I must know more about Judah and Rabbi Loew! Please tell me who they're all about. What are their connections to Zemira?

EEEEE TYSM FOR THE ASK I'M SO SORRY FOR THE LATE ASS RESPONSE.......!!! I'm glad someone finds them interesting, they're easily the hardest part of Lesions of a Different Kind to write but I find them so deeply moving and fun to explore. I'm gonna copypaste some info from a fucking essay I wrote a friend regarding Judah.

JUDAH

Judah the Hammer is based directly off of the real historical figure of Judah Maccabee, the inspired guerrilla commander who was the mastermind behind much of the Jewish victories during the Maccabean Revolt. This was a real historical event in the 160's BC which saw a Judean revolt oust the Hellenic Seleucid Empire from its control over Judea, and an end to their Hellenization policies which threatened to erase the lion's share of Jewish traditions and identity at the time. The holiday of Hanukkah commemorates this story and the miracle of the oil.

In my Hellsing fic, Judah is the primary antagonist. Rather than dying in his suicide charge at Elasa, this version of Judah was turned into a vampire, and still walks the Earth. This event thoroughly shattered his worldview and his understanding of his role in it. As the antag, he forms an important foil with Alucard, because Alucard did much the same shit that Judah did - guerrilla warfare waged against a larger, more powerful empire, complete with being remembered as a total brute of a man - with the major difference being that Judah's war was victorious. He just didn't get to live to see it.

When I set out to design the prime antag for Lesions it was a tough call. I knew I wanted it to be an 'ancient world' vampire, and I wanted to keep up the trend of a historical figure being a vampire such as with Alucard and Erzsebet - which, yes, I like Hirano's other project Drifters quite a lot, don't @ me LOL. But then I also decided I wanted it to be personal to Zemira in some way, shape or form in such a way that would challenge her in a meaningful way and also be her worst nightmare incarnate. I was really hesitant to go there with this character for obvious reasons, but then I remembered that part of why I love Hellsing so much is that it isn't afraid to go there and tackle the uncomfortable topics in these big grandiose orgies of violence and philosophizing and grand tragedy. And I got to wondering about the dynamics between a medieval warlord like Vlad III and a warlord from antiquity like Judah Maccabee and how they would differ and relate to and from one another, and decided that that topic and the way people lionize historical figures and re-interpret them to fit the needs of their time. I've always found that topic intriguing as a historian because I first and foremost consider it folly, no matter what argument you're trying to make with them. But on the other hand, these were real people whose actions shaped the world we live in now, and I suppose I wanted to explore with the horrific matrix we call vampirism might do to a man like Judah, and how it would highlight and distort his character traits. I also, of course, wanted to make him a foil that Alucard could face down that would enhance his appreciation for Zemira's traits that are so distinctly hers (her rebellious attitude, her tenacious-to-the-point-of-stupidity tendencies, her disregard for power structures that don't respect her, et cetera) while also giving Zemira a "this you???" kind of antag that will make her question herself and grow into a stronger person.

Judah is an embodiment of Jewish rage. All the trauma, all the anger, all the suffering and all the cruel irony of two thousand years of antisemitism coalesced onto the shoulders of a single man. A man who, to his own community, is controversial and complicated. A cautionary tale to some, an inspiration to others. Sometimes for good reasons, other times for bad - but always drawing from the same core story of who Judah the Hammer was and what he did.

So from the time of his turning, Judah took it upon himself to wander the Earth as a foul-tempered arbiter of retribution for the horrors the Gentile world inflicts onto Jews. For every Jew murdered in a hate crime, he would take the life of a Gentile - with a particular hyperfixation on Europeans, as these were his sworn enemy in life, and that hatred extends particularly to Christianity, who he views as the torchbearers of Hellenic influence and outright calls them cultists; he's definitely disappeared plenty of villages throughout the rest of the world, mind you, definitely destroyed some mosques, but his main tunnelvision is upon Europe. I feel like if he were to put forward an insane Old Man Conspiracy Theory, it would be that Jesus was actually a Hellenized Jew or some shit like that and therefore a Greek and therefore the enemy. He is an ancient vampire and every bit the giga-powerful behemoth you'd expect from a being his age, but he chafes at the body he inhabits and has never fully accepted that he is what he is now (meaning he and Zemira both know what it's like to exist in a body that isn't home to them). He exists in the role of a spirit of temptation, but is in fact ace, and generally hates being touched. Oftentimes he wouldn't even kill for food, and in fact, still despises drinking blood and has never truly acclimated to it, only drinking from people he considered deplorable enough to take into himself and weaponize against their kindred, be it as a thrall or as something to simply sustain his existence. He prefers to carry and eat bones, as he dislikes waste and excess, and considers drinking blood to be a gross indulgence.

Is he grandiose, or pathetic? Tragic hero, or petty opportunist? DId he truly take up this mantle of being a spirit of vengeance out of a belief it was G-d's intention for him, or did he window-shop a hypothesis for an event (his turning) that he had no control over and traumatized him deeper than he could ever hope to recover from? Is he to blame for his callous reduction of peoples' lives to political 'gotchas', or is that a product of his time that anyone on a high horse about their morals would have fallen into as well? Does his vampirism make him a monster, or was he monstrous before an infectious Nosferatu's fangs got anywhere near him?

There aren't a lot of clear answers in the text about this because I mostly use him to pose difficult questions to the cast of Lesions, and how they react to him determines much of who and what they are. He's extremely difficult to write well and I've rewritten his scenes more often than any other characters, but I love him.

Yet even with all this grim characterization, Judah is a character that is just an endless blast to write for and daydream about. Whereas Alucard is all pomp and circumstance, elegance and dramatism, Judah is rugged, foul-mouthed just like Zemi, and with a crotchety old man mean streak a mile wide. When he moves about, his body acts like it's being controlled by a drunken puppeteer - very 'HOW DO I DRIVE THIS THING???' energy, because vampirism in Hellsing is often framed in Christian terms. Therefore, as a Jew, it's really hard for him to acclimate to it, and his fight scenes have major Drunk Monk energy. The text calls him "a boulder of a man" as opposed to Alucard's gracile and lanky build, and is shorter than him at six-foot-even (since people used to be smaller in the ancient world, generally).

He's an angry old man, he's a dude who's sad that his little brother died in front of him, he's your orthodox uncle with a bad attitude who tries to corner you at the family function to tell you how you're off the derech, he's Oscar the Grouch in vampire form, and his fight scenes are shockingly violent. Alucard kills people and makes a spectacle of it, but Judah's kills read like you found a video of a guy bludgeoning a fellow inmate to death with a lead pipe in a high-security prison that got released on Liveleak or something.

Also, my voiceclaim for him is Brok from God of War: Ragnarok.

He's a dick, but it's hard to look away whenever he's talking. And I love him for it. <3

RABBI LOEW

Shifting gears here, Rabbi Loew is, much like Judah, the very same Rabbi Loew as the real person who is fabled to have created the legendary Golem of Prague - in my Hellsing fic, he's done just that, and still resides in what looks to be a decrepit old mansion in Prague, but will reveal itself as a safe haven for Jews who are in a bad spot. He's essentially the Prophet Elijah figure of the story - he appears to people along with his golem in scenarios where they are deeply and truly lost and in need of guidance, giving them a comforting nudge in the direction they need. He's a repository for endless depths of knowledge, and opposed to the rest of the Hellsing cast who are so fond of carrying themselves with over-the-top aesthetic maximalism, Rabbi Loew is very simple, very soft-spoken, and although he can absolutely get angry and does so in the story, he hardly ever raises his voice. He's part of an important web of foils that includes Rabbi Loew & his golem (simply named Guard in the text) versus Integra and Alucard, as well as how he represents a defunct, dead-in-the-water version of the Integra/Alucard boss and servant bond due to his complicated and fraught relationship with Judah.

Rabbi Loew actually contributed some of magical binding seals used to tie Alucard to the Hellsing family, which furthers the golem parallel so core to the story. But the elephant in the room here is that Rabbi Loew does not have Judah bound in a similar manner. Judah comes and goes from the mansion in Prague at random. Usually, he swings by just to rest for a bit, and maybe pick a few obnoxious arguments with Rabbi Loew. There is a great deal of uncertainty in how they interact. On the one hand, Judah is four times Rabbi Loew's age, but the latter actually looks like an old man, where as Judah looks around his mid-to-late-fifties, and is found of calling him "Old Guy." Rabbi Loew is, well, a fucking Rabbi, and therefore commands a certain kind of deference and respect amongst most Jews, especially as a legendary figure - but Judah is a figure even more legendary in Jewish history, and comes from a time in which Rabbinic Judaism was not the standard (Second Temple Judaism, to be specific), thus meaning they are separated by time in more ways than one. I think secretly both persons look to the other for inspiration, but are always saddened and frustrated by what they find. Judah finds Rabbi Loew to be overly passive and toothless, despite their first meeting being Rabbi Loew coming upon the Hammer brutalizing and torturing a Cossack to death in a shockingly violent manner, and saying "Not that I'm opposed to cracking a few skulls when push comes to shove, but don't you think this is a bit much?" And despite Judah's dislike for the old Rabbi's attitude, he often finds himself yielding when Rabbi Loew checks him on his brutality. But when his Rabbi isn't around, Judah continues on his usual sporadic outbursts of vengeful violence on Gentile communities, believing that if he was cursed with vampirism, then he must become like one of the Plagues of Egypt itself. HaShem did terrible things in the name of justice then, and Judah sees himself as one of those further terrible necessities, instead of his own person.

Rabbi Loew hates this.

Rabbi Loew looks at Judah and thinks of how much good a person like him could do with the mind-blowing powers of vampirism at his disposal. The lives he could save, the atrocities he could prevent, the connections he could build and foster, if he so chose to do so. But Judah doesn't do that. Judah is resigned to being the Hammer of Israel, the Lion of Judea, the Beast of the Levant. He is so deep in a haze of dissociation that he sometimes believes everything around him is the nightmarish hallucination of a dying man (as though he's on an acid trip that never ended) that he doesn't at all consider that maybe he could make this extended lifespan of his mean something. He doesn't consider that wandering the Earth and murdering Gentiles to "keep the score even" isn't actually helpful. He thinks it's beyond his purview. And Rabbi Loew can't help but keep trying to Uncle Iroh this touchy motherfucker into a healthier headspace, but I think both men know that the old Rabbi doesn't have what it takes to truly get through to Judah. And so, detente. They share space and company and do care for one another, but it's a doomed friendship that can't go much deeper than that.

Because at the end of the day, just like any real Rabbi, Rabbi Loew is just a man. There are bells and whistles that call it into question (such as his unnatural long life, which I won't address here due to spoilers), but he's just an old fellow, doing his best to make the world a slightly less cruel place.

He gets the least engagement, but I love him too.