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persephone-nymph · 1 year

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Goldie Hawn filming “There’s a Girl in my Soup”, 1970.

#Goldie hawn #1970s #there’s a girl in my soup #peter sellers #roy boulting #1970s movies #70s aesthetic #70s fashion

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weirdlookindog · 10 months

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Twisted Nerve (1968)

#twisted nerve #1968 #1960s movies #roy boulting #thriller #vintage movie ads

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gatutor · 5 months

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Hayley Mills-Hywel Bennett "Luna de miel en familia" (The family way) 1966, de Roy Boulting.

#Hayley Mills #Hywel Bennett #Roy Boulting

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audiemurphy1945 · 1 month

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Brighton Rock(1948)

#film #brighton rock #1948 #richard attenborough #john boulting #roy boulting #graham greene #40s #vintage #...

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ozu-teapot · 1 year

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Suspect | John Boulting / Roy Boulting | 1960

Thorley Walters, Sam Kydd

#Thorley Walters #Sam Kydd #John Boulting #Roy Boulting #Suspect #1960 #The Risk

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mariocki · 1 year

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Suspect (The Risk, 1960)

"I'll be quite frank with you, Minister. Although I know nothing about politics, I've never felt that because I happened to be born in this country, it was the only country that mattered. I've tried to give it a fair return for what it has given me, and after that my loyalty is to the world. When you tell me it'd be treason to publish my work because some lunatic might use it to kill Englishmen, and I know that that stuff properly developed could save half a million lives outside this country, then I say it'd be treason to those half million if I don't."

#suspect #the risk #british cinema #1960 #thriller film #john boulting #roy boulting #nigel balchin #tony britton #virginia maskell #ian bannen #peter cushing #thorley walters #raymond huntley #donald pleasence #kenneth griffith #spike milligan #robert bruce #anthony booth #basil dignam #sam kydd #geoffrey bayldon #cheap and cheerful cold war thriller apparently shot in 17 days; it does occasionally show. questions about duty and right and ethics and #scientific discovery are all very interesting but rather hand waved over at times in a clumsy and none too delicate way #far more interesting (or better dealt with shall we say) is the melodramatic love triangle between scientists Maskell and Britton and Ian #Bannen's double amputee Korean war veteran. Bannen is incredible in an incendiary role‚ helmed much better and with more nuance and more #depth than might have been expected for a 1960 quota quickie. he's pitiable and sad but never because of his disability; rather it's the #mental scars‚ that have wrapped him in double thinking and mistrust‚ and which lead him to coercion and calculated cruelty‚ which makes him #a tragic figure. much less successful is the comic business going on here. Thorley Walters' eccentric security man is a little over done #and rather obvious but looks positively oscar worthy next to a deeply misjudged comic relief part for Spike Milligan of all people

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spectaculardistractions · 2 years

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There lies a major, perhaps even a sufficient, reason, for the strange curse lying on our documentarists' ventures into fiction. Roy Boulting, Anthony Asquith and Carol Reed had made fictions films before turning to the wartime documentary, and quit documentary as soon, it seems, as they could. Ian Dalrymple, executive producer at the Crown Film Unit during the war years, had previously worked with Korda; he makes the bravest attempt at applying the documentary spirit of responsibility to post-war problems. John Grierson, while executive producer of Group 3 (1950-55), offered mainly sub-Ealing comedies so timid as to be positively ingratiating, and Group 3's best movies with their modest virtues break no new ground. Paul Rotha's one memorable feature, No Resting Place (1950) brings a sharply neo-realistic tone to the romantic shroud which usually envelopes Gaelic peasants. Among B features of limited resources his The Life of Adolf Hitler shockedly informs us that Horst Wessel was a homosexual. So what? What does that prove about Nazism? Given this moralising, this rhetoric, it's obvious why the film is so incoherent in its social perspectives.

Raymond Durgnat, A Mirror for England

#raymond durgnat #a mirror for england: british movies from austerity to affluence #roy boulting #anthony asquith #carol reed #ian dalrymple #john grierson #paul rotha #bernardo bertolucci

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ferretfyre · 11 months

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I find myself asking is it really the home, the enviroment, the way a person is brought up that creates the neurotic, the psychopath, the psychotic? Or could it be some error in the chromosome structure working beyond the compass of our most powerful microscope?

Twisted Nerve (1968, dir. Roy Boulting)

#twisted nerve #filmedit #zombooyah #classichorrorblog #horroredit #userhorroredits #junkfooddaily #my gifs #classicfilmblr #dailyflicks

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ludmilachaibemachado · 11 months

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Hayley Mills at her Chelsea home. A portrait of her by Roy Boulting hangs on the wall, 6th November 1969🌼🌸

Photo by Harry Fox📸

Via @isabelfutre on Instagram🌼🌸

#60s icons #girlsofthesixties #hayley mills #1969

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sleepythug · 6 months

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hiii!! got any B movie reccs you really like?

these are what come to mind when i think of "b" movies

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8 diagram pole fighter (1984, lau kar leung)

truck turner (1974, jonathan kaplan)

framed (1975, phil karlson)

god told me to (1976, larry cohen)

emperor of the north (1973, robert aldrich)

razorback (1984, russell mulcahy)

white dog (1983, samuel fuller)

danger: diabolik (1968, mario bava)

mr. majestyk (1974, richard fleischer)

conquest (1983, lucio fulci)

the man from hong kong (1974, bryan trenchard smith)

the lady in red (1979, lewis teague)

white line fever (1975, jonathan kaplan)

5 fingers of death (1972, jeong chang-hwa)

dirty mary, crazy larry (1974, john hough)

a fist full of talons (1983, sun chung)

pit stop (1969, jack hill)

dark of the sun (1968, jack cardiff)

poor pretty eddie (1975, david worth)

twisted nerve (1968, roy boulting)

death wish 3 (1985, michael winner)

seven black heroines (1983, chu yen-ping)

bmx bandits (1983, bryan trenchard smith)

death race 2000 (1975, paul bartel)

laserblast (1978, michael rae)

#milkgloss #thank u!! i enjoy making these lists #i just need to watch more bc im starting to repeat titles

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citizenscreen · 1 year

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Colonel Frank Capra (right) of the US Army Signal Corps confers with Captain Roy Boulting of the British Army Film Unit on the editing of the film TUNISIAN VICTORY in 1944.

#frank capra

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gatutor · 1 year

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