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sarahowritesostucky · 26 days

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📖"Hydra Sanatorium"

Rated: Explicit

Pairing: Bucky Barnes x Steve Rogers

Word count: 5297

Tags: a/b/o, medical institutionalization, cognitive disability, made up kinky medical things, diapers, catheters, non-con medical procedures, restraints, forced wetting, hurt/comfort, humiliation, kind!Careworker Steve, bratty!Patient Bucky, alpha Steve, omega bucky, dry humping, forced orgasm, masturbation, implied self harm, orgasm therapy, age difference (19/30), omorashi

Summary: Bucky is a troubled teen coping with the traumatic transformation of late-onset omega puberty. Steve's the care worker who's been developing too much of an attachment.

A.N. I will no longer be going to the trouble of posting extensive warnings, cautions, "Minors DNI", "smut below the break", or extra trigger warning outside of the story tags etc., like I used to. Because the staff troll has targeted my account and held it to standards that virtually no other explicit fanfiction authors are consistently held to or follow on this platform, I will now only be tagging major themes above the story summary, and other than that, the only warnings you'll see from me are the "mandatory" (🙄what a joke) community labels: mature. Sorry, but I'm not going to bend over backwards to please a bunch of antis and an illiberal, vindictive child who works at Tumblr with zero accountability for their abuse of their position. Troll: grow the hell up, and PLEASE for the love of God: never go into politics.

So here is my new sign I'm so excited to introduce!🥳Feel free to use it - no need to give credit. As Mr. Mackie likes to say to the nitwits: "Baby I'm a grownup."

Wait! I think I missed a previous chapter! Series Masterlist

Chapter 6: Inflation Therapy

Previously:

"It’s going to be okay, Buck. I’m not going to let anything bad happen to you. You know that, right?”

“Yeah,” Bucky says, voice dull. “I know.”

It’s not the tantrum Steve was expecting, but somehow it feels just as bad. Because rather than reacting, Bucky’s just withdrawing. Steve watches him pick at his meal for another half an hour. With some gentle encouragement he’s able to get the kid to eat the majority of his protein, but he’s obviously getting no enjoyment from the food, his mind a mile away as he chews mechanically. It’s depressing. Steve goes into bossy alpha mode to try and give him some direction, make him feel a little more secure. He tries to show Bucky that he does have an alpha who cares about him, however temporary it may be.

“Throw your trash away, bub. Put your tray over there. Good job. C’mon now, let’s go do an activity. I’m leading art tonight. You want to give that a go?”

Bucky seems docile enough, following Steve into the art room and sitting on the carpeted floor with one of the lap desks for drawing circle. A few other patients trickle in, until they’re a group of ten. Steve hands out paper and cups of colored pencils, and takes up a spot on the carpet. He tries not to be obviously over-focused on Bucky, figuring that the kid needs his space to process the news about his parents relinquishing custody. “Okay everybody," Steve greets the group. "How are we doing?”

He gets friendly answers from the other patients, then guides them through a few warm up exercises. They do some rapid-fire sketch associations, where Steve throws out words like “recreation” and “comfortable,” and “dread,” and everybody has to sketch the first thing they think of in ninety seconds.

Then Steve tells the group they’re going to be doing a “Now and Then” project. He asks them to draw a picture of how they see themselves and their lives in the present, and gives them twenty minutes to work without scrutiny. “Try to pick one word or phrase to focus on. You can draw anything you like, to express it,” he tells them. “Something literal, or something abstract. Anything that you feel depicts your current emotions, state of being, how things are going for you in the world or simply in your head. Anything goes. Get as far with it as you can, but don’t feel like you have to rush with coloring it in or anything, if you’re trying to make a masterpiece.” He chuckles self-deprecatingly at his own drawing board. “You can always add details later if you’re as nitpicky about your art as me.”

“We can draw anything?” one boy in the circle asks. He’s not Steve’s patient but Steve knows his name, knows he’s there for treatment following a miscarriage. Steve nods and gives him a gentle look. “Yeah, Daniel. That’s right. Anything goes.” Across the circle, Bucky glances up and meets his eyes. Steve smiles sadly. “If anybody needs to draw violence or something that depicts self harm, this is a safe space to do that. You won’t get put on protocol for it, as long as you’re willing to join in the discussion portion and explain your drawing.”

Bucky and one other boy look like they’re relieved to hear that, and Steve gives them both encouraging looks before turning his attention to the sheet of paper he’s got on his own lap desk. He’s always been good with a pencil—had even considered going down the art-therapy track, back when he was in college. The only reason he hadn't wound up pursuing it was because he didn’t want to turn his passion into something he had to do for a job. But he still loves leading art sessions for the omegas on-ward. Figuring that powerless is a pretty good focus word for his 'Now' drawing, Steve picks up a mustard yellow pencil and begins to sketch.

“Okay pencils down.”

Twenty minutes later, everybody takes turns showing what they’ve drawn. Unsurprisingly, five of the boys have drawn something literal from their current stay on-ward. Two others have pictures of their families. One boy has chosen a forest scene to depict his feelings of uncertainty about an upcoming heat, and Daniel talks about his violet-hued sketch regarding his feelings over the recent miscarriage. Bucky is the last to volunteer to talk about his piece, and in fact Steve has to prompt him twice before he’ll turn his lap desk around to face the circle.

He’s drawn a person—presumably himself—in thick, brown lines. The person is sitting and hugging their knees to their chest, contained in a tiny space like a box. It’s a scratchy drawing but rather well-done, and the instant feeling Steve gets from it is isolation. Outside the box, it’s bright and colorful with a lot going on, but inside the box it’s muted and still, with heavy olive and brown lines. “What does this represent for you, Bucky?” Steve asks, forcing himself to do his job rather than crawl across the carpet and wrap Bucky in his arms the way he really wants to. “Hm? To me it feels rather lonely, looks isolated.”

Bucky shrugs, not looking up. “I guess.”

Steve asks if anybody has positive comments for Bucky’s piece. Daniel ventures, “... The lines get messier on the dark side. On the bright side, they’re all neat and specific, but then they get kind of scratchy on the other part.”

Steve hums, glad to at least have a couple people willing to participate in art tonight. Usually patients just sit around grunting and rolling their eyes at it. “Good point. I see what you mean. What do you think that technique could communicate?”

Daniel hesitantly meets Bucky’s eyes from across the circle before saying, “Um. Like … it’s more chaotic, on the scratchy side.”

“Yeah. Kind of gives it a distressed feeling, doesn’t it?” Steve looks at Bucky and gently prods, “Buck? Why do you think you chose those colors?” He gets nothing from Bucky besides a mumbled, “Dunno,” and forces himself not to push him on it. He talks to the group as a whole about colors and what they can represent. “Most people know that darker colors can indicate a sense of foreboding or depression,” he says. “But lighter colors aren’t always ‘happy’ per se. Take mine, for example.” Steve shows the group his drawing of a bear sitting on the side of a road with cars. “You’d think this should be in greens and blues, yeah? A nature scene. But I only used taupes and yellows and a little brown and olive. I think it looks kind of sallow, gives it a feeling of melancholy.”

“Why’d you draw a bear?” Daniel asks.

“Well, I’ve been feeling sad this evening. Kind of helpless, you know?” Out of the corner of his eye, he sees Bucky’s head lift up a little. “And I remember seeing this clip once on Facebook or something. A bear that’d been separated from its cubs across a busy highway. And it just seemed so sad.” He shrugs, feeling silly but knowing that he needs to be open and honest if he’s going to expect the same from his patients. “So that’s what I drew. That feeling of powerlessness that the video made me feel.”

“Why do you feel powerless?” Daniel asks.

This time, Steve does let his eyes slip over to Bucky—who is looking at him, but who quickly flicks his eyes away. “Because I’m worried about somebody I care about,” Steve says. “And I’m not sure I can help them the way they need. I’m not sure how much they’ll let me help.”

Bucky’s lips part, and for a second Steve really thinks he’s going to reply to that, but then he clams up again and looks down at his drawing board, not saying a thing. Steve swallows down his disappointment. “Okay guys, now we’re going to do a second piece, and I want everybody to try and make this one as literal as you can. Let’s all draw a depiction of what we’d like our lives to be in the future. You can draw something you’d like to have happen tomorrow, or something you dream of happening in a year, or ten years, even how you picture the perfect life when you’re old and grey. Really dig deep and think about what you want your life to be like, in a perfect world. It doesn’t necessarily have to be realistic, just so long as it represents what would make you happy. Kay?”

He watches as everybody gets new paper and starts drawing. Bucky, he notes, stares at his paper for a long few minutes before he ever picks up a pencil. He looks lost.

Steve gives them thirty minutes for their second drawings. When time’s up and everybody discusses what they came up with, Bucky has drawn a beach scene. It has a little blue bungalow in the background and a family on the sand. There’s an umbrella and a person lying on a beach towel whom Steve can tell is supposed to be Bucky. He’s surprised though, because that person is also visibly pregnant, and there’s a little kid right next to him, wearing water wings and building a sandcastle. There’s a dog next to the kid, and another person in the picture sitting in a beach chair who looks suspiciously like Steve, but no way in hell is Steve going to point that out. The Steve-person is blond, and Steve knows for a fact that Bucky’s family all have dark hair.

“Buck,” he prompts. “You drew yourself at the beach?” Bucky just shrugs, and Steve tries to draw more out of him. “... Is that one of your favorite places?” he asks.

“No.”

“No?”

“No. I’ve never been to the beach. But growing up, everybody else’s families would always go somewhere in the summer. Up to the Hamptons or down to Jersey, you know? Stay at a beach house, eat crabs, go to the boardwalk and get saltwater taffy and shit, ride the rides. It always seemed nice. Like something real families did.” His lips twist ruefully as he traces his finger from the lines of the pinwheel beach umbrella, over to the black and white dog that he drew. “... And I never had a dog. I like dogs.”

Jesus, God, Steve wants to kidnap this kid and take care of him forever. “Is the person on the beach towel you?” he asks gently. Bucky shrugs again, but then he nods. Steve nods too. “It looks like you’re pregnant in the picture. Is that what you were imagining when you drew it?” Bucky doesn’t say anything, and Steve feels absolutely pained, trying to force answers out of him like this. Across the circle, Daniel has made a little whimper and put his hands on his stomach, and Steve knows it’s time to abandon that point. “Okay,” he says quietly, moving past that little detail. “Um, what about the other people in your drawing?” he asks instead. “What part do they play?”

Bucky looks down self consciously at the paper. “They’re not real,” he mutters. “I don’t have anything right now. And I don’t even know if I want kids, but … I dunno. I drew it with a baby, and an alpha. Cause maybe that’d be nice, even though I don’t think it’s ever gonna happen.”

“Why couldn’t that happen?”

Bucky’s eyes flick up to him, reproachful. “Nobody wants me,” he says. “I just don’t see the point.”

Steve has to swallow past the horrible lump that’s formed in his throat. “Having a family of your own is a totally realistic goal, Bucky. Having children and a partner? Going to the beach with your family? Those are great things to imagine for the future.”

“I don’t have a family,” he says dully.

Steve is about to address that, but before he can, Daniel bursts out into tears and starts ripping up his paper, upset about babies and the pregnancy he miscarried a few weeks ago. Steve has to put all his effort into calming him down and escorting him down the hall to the soft room so that he can calm down. And by the time he returns to the art room, Bucky has left.

Steve sticks around for an hour afterwards, making sure nothing spirals out of control. He was prepared to spend the night on-ward if he had to, but Bucky’s behavior remains rather tame. He wets himself rather abruptly after art therapy, and Steve helps him get changed with no issues. Bucky tells Steve that he’d like to be alone, and Steve can’t force him to talk if he’s not ready. So he just watches helplessly as Bucky retreats to the soft room and curls up in the same corner where Steve found him that morning, face buried in a pheromone-treated plushie.

Steve has a talk with the overnight orderly on duty, making sure that the beta man knows to keep an eye on Daniel and on Bucky. Then he clocks out and heads home, feeling like the most useless support alpha to ever exist.

The next day, he arrives on ward to find Bucky in an unresponsive state, and the soft room having been cleared out to accommodate him.

“Moved everybody else over to the Phys-ed room,” the on-duty orderly mutters with a grimace, as they both stand in the doorway watching Bucky’s behavior. “He doesn’t answer when we talk to him. And he’s tried to bite when we go to grab 'im.”

“How long has he been like this?” Steve asks, concerned.

The beta man shakes his head. “He seemed normal when he woke up. He didn’t talk, but he wasn’t like this. We let them wander around for their AM free time, and then when I came to move everybody to breakfast, he was rocking. He won’t even look at me. Acts like he doesn’t even hear.”

In the padded far corner of the room, Bucky is sitting huddled over one of the foam rocker forms, naked, his knees planted to either side of the form and his thighs gripping it hard in stress. He’s shed everything from his body, including his diaper, and has his head resting on the front piece, his eyes staring sightlessly to the side. His thumb is in his mouth and he’s sucking it while he rocks compulsively. Steve nods grimly at the sight. “He can hear.”

The orderly looks dubiously from Bucky to Steve, and then back. “Um ... are you sure about that?”

Steve inhales deeply. “Yeah. This is a stress reaction to some traumatic news he got yesterday.”

“Oh.”

Steve goes over to kneel beside the rocker to try and get Bucky to respond to him. But when he has no success, he goes back to tell the orderly to watch the room for a minute while Steve consults his boss.

“I think he needs a course of hormones,” he tells Christina, standing in the doorway to her office because he’s too antsy to even sit down for a proper conversation. “Will you sign off on it?”

Christina nods. “Of course. What method of delivery?”

My dick, Steve thinks, though of course he’d never say that. He’s just frustrated is all. He just wants to make all of Bucky’s pain go away. “Inflation session,” he suggests, receiving a nod from Raynor. “We’ll do sense dep. after, hit him with some ASMR, some tactile stim.”

“Sounds about right.”

Steve turns to leave.

“Rogers?”

He looks back over his shoulder to see Raynor staring him dead in the eye, and gets an uneasy feeling. “What?”

“Once he’s out of this episode, I’m telling the doc to go ahead. We’re castrating him.”

Steve’s heart sinks. “Christina, please, no.”

“We should’ve done it a long time ago and you know it. The only reason we didn’t was the parents, and they’re not in the picture anymore. Steve—don’t look at me like that, Rogers. You agreed when the recommendation came down. It’s what’s best.”

Steve looks down at his feet to avoid glaring at the woman who is directly responsible for his employment. She’s not wrong, which is the worst part. Bucky’s so unbalanced, he should’ve had a therapeutic castration years ago, but his parents have always refused and Bucky’s been none the wiser. Quietly, Steve grits out, “He can’t even take the news of his folks giving him up, how do you imagine the conversation about his nuts being chopped off is going to go?” It’s snarky and unprofessional for him to talk that way to his boss, but he’s emotional.

Miraculously, Christina doesn’t call him out on it. “Not well, I imagine,” she drawls. “But what has ever gone well with this kid? After today, I want you to think about your long term care recommendations for him.”

Steve suppresses a growl. “Long term?” he repeats, and she nods solemnly. He feels dread fill his gut at the look that’s on her face. “We can keep him on ward,” he insists, hating how much it sounds like a plea. “Extended stay, and then maybe—”

“He’s not improving here. It’s been three years. He’s nineteen now. We need to think about his future. He’s in no shape for independent living, and you know it,” she says.

Steve huffs, knowing where this is going. “His family dumped him, Christina. He’s got no one. What do you expect me to do?”

“Long term care recommendation, on my desk by the end of the week.”

Steve grits his teeth, knowing there are only a couple of options there. Bucky can either be institutionalized, or sent to a group home, neither of which is promising. Steve knows Bucky, goddammit. He … he cares about him. And he knows that that’s not what Bucky needs. Bucky just needs someone to ...

To love him.

“What if I found him an alpha?” he asks, ignoring his better judgment. “Somebody who was a good fit, who could take him on?”

“By the end of the week?” Christina looks dubious, and rightfully so. She sighs at him, exasperated. “Rogers, you and I both know that nobody is gonna—”

“Just say that I did,” Steve snaps. “Would you approve it?”

Maybe she can tell what he’s thinking, or maybe she just thinks Steve’s venting and throwing out hopeless ideas. Either way, Christina nods reluctantly, her lips pressed thinly together. “Sure,” she says, obviously not believing that Steve can find someone to take Bucky on in such a capacity by the week’s end. “If you found someone who was actually suitable, I’d sign off on it.”

Steve isn’t even sure why he’s posing impossible hypotheticals, but Raynor’s agreement makes him feel relieved anyway. “I’ll need the bathroom isolated for our session,” he tells her, in lieu of a response. “And then the soft room for the rest of the afternoon.”

Christina grunts and waves him out of the office. “You got it. Now go on, get outta here.”

Steve goes.

“Buck? Hey. Hey Honey.” Steve approaches Bucky like he would a wild animal, wary of the possibility of him lashing out. Not that Steve has to worry about being physically overpowered or anything like that, but even he can take a surprise fist to the face, and he’d rather not have a bloodied nose or a black eye today.

Bucky doesn’t get violent. He seems to register Steve’s presence, as his scent shifts to something slightly more eager and his hips start rocking harder on the foam padding of the form. But his eyes don’t track Steve’s movement when the alpha kneels down beside him, and he doesn’t talk. He just keeps making these little stubborn grunts as he works on stimming himself up to another orgasm.

There’ve been several already, if the state of the rocker is anything to go by. Its red vinyl covering is shiny wet between Bucky’s thighs, making squeaky-slick noises as he moves. Steve reaches out and tentatively touches Bucky’s back. The boy’s nostrils flare and he grunts, rocking harder.

“Shh. Okay, Sweetheart. Okay. I’m gonna help you feel better, Alright bub? Just gotta let me move you around a little bit.”

‘Sexual catatonia’ is the technical term for what Bucky’s experiencing. His brain has gone into protection mode and his body is seeking out the most basic of comforting stimuli as it tries to reorient itself. He’s regressed, only able to process a certain level of input right now, and he’ll stay that way until his body receives enough signals that he’s safe and protected and wanted.

So Steve’s job is to make him feel all three of those things.

He gathers Bucky up from the rocker, shushing him and holding him in a basket restraint position until his few seconds of reactive thrashing stop. “Okay, okay. You’re okay,” Steve murmurs, keeping a low purr going in his chest for Bucky to hear and feel against his back. “Shh sh sh. Okay now. Here we go. Come on over here with Alpha.”

He all but carries him out to the hallway and into the bathroom. The nurse is already in there, setting things up. Bucky’s like a blind and deaf animal, staring aimlessly and making upset noises as he scents another person in the room with them. The orderly keeps a wide berth, but nods at Steve as they enter and points to the equipment he’s had set up for them. “Three bags there for him,” he says. “Just in case.” He heads for the door. “Push the button if you need anything else. I’ll be on station for the rest of the morning.”

Steve nods, depositing Bucky on the treatment bed. “Thanks.”

Bucky’s already naked, so that much is taken care of at least. He’s grunting a little more angrily now that he’s been taken away from his rocker and brought somewhere unfamiliar, so Steve moves around in a hurry to get them all set up. The colonics bed is shaped to cradle him in the correct position while he lies on his back. Steve guides his legs over the incline, then goes about setting up the machine.

‘Therapeutic pregnancy’ isn’t much more than a medicated retention enema, but it can help with bringing omegas out of severe emotional and psychiatric episodes. Obviously, it’s not an actual pregnancy. It’s just that the patient’s body is temporarily tricked into thinking it’s pregnant. And that’s what the nurse was referring to when he said he’d set aside “three bags” for Bucky. On the machine’s hook hang three heavy bags—all full of synthetic alpha semen.

Steve pulls a warmed blanket from the electric cabinet and drapes it over Bucky’s upper body. The omega’s eyes flutter closed as he immediately starts purring in pleasure. Steve smiles tenderly and comforts him, even though he knows that Bucky isn't to aware of his surroundings right now. “There ya go, bub. Just gimme a sec and we’ll have you feeling real good, okay?” He rolls the cart over and hooks up the bags. The machine will warm it to the natural temperature of semen as it moves through the tubes and into Bucky’s body, but first: the apparatus.

An average adult alpha knot is about the size of a regulation baseball, and the artificial knotting apparatuses that hospitals like Hydra Sanatorium use are thus sized. Uninflated, however, the diameter is small—no more than Steve's own thumb. It’s very easy to lube the thing up and slide it inside of Bucky. The omega is already aroused, lax, wet and swollen, and Steve feels his dick start to get interested when he glances down to watch the rubber nozzle slip past Bucky’s pink and pulsing rim.

If you were mine … he thinks covetously, Bucky’s plaintive whimpers echoing alongside the treacherously unprofessional thoughts in his head. If Bucky were his, they wouldn’t be in this horrible, institutionally puke-green tiled bathroom right now. They’d be in Steve’s home, in bed or in some little space in the apartment that Bucky had chosen to nest. Steve would be fucking his mate naturally instead of using all this artificial crap.

If Bucky were his, he wouldn’t even be regressed like this in the first place, because he would know down to the marrow of his bones that he was loved and wanted. Steve would make sure of it. He’d keep him healthy and happy and satisfied. Maybe Bucky would even be pregnant for real, bred up all fat and happy with Steve’s pups. Steve can’t stop thinking about the drawing that Bucky did in art therapy, how he’d drawn himself pregnant in the picture. He’d expressed uncertainty about pregnancy, but maybe if it were Steve’s pup inside him, Bucky wouldn’t mind it then. Maybe everything would balance out in his system, if Steve put a litter in him. Maybe it would make Bucky happy if he—

On the bed, Bucky whines, and Steve shakes his head and huffs at himself. If, if, if. Too bad he doesn’t get paid for Ifs. “Get it together, Rogers,” he mutters, and reaches down to grind the heel of his hand punishingly against his trapped dick—It helps, somewhat. He grasps the hand pump for the knotting mechanism and squeezes it, observing Bucky carefully as he slowly but surely inflates the rubber bulb to its full size inside the omega’s body.

Bucky’s unseeing eyes blink up at the ceiling, glossy with unshed tears. “Ahn, ahn, ah,” he grunts softly. “Ugn, ugn, ah …”

Steve uses his free hand to rub over his lower belly. “You’re okay. It’s okay, Buck. S’that feel nice? I bet it does, huh? Don’t worry, Sweetheart. You just relax now for Alpha, mkay? Alpha’s gonna make it feel good.” He’s sure it’s not the actual words, so much as it is the sound of his voice that Bucky recognizes, but even still, it’s nice to see the way that Bucky responds to him. “That’s right,” he soothes. “Good boy. You’re such a good boy for Alpha, Buck. Alpha loves you.”

He starts the flow, remaining at Bucky’s side and massaging his tummy gently while the machine begins to pump.

The therapy mimics a pregnancy in that it fills the patient’s body with a physical weight. It inflates the colon and the uterus and mimics the influx of hormones that a growing fetus would create. These physical cues help to trick the brain into thinking an actual pregnancy is taking place, and it’s that input—in addition to the naturally calming feeling of the knot itself—which forcibly tells the omega brain that it is safe and bred, wanted and protected. Only a strong and dominant alpha can keep an omega successfully bred up, after all—that’s what the basest parts of a regressed omega’s mind hang onto. And Bucky is currently fully regressed.

His thumb is back up in his mouth already, sucking away. Steve rumbles in his chest in answer to every grunt and moan that Bucky makes, rubbing his tummy for him as he slowly but surely fills out from the liquid. Steve’s sitting on a stool beside the bed, down by Bucky’s bottom where the warm blanket doesn’t cover, so he can clearly see the twitch of the boy’s taught little sac, the way his shrunken prick is getting chubby underneath the swell of his belly. He frees one hand up from the belly massage and rubs him there, smiling tenderly at the pleased chirp he gets for his efforts. “Yeah,” he whispers, working the head between his fingers like he would a female patient’s clit, nice and delicate, gliding gently from the precum his little dick keeps blurting out. “S’that feel nice, baby?”

Bucky grunts in an adorably demanding way and shoves his butt down against the knotting mechanism to stimulate himself harder with it. Steve chuckles and uses his other hand to tug on the nozzle, rocking the inflated rubber knot nice and steady against the swollen glands inside. Bucky makes a very happy noise at that, and when Steve looks up at his face, he sees the omega staring at the ceiling with bleary eyes, hand fallen away from his mouth as he pants open-mouthed and drools. A wave of renewed want hits Steve so hard, he almost feels like he’s taken a punch to the gut. “Oh, bub,” he whispers, feeling his eyes start to heat with the threat of tears. He wants to take care of Bucky so bad that it hurts. Just absolutely fucking aches. He thumbs under his cockhead a little faster, and is able to pull the next orgasm out of him within seconds.

Bucky sobs, voice caught high and pleasure-pained in his throat, still non-verbal and lost in his own head. Steve swallows heavily and glances over at the enema bags. “Almost there,” he says, forcing himself to go back to rubbing Bucky’s belly as the boy takes the last quart of semen inside his body. “Doing so well, Buck,” Steve praises, running both of his big hands over the swell of his belly.

Fuck, he really does look pregnant. With his muscles all lax from the regression, and a couple liters of cum inside him, he’s filled out enough that he looks like he could be about four months pregnant. Steve eases him through the rest of the remaining bag, praising him with a bunch of rambling words when the machine cuts off from its pumping cycle. He removes the tubing from the knot and rolls the machine back out of the way, goes to grab another couple of warm blankets from the cabinet and drapes them over Bucky’s midsection and legs so that he’s totally covered and encased in warmth.

The boy sighs and grunts happily at the sensations, and Steve smiles down at him. “I know, Love, I know. That feels really good, huh? That’s what we want. Need to show your body that everything’s okay. Make you feel like a mommy for just a little while.” Bucky’s not really hearing him or seeing him, but Steve refuses to believe that the sound of his voice doesn’t have any effect. Bucky knows his voice, he does. Steve knows he does.

Bucky’s eyes are barely open. The tears that’ve been glazing over for so long have gathered at the corners and trickled down his temples as he lies there and feels his body telling him it’s pregnant. The knot is keeping him plugged up and the liquid will have made it past his cervix by now, filling him up with a warm, heavy pressure. Steve remains close and rubs his bloated belly from overtop the blankets, maintaining a steady stream of praise in his ear.

When it’s been a good half hour or so, Bucky begins to show signs of emerging from the fugue. His eyes seem to track Steve’s movements more, and he starts to become more aware of his surroundings. He doesn’t have his words back yet, because he looks to Steve and whimpers and whines little helpless sounds, rather than asking questions about what’s going on or what’s happened. Steve hurries to hold his hand and reassure him. “Shh sh sh. Hey, you back with me, Sweetheart? Hi.” He smiles gently and pets his face. “You’re doing great. Took your treatment so well, Baby.”

Bucky wiggles in place, and Steve can see the moment he recognizes the heaviness in his belly. His hands go there, touching the swell of himself, and Steve nods and places a hand on top. “Yeah, that’s right. We’ve got your tummy all filled up. It’s okay. Just a little inflation therapy. S’it feel nice?”

Bucky looks shocked, and incredibly vulnerable, but not upset. His eyes still leak sluggish tears as he nods at Steve. “...‘pha?” he warbles, the tail end of what is probably the only word he’s capable of articulating right now.

Steve’s face pinches and he smiles and nods. “That’s right, bub. Alpha’s right here takin’ care of you. I’m not going anywhere, okay?”

Bucky whimpers, dazed, and his eyes slip closed again. But down below, on the distended curve of his belly, he hooks his pinky finger over Steve’s.

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cubansinmiami · 3 months

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Adventures in the Land of Miami Cyber Patriotism: A Galactic Quest for the Trump-Adoring Cuban Clown

Once upon a time, I felt lower than a gopher's basement. Deep inside, I realized I hadn't lifted a finger to support my fellow Trump-loving Cuban patriots, who didn't have a penny-pinching web's napkin sketch to let the world know how much they venerate Trump's lighthouse and spiritual guide, Fidel Castro. I swear, I'd looked everywhere! I scoured the web high and low, but it was like searching for a grain of sand in a digital desert. Zilch. Nada. I couldn't find a Trump-loving Cuban in cyberspace if my life depended on it!

The Trump-adoring Cuban diaspora vegetates in an unfathomable, pitch-black cybernetic darkness!

One rainy day, I woke up to the sound of thunder and decided to right a wrong. I had to do something because, damn it, my fellow Cuban wannabe dictators deserve a chance to let the world know that they are fourth-class clowns! It is a matter of principles and patriotism!

Thus, I said to myself: Let's build a Trump-ass-kissing website that the Cuban patriots can use to bow down to Donald Trump, their new master of choice, as well as to be reminded that they couldn't get enough of their former master of choice, Fidel Castro.

Some venture it was!

I am usually busy, but pulling the Cuban Trump-loyalist pretenders out of the twilight zone was a religious commendation, and I felt compelled to fulfill it.

I took a deep breath and made up my mind. Let's fight to make our Miami Cuban Trumpist jingoists famous in the world of the internet!

First, of course, I had to actually make sure that the Trump-loving Miami Cubans were not even listed in the free Yellow Pages. Next, I rushed to my computer and started searching online, in English, of course. Wait, I know, I know! Don't jump to conclusions just yet. I know that the Miami Cuban Trump-patriots are diehard republicans and have issues with Mary being a boy and Tom being a girl, but English is, I believe, what Donald Trump jives with.

I tried Cubans for Trump to begin with because I was almost certain I would bring home the bacon, and BINGO, I landed on a page that sells premium domains!

WOW! THERE WAS A 305 NUMBER TO CALL AND A GMAIL ADDRESS TO MAKE AN OFFER! LOOK AT THIS! ANY OFFER! THEY ACCEPT ANYTHING!

Hold your horses! Did I say Gmail? Are you kidding me? They sell premium domains and can't spare a few bucks for a decent email address?! What a joke! I was off to a rough start.

I didn't desperate. though. Actually, I tried again. But, this time, I looked for Cubans 4 Trump with a 4, because the original patriots who blocked me for calling them, well, idiots, used the number 4.

Strike two! This one is even worse. It doesn't even open, and even Google gets scared. "Don't open it!" screams the alert.

Is it going to work in Spanish?

It looks like English doesn't always work in America. So, I decided to try my search in Spanish, which should have been my first option since Spanish is our mother tongue; but, you know, Trump-adoring idiots are weird, and you have to let them be.

I went to the search bar and tried everything that came to mind. Nothing. Zero. Nada. Cuban patriots are nowhere to be found! A sad reality just hit me in the face.

I had the answer to my doubts. Nobody hears my fellow Cuban patriots screaming louder and louder for Trump because they are cyber-invisible in the 21st century, mind you. And, that bothers me because, yes, it's true that the most ardent Cuban nitwits cheerleading Trump can hardly pay for a croqueta at the Versailles restaurant, but they could, at least, pretend a little harder and come together with a few bucks to pay for a moderately decent website, which doesn't cost that much. Is it patriotic stinginess, is it?

At this point, I wasn't feeling optimistic at all. The situation was rather depressing, and I felt it wasn't fair.

My time to shine had come!

I've dedicated part of my life to helping others, and the Trump-heart-hugging Cuban idiots are, well, that, but they are human beings and, on average, Cubans like me who need to express themselves.

I bought a cheap domain and designed a starter webpage to give them a space. It's the least I could've done in the name of freedom of expression and democracy.

#TrumpInHialeah #CubanAmericanCommunityForTrump #CubanPatriotsForTrump

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dpritschet · 1 year

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Level Up

Recipe for MFT Sketch 639: Game Controller die – My Favorite Things Ouchies Digital Paper – Nitwit Collections Sentiment – Computer Generated (I tried to heat emboss the sentiment from the Level Up stamp but it just wasn’t white enough) Thanks for stopping by! Dee

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randomikemendegen · 4 years

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Cirnu when her almost saintly patience reaches near its boiling point but not quite there (probably due to everyone being too chaotic or acting too dumb that it’s cute-- well, at least for her deep-seated and the remnants of her [origin])

[you can insert literally any scenario here]

also if it’s not obvious, this is directly based off of Kaguya-sama: Love is War lolol

#twisted wonderland #twst #disney twisted wonderland #disney twst #oc #own character #twst oc #disney twst oc #cirnu alva valirgethen #meme #???#stupid me thought this was a fun thing to do #lasjdasd #gdi stop being so uninspired you nitwit #yasu art #my art #sketch

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dark66angels · 3 years

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So... I did some minecraft sketches recently...

oh my gosh, ok, so I’ve been going through @zubneo and @sm-baby ‘s Minecraft tags and absolutely loving their designs/redesigns/head-canons and since I’ve been playing Bedrock edition on the switch I have also felt the need to draw my cute sona and the various Villagers she’s taken under her wings.

But for now I’m just exploring my own Villager aesthetic, so here’s some poorly photographed sketches of some notes

Details of some Villager professions! We have Grace the farmer and her hubby the quiet and stern Cartographer, and the Fletcher (male) being courted by the Blacksmith (female). She luvs her smol feathered boi :3 Also cat.

Details 2 is some notes on the Player - who I kinda headcanon as being one of the last of an ancient and very powerful peoples known to the Villagers as “Builders” creative I know. Though they are ever-so-slightly shorter than Villagers in-game, I think with the variety of player “skins” (pheno/genotypes), their height would vary as well, keeping within .25+/- of 2 blocks. Maybe the ancient Builders also “built” some new DNA and that’s why all the Players look so weird... Also pupper who is big.

Details 3 are some notes on the “Nitwit” villagers who I think would have higher standing in the Village than just comedic relief, even if that is necessary in such a bleak world... No, I like to think they also work as general care-takers, watching the children while the adults work or acting as scouts for danger - (which explains why they sometimes stay out at night) - or as diplomats between Villages - hence why they seem to wander farther than their “professional” counterparts.

And Detail 4 are some extra character specific notes of some Villagers that I wanted to include :3

Here we have the village Cleric, a pale/ashen-toned man who is very serious about his job as Healer and initially distrusts the Player when they arrive, beaten and bruised, but is also the first to help when she beats back a group of zombies that night. He’s completely bald (no eyebrows) from practicing alchemy, and his ears have grown weird - after all, he had normal ears when he arrived right? You don’t remember either, huh? Weird... Also pictured is a weak Phantom, creatures that are not normally seen because they fly through the Between, a space between living and death, the waking and sleeping worlds... But Cleric sees them all the time because he’s constantly tired from insomnia, poor guy.

To the right is the Librarian, a kind soul that likes playing with redstone in their spare time because of the way it glitters and sifts through their fingers. They have some subtle magic that allows things they craft and touch to be faintly “enchanted” when left behind, even normal lanterns seem to glow brighter around them, or maybe that’s just their shining personality~. Like most Librarians however, they do know how to actively copy enchantments from the old tomes to current notebooks and happily trade them for more shiny red dust. As a final note about them, they know more than they say, hinting at things that have yet to happen, or maybe have in a different time... Or maybe they’re just daydreaming.

And finally at the bottom is the local Shepherd, a sweet guy, if a little absent-minded. He’s got a huge crush on the Librarian but can’t for the life of him confront them about it because of his stumbling stutter. He’s quite good with animals though, and surprisingly brave, having chased off a wolf pack from his herd... with the help of a golem anyways. He doesn’t have any dark secrets, just a happy love-struck boy that takes care of the Village’s flock.

Wow so uhhh... that’s more than I expected o.o hope ya’ll enjoyed that rambling, I’m going to go practice for my finals of the quarter. Take Care~ <3

#minecraft #minecraft headcanon #inspired by the lovelies #zubneo #sm-baby #go check them out #art #minecraft art #mc headcanon #mc art #villagers #mc villagers #this is already long enough #im gonna go now #bye love you

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thephantomofthe-internet · 4 years

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Read Into Me-Chapter 1: Wuthering Heights

Steve Harrington x Shy! Reader

CONTINUE READING THE SERIES HERE

Word Count: 2,849

Date Posted: 04/27/2020

Warnings: Swearing

Author’s Note: We starting something newww friends! If you liked or commented on my post about this series, you’re on the tag list! If you want off lemme know, it’s seriously no big deal. I’ve been working on this one for awhile, so if you liked it, please flash me a reblog or a reply! Criticism is always appreciated!

Tag List: @divinity-deos @thecaptainsgingersnap @wolfish-willow @scoopsohboi @herre-gud-nej @aclockworkballerina @maddie1504 @i-am-trash-so-much-its-scary @banjino-the-hole @buckysarge @wildcvltre @stanleyyelnatsiii @t0rment0 @10blurredsmoke10 @unusuallchildd @n3wtscaseofniffler5 @alwaysstressedout @peterparxour @linksispink1995 @asharpknife @alex--awesome--22 @baebee35 @marvelismylifffe @lilmissperfectlyimperfect

Flowers poked up between the sidewalk cracks, little white and yellow daisies blooming skyward, their heads turning to bask in the sun. Spring was bursting all over Hawkins, making the town reborn in pastels and Easter bonnets. Babies crawled around in the parks in white outfits, their mothers not worried about grass stains and cooing over their precious bundles of joy.

You crushed the daisies under your boots on your walk to school. You made a point to. They were begging to be crushed, stamped out by your heavy black soles. You didn’t like spring, you hated babies in their grass stained diapers and drool covered cheeks. You couldn’t place why you hated the season, it wasn’t as if you hated the cold or the rain which plagued March and early April, you adored the sound of rain on the Plexiglas roof of your family’s sunroom, thunder in the distance and swirling grey clouds swarming the sky. Then again, that wasn’t what spring wanted to be. Spring wanted to be beautiful bursts of colour and birds singing from their nests, babies crying into life and everything turning green.

Your hatred might have sprung from all that green, your mother had insisted on you taking up an artistic skill, supposedly because it made young women more worldly and affable, and sat you in art classes where you painted bouquets of flowers and bowls of fruit for hours every week. You didn’t hate art; it had become a release for you, a place to vent your emotions and makes something from your mind’s spinning thoughts. You’d filled sketchbooks and canvases with images of aliens and stars and snails. You liked to doodle snails and hourglasses on the margins of your homework. But your favourite thing was to draw your classmates. You were a quiet person, a sensitive soul according to your grandmother, and so often time’s people would ignore you flat out or discount your presence. This didn’t bother you so much, it gave you the chance to look at them without anyone asking any questions, to sketch out their image in charcoal and graphite, covering your hands in black and grey smudges. Your hands were constantly stained black, up the side of your hand to the tip of your pinkie, which meant that your jeans and shirts and sweater cuffs were smudged and stained.

You were sat on the football field’s bleachers one cool April morning, your best friend Samantha Cameron sat next to you, thin headset around the back of her head. She was unable to pull the headset around her black spiked hair, purposefully ghastly pale with black lips. You could hear the muffled sound of Siouxsie Sioux and the Banshees playing at top volume as her head bounced to the beat, her black high tops kicking at the seat below you. You had your sketchpad out, trying to capture the stiff movement of her hair with the graphite piece clutched in your hand.

Samantha turned to look at you with a smile “You get it right yet?” she asked. She could see the annoyance in your face as you rubbed at the drawing, trying to smudge the stray hairs trying to escape the harsh gelling she’d done that morning. Just like your drawing, you suspecting that she’d been unable to get it to do exactly as she wanted.

“It’s getting there, it’s not moving right yet…” you muttered, pulling your lip into your teeth, chewing hard on the skin.

“You have like, four of me as is, I think you’ll survive if it isn’t perfect.” Samantha chuckled, pulling her headset down around her neck, twisting her long strand of pearls around her index finger.

“And I like this one best, your hair is moving so interestingly today…” you swiped at the page, pulling the eraser gum out of the coils and rubbing out the mistake you’d made, adding more shake to the tips of the centre point.

“Besides,” you chuckled “I’m not gonna have the time to get any good sketches of you with post-its in your hair this year.” Usually, you and Samantha would try to take one class together a year, but she had to switch her English class to first semester so she could snag a gym credit to train for potential college reps. She wanted to be a Wellesley girl and get a scholarship for soccer and she needed to be a top performance to get one.

You sighed, turning away from her. “I still hate that Mr. Lawrence insists on group work…” you muttered. You understood her decision, but you felt a bit nervous about being on your own. You’d gone to school with the same kids for your whole life, but being on your own with no one to depend on socially for a whole semester scared you.

Samantha wrapped an arm around your shoulders “You’ll be fine, you know that he usually assigns partners anyway.” She said, rubbing your bare skin gently.

“I know I just really don’t want to get stuck with some nitwit.” You replied. On cue, the bell blared from the outdoor speakers and you closed up your notebook, sliding your graphite and eraser gum into the coils and shoving it into your backpack, stringing it around your shoulders.

Mr. Lawrence’s hair had gone white long before he’d begun to show to process of aging on his face. His only wrinkles were from tension on his forehead and around his mouth. His white hair was a sort of burst of smoke around his head, always puffed up around his head and never fully settled into a style. You smiled when you walked into his classroom, taking a seat in the far back corner. You’d already gotten a sketch of his puffy cloud hair, so you left your notebook closed. The rest of the class trickled in, clumped in their little groups and chattering loudly, taking up the seats around you. Nobody paid much attention to you, which didn’t bother you as much as it used to. It still left a weird feeling in the pit of your stomach. You wished that you had your headset, so you could block out the sound from your peers.

You hoped that the seat next to you would stay empty, that people would avoid you and let you sit quietly. It hadn’t before the break, but the room had been set up in little table groups of four. Now, the room was set up in three rows, two desks pushed next to each other all the way down. Mr. Lawrence had already had to yell twice for people to not move the desks, a sign of little cliques forming. Vicki Clarke had tried to pull the desk next to you over to turn the end of the middle row into a fire hazard, causing Mr. Lawrence to yell out for a third time. Vicki rolled her eyes, but released the desk, taking the desk next to the free one, leaving a clear space between her and you. You didn’t mind; Vicki always smelt like artificial apples, from the cheap body spray she slathered herself in at her locker and the scent gave you a headache.

Tina Martins practically ran to Vicki as the bell rang out, immediately calling to Vicki “Move that desk over!”

Mr. Lawrence rolled his eyes “Miss Martins we are not moving any desks in this room. Take a seat.” He announced. Tina’s shoulders sunk, but she obeyed without an argument, taking the seat to Vicki’s right. Then, the reason for all the commotion walked in, late slip in hand.

Steve ‘The Hair’ Harrington was still something to talk about, even after being horrifically dumped by Nancy Wheeler, he was still a hot object around the school, especially for girls burned by the newest small town hottie Billy Hargrove. Vicki and Tina were two primed recent burn victims, Tina having tried and tragically failed to get Billy’s attention at her own house party and Vicki being the first ‘hump and dump’ victim of the notorious man whore. Steve’s sad boy behaviour had attracted the attention of many bleeding hearts throughout the school, letting themselves get their hearts drained by his succubus heartache. And here he was, puffed up like a robin, his bright red member’s only jacket mimicking the red breast on the bird, his hair perfectly coiffed and glinting in the florescent lights. Heartbreak had done his ego good, teaching him that girls were a dime a dozen if you were hot and sad. The concept of preying on vulnerable girls made you sick to your stomach.

Steve handed his late slip off to Mr. Lawrence and he stamped it with the date punch he kept on his desk. “Welcome Mr. Harrington, please take a seat so we can begin.” He said, his rectangular glasses sliding off his nose as he spoke.

Suddenly, the energy in the room changed. It was then that you realized the class was mostly girls and every single girl in the room was staring at Steve. It was obvious to you in an instant: they wanted Steve to sit next to them and they were all out of luck, sat next to friends or other girls desperate for the same attention. The bargaining began, girls whispering to the person next to them to move, sliding cool erasers or lipsticks over onto the other desk, peace offerings they hoped someone would take. Mr. Lawrence’s classroom had fallen to jailhouse rules and you sat wondering when the first person would pull their shank. No one moved as Steve made his way to the back of the class. Then, another thing became clear-you were the only person with a free desk next to them. Vicki waved shyly to Steve as he took the seat and you tried to disappear. The whole room’s eyes were now on you and unlike Steve you absolutely hated it. You wanted to disappear. Now, you were enemy number one to every girl in the room.

“Alright, let’s begin then, yes?” Mr. Lawrence clapped once and commenced the lesson “Welcome to your last two months of English! I’m passing around the breakdown for your final assignment and copies of our last reading for the course, Emily Bronte’s Wuthering Heights.” The class groaned. You’d been hoping for a lighter, more modern read, something at least from that century. But you knew that Mr. Lawrence loved a classic and had to follow the suggested readings for your grade dictating by the state. You took your tattered copy and wordlessly handed the pile off to Steve, who didn’t notice that it had landed on his desk until Vicki pointed it out with a giggle.

“Now, everyone turn to their desk mate. He or she will be your editor and writing partner for the final essay of the year!” your heart dropped. You were stuck with Steve. And he was an idiot. Every stupid thing you’d heard uttered from a classmate’s mouth had always been from his. He once asked who the US was fighting in World War two. He spent one class arguing with a teacher that Beth didn’t die in Little Women, not believing it even when the teacher sourced the exact page when Alcott revealed it. He once failed a health assignment because he mixed up the names for the parts of the male and female. Literally mixed them up, your seventh grade health teacher had provided them for the worksheets and told the class to cut the out and glue them on and he mixed up all the words into a pile. He was an idiot!

Tina’s hand shot up fast and Mr. Lawrence called on her. “Mr. Lawrence, can we be a threesome with Steve?” She asked loudly, smirking over at you. Vicki giggled at the word ‘threesome’, hands clutched over her mouth.

“But then what will Y/N do? She won’t have a partner.” Mr. Lawrence flashed you a small smile and you just about threw up. This was all too much for you, too much attention, too many people looking at you.

You raised your hand timidly “I’ll be fine if that’s what they want to do. I don’t mind working on my own…” you said, your eyes locked on the course breakdown.

“See, Y/N can handle herself.” Tina said. If you knew Tina to be anything other than mean and condescending, you would’ve taken that as a compliment.

“I want every student to have work edited and reviewed by a classmate before I look at it. I’m sorry, but I’m not making exceptions to the rule. If your desk mate wants to switch with Steve, then that’s another thing entirely, but you cannot be a group of three.” Mr. Lawrence laid down the law on that and moved on with the lesson. While Tina and Vicki attempt to convince one another to switch seats and let the other have Steve, neither would budge and Steve seemed utterly uninterested in their spat. To be fair, he didn’t seem interested in the lesson either. He had taken to drawing on the surface of his desk, scratching his initials into the wood.

“Now, for your first assignment back, I’d like you to write me a piece on your spring break. Nothing fancy, just one page typed. We’ll write the first draft today and exchange it with our partners to be edited and rewritten for Friday.” He announced “When you’re done, read chapters one through three of Wuthering Heights.”

With that, the semester had begun again and everyone went to work. Voices took over the room, people chattering around you. You felt a pair of eyes on you, but you flipped open your binder to a clean sheet of paper and began writing out your simple description of your break. You knew that Mr. Lawrence didn’t actually care about what you had done or had to say, only that you’d done the work and had proof of editing for it. This was a practise for the main event. Still, you could make a page out of art classes and driving to Carmel with Samantha to see some random band in the basement of a dive bar. You could even make it interesting for him. But, something still made your stomach churn. You didn’t want Harrington looking at your writing. You didn’t consider yourself the next Hemingway, but you could write an essay. What worried you wasn’t being told that you were wrong. It was letting him into your mind at all. You didn’t know Steve and he didn’t know you, what if he didn’t understand you? He wouldn’t understand you.

You looked up from your work to see Steve looking blankly at you. You met his eye, raising your brow at him. He looked away fast. You didn’t know what it was about, your hands came up to your face, wiping at your cheeks and mouth. Maybe there was something on your face. Maybe your hair looked silly. Maybe he was making fun of you. That had to be it. He was making fun of you. Vicki and Tina were always bugging you and Samantha, maybe he was joining in. It wasn’t your fault that Mr. Lawrence had forced you two to be partners. You pulled your body away from his, curling into yourself.

When the bell rang, you pulled your work into your bag, making a break for the door. You had your free period next and were desperate to finish your drawing of Samantha. You didn’t need to have her in front of you to catch the right details; you’d drawn her a million times.

You had barely made it into the hallway when Steve grabbed your arm, pulling you back with a cocky grin “Whoa, slow your roll there kiddo,” he chuckled. Your skin prickled under his hand and you wanted nothing more than to disappear. You stopped dead in your tracks, pulling away from his hand carefully.

“So, how’re we doing this?” he asked, his attention moving from you to the yelp of Tommy Hanson. You didn’t need to look to know that Carol Perkins was beating him with her bag again. That was a weekly occurrence.

“Write your stuff and hand it off to me in class. I’ll edit anything up till forty-eight hours before it’s due. I’ll give you my stuff when you give me yours.” You said quickly, crossing your arms tightly over your chest.

“Sounds cool,” Another cry from Tommy, this one more directed at Steve, drew his attention fully “Alright, I’m coming Hanson! See ya around.” He directed the farewell to you, bounding off towards the source of the sound. Even when his presence was gone, you still felt his fingertips on your arm.

Samantha threw her arm around your shoulders, rebooting your systems again. “Hey, what was that about?” she asked, leading you away from Mr. Lawrence’s classroom and towards the gym, her next destination.

“That was because you fucked me over.” You sighed. It was going to be a long month.

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fieryfantasybooklover · 3 years

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Scythes And Stories - Chapter 6 - Twists Of Fate

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

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“So you’re telling me that… you are the escaped princess of Solis?” Alastair said slowly, trying to parse out the truth of the words. Ariadne nodded. “And that this is the infamous assassin, the Lady of Death?” Thomas continued, cutting his gaze towards Anna. “I’m flattered that you’ve heard of me, all the way here in Luna.” Anna chimed in. She was currently sprawled across the couch of the boat’s hold, playing with a bone dagger. “Of course we’ve heard of you. You’re either more stupid than you look, or truly ignorant of how much you’ve been employed by the Luna Council.” Alastair smirked, clearly reveling in Anna’s widened eyes and shocked expression. “I’m going to continue this discussion, because obviously these two nitwits wouldn’t bother too.” Cordelia interjected, grinning in response to Alastair’s glare. “If I am correct in my assumptions, you are Lucie Herondale.” she said, gesturing towards Lucie. “That is correct.” Lucie said, mock-curtseying. “So you must be the mysterious and handsome stranger she eloped with.” Cordelia finished, raising her eyebrows at Matthew. “That would be the truth. I am so very pleased that the general knowledge of me is my dashingness.” Matthew said, tipping his hat. “Ignore him.” Lucie stage whispered. “His ego’s gone to his head a bit of late.”

“Well. This is certainly news to me. Everyone thinks you are dead, Princess, and nobody knows the whereabouts of you, my lady.” Thomas said, standing from his seat. “I do wonder what casualties shall befall me if my husband and I decide to give you shelter.”

“Oh I swear we’re nothing but the utmost fun.” Anna said with a smile as sharp as swords. “I can vouch for her!” Matthew chimed in, mischief in his eyes. Ariadne and Lucie sighed in unison as Cordelia snickered. “Yes but they don’t trust either of you, so shut up.” Lucie said, laughing. “All we ask for is shelter for a bit. The world outside is quite chaotic and it would be good to take a breath.” Ariadne said, eyes pleading. “We will take you in.” Thomas finally agreed. “Only if you promise to participate in our drinks night.” James said, mock seriousness in his voice. “You’ll have a far harder time convincing those two to stay away now that you’ve mentioned it.” Ariadne said, gesturing towards Matthew and Anna. “Now, if you wish it, we will retire to our chambers and cause you no more trouble.”

“Is there anything else we can get you while you stay here?” Thomas asked them as they strolled through the city streets. The brick roads were baked in the heat, worn by the feet of a thousand steps. Spices laced the air - nutmeg, basil, and fresh fruit. Thomas had quite quickly fallen into the role of gracious host as Alastair and Anna bantered and the others chattered. “Not unless you can bring back my long lost brother from the abyss.” Anna answered, and silence fell. Cordelia turned to Anna however, brows furrowed. “What does your brother look like?” She inquired, concentration deepening as she gazed at Anna as if she were a puzzle. “Well, he has purple eyes. And he would be around my age, maybe a bit younger.” Anna answered, clearly baffled. James stopped walking right in the middle of the street as him and Cordelia made eye contact. Thomas and Alastair also exchanged gazes. “Is there anything you four would like to share, or are you going to continue to communicate telepathically for the rest of the day.” Anna asked, shifting. She was quite unfamiliar with the warm blooming in her chest like a rose, shining and glowing like a weapon fresh off the forge. It was hope, hope that maybe she wasn’t crazy for the first time in her life.

Shaking herself, Cordelia turned to Anna. “Unless there’s a large amount of purple-eyed teenage fugitives on the run for our kingdom…”

“We have your brother. He arrived just a few days before you. Shivering and sweating and grinning like a banshee. He also claimed to have murdered the king of Solis. On that precedent alone, we allowed him to stay. He’s in his quarters now.”

Anna froze. She could feel the frost of shock spreading slowly over her skin as she struggled to form words. After all these years, all this time, she found him. Her brother with his love of science and the rare, genuine smile that always summoned a smile from her in return. A warm hand slipped into hers. Turning her head, Anna’s eyes met Ariadne’s. The silent encouragement in Ariadne’s eyes nearly brought Anna to tears. “May I- May I see him?” Anna asked tentatively, afraid some cruel god would snatch him away before she could see him. “Of course you can.” Thomas said, understanding in his tone. “Just this way. We’ll arrive back at the castle in approximately 15 minutes. From there, I’ll give you a guide to his rooms.”

“Thank you so much.” Anna whispered. “You have my eternal gratitude.”

“None needed, Lady of Death. Everyone deserves loved ones to hold close. Sadly, sometimes the world has other plans. We’re just glad you made your way back to the hearth.” Alastair said quietly, and the others all nodded. From that point on, they were all friends. After all, a friendship forged when you are the version of yourself you hate to show are the strongest friendships of all.

“Mr. Christopher, you’ve a visitor.” the guide called, knocking on the heavy wooden door embossed with a crescent moon. “They may come in.” Came the response from within the room, and Anna’s eyes widened. If there had been any doubt in her mind, none was left now. The decades passed and sands of time could not erase the sound of her brother’s voice from her head. Anna opened the door, and slipped inside, closing it behind her. The boy on the bed looked up, hair messed over his eyes and papers strewn over every possible surface. It didn’t take long for the question in his face turned into confusion, then shock, then wonder. All in the span of just a few moments. “Christopher?” Anna breathed, not daring to take a step forward lest he should evaporate like a mirage. “... Anna? Is that you?” Christopher replied, voice also quiet and strung through with lights of amazement. “Yes, it’s me. It’s Anna!” she replied, joy cracking her face. Christopher’s face morphed again then, and he stood and strode forward. Finally, after so many miles of pain and oceans of blood and battle, they were here. Embracing in a hug and words left unsaid flew, the pair had found each other again.

“I missed you so much.”

“I missed you too! I thought I’d never see you again….”

“I thought the same! They took me away, and I wasn’t able to look for you.”

“That is ok. I doubt you would recognize the me you found anyway.”

“The same could be said of me. It took me years of planning and work, but I finally struck back.”

“And I am more proud of you than I could say. I too have blood on my hands, but I hope that staining them deeper won’t ever be necessary again. If needed, I will fight to make it so.”

Drawing back, Anna examined Christopher and smiled deeply. “You’ve grown into a fine young man. A far throw from the gangly boy I knew. If only mother and father could see you now…” Anna trailed off as a shade of grey permeated the otherwise yellow bright moment. “And you as well.” Christopher said, his wonder saving the memory. “You’re glowing. You look happy. Content.” he added, grinning. “I am… I’ve found a life worth fighting for. But more about me later. We have much catching up to do, dear brother.” Dropping into the armchair by the fireplace, Anna relaxed. Christopher sat on the bed, only succeeding in making his piles of sketches even more messy. “Tell me. What have you been doing these past years we’ve been apart? I am quite certain it’s a grand tale.”

“Now I must confess I’m dying to know how you ended up on the run with the most infamous assassin in five kingdoms.” James said to Ariadne as the two, accompanied by Alastair, Thomas, and Cordelia sat in the royal common room. It was a set of large and comfortable rooms for the royal family to relax and have fun in. Ariadne chuckled quietly, thinking over the chaos of the tale herself. “I couldn’t hardly put it into words for you myself. I had been long since questioning my parents’ actions and the way they behaved around anybody without a large purse or a legitimate heir. I just didn’t know what it was I could do about it. I trained myself, yes. In bladework and poisons and a myriad of other things. But these skills languished in my arsenal, so to speak. I was not allowed to do anything I loved, contained in the palace and all it’s parties.” Ariadne paused, taking a deep breath before continuing. “The day they forced me into an arranged marriage with somebody I despise was my breaking point. Anna appeared, and it was like she was the escape I was looking for. The escape dressed in black with a dagger, that is.”

Cordelia’s thoughts raced, connecting the dots quickly and smothering her grin. The way Ariadne used Anna’s first name, how her eyes and voice softened at the mention of her, how she would always smile. The quick gazes and hidden laughs. Turning to James, she raised her eyebrows and nearly fell over laughing at his responding smirk. James was observant and had apparently also been quick to notice what she had. “I wish them all the happiness and wishes.” Cordelia vowed, before tuning her ears back into Ariadne’s story.

“So, I agreed to go with her. I set fire to the barracks before we joined up with Matthew and Lucie. Lucie was confined within a loveless marriage, so she was also eager to leave. Anna staged my death, and we set sail. Matthew delivered the note and… here we are.” Ariadne finished, leaninging back in her chair and smiling. “Not the most exciting tale in the books, but it’s my story, so I will cherish it within my heart.”

“On the contrary, I believed that story most riveting.” Cordelia piped up, leaning forward. “There remains only one question.” James said, standing. “Would you and Lady Anna be interested in joining us for dinner tonight? Christopher is also invited, of course”

“We would be most honored to have you.” Thomas added.

“I would be delighted to.” Ariadne smiled. “Anna is I’m sure still talking to Christopher, but when she returns to our chambers, I will extend the invitation.”

“Tell her there will be wine and games!” Alastair called to Ariadne as she exited. “I will tell her. I could never forgive myself and I doubt she would forgive me if she missed out on such an opportunity.”

Once Ariadne had vanished down the hall, the four sat in quiet. “I like her.” Thomas finally said, his voice betraying how deep in thought he was. “I do as well. I’m very glad she was able to find herself a place where she’s truly happy.” Cordelia added. “As much as I’d like to stay and gossip about our new arrivals, I’ve some matters to attend to.” Alastair said, standing. “I’ll come with you.” Thomas replied.

Sighing with a bit too much gusto to be believable, Alastair nodded assent. “I guess we will get these chores done quicker together.” he said, accepting Thomas’s extended hand. “Yes I’m sure that’s why.”

“O do shut up.” Alastair shot back, and soon their voices faded.

“Would you like to take a stroll with me, my fine warrior?” James asked Cordelia, eyes twinkling. “I would love to, James.” Cordelia replied, a small smile twisting her lips. “Well, then, let us go. The winding paths of the park await us.”

“Fancy seeing you here.” Ariadne said as she flopped onto the bed of their quarters. Matthew and Lucie had been assigned a door across the hall. “Life does bring us much surprise.” Anna shot back, kicking off her boots. “Did you and Christopher have a pleasing chat?” Ariadne ventured cautiously. “We most certainly did.” Anna replied, slipping back into that soft smile. “He’s grown up so much, Ariadne. So much. And it hurts and heals my heart simultaneously to see it.” Anna said, much quieter this time. “I know you grieve for memories lost, and I understand it. It is right to feel pain, right to grieve. Just make sure you’re not missing out on a chance to make new memories while grieving the past.” Ariadne said, once again gently holding Anna’s hand. “What did I do to deserve you?” Anna asked. “You set me free.” Ariadne answered, and Anna grinned. “And I am very glad I did. Now, what’s this dinner party you mentioned?”

“Oh yes! We are invited to dinner with Cordelia, James, Thomas, and Alastair. Christopher will also be there I believe. Alastair requests I tell you that there will be wine and games.”

‘Well in that case, I’m in.” Anna said jokingly, and Ariadne laughed again, a musical sound to Anna’s ears. “In that case, I will see you in about a half-hour at the party.” Standing, Anna kissed Ariadne softly before breaking apart and bolting for the showers. Sighing and filled with happy butterflies, Ariadne also stood and began to change. “It’s the beginning of a new age. And I’ll be damned if I keep wearing the shackles I just escaped.”

“To new friends, and old. To shining futures and pasts laid to rest in unmarked graves. This is now, and it’s for living and love. I give thanks for the wondrous new souls we’ve met, and the tales they brought with them.” Thomas toasted, raising his champagne elegantly. Everybody else raised their glasses in silent succession, toasting to everything Thomas mentioned and more. And then, the party began. It was in the private royal dining room, and it came with a ballroom. Thomas and Alastair had invited some other close friends and family, and Cordelia and James had done the same. All had been instructed on the situation, and planned to be discreet. A large number of suits and dresses had been delivered to Anna, Ariadne, Matthew, and Lucie, along with a note saying they could choose any one of the options. The rooms were full of life, shining and glittering and shifting. Champagne sparkled and fragrant scents of roasted meats and delicate creamed desserts rose up. Lively violin music flowed from the ballroom, and each person was a vision in velvet and satin, a walking kaleidoscope of dancing and laughing and color. Anna and Ariadne danced, quick as quicksilver and breathless with happiness. Anna was wearing a finely cut suit of ebony and snow white, while Ariadne was resplendent in a twilight blue gown that sparkled with stars and twirled as she did. “You are as gorgeous as an angel.” Anna called as she twirled Ariadne. “And you look like a goddess sent to Earth.” Ariadne called back, cheeks flushed with the blush of life. “Oh stop I might actually blush for once.” Anna said, bringing Ariadne close before dramatically dipping her. “What a sight that would be.” Ariadne mocked, laughing. “Maybe someday, I’ll get to witness this amazing phenomena.”

“You can keep hoping, Princess.” Anna replied, laughing as Ariadne lightly smacked her. “I think I will. After all, we’ve got plenty of time.”

The previous song had ended with a dramatic flourish, paving the way for a slower and more romantic piece. Alastair and Thomas slowly danced, staring into each other’s eyes. “What a week it has been. And it’s only been the first week.” Thomas said as the pair revolved on the dance floor. “Indeed. It might be awhile before we have any semblance of peace again.” Alastair replied. “Even you can't deny that you like our newcomers.” Thomas snarked back, no true bite in his voice. “I do, much to my dismay. I can admit they are fun and Anna especially is very fun. At least she knows how to drink and have fun, unlike you.” Alastair shot back, chuckling. “Oh shut up you. I'm plenty of fun.” Thomas said, affecting a wounded air. “I suppose you can be, but-” Thomas cut Alastair off and kissed him, holding him even closer. Alastair, drunk on happiness, held Thomas close as they kissed and the violins played a song of hearts broken and mended, souls torn and sewed back together.

Cordelia and James sat along the wall, laughing and joking with Lucie and Matthew. The squad had quickly become fast friends. Cordelia leaned forward and kissed James, while Matthew wolf whistled and Lucie slapped her hand over his mouth to shut him up. The scene could be described as perfect, if such a thing exists. Music and songs and beauty and, most importantly of them all, new beginnings. What the future held was a mystery, and what the past held was unchangeable. But the now… well the now was whatever the people living in it made it. And everybody present at that party had chosen to make it something glowing with love and happiness and the treasured thing that is friendship. Twists of fate and acts of free will were what brought these people together, but it was their choice to stay. They could’ve shunned each other, torn themselves to bits and pieces while laughing. They could’ve betrayed who was supposed to be their enemies - stabbed them in the back and ran before they could be found by the accusing eyes of their victims. They could’ve done all of this, and more. But they didn’t - they chose to do the opposite. To nurture the compassion in their souls, the love blooming in their hearts. To make friends and lovers and family who would stand by them through the storm of the future, the unknown, and anything else that could be thought of.

#anna lightwood #ariadne bridgestock #arianna #thomas lightwood #alastair carstairs #Thomastair #james herondale #cordelia carstairs #jordelia #lucie herondale #matthew fairchild #lucieXMatthew #tsc #the last hours #megans writing

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silent-era-of-cinema · 3 years

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Harry Philmore Langdon (June 15, 1884 – December 22, 1944) was an American comedian who appeared in vaudeville, silent films (where he had his greatest fame), and talkies.

Born in Council Bluffs, Iowa, Langdon began working in medicine shows and stock companies while in his teens. In 1906, he entered vaudeville with his first wife, Rose Langdon. By 1915, he had developed a sketch named "Johnny's New Car," on which he performed variations in the years that followed. In 1923, he joined Principal Pictures Corporation, a company headed by producer Sol Lesser. He eventually went to The Mack Sennett Studios, where he became a major star. At the height of his film career, he was considered one of the four best comics of the silent film era. His screen character was that of a wide-eyed, childlike man with an innocent's understanding of the world and the people in it. He was a first-class pantomimist.

Most of Langdon's 1920s work was produced at the famous Mack Sennett studio. His screen character was unique and his antics so different from the broad Sennett slapstick that he soon had a following. Success led him into feature films, directed by Arthur Ripley and Frank Capra. With such directors guiding him, Langdon's work rivaled that of Charlie Chaplin, Harold Lloyd, and Buster Keaton. Many consider his best films to be The Strong Man (1926), Tramp, Tramp, Tramp (1926), and Long Pants (1927). Langdon acted as producer on these features, which were made for his own company, The Harry Langdon Corporation, and released by First National. After his initial success, he fired Frank Capra and directed his own films, including Three's a Crowd, The Chaser, and Heart Trouble, but his appeal faded. These films were more personal and idiosyncratic, and audiences of the period were not interested. Capra later claimed that Langdon's decline stemmed from the fact that, unlike the other great silent comics, he never fully understood what made his own film character successful. However, Langdon's biographer Bill Schelly, among others, have expressed skepticism about this claim, arguing that Langdon had established his character in vaudeville long before he entered movies, added by the fact that he wrote most of his own material during his stage years. History shows that Langdon's greatest success was while being directed by Capra, and once he took hold of his own destiny, his original film comedy persona dropped sharply in popularity with audiences. This is likely not due to Langdon's material, which he had always written himself, but due to his inexperience with the many fine points of directing, at which Capra excelled, but at which Langdon was a novice. On the other hand, a look at Langdon's filmography shows that Capra directed only two of Langdon's 30 silent comedies. His last silent film, and the last one Langdon directed, Heart Trouble, is a "lost film", so it is difficult to assess whether he might have begun achieving a greater understanding of the directorial process with more experience. The coming of sound, and the drastic changes in cinema, also thwarted Langdon's chances of evolving as a director and perhaps defining a style that might have enjoyed greater box office success.

Langdon's babyish character did not adapt well to sound films; as producer Hal Roach remarked, "He was not so funny articulate" (he featured Langdon in several unsuccessful sound shorts in 1929–1930). But Langdon was a big enough name to command leads in short subjects for Educational Pictures and Columbia Pictures.[4] In 1938, he adopted a Caspar Milquetoast-type, henpecked-husband character that served him well. Langdon continued to work steadily in low-budget features and shorts into the 1940s, playing mild-mannered goofs. He also contributed to comedy scripts as a writer, notably for Laurel and Hardy, which led to him being paired with Oliver Hardy in a 1939 film titled Zenobia during a period when Stan Laurel was in a bitter contract dispute with Roach.

Langdon was considered to be the live-action role model for Dopey in Snow White and the Seven Dwarfs, but Walt Disney rejected the idea. Eddie Collins played the role instead.

Harry Langdon kept busy in pictures and completed his final Columbia short Pistol Packin' Nitwits only weeks before his death of a cerebral hemorrhage on December 22, 1944. All funeral arrangements were handled by onscreen cohort and friend Vernon Dent. Langdon was cremated and his ashes interred at Grand View Memorial Park Cemetery in Glendale, California.

At the height of his career, Langdon was making $7,500 per week, a fortune for the times. Upon his death, The New York Times wrote, "His whole appeal was a consummate ability to look inexpressibly forlorn when confronted with manifold misfortunes—usually of the domestic type. He was what was known as 'dead-pan'...the feeble smile and owlish blink which had become his stock-in-trade caught on in a big way, and he skyrocketed to fame and fortune..."

In 1997, his hometown of Council Bluffs celebrated "Harry Langdon Day" and in 1999 named Harry Langdon Boulevard in his honor. For his contribution to the motion picture industry, Harry Langdon has a star on the Hollywood Walk of Fame at 6925 Hollywood Boulevard.

Langdon is briefly depicted in the biographical film Stan & Ollie, played by Richard Cant, where he is preparing for the shooting of Zenobia with Oliver Hardy.

#harry langdon #silent era #silent hollywood #silent movie stars #silent comedy #1920s hollywood #1930s hollywood #1940s hollywood

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n1tw1t-sk3tch3s · 4 months

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Trying to draw more and he’s the only thing I can really sit down and do for now :,) haven’t really touched rendering or shading for the longest time so there’s like only little here

#fanart #digital art #nitwit sketches #the collector #toh fanart #toh #toh collector #disney channel

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rsocancer · 3 years

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Rick Simpson Oil (RSO) for Cancer: Does It Work?

Nobody might have anticipated that the rough drawings of Homer, Marge, Bart, Lisa and Maggie Simpson on the sketch satire program, "The Tracey Ullman Show" would turn into a colossally well known faction hit among watchers, all things considered, and foundations rso cancer. As the longest running enlivened arrangement throughout the entire existence of TV, it is additionally one of the most darling. "The Simpsons" scenes are normally themed around recent developments – even disputable subjects, for example, gay marriage and religion in government funded schools. There is nothing of the sort as no-no topic on "The Simpsons." Topics on the show are taken care of with humor that is equitably focused on all ages, races, sexual orientations and religions.

Maker and leader maker, Matt Groening is credited with taking the movement satire back to early evening TV with the presentation of "The Simpson's" arrangement on Fox in 1989. Chief maker James L. Streams is an Emmy and Academy grant winning essayist and maker of movies that incorporate Terms of Endearment and As Good as it Gets. Al Jean is the third chief maker and furthermore head author (Simpsons, 2006). As an intriguing little truth, staff essayist, Daniel Chun is the more youthful sibling of a kid this writer dated in secondary school. Al Jean and Mike Scully are additionally two essential scholars.

Notwithstanding the several superstar visitor stars who have voiced different vivid characters on the show, it is the voices of the principle characters that are indispensable and fundamental to the show's proceeded with progress. Most popular for relegating the very much coordinated "D'oh!" as Homer Simpson, Dan Castallaneta previous Tracey Ullman cast part, is additionally Mayor Quimby, Grandpa Simpson and Groundskeeper Willie among others. Additionally a Tracey Ullman alumna, Julie Kavner loans her voice to Marge Simpson and her two irritable Homer-despising, MacGyver fixated, chain smoking sisters Patty and Selma. Nancy Cartwright is the voice of long term old Bart Simpson, in addition to Ralph Wiggum, Nelson Muntz and Todd Flanders. Center youngster, long term old Lisa Simpson is depicted by Yeardley Smith. Both Hank Azaria and Harry Shearer give voices to many Springfield's essential characters (Simpsons, 2006).

In its right on time to mid-'90s brilliance days, "The Simpsons" was not just at the tallness of prevalence and evaluations, yet the show was rounding up several millions in authorized item deals. Crowds couldn't get enough rich Homers that slobbered "Mmmm… doughnuts" or battery worked Barts shouting "Affirmative carumba!" at the push of his paunch, in addition to video games, attire, home goods thus considerably more. Bart's expressions which included "Don't have a dairy animals man!" and "Eat my shorts" were heard all over. Alongside the appraisals, deals of Simpsons authorized things have declined as of late, however the essayists' and makers' endeavors to keep the show new and interesting have not gone unnoticed by numerous watchers who have stayed faithful to the occupants of Springfield, USA.

The way that the show is set in an obscure state demonstrates an exertion with respect to the authors to reflect American culture generally in every scene. This has empowered the show to draw watchers from everywhere the nation. For example, a show like "Sex and the City" may have a particularly enormous after of New York watchers, while "The Simpsons" with its unidentified setting can speak to all Americans. The two-story Simpson home on Evergreen Terrace intently takes after an ordinary home in an American suburb – less the bazaar like intense tones.

The show is based around the Simpson family unit model of two guardians, 2.5 youngsters (Maggie could be considered the .5 in view of her powerlessness to talk) in addition to felines, Snowball I, II and III and safeguarded greyhound, Santa's Little Helper. The family structure and character characters reflect conventional American standards. While the Simpsons are fairly broken, (as proven by one of the prior scenes where the family experienced stun treatment with Dr. Marvin Monroe to overcome their issues), eventually, we as a whole have issues, however by the day's end, there is a lot of adoration and solidarity in many families. This is obviously, in the event that you overlook the regular showcases of youngster misuse where Homer stifles Bart until his eyes swell off of his mind and the way that infant Maggie is by all accounts oftentimes ventured out from home alone.

Committed spouse and mother Marge is a recognition for dedicated American mothers. She is the heart, soul and paste of the Simpson family. In contrast to her significant other, Marge doesn't have any companions or time to be social as she is excessively bustling keeping an eye on her better half and children. Homer, who has a lot of washout companions, is the blundering nitwit of a spouse and father. What he needs keenness, he makes up in lager utilization at his #1 watering opening, Moe's Tavern. He isn't in every case totally gave to his family and is regularly childish and imprudent, yet at the end of most scenes, he makes the best choice – and that is the place we see the soul of the American dad.

Bart is the naughty, free energetic most seasoned youngster who staggers on inconvenience all over, in any case, similar to his dad, typically discovers reclamation and a daily existence exercise before the finish of a scene. Lisa is the absolutely real still, small voice of the Simpson family. A very much read, caring young lady who follows Buddhism and recent developments, Lisa can likewise chuckle with Bart at the particularly abhorrent scenes of the feline and mouse enemies, Itchy and Scratchy. Infant Maggie, while the littlest and calmest character, says a lot with the sucking of her pacifier. Scholars have consistently given Maggie an undeniable shrewdness and mindfulness that supplants her young age. She even has a uni-browed infant adversary.

Notwithstanding the Simpson family focal characters, the show highlights handfuls and many Springfield occupants with special biographies and important characters, all of which speak to the common characters the majority of us will experience in the course of our lives. For example, our nation is loaded with slanted legislators and Mayor Quimby speaks to a definitive shabby political figure. He is frequently trapped in bargaining positions selling out Springfield and horsing around with young ladies, yet he stays in power and nobody in the town appears to flutter an eyelash. When he even addresses the residents as "inept hicks" and they are not staged by it.

Jabbing fun of the police framework, The Simpsons highlights Police Chief Clancy Wiggum, maybe the second greatest bozo on the show close to Homer. He is responsible for Springfield's wellbeing and prosperity with his two side-kicks who outperform Wiggum in knowledge. His ineptitude is incredible and the town would be lucky to be gone over to fear monger barbarians with admittance to weapons of mass annihilation. Any police boss who says "Aww, wouldn't anybody be able to in this town go rogue?" may not be the top contender for the work (Simpsons, 2006).

The show additionally downplays the difficult issue of older disregard. Homer's dad, Grandpa Simpson, lives in the Springfield Retirement Castle. A resigned war saint, Grandpa was extremely hard on Homer in his childhood. As maybe a sort of subliminal retribution, Homer put Grandpa in a home where his personal satisfaction is poor. Unmistakably Grandpa and different inhabitants are dealt with gravely. His disregard is clear when in one example, Grandpa will not let Homer pick up the telephone so he can "relish the rings." Yet Grandpa shows up in numerous scenes as an energetic, intriguing character who loans his one of a kind, grouchy humor to the show. Maybe the authors are attempting to represent that numerous old actually have a lot to contribute and ought not be discarded as aggravations.

The late Phil Hartman of Saturday Night Live popularity loaned his voice to two cliché Simpsons characters: shabby legal advisor Lionel Hutz and enlightening film star, Troy McClure. Troy McClure would for the most part make his passageway by saying something like "Howdy, I'm Troy McClure! You may recall me from such open assistance recordings as 'Assigned Drivers, the Lifesaving Nerds' and 'Fake Tornado Alarms Reduce Readiness'" (Troymcclurepage, 2006). Troy was a distortion of a character a large number of us found in our childhood in maybe many state funded school films that once in a while held any instructive worth.

Legal advisor Lionel Hutz was a deceptive, rescue vehicle pursuing, entrepreneur who frequently out of nowhere showed up in a circumstance where his lawful "aptitude" may have helped him benefit some way or another. His lawful practice was named "I Can't Believe it's a Law Firm!" and offered customers motivators, for example, a free pizza if their settlements were not taken care of shortly or less (Lionel Hutz, 2006). Lionel's character hilariously exemplified the generalization of the avaricious, cash grubbing attorney.

Numerous American educators are not genuinely made up for the significant work they do. Edna Krabappel speaks to this thought as Bart's negative, come up short on, overlooked, overemphasized fourth grade instructor. Bart is the most despicable aspect of Edna's presence regularly, yet periodically the two foes agree. Janitors and support staff can likewise be disregarded for their work in keeping schools running easily. Groundkeeper Willie is the unruly Scotsman who is regularly ridiculed by the children of Springfield Elementary and given the most exceedingly awful, most disturbing undertakings comprehensible to do. They even keep him stayed in a little, smudged shack. He is treated as a below average person not deserving of better and Willie's sharpness is self-evident. School transport driver and occupant stoner, Otto, is answerable for the lives of the understudies at Springfield Elementary. He speaks to each parent's most noticeably awful bad dream.

Making jokes about the American clinical and protection framework, the essayists made Dr. Hibbert who likes to poke wrong fun at his patients in any event, when they are in a bad way. In a 2005 scene he tells Homer, "The insurance agency says you're just as they're going to pay for." This is constantly trailed by

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