on the suitability of the role and the actor's genuine passion for the character.
Xiao Chunsheng's character is played by actor Xiao Zhan. Yang believes that Xiao Zhan shares commonalities with the role in both image and character.
"They both exude optimism, sincerity, uprightness and the courage to confront challenges. When combined with Xiao Zhan's profound understanding and portrayal of the character, he can be deemed the ideal choice to bring Xiao Chunsheng to life," Yang Xiaopei says.
"The integrity, kindness and sense of justice that define Xiao Chunsheng harmonize seamlessly with Xiao Zhan's simplicity and sincerity. Moreover, in terms of appearance, Xiao Zhan's stature and posture perfectly suit the role," Yang Xiaopei comments, adding that Xiao Zhan even sought out a teacher to learn the Beijing dialect.
Zhou acknowledges the outstanding performances delivered by the entire main cast. "Li Qin's portrayal of Tong Xiaomei also stands out. She is an exceptionally thoughtful actor, meticulously considering whether each plot point aligns with Tong's character, and whether it is within her capabilities to portray them." Zhou says.
"Of course, this extends to Liu Ruilin, Cao Feiran and the other young actors who, to my pleasant surprise, shone brightly. Everyone surpassed expectations, delivering performances that were truly exceptional."
Cao, 28, portrays the character of He Hongling, who shares numerous emotional scenes with Xiao Chunsheng in the drama.
Reflecting on the filming experience, Cao mentions that Xiao Zhan, with his extensive acting background, often provided valuable assistance on set. "If I did something well, he would point it out, enhancing my confidence in the process of shaping the character," she notes.
As both Cao and Xiao Zhan fully embraced their respective roles, spontaneous dialogue between them became a common occurrence on set.
Cao perceives He as a radiant, goal-driven individual with ambitions. However, influenced by her family background and the era's milieu, He is also a complex, self-interested individual living in the present, Cao adds.
In preparation for her role, Cao learned the violin and how to ice skate before joining the production. Additionally, she sought insights into the emotional experiences of individuals from that era by consulting her parents. "My parents mentioned that emotions during that time were relatively straightforward and pure."
Cui Hang, 34, delivers a compelling performance as Chen Hongjun, the close companion of Xiao Chunsheng. Successfully overcoming the challenges of the college entrance exams, Chen gains admission to university, and eventually becomes ensnared in the tumultuous currents of power, while ultimately landing in prison.
Before delving into this role, Cui took the time to thoroughly understand the character, charting the logical progression of changes in Chen's journey.
Throughout the series, Chen's glasses change three times, with each pair symbolizing a significant shift in identity, status and mindset.
From glasses mended with tape, to the pair gifted by Ye Fang so he could focus on preparing for the college entrance exams, to the gold-rimmed glasses worn after ascending in rank. Cui explains that the prop was chosen to signify changes in his character's social standing and mindset.
In the final office scene, Cui devised a meaningful gesture. He meticulously straightens the national emblem on his cap, wipes it clean, and then places the hat on the table, simultaneously removing his glasses.
"This is a farewell to his mistakes of the past," Cui explains.
Spanning 30 years, Chen's narrative presented a unique challenge for Cui, marking his first portrayal of a character with such a broad age range. Despite the inherent challenges, Cui found the experience immensely gratifying.
"The set design instantly transported us to an era half a century ago as soon as we arrived. The props, hats, scarves — everything belonged to that specific period. As actors, it was effortless to immerse ourselves in our roles," Cui says.
In the series, the character of Ye, Chen's wife in the drama, is brought to life by Beijing native Zhao Xin, who was profoundly captivated by Ye's personality when delving into the character's background.
"I find this girl incredibly intriguing. In that era, how could there be such an intelligent and clearheaded young lady? She is remarkably perceptive and forthright," Zhao says.
Ye earned the endearing nickname "prophet" from the audience, due to the character's accurate prediction of the reinstatement of the college entrance exam. Zhao believes that Ye's popularity is attributed to the fact that contemporary young women exhibit a strong sense of independence, and they can connect with Ye on a personal level.
"I've learned valuable lessons from the character. She possesses a profound pursuit of ideals and approaches situations with a highly rational mindset," she says.
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hello! do you have any guess on the casting for the upcoming mandarin production? i cannot think of anyone in the mandarin mt industry who would meet the acting and singing standards for the lead roles. so I'm really hoping, since they are casting from all over the world, we would have performers who have professional training and performing experience outside mainland china (like i'd love to see xiaoxiao cao as meg.) (but personally i hate the fact that the world tour is cancelled for this :(
Not a clue! I'm really in the dark when it comes to musical theatre in China, other than knowing that they do have shows going on there (mainly because I'm in a Discord server for international traders and I see people releasing videos from China on there).
I do remember (and I think I was grumbling about this in the tags of the announcement post) that a Chinese production was announced back in 2015 or so but was canceled because they couldn't find local actors who could take on the roles (instead they sent the World Tour there). And I also remember that Sarah Brightman was going to do TV show contest thing in 2020 where the winner would star in a Chinese production of Phantom, which... seemed an interesting way to do casting, but what do I know? Obviously COVID-19 got in the way of that, and then the latest World Tour was going to go there, but instead it got delayed indefinitely. So I'm not really surprised that they're going for global casting, given what's happened in the past.
And yeah, I'm disappointed the World Tour got shut down, though given how long it's been delayed, it also doesn't surprise me. It's just such an ignoble way to go for a production that, for a time during the pandemic, was literally the only version of Phantom running, and with a fantastic cast and crew.
Though this also reminds me of how the president of RUG was talking about a plan for a Chinese production (now confirmed!) and how, in light of Brexit, it would be easier and cheaper to have that tour Europe instead of having to bring multiple productions to multiple countries in Europe, and heck, maybe that'll happen, maybe the Chinese production will eventually become a new World Tour (European Tour?), a bit like how the first two World Tours started in South Africa before turning into the World Tour. Of course, the South Africa production and the World Tours were both in English, which is a common second language in many of the countries they visited, whereas this production is going to be in Chinese, so they might have to recast (or, more entertainingly, they won't and will simply continue performing in Chinese and everyone will just have to deal and read the subtitles).
This is all assuming, of course, that the production happens without a hitch, which, well... look at the second paragraph. So I'm also in this zone of, "This is awesome but I'll believe it when I see it" when it comes to this production.
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Xiaoxiao Cao photographed by Omar Z. Robles
Source: https://www.instagram.com/p/CbF7rfguOjJ/
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xiaoxiao cao photographed by minwu photography
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They are back!
Kelly Loughran and Xiaoxiao Cao recreating Degas paintings backstage might be one of my favourite things. From here.
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Degas, 2020 edition.
Kelsey Connolly, Giselle Alvarez, and Xiaoxiao Cao. Photos by Bill Wadman.
#gosh I miss seeing the marquee#degas#covid edition#phantom of the opera#the phantom of the opera#poto broadway#phantom broadway#kelsey connolly#giselle alvarez#xiaoxiao cao#corps de ballet
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Xiaoxiao Cao as a ballerina, Broadway
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Xiaoxiao Cao and Jesse Campbell in Bahiri’s What Ever, Ballet NY, July 2015. © Eduardo Patino.
Not just in the costumes but in the steps – many manipulations of the female body, lengthy extensions, neoclassical poses – it was performed with pretension. Perhaps it was Cao’s dramatic facial expressions paired with Campbell’s stony face, whatever the reason, What Ever comes across as something striving for iconic relevance but without choreographic clarity or identity.
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热血少年 | Hot Blooded Youth E34 ° Oblivious...
#热血少年#Hot Blooded Youth#cdrama#e34#Liu Yuning#Cao Xiyue#character: Wei Chengfeng#character: wu xiaoxiao#no but...#why are these actual things lyn would say if a girl tried to flirt w/ him#meowmao gifs
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Another Hundred People: Asian’s in The Phantom of the Opera (Asian and Pacific Islander Heritage Month)
PS: This is English language only productions. I have nothing against the amazing people in the Japan and Korean productions, but otherwise this would be a super long post. I know I’m definitly forgetting people.
*=Current
1. Ali Ewoldt as Christine Daaé (Broadway)
2. Xiaoxiao Cao as Corps de Ballet (Broadway)*
3. Austin Sora as Corps de Ballet (4th US Tour)*
4. Ramin Karimloo as The Phantom (West End, 25th Anniversary Concert) and Raoul (West End)
5. Kevin Gray as The Phantom (Broadway, 2nd US Tour) and Raoul (Broadway)
6. Paul Matsumoto as Ensemble, Raoul u/s (Germany)
7. Erica Wong as Corps de Ballet (Broadway)*
8. Irene Cho as Corps de Ballet (Broadway)
9. Satomi Hofmann as Ensemble, Carlotta Giudicelli u/s, Madame Giry u/s (Broadway, 3rd US Tour) and Madame Giry (Broadway)* [Currently Ensemble and cover Carlotta and Madame Giry]
10. Courtney Kristen Liu as Corps de Ballet, Meg Giry u/s (Broadway)
11. Jolina Javier as Corps de Ballet (Broadway)*
12. Christian Šebek as Ubaldo Piangi (Broadway)
13. Margaret Ann Gates as Christine Daaé alt (Canada)
14. Noh Jee-Hyun as Swing, Meg Giry u/s (West End, World Tour)
Unconfirmed:
Karen Culliver
Sophie Cottrill
#Another Hundred People#The Phantom of the Opera#Asian and Pacific Islander Heritage Month#Ali Ewodlt#Xiaxiao Cao#Austin Sora#Ramin Karimloo#Kevin Gray#Paul Matsumoto#Erica Wong#Irene Cho#Satomi Hofmann#Courtney Kristen Liu#Jolina Javier#Christian Šebek#Margaret Ann Gates#Noh Jee Hyun#Character: Christine Daaé#Character: The Phantom#Character: Raoul#Character: Carlotta Giudicelli#Character: Madame Giry#Character: Meg Giry#Character: Ubaldo Piangi#Understudy Love#Karen Culliver#Sophie Cottrill
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reading list - ancient novels
CLICK HERE TO ACCESS MY OTHER READING LISTS.
✵ ACTIVELY UPDATING ✵
ANCIENT CHINA
☐ LUO, Guanzhong – 三國演義 (Sānguó Yǎnyì; Romance of the Three Kingdoms)
☐ SHI, Nai'an – 水滸傳 (Shuǐhǔ Zhuàn; Water Margin)
☐ WU, Cheng'en – 西遊記 (Xī Yóu Jì; Journey to the West)
☐ CAO, Xueqin – 紅樓夢 (Hónglóu Mèng; Dream of the Red Chamber)
☐ LANLING Xiaoxiao Sheng – 金瓶梅 (Jīn Píng Méi; The Plum in the Golden Vase)
☐ WU, Jingzi – 儒林外史 (Rúlín Wàishǐ; Unofficial History of the Scholars)
☐ ZHUANG, Zhou – 莊子(Zhuangzi)
ANCIENT GREECE
☐ CHARITON – Callirhoe
☐ ACHILLES TATIUS – Leucippe and Clitophon
☐ LONGUS – Daphnis and Chloe
☐ XENOPHON OF EPHESIUS – Ephesian Tale
☐ HELIODORUS OF EMESA – Aethiopica
☐ UNATTRIBUTED – Metiochus and Parthenope
☐ LUCIAN – A True Story
☐ LUCIAN – Alexander Romance
☐ LUCIAN – Life of Aesop
ANCIENT ROME
☐ APULEIUS – The Metamorphosis of Apuleius
☐ PETRONIUS – The Satyricon
☐ SENECA, LUCIUS ANNAEUS – The Apocolocyntosis Claudii
#books#literature#reading list#what to read#fiction#stories#curation#ancient#ancient novels#academia#give me recommendations
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Xiaoxiao Cao photographed by Omar Z. Robles
Source: https://www.instagram.com/p/COsrLmZne5t/
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xiaoxiao cao photographed by minwu photography
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BIT Sports Center, Beijing
BIT Sports Center, Beijing Athletic Space, Basketball Stadium, Chinese Architecture Images
BIT Sports Center in Beijing
24 Nov 2020
BIT Sports Center
Design: Atelier Alter Architects PLLC
Location: Beijing, Northern China
photo ® Highlite Images
Located in Liangxiang, the satellite city of Beijing, the BIT Sports Center, along with the BIT Stadium, frame an entrance to the new BIT campus. The sports center adds about 15,692 square meters athletic space to the school, includes a 3000 seats basketball stadium, a 10 lanes swimming pool, a gymnasium, a martial art space, and rooms for boxing, taekwondo, table tennis, etc.
photo ® Weiqi Jin
BIT is a university focused on military science. The project continues Leonardo Da Vinci’s dialogue on the interdisciplinary discourse between science, architecture and art. After researching on related art and history of material science, the project draws inspiration from Da Vinci’s flying machine, as well as the geometry of trajectory parabola widely used in military science.
photo ©Horizon Aerial
Accordingly, two sets of parametric surfaces are created to suspend in the air as the roof for the building. The topological volume framed by the two curve layers are constructed through space frame structurally and covered by standing seam roofing from above and aluminum curtain wall system from below. Aluminum are used over roof, cantilever and facade to give a uniform tone to the building and to response to the industrial aesthetic in military science.
photo ® Highlite Images
As the Renaissance man in Da Vinci’s time understood intellects as polymaths excelled both in body and mind, the BIT sports center aims for a “multidimensional open campus” that builds students’ body and mind simultaneously and meanwhile, encourages intercollegiate dialogues among students. By doing that, the architecture creates spatial permeability in both urban and architecture scales, through plan and section.
The basketball hall, located at the south east corner of the building, merges the play field with major artery and street life, while the swimming pool at the west is linked to campus central square. Besides urban scale connections, as the seating for basketball hall is elevated for one floor, the programs beneath it are all interconnected and also well connected to the exterior.
photo ® Atelier Alter Architects
A horizontal physical and visual permeability, from street to campus, is established at the ground floor. An enclosed entrance promenade, cut between swimming pool and basketball hall, connected north and south campuses together. In the section, the top of basketball seating at the third floor has a large window overlooking the entrance hall and the swimming pool across the hall, as well as the campus beyond the swimming pool.
At second, third and fourth floors, the programs behind the swimming pool—taekwondo, table tennis and testing center—all have different apertures into the swimming pool and also share the skylight from the swimming. With transparent interface, vertical permeability is achieved by nesting programs within one and another in section.
photo ® Highlite Images
BIT Sports Center in Beijing, China – Building Information
Client: Beijing Institute of Technology
Location: Beijing, China
Category: Sports Center
Architecture and Interior Design: Atelier Alter Architects PLLC
Architect of Record: China IPPR International Engineering Co., Ltd.
Design Consultant: Beijing Hanhua Architectural Design Co.Ltd
Design Principal: Yingfan Zhang, Xiaojun Bu
Architecture Design Team: Zhenwei Li, Kai Qin, Ping Jiang, Wei Huang, Tongwei Liu, Dehu Du, Jiahe Zhang, Ran Yan, Lairong Zheng, Jiaming Mei, Lidong Song, Xiaoxiao Zhao, Jingshi Zhang, Bida Wei, Wei Xiong, Weidi Chen, Xiaoqing Guo, Xueyun Da, Bo Huang, Leilei Ma, Hui Cao
Structure: China IPPR International Engineering Co., Ltd.
MEP: China IPPR International Engineering Co., Ltd.
Interior Design: Atelier Alter Architects
Landscape Architect: China IPPR International Engineering Co., Ltd.
photo ® Highlite Images
Curtain Wall Consultant: PAG Façade Systems Co., Limited
Lighting Consultant: Jingyunyoujin Lighting Technology (Beijing) Co., Ltd，Zhongchen Yuanzhan (Beijing) Lighting Design Co., Ltd，
Acoustic Consultant: China IPPR International Engineering Co., Ltd.
Construction Management: Beijing Zhongjing Hengji Engineering Management Co., Ltd
General Contractor: Beijing Construction Engineering Group CO. Ltd (BCEG)
Interior Contractor: Beijing Senghongli Engineering Co., Ltd.
Curtain Wall Contractor: Shandong Sky Screen Group Corporation
Manufacturers: Hoofovens Architecture System (Guangzhou) Co., Ltd., Taitong Construction Co., Ltd ., Beijing Borongsheng Industry and Trade Co., Ltd.
Cost: $23,449,011
Area: 168,907.3 SF 15692 sqm
Project Completion: 07.2019
photo ® Weiqi Jin
Photography: Weiqi Jin, Highlite Images, Atelier Alter Architects
BIT Sports Center, Beijing images / information received 241120
Location: Beijing, People’s Republic of China
Architecture in Beijing
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Beijing Architecture Walking Tours
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Meland Club Shenzhen flagship store
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Apple Sanlitun, Chaoyang District
Architects: Foster + Partners
image courtesy of architects
Apple Sanlitun Store
Leeza SOHO, Lize Financial Business District
Design: Zaha Hadid Architects
photo : Hufton+Crow
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Architects: WAY Studio
photographer : Zeng Hao, Fernie Lai
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Design: Shishang Architecture
photographer : An Li
Hualong Private Terminal Space
Comments / photos for the BIT Sports Center, Beijing page welcome
Website: Beijing
The post BIT Sports Center, Beijing appeared first on e-architect.
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Chiêm ngưỡng những bức ảnh ấn tượng chụp từ trên cao
Drone Awards là cuộc thi được tổ chức nhằm tìm ra những bức ảnh đẹp nhất chụp từ trên cao. Vượt qua hơn 4.400 tác phẩm dự thi, "Bức ảnh của năm" đã thuộc về tác phẩm "Trên chú gấu B���c Cực" tuyệt đẹp của Florial Ledoux.
Tác phẩm độc đáo của nhiếp ảnh gia Ovi D Pop đã giành chiến thắng hạng mục ảnh Trừu tượng khi ghi lại hình ảnh một con đường uốn lượn giữa "hai thế giới": một bên là rừng cây xanh tốt và một bên là tuyết phủ trắng xóa.
Vị trí á quân trong hạng mục ảnh Tự nhiên thuộc về tác phẩm "Cửa địa ngục" của Xiaoxiao Liu với cảnh tượng những ngọn lửa đỏ bốc lên từ đại dương cùng khói phủ mịt mù.
Franceso Cattuto là quán quân trong hạng mục ảnh Đô thị của giải Drone Awards với bức ảnh "Mây phủ trên thành Assisi" mang vẻ đẹp như một "lát cắt" thiên đường.
Cũng trong hạng mục này, bức ảnh "Cháy kho hàng" của nhiếp ảnh gia Byron du Bois đứng vị trí thứ hai. Bức ảnh thể hiện khung cảnh một thành phố bị bao phủ bởi khói đen dày đặc sau khi một kho hàng bốc cháy.
Adam Barker là một trong số những nhiếp ảnh gia đứng đầu hạng mục ảnh Thiên nhiên với kiệt tác "Cá mập vây đen" chụp lại hình ảnh một con cá mập bị bao vây bởi hàng trăm nghìn con cá khác.
Bức ảnh "Mẹ con" của Anders Carlson được đánh giá cao ở hạng mục ảnh Động vật hoang dã.
Tác phẩm của nhiếp ảnh gia Bachir Moukarzel ghi lại hình ảnh những con cá mập trắng vây quanh những con thuyền cũng là một tác phẩm được đánh giá cao ở hạng mục này.
Nhiếp ảnh gia Raf Willems được đánh giá cao ở hạng mục ảnh Con người với tác phẩm "Raf Willems trên sa mạc".
Cũng trong hạng mục ảnh Con người, Keyvan Jafari gây ấn tượng với khung hình độc đáo chụp lại cảnh những người phụ nữ đang làm việc trên đồng lúa.
Chiếc thuyền kayak đỏ trên nền tuyết trắng xóa là tác phẩm để lại dấu ấn sâu sắc của tác giả Stefan Thaler trong hạng mục ảnh Thể thao.
Nhiếp ảnh gia Peter Virag đã ghi lại hình ảnh một khu vườn cát đỏ độc đáo và tuyệt đẹp.
Những mảng màu sắc đối lập trong tác phẩm "Đêm đông lạnh" của Yavor Michev tạo nên một bức ảnh đẹp ngỡ ngàng.
Những sân tennis bình thường bỗng trở nên mới mẻ và thú vị trong góc chụp có chiều sâu của tác giả Gary Cummins ở hạng mục ảnh Đô thị.
Một góc đường nhộn nhịp cũng có thể trở thành tác phẩm nghệ thuật với những mảng màu sắc rực rỡ và cuộc sống sinh hoạt đời thường vô cùng chân thực. Đây là bức ảnh của tác giả Alex Visbal.
Bức ảnh "Kiếp sống của triệu người" là tác phẩm được đánh giá cao ở hạng mục ảnh Con người. Trong bức ảnh này, nhiếp ảnh gia Qinghua Shui đã chụp lại một biển những chiếc lều đầy màu sắc và hàng trăm người đang ngủ bên dưới.
Vincent Riemersma là một trong những nhiếp ảnh gia dẫn đầu hạng mục ảnh Thể thao với bức hình những vận động viên trượt băng và bóng của họ đổ trên mặt đất trắng xóa.
Đơn giản và tương phản là hai từ để miêu tả kiệt tác của Luis Alonso Jimenez Silva. Đây là bức ảnh đứng vị trí thứ hai trong hạng mục ảnh Thể thao.
Các sân bóng rổ chụp từ trên cao tạo nên một bức hình mới mẻ. Tác phẩm thú vị này là của nhiếp ảnh gia Shihui Liu trong hạng mục ảnh Thể thao.
Theo Kiều Anh
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