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entertainment · 11 months
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Have a question about Wes Anderson’s upcoming film, Asteroid City? The cast may have answers! 
Submit your questions here, and join the cast of Asteroid City for their Answer Time on June 20th at 12pm PT / 3pm ET. 
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365filmsbyauroranocte · 5 months
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The Ratcatcher (Wes Anderson, 2023)
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boxcarwild · 10 months
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Behind-the-scenes shots of Asteroid City
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taeonysus8 · 7 months
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this is one of my most favourite screencaps
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chinchillasorchildren · 7 months
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Films of 2023: Roald Dahl Collection (?) (dir. Wes Anderson)
The Wonderful Story of Henry Sugar: B+
The Swan: A-
The Rat Catcher: B/B-
Poison: B+
Adam Stockhausen:
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didanagy · 6 months
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Pride and prejudice (2005)
dir. joe wright
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nathalieskinoblog · 8 months
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windswept-fields · 8 months
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Wes Anderson movies + text post part 3/11 (or until I give up)
Asteroid City edition
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cinematicmasterpiece · 7 months
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the swan (2023)
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heystella · 7 months
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The Swan (2023)
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thespoliarium · 10 months
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The Death of Stalin, but the poster is... Barbie?!
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caluanthes · 11 months
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THE YOUNG VICTORIA (2009), dir Jean-Marc Vallée
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365filmsbyauroranocte · 4 months
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The Swan (Wes Anderson, 2023)
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boxcarwild · 9 months
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Behind-the-scenes photographs of Asteroid City
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pedroam-bang · 11 months
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Obi-Wan Kenobi (2022)
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annoyingthemesong · 10 months
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SUBLIME CINEMA #657 - ASTEROID CITY
Was lucky to catch this before it was released just about anywhere else, and I'm happy I did. Asteroid City is among Wes Anderson's best films, and visually it might be his most majestic - something that is hard to really quantify given that every one of his movies are objects of aesthetic perfection.
Love him or hate him, his films are audacious in scale, artistry, and freedom to experiment, and he does what he pleases. I find them cutesy but I also love that his movies are smart, and that audiences seem to respond to this level of intellect thrown at them without question (one of the central characters is nicknamed 'Brainiac', and he's surrounded by characters who are just as smart as he is.)
You could say Asteroid City is a stylistic leap, although it is still so familiar. What is different this time is that we are unsure of what is real and what is isn't; what backdrop might be digital, what might be Arizona, or what is a set, what is location. The bright teal and orange 'technicolor' looks completely out-of-this-world and yet it is all so comforting and nostalgic. There are enough details in the corners of each frame to fill out several feature films and warrant repeat viewings.
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