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#THE FACT THAT THIS MOVIE
daily-spooky · 1 month
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huyandere · 8 months
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kensplained for those who need it
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frostedpuffs · 5 months
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HAHAAAAAAAAAAAAAAAAAAAAA
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pokimoko · 9 months
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I can't keep being fundamentally changed as a person by animated movies, it's just not sustainable.
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crocsfroggo · 9 months
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can we talk about how AWESOME it is when the light hits nimona's eyes?
It's the same effect you get when you take a flash photo of an animal!!! it is an incredible detail to demonstrate that she is not human !!! I loved it
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The FNAF Mikes and Vanessas watch Immortal and restless
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catchymemes · 4 months
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currentlyonstandbi · 8 months
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i dont care what kind of lore they're coming up with for that zepotha film or whatever the fuck over on tiktok, nothing will ever come close to the fact goncharov was spawned entirely from a label on a boot
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anessthetic · 2 months
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memories
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tenjoura · 7 months
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🤠👓❤️🥵🔥
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urgentkettle · 8 months
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The fact that TikTok is trying to make Zepotha happen like it’s the “new Goncharov” is so offensive because like, there’s already a new Goncharov. And it’s an 80s slasher film. It’s called Goncharov’s Return (or Goncharov’s Revenge in the European release). Just the height of hubris. Learn your history.
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daily-spooky · 5 days
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mralbertinho · 8 months
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While we're all talking about both the WGA/SAG strikes and Barbenheimer, I hope everyone realises that the entire reason this exists is because Christopher Nolan stood up to Warner Bros against pushing their entire cinematic slate onto streaming in 2021, by taking his next film to another studio.
Then, as an act of petty revenge, they decided to deliberately move their single biggest movie of 2023 (and arguably WB's biggest non-Batman/Harry Potter movie in DECADES) directly onto his release date.
So no, the Barbie Marketing isn't "so good it helped another movie". The Barbie Marketing Machine was specifically designed to get back at someone who dared to stand up against WB executives.
It was a calculated move of malice by soulless corporate fuckeroonies.
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forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.
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i really am annoyed by people’s analysis of the scene with the old woman in barbie being that barbie finds her beautiful because she was never taught aging isn’t beautiful when she LITERALLY hated cellulite on sight and was disgusted by it and is going to the real world so that she DOESN’T age or change. it’s the exact same way people talked abt that enchanted gifset on here for years (you know the one). the scene where barbie tells the woman she’s beautiful comes immediately after she has seen humanity in its mundanity, in its highs and its lows and she is so moved by how much someone can feel when they are not living in a candy-coated dream world and when she sees the older woman she has a realization that if she wants this, she has to want all of it, and it is so worth it. she can get rid of the cellulite and the wrinkles and go back to being pretty and pink and perfect but now that she has seen how beautiful and terrible it can be to be human she can’t say no to that, and the proof of living a long and worthwhile life is beautiful to her.
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whaliiwatching · 8 months
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diagnoses u with fanfic tags
yeah i caved. welcome spideysona
their universe is 1990s san francisco. by day they work as a struggling writer for the bugle, sort of following in the footsteps of (movie-adjacent) eddie brock; by night they’re spider-scrawl, fighting systemic injustice, writers’ block, and the occasional mad scientist invention. his world is less rife with supernatural evils than most, but he’s also fucking with the government and corporations and all, so it balances out
their unique thing is that they have, like, shitty meta clairvoyance in the form of inherently understanding tropes, clichés, story structure, etc. like if cinemasins/wins were a superhero. they were approached to join the society because miguel thought they’d be chill or even helpful with canon events—unfortunately scribble here is not whatsoever into following rigid plot structure for the sake of unnecessary thematic suffering, saw the plot twist a miles away, and peaced. but not before snagging a day pass so they could watch atsv in person
they never take off their mask, and no one knows their name—he says it’s because he doesn’t want to lose his identity in a sea of spider-people, leading most to theorize that san-fran-spidey is some flavor of peter parker, but who’s to say for sure? the doylist reason, which he is in fact aware of, is that i don’t know either lol
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