Your love for sellen invigorates me because I share that love

thank you me too. im going to put the rest of my response in the tags

wanted to draw the girls from hunchback of notre dame 1 and 2 dancing cause they both have a red dress and i thought it would be cute

+ it always seemed likely to me that one of the triplets in beauty and the beast was only pretending to go along with her sisters... and due to that she’s good at playing a role but not so much at being herself so when she gets an interest in belle she suddenly turns real shy

do not erase the caption, use or rePOST my art (reblog ok)

I'm still thinking about that post about how female characters and especially wlw and f/f ships are treated in fandoms because I got a reply that I deleted on my post about how all the Nein were big shippers on deck for Beau and Yasha that boiled down to "haha Caleb making a tower so the useless lesbians would admit they liked each other!" and it's like. He made the tower to Beau's orders. She had already asked out Yasha, who in turn had of her own volition written Beau a phenomenal, beautiful letter instead of a poem as recommended by Jester. This is factually incorrect and obnoxiously dismissive of a genuinely great dynamic and attributes all agency to a man. When you say shit like this you sound like you are Chat GPT. No new thoughts no time actually spent analyzing a relationship dynamic just "ooh i see a woman in fiction what is the phrase most associated with this ok done onto the next task".

Sometimes i remember a comics moment i randomly came across somewhere, where Sam Wilson mentiones a musical and Steve Rodgers says he doesn't like musicals, to whitch Sam goes "Guess that means you really are straight" and even tho i don't care about Cap America or the Avengers, the moment stuck in me for that quote by Sam. And like....Sci, any ideas if straight men actually don't like musicals or is that bullshit?

actually i think i know more gay men who hate musicals than i know straight men who hate musicals. i've had a drag queen stop me point blank when i was about to sing a barbra streisand song, and i know so many gays who pointedly hate abba. so based on my experience i think the inverse is true. most of the straight men i know are kind of impartial about musicals, but gay men? hate.

my theory is that a lot of gay men don't want to fall into stereotypes, maybe. but thaaaaat's just a theory! a gay theory.

the best thing to ever happen to the stranger things fandom is the rise of lesbian el and gay mike truthers

I'm so tired, I want someone to drug me and use me in my sleep just so I have an excuse to sleep as long as possible

Thoughts on toxic yuri?

One of my very favorite storytelling concepts, I love it when women make each other worse. <3

I do think it's important, for me anyway, to note the difference between a dynamic that's toxic in one direction versus something that is mutually toxic. The first one doesn't really interest me a whole lot, usually because it means one character suffers constantly without being allowed to do anything else--at the very least, it will come across as the more ""normal"" character not really being that into the relationship in question. I need BOTH parties to be unhinged.

The important thing for any fictional relationship (though we're specifying toxic yuri here, obviously) is that it's interesting. If there is no limit to what the women can do within a dynamic, then there are an infinite number of ways for that dynamic to go. And while you can learn a lot about a character through examining their values and positive qualities, you can learn just as much (if not more) by considering their flaws. And those flaws really come out in the case of toxic yuri; characters get to show the uglier parts of themselves in this context, which I am always a fan of. A fraught, complex relationship, when written well, can be a really great way to psychologically explore the characters: what inspires them to act this way? why do they think this behavior is acceptable? if they don't think it's acceptable, why do they keep doing it? what do they think about the concept of love as a whole? how far would they go for intimacy or to be understood? how do they view other people in general? and probably most importantly, what led to them developing the beliefs underlying their actions in the first place?

From a more "psychologically, why do people enjoy this" standpoint, mutual toxicity often goes hand in hand with extreme obsession, extreme jealousy, and a willingness to forgive a whole lot of horrible shit. Which, yeah, in real life you don't want to be in a relationship like that. But I think there's a lot of emotional resonance in exploring those feelings. The idea that someone will never leave you. That they think so intensely about you specifically that they'll break anything and anyone to stay with you. That even if you're the worst version of yourself, someone will still want you because that's still you. Someone knows exactly how to fuck you up because they genuinely understand you. Things in fiction that we would never want in real life can be incredibly interesting or even cathartic to witness from a distance. I think we all feel things that scare us sometimes (or even simply feel an innocuous emotion so intensely that it scares us), and looking at unpleasant feelings within fiction can help identify, parse out, process, and successfully cope with those feelings. And I think, at the end of it all, a lot of people want to matter to someone, in some way. It makes sense that some creators would take that concept-of meaning a great deal to another person, of affecting them deeply-to its absolute extreme through writing.

(And also, consider. That I am very gay. And that horrible women are very attractive.)

So based on the interview going around twitter, the whole semi plot was phoebe's idea of a common MIL fantasy of your DIL loving and craving your approval? But the actual execution... yikes. it seems more like something Ted Bundy would dream. Like it was just the wish-fullfillment that the person who has been indifferent to you for years, hurting your feelings, is actually deeply obsessively in love with you! Then you get to be the cold and indifferent one to hurt them back.

P U T A N G I N A M O K A

*pinches my nose bridge* not you, anon. who deigned that psycho interview-worthy? get help asap

do click on that db write-up i linked, before you proceed please and thank you

flinched as soon as i saw @suika28 tweet that about 30 (?) minutes before the finale aired. that's me who admittedly has known her WILD history. the nerve to admit queerbaiting:

“they don’t have mutual liking of each other but rather, the mother-in-law hates the daughter-in-law’s affections. […] the homosexual story didn’t develop, don’t worry.”

i guess that's the one consistency im sunghan has. she does not care.

after all, when the production was still <durian fairy>, streets were saying it's a romance between the two and she put out a statement definitely disavowing that. the third teaser came out and, well, the seas parted; the sun was rising in the west! in a stilted ensemble, jang semi was the only one consistently getting to show development... and by that, i meant baek doyi was considering her confession every waking moment.

despite south korea being its usual meninist self, ~the couple with the epic love story~ from my perspective was thriving. such unconventional yet ardent affection resonating with its found audience. garnering international attention & support for the actresses who are both generous with the fanservice. fun times.

then, the nightmare aka the second half came out to be.

you already said it, doyi's tragedy / comphet heel turn 'twas all to hurt [semi] back. to insult decades of feeling unlovable. i'll walk it off, eventually, but that nasty backhand might as well be directed at me.

to be clear: i do not blame the characters, they were used as mouthpiece - puppets to im sunghan's innate, did-not-even-have-to-think-about-twice hatred of not just lesbians but women in general. nor do i blame the leads, they've evidently shown more enthusiasm to go beyond for semidoyi; how could they have foreseen the first half was just a sick dare?

makjangs are Not the place to go to if one wants some moralizing from a kdrama but who thinks funding sweeping harmful generalizations is all okay???????

hate when ppl talk about touko from bloom into you like she was pressuring yuu into having feelings for her when she was literally doing the opposite? she wanted yuu to NOT have feelings for her lmao

Cookie Run wlw week Day 4 - Rarepair

the getting paid to draw an album cover to getting smooched in public pipeline

R*nance being as popular as they are is so weird like 1. Elm*x is right there 2. Tell me you’re shipping two people for standing next to each other without telling me you’re shipping two people for standing next to each other

what if I did something wacky. like, really crazy. and embroidered a tapestry of a Jewish princess and her butch knight

is death note good? no. but also yes. but mainly no. haunts me anyways

I just want to say, that I agree with almost all of your Critical Role takes and you have 1000% better and more nuanced takes than all of Twitter and I greatly appreciate it! The takes over there regarding Liliana and the gods are just wild and you bring some much needed sanity to the content I see

Thanks! I hope you don't mind because I've been thinking about this re: the Twitter takes but the thing about Twitter and Liliana specifically that I've seen is that there's this really bizarre fetishization of like, the fact that she is a (white) southerner (this also weirdly happened for Birdie though to a much lesser extent, and the person who spearheaded that wasn't even American so I have to assume this is a specific corner of Twitter Culture At Large). And like, here's the thing. It's true that fantasy tends to be very British in its accents, and it's also true that accents in a fantasy world are used to convey the same things we'd assume in our world - RP British for educated, southern American for rural, Cockney for rougher types, etc.

It's also true that laying the exact socioeconomic parallels from our world onto, say, Liliana and Orym (who reads to me as non-regional but I, like Liam, am from the Northeast originally) is a recipe for disaster. Or rather, it's not, but it is going to reaffirm your own biases, some of which are dangerous to reaffirm.

There was a popular post on Tumblr a while back, probably not long after Trump was elected, of someone talking about how they were convincing a relative with the confederate flag towards socialism by appealing to the idea of "isn't in unfair how uneven wealth distribution is and how a small group has so much control" and a number of people were rightfully like "uh, maybe you should focus on the racism" or "hey OP ask your relative who they think that small group in control is because I'm getting a really bad feeling they're going to say it's The Jews." And I feel that a lot of the empathy for Liliana from those spaces feels like that OP. Or in other words: I get that you see your relatives in Liliana. Unfortunately, I cannot help but see me and mine in Orym.

You see someone trapped by circumstance and desperation in a dangerous ideology. I see the fact that I haven't gone to a synagogue in easily 6-7 years without there being a security guard present and usually, the doors locked with someone looking through the window to let you in, and then in the sanctuary there's been an installation so that you can quickly bar all the doors in case an alarm goes off or you hear shots in the lobby.

I think there's a great case for seeing yourself in Imogen, who is in a painful struggle with the fact that her mother does love her very much but is in dangerously deep and has done a number of incredibly terrible and harmful things. That latter point is important, incidentally; I get that cult members sometimes rise through the ranks but all but the leader are being manipulated. But the fact remains that a brainwashed person can still commit atrocities, and in this story, they have, many times over. It's especially true because like...sure, plenty of people are like "I lost my relative to a cult and I just want them back and I couldn't harm them," but also, as we've seen, this cult can and will harm Imogen! Plenty of people are also like "yeah I gotta cut them off, it hurts but unfortunately my horribly bigoted and violent relative, while a victim of brainwashing, is a threat to me too." It's not even the full picture of the Temult side of things, let alone the picture that includes the Vanguard's victims.

I also think the Southern gatekeeping is unhinged because it's like. guys there's QAnon members and other cults across the country; the Confederate flag example above was actually notable in that OP wasn't even Southern so you couldn't even write the flag off as deeply misguided heritage but rather was explicitly being used as a hate symbol. It's awfully presumptive to assume all southerners have the same experience (especially since the Temults are portrayed, physically and in accents, as white southerners, not that the experiences of white southerners aren't also incredibly varied). It's awfully presumptive to assume that people find Liliana threatening because they have no personal experience with people like her; often, it's because they have all too real experience with people like her, and it says something even worse about you if you can say "but you guys, I see me and my family in Liliana" when people are telling you that they see them and their families in Orym. I would not, personally, publicly admit that one's empathy extends to the people who remind you of your family but runs out before it reaches their victims. Nor would I publicly admit that I assume everyone who disagrees with me clearly has never had personal experience with this topic.

I should also note that, as I've noted a number of times before, that these are fictional characters and not real people. Twitter seems to be really fucking bad at grasping that. Like, yes, this is the other thing; I do not think that OP should kill their Confederate flag-toting relative, whereas if Imogen did so to Liliana I'd be like "hell yeah." The former is a real person who I do hope gets deprogrammed, just, you know, maybe adjust those priorities; the latter is a fictional character in a story.

why does god give his toughest battles to silliest soldiers 😔

i’d be a great girlfriend for example if you dated me i would let you choose which of my scents to put in the wax melter and only overrule you about 63% of the time