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#Stories
eicstuff · 2 days
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(c) eicstuff; like/reblog.
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maigetheplatypus57 · 2 days
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ok ok so my professor came up to me before class a few weeks ago and i was a little worried when she brought up the short writing assignment I did the day before on Unpacking but after I confirmed that I wrote it she smiled and told me how a guest lecturer was going to take up that exact game as part of their lectures on LGBTQ+ videogames and I shit you not I was so excited.
SO flash forward to now and that guest prof just finished their intro lecture, mentioning how their next one will actually focus on the game. After the lecture I walk up to them in all my youtuber merch glory, introduce myself, mention the writing assignment (which apparently the guest prof already knew about bc my prof told them??? crazy) and the prof asks me what I think about the game, and I think they were kinda hinting about the ex-boyfriend's room and how they were going to discuss the story implications of it???
but apparently I was one step ahead of them and told the prof about how I was inspired from a "streamer I watched" (cough RTGame cough) and how I've found that level 100% more enjoyable when I stopped giving a shit and just messed with the boyfriend's shit, inconveniencing him however possible and guys. GUYS.
the way the professor's eyes LIT UP dude, they even giggled when I told them about folding the boyfriend's fancy suits and placing his coffee shit on the highest shelf, and they told me that they were going to open their game just to replay that level and try what I did and man. MAN.
this lecturer has no involvement with my actual grade, but I definitely feel like I just got an A+ in making that prof's DAY.
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hauntaku2 · 2 days
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Some writers are being complete snobs, so here's my pro tips for how to actually write stories:
Don't worry about being "perfect" - perfection is a myth
Never get too focused about planning things out early on because you'll write yourself into a corner later
Write for yourself - if you like your story then others will too
Don't worry about being "cringe" or messing up
Plotholes are good because fans can fill them in later
I'm a self-published author if you wanna know. It's not a big deal and people tend to go full linkedin over writing - don't do that. lol
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letterstoyourlove · 2 days
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flawlest · 11 months
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blue-eyed-author · 6 months
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Some of my writer’s block cures:
Handwrite. (If you already are, write in a different coloured pen.)
Write outside or at a different location.
Read.
Look up some writing prompts.
Take a break. Do something different. Comeback to it later.
Write something else. (A different WIP, a poem, a quick short story, etc.)
Find inspiring writing music playlists on YouTube. (Themed music, POV playlists, ambient music, etc.)
Do some character or story prompts/questions to get a better idea of who or what you’re writing.
Word sprints. Set a timer and write as much as you can. Not a lot of time to overthink things.
Set your own goals and deadlines.
Write another scene from your WIP. (You don’t have to write in order.) Write a scene you want to write, or the ending. (You can change it or scrap it if it doesn’t fit into your story later.)
Write a scene for your WIP that you will never post/add to your story. A prologue, a different P.O.V., how your characters would react in a situation that’s not in your story, a flashback, etc.
Write down a bunch of ideas. Things that could happen, thing that will never happen, good things, bad things.
Change the weather (in the story of course.)
Feel free to add your own.
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reidiot · 10 months
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don't fucking interrupt me when i'm reading my x reader fics it's rude
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solar-sunnyside-up · 1 month
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Omg let me tell yall about how one act, even if done out of self perservation, can ripple out in the most positive ways.
My friend during covid had her and her family go to a butcher and directly tell them they'd put 400 down every month collectively and they'd just order roughly the same thing every month.
So she's been doing this for like 3 years, still 400ish for like a stupid amount of meat.
But the butcher could do this bc they could regularly supply him and having a garenteed income was such a big deal. Particularly bc that means he could commit that much money to the farmers he orders from, which means those farmers also get that stable income too. So this one act helped all the way up the chain.
It helped her and her family, and friends who they gifted with meals when ppl are sick.
And that butcher offered lower prices to others and could have a steady supply of good quality meat. Because-
The farmer also got a steady income. Free from the worry of getting their next bill covered. They got better feed and could care for their animals better. This improved the lives of the pigs/candle as well as the farmer getting to live a happier healthier life.
This is still happening, this has been happening for years for all of them.
It's baffling that such a small act of community spreads so much stability and joy, ranging from the farmer relaxing to a BBQ at a block party. All bc my friend was sick of grocery store meat prices on chicken.
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great-and-small · 1 year
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Do y’all know about Frédéric Thomas? He is a French parasitologist who heard a story about crickets in New Zealand leaping into the water even though they can’t swim, and immediately speculated this suicidal behavior was related to behavior manipulation from an internal parasite. This is before neuro-parasitology was a field at all, and before people really put much stock into parasite’s ability to control animal behavior.
Thomas was certain that studying these crickets would be a huge priority for the scientific world given the implications of a parasite controlling an animal’s actions in such an insidious way. Unfortunately, absolutely nobody would fund Thomas’ expedition to study the crickets, and his grants were all declined. In a wild move that showcases the balls to the wall, near- insanity level passion of a biologist, Thomas declared a hunger strike and wrote a letter to the president of France saying he would not eat until someone took the matter seriously and funded his study on the suicidal crickets. I feel like those of us in research can at least a little bit understand this impulse.
Well the French government actually got Thomas’ message and freaked out a bit at the negative publicity that could arise from a crazy worm scientist starving to death. So they send some government bigwigs to the university to pressure Thomas and his department heads into calling an end to the hunger strike. In the flurry of attention that resulted from this, a Swiss billionaire heard about Thomas’ plight and offered to partially fund the study. The French government was happy to get rid of Thomas and contributed funding as well so that Thomas could head to New Zealand to study his suicidal crickets. He was right about the parasites causing the behavior!
The hunger strike debacle is not even the wildest part of this story. I love biology so much
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shhhhimwatchingthis · 2 years
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You want to know why Inigo Montoya remains such an iconic and beloved character even 35 years after the Princess Bride came out?
It's because he's one of the few characters in fiction who has a story where he has dedicated his life to revenge, his whole motivation is about getting revenge....and he gets it! and then he isn't empty or despairing! he doesn't regret it! he's totally satisfied!
because so many stories about revenge or rage are about characters "seeing the futility of their actions" or learning "their desire for revenge has only made them the monsters they hated" FUCK THAT.
Inigo Montoya kills the man who kills his father, is allowed to live in the narrative after and be happy about it and it is so satisfying. it's fantastic. it's iconic.
let more characters rage against the world, bring it down with bloodied hands, and let them be FUCKING RIGHT about it. Let them celebrate their success with sharp grins, and let them live happy, full lives where they always remain proud/fulfilled for what they've done
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readingrobin · 1 year
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Fairy tale nerds of Tumblr I need your help.
I've been trying to find a fairy tale for AGES, this has been almost a decades long quest. I first read it in a Highlights magazine around the mid 2000s, when the theme was "Fairy Tales from around the World." Now I don't know if this is actually an older fairy tale or just one that was made up for the magazine masquerading as a story from somewhere else. I've done my own research and have come up zilch.
So, this story was about a prince that was cursed to be a wolf until he was able to bite a bride the night of her wedding. Well, it just so happens that such a woman is riding through the forest with her new beau, a very uncouth man that calls her his "little chicken." Long story short, a pack of wolves waylay their carriage, the wolf prince bites the lady, becomes human again, and they fall in love and marry.
And what happened to her original husband?
Well naturally he gets turned into a chicken and they eat him at their wedding feast.
Classic.
if anyone knows the title of this fairy tale or where it may have originated, please let me know! I'd love to see if I can read it again.
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phoenixyfriend · 1 year
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Pour one out for all the stories you'll never find again, that you barely remember in totality, but that left an impression on you that you'll never forget.
The short stories from standardized tests that you only had a few minutes to read, but those minutes will last a lifetime.
The books on the library display shelf you used to occupy time until your mom could come pick you up from school.
The graphic novel you picked up when you were first getting into comics and could never find again.
The single lines or themes from stories you otherwise don't remember, save for the one thing that you saw and internalized as a new part of your personality.
Let's pour one out for the books that built us, even if we never could find them again, and couldn't if we wanted to.
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thatdamnokie · 1 year
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i love you fairy tales i love you folklore i love you myths i love you stories as old as humanity itself i love you oral traditions i love you characters carried through time on my ancestors’ tongues i love you story i’ve seen a million ways and want to see a million more i love you archetypes i love—
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ashfae · 9 months
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The thing about romance is, it makes a good story.
As soon as Neil described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.
Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.
The problem is a story is only a story.
Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.
But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.
And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.
Neil also mentioned Pride and Prejudice.
Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?
Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.
Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.
The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.
Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)
The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.
Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.
The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.
Quiet, gentle, romantic. It was.
But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.
But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.
The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.
And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.
Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.
But they'll get there. So will we.
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badwritermedia · 2 years
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the elusive 7 act Structure
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flowerytale · 2 years
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Susan Sontag, from "The Dummy", featured in I, Etcetera: Stories
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