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sleepanonymous · 3 months

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This is a reminder to everyone in North America who is unable to get tickets for the pre-sale and general sale of Sleep Token’s Teeth of God tour. DO NOT buy resale tickets through third-party vendors like StubHub, Seat Geek, Vivid Seats, etc. Tickets for the Teeth of God tour are mobile-only and non-transferable. This means the seller will not be able to transfer the tickets you purchased from them. The only reliable way to purchase tickets to this tour is through Ticketmaster or your local venue’s ticketing system. Please protect yourself and do not get scammed. If you do not have tickets and need tickets, check out the list I’ve created below the cut. Once pre-sales/general sales are over, I’ll update this post with more links. For more context, check my post here.

Saturday, April 27 – Las Vegas, Nevada Sick New World Music Festival Purchase Tickets through Sick New World’s Website. Third-party sites and sellers can transfer mobile tickets.

Tuesday, April 30 – Phoenix, Arizona Arizona Financial Theatre 400 W Washington St, Phoenix, AZ 85003 (602) 379-2800 Purchase tickets resale through Ticketmaster.

Wednesday, May 1 – Albuquerque, New Mexico Revel Entertainment Center 4720 Alexander Blvd NE, Albuquerque, NM 87107 (505) 321-0406 Purchase tickets resale through Prekindle.

Friday, May 3 – Austin, Texas H-E-B Center 2100 Ave of the Stars, Cedar Park, TX 78613 (512) 600-5000 Purchase Tickets resale through Ticketmaster.

Saturday, May 4 – Dallas, Texas Toyota Music Factory 316 W Las Colinas Blvd., Irving, TX 75039 (469) 840-9730 Purchase Tickets through Ticketmaster.

Monday, May 6 – Tampa, Florida Yuengling Center 12499 USF Bull Run Drive, Tampa, FL 33617 (813) 974-3111 Purchase Tickets through Ticketmaster.

Tuesday, May 7 – Atlanta, Georgia Coca-Cola Roxy 800 Battery Ave SE #500, Atlanta, GA 30339 (470) 351-3866 Purchase Tickets through Ticketmaster.

Wednesday, May 8 – Asheville, North Carolina ExploreAshville.com Arena 87 Haywood St, Asheville, NC 28801 (828) 259-5736 Purchase Tickets through Ticketmaster.

Friday, May 10 – St. Louis, Missouri The Factory 17105 N Outer 40 Rd, Chesterfield, MO 63005 (314) 423-8500 Purchase Tickets through Ticketmaster.

Sunday, May 12 – Morrison, Colorado Red Rocks Amphitheatre 18300 W Alameda Pkwy, Morrison, CO 80465 (720) 865-2494 Purchase Tickets through AXS. Third-party sites and sellers can transfer mobile tickets.

Tuesday May 14 – Des Moines, Iowa Vibrant Music Hall 2938 Grand Prairie Pkwy, Waukee, IA 50263 (515) 895-4980 Purchase Tickets through Ticketmaster.

Wednesday, May 15 & Thursday, May 16 – Chicago, Illinois Salt Shed 1357 N Elston Ave, Chicago, IL 60642 (708) 967-2168 Purchase Tickets through Ticketmaster. Third-party sites and sellers can transfer mobile tickets.

Saturday, May 18 – Columbus, Ohio Sonic Temple Art & Music Festival Purchase Tickets through Sonic Temple’s Website. Third-party sites and sellers can transfer mobile tickets.

Sunday, May 19 – Pittsburgh, Pennsylvania Petersen Events Center 3719 Terrace St, Pittsburgh, PA 15261 (412) 648-3054 Purchase Tickets through AXS.

Monday, May 20 – Philadelphia, Pennsylvania The Met 858 N Broad St, Philadelphia, PA 19130 (800) 653-8000 Purchase Tickets through Ticketmaster.

Wednesday, May 22 – New York, New York Radio City Music Hall 1260 6th Ave, New York, NY 10020 (212) 465-6000 Purchase Tickets through Ticketmaster. Third-party sites and sellers can transfer mobile tickets.

Friday, May 24 – Boston, Massachusetts MGM Music Hall 2 Lansdowne St, Boston, MA 02215 (617) 488-7540 Purchase Tickets through Ticketmaster.

Saturday, May 25 – Laval, Quebec Place Bell 1950 Rue Claude-Gagné, Laval, QC H7N 0E4, Canada (514) 492-1775 Purchase Tickets through Ticketmaster.

Monday, May 27 & Tuesday May 28– Toronto, Ontario Massey Hall 178 Victoria St, Toronto, ON M5B 1T7, Canada (416) 872-4255 Purchase Tickets through Massey Hall.

#sleep token #teeth of god tour #sleepanon rant #i don't mean this post to cause panic or distress #i'm just trying to help other sleep token fans out #this presale has been a massive mess #and i too am massively disappointed #i considered making a rant post too #but figured this is a lot more helpful and a lot less toxic #good luck to everyone who has yet to get tickets #i'm rooting for you and i really hope you get to see the eepy boys in may #please don't give up trying to get tickets #resale has come back multiple times for rcmh #and has been back for a while for red rocks #i'm sure these rituals will be the same

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archiveikemen · 15 days

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Liam Evans Main Story: Chapter 25 (Crazy Love)

This is a fan-made translation solely for entertainment purposes with no guaranteed perfection. I do not own any of the original content. Please support CYBIRD by buying their stories and playing their games. Reblogs appreciated.

❥･• Warnings and FAQ

If life was a fairytale, it’d be easy to be happy.

As long as you refrain from “doing the wrong things”. For example…

Entering a forest that’s off limits, opening a door you shouldn’t, knowing a forbidden secret, and—

…

Kate: Thank you so much for the help you’ve given me all this time.

Colleague: I’m going to be so lonely without you here. But I’ll always be hoping for your success. Take care, Kate.

My colleagues bid me farewell after I told them that I would continue my service to the imperial court.

I reassured them that there were amazing people at the court, and working there would be like a promotion.

They were delighted to hear that. But had I told them what my new job truly entailed and who I was living with, their response would definitely be much different.

At least, that was me a month ago.

I said goodbye to the post office that smelled like ink and walked away, wiping away the small feeling of loneliness.

…

London, the capital of England, was the world’s most prosperous city under the reign of Her Majesty Queen Victoria.

Everyone lived their lives by their own desires, and today was no different.

In a corner of the street, I spotted a poster of my lover.

(Ah… it’s a poster of Liam.)

The poster announced the performance of a new play at The Scala called “The Hunchback of Notre-Dame”, with Liam starring as the main character.

And the premiere was tonight.

— Today, I’m lying to Liam about one thing.

Liam was unaware that I was going to watch the play.

(Liam got me tickets for the closing show, but I bought myself tickets to the premiere without telling him.)

(As a big fan of theatre, of course I have to secure tickets for myself!)

(Also…)

Liam was always gifting me bouquets of flowers, so I wanted to surprise him tonight by buying him flowers too.

(Fufufu, I hope I can give him a surprise.)

…

I went to a flower shop in the ever so lively Leadenhall Market to choose flowers for Liam.

(What kind of flowers should I get him? There's Gerbera, Cosmos… Ah.)

Amongst the various flowers on display, I found some modern roses that resembled the colour of Liam’s hair.

Modern roses were the flowers Liam often gifted me.

(... Yep, I’ve decided. I’ll go with these.)

Kate: Excuse me. Could you kindly put these modern roses into a bouquet for me, please?

Florist: Sure! These flowers are pretty rare and we don't always have them in stock. You’re very lucky.

Florist: By the way, did you know that modern roses have a very wonderful meaning in flower language?

Kate: No… what do they mean?

Florist: Modern roses signify “gratitude”. For example, you’re grateful to have met someone.

(“I’m grateful that I met you”.)

(I don’t think I’ve ever said that to Liam.)

– Flashback Start –

Kate: Thank you so much, Liam. I’ll be sure to cherish them well, so that they’ll keep blooming for a long time.

Kate: If I display them by my room’s window, they’ll definitely bring a smile to my face tomorrow morning…

Liam: If flowers can make you smile every morning, then I’ll give you however many flowers you want!

– Flashback End –

Ever since we met, Liam has gifted me countless bouquets of flowers that signify “gratitude”.

(What was Liam feeling each time he gifted me those flowers?)

(Has Liam… ever received such beautiful flowers from anyone?)

Throughout his life, there was probably not a single person who celebrated his existence.

Liam was physically and mentally wounded, to the point where he felt hopeless and wanted to give up on himself.

But I believed that Liam possessed a pure heart that cherished the people around him dearly.

It must've been so painful for him to live in such a cruel world with that kind heart.

I wished that he would throw his kindness away instead of bear the burden of his pain and suffering, but that was definitely not the kind of person Liam was.

(I can’t turn back time, but I can still express it to him from now on.)

(From now on, I’ll tell him often how grateful I am for him.)

(I’ll continue celebrating his existence.)

…

Seated close to the seats on the first floor of the theatre, I watched the curtains rise for “The Hunchback of Notre-Dame”.

– Flashback Start –

Tom: Liam, overcome your struggles. After “Hamlet”, play the role of Quasimodo in “The Hunchback of Notre-Dame”.

– Flashback End –

Just like he promised to that day, Liam portrayed himself as Quasimodo and overcame all odds as him.

Quasimodo (Liam): “This world I live in can be so cruel that there are times I want to look away from it, abandon it… and even stop living.”

Quasimodo (Liam): “But, even so… I have to keep on living!”

Quasimodo (Liam): “Until the day this heart stops beating…!”

The final lines were followed by an atmosphere so silent you could hear a water droplet fall.

— One second, two seconds, three seconds.

Then came a roar of non-stop thunderous applause.

I stood up from my seat and clapped for Liam as he stood under the spotlight during the curtain call.

(Ah… he shines so bright. So, very, bright.)

His graceful bow towards the audience made him look like a beautiful star people longed for, but I knew that my hands could touch that star.

Curly Haired Lady: … *sniffle*

Freckled Lady: Goodness, why are you crying? … *sniffle* I’m crying too. Something feels different about Liam, don't you think?

Curly Haired Lady: … Yeah. I can’t really say it well… but he seems much happier than before.

Hearing the voices of Liam’s passionate fans made my lips relax into a smile.

(Ah…)

My eyes met Liam’s from afar.

Liam: :D

(H-He noticed me.)

Liam flashed me a broad smile when he saw me, and winked at me.

Liam: ;)

Curly Haired Lady: Kya! H-He just…! Liam just winked at me!

Freckled Lady: Y-You fool! Liam winked at me! ME!

Curly Haired Lady: Nooo, me! Liam~! I love you!

Freckled Lady: Not fair! I love you too…!

Liam: :0

Liam: Haha.

…

One of the theatre members told me to wait for Liam on stage, and so I stood there on the empty stage after all the audience had left the theatre.

The spotlight above was so bright, I involuntarily squinted my eyes.

(... With a light this bright, there’s no escaping from or hiding anything.)

Whether it's in the light or in the pitch darkness, there was no such thing as remaining completely unharmed.

Sometimes, life can be so cruel that we feel like throwing it away.

Liam: Kate.

Kate: … Liam.

Despite that, I never want to let go of this miracle — every moment when our eyes meet, when we're breathing together, and when my heart races with excitement at the sight of him.

However embarrassing it may be, I held tightly onto even the tiniest bits of hope, wanting to live.

Until the day darkness comes for us.

Standing face to face with each other, I held out the bouquet I had hidden behind my back to my lover.

Kate: Congratulations on the premiere, Liam! Also…

Kate: Thank you for being alive.

Liam: T-These flowers…

Liam: … Haha. … It’s my first time hearing someone thank me for being alive.

Liam awkwardly accepted the bouquet.

— He smiled with genuine joy.

Kate: I didn't expect you to see me from the stage. I wanted to surprise you.

Liam: These eyes were made to look for you.

Liam: By the way, what were you looking at just now?

Kate: I was looking at the spotlight. It’s so bright.

Liam: When you lie down here and look up — it’s even brighter.

Liam laid down on the floor and patted his side, motioning me to lie down next to him.

Following him, I joined him on the floor under the bright spotlight.

(Woah…)

Kate: The lights kind of look like the stars in the sky, don't they?

Liam: … Yeah, I know.

Liam: Hey, Kate… do you know of this saying?

Liam: The moment you get to a place where the stars are within an arm’s reach, you’ll find it difficult to breathe. Within seconds, you’ll be on your way to heaven.

Liam: I don’t really understand, but for some reason it’s just always in my head.

I found myself staring at Liam’s profile as he spoke.

Kate: … If you could go to that place where you could touch the stars, would you want to?

Liam: If I could touch the stars… huh.

Liam reached a hand towards the spotlights hanging from the ceiling.

Liam: Even now, I still long to touch something as beautiful as the stars.

I recalled the day when he told me that everything apart from himself was beautiful.

Liam: But…

He pulled me close with an outstretched arm, firmly holding my shoulder.

Liam: Right now, however dirty or ashamed I feel… I much prefer being able to touch you like this.

Liam: I always will.

Liam: Perhaps, this way, I’ll always be happy.

As Liam spoke with a soft smile—

I leaned in and gave him a gentle kiss on the neck.

Liam: … It tickles.

Liam just living on with a beating heart was enough for me to see him as the most beautiful person in the world, like the brightest star in the sky; and yet, he would most likely spend the rest of his life refusing to acknowledge his beauty and wishing to become a star while carrying the burden of his permanent scars.

(Even if you never realise how beautiful you are, I’ll always stay by your side and watch over you.)

Liam: I wonder what tomorrow will bring.

Liam: I don't know what will happen, but I think it’d be nice to have you with me…

Liam: I hope that you’ll have me in your eyes tomorrow too…

Kate: What are you talking about…? I’ll always be waiting for you to spend our tomorrows together, until you get sick of it.

Liam: Then… let’s be together until the very last second of our lives.

Liam: Ahh, I’m looking forward to tomorrow…

Enveloped by the light that resembled the stars in the sky, we waited for our tomorrow to come.

Our hearts beating together.

#ikemen villains #ikemen series #cybird ikemen #otome #cybird otome #ikevil main story #liam main story #liam evans

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antifainternational · 5 months

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youtube

Barcelona's Antifascist Revolution Unveiled in Rare Anarchist Durruti Funeral Video from 1936 - He died on this day Rare newsreel footage from José Buenaventura Durruti Dumange's (14 July 1896 – 20 November 1936) funeral in Barcelona, attended by more than half a million anarchists. He died on 20 November 1936, at the age of 40, in a makeshift operating theatre set up in what was formerly the Ritz Hotel. The bullet was lodged in the heart; the diagnosis recorded was "death caused by pleural haemorrhage". The doctors wrote a report in which the path of the bullet and the character of the wound was recorded but not the calibre of the bullet, since no autopsy was performed to remove it. His driver's gave the following testimonial about the events that lead to his death: "We passed a little group of hotels which are at the bottom of this avenue [Avenida de la Reina Victoria] and we turned towards the right. Arriving at the big street, we saw a group of militiamen coming towards us. Durruti thought it was some young men who were leaving the front. This area was completely destroyed by the bullets coming from the Clinical Hospital, which had been taken during these days by the Moors and which dominated all the environs. Durruti had me stop the car which I parked in the angle of one of those little hotels as a precaution. Durruti got out of the auto and went towards the militiamen. He asked them where they were going. As they didn't know what to say, he ordered them to return to the front. The militiamen obeyed and Durruti returned towards the car. The rain of bullets became stronger. From the vast red heap of the clinical hospital, the Moors and the Guardia Civil were shooting furiously. Reaching the door of the machine, Durruti collapsed, a bullet through his chest." --- It is we the workers who built these palaces and cities, here in Spain and in America and everywhere. We, the workers. We can build others to take their place. And better ones! We are not in the least afraid of ruins. We are going to inherit the earth. There is not the slightest doubt about that. The bourgeoisie might blast and ruin its own world before it leaves the stage of history. We carry a new world here, in our hearts. That world is growing in this minute. — Buenaventura Durruti -

#Durruti #antifa #antifascist #antifascism #spain #espana #spanish #revolution #civil war #spanish revolution #Youtube

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homochadensistm · 2 months

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The conses:

And the quences:

https://www.heraldsun.com.au/news/victoria/push-to-ban-belfast-comedian-paul-currie-from-melbourne-comedy-festival-after-outburst/news-story/2ea11568d093e8ae9c443b00b5d00a77

#israel #palestine #paul currie #won the stupidest prize indeed

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pazzesco · 6 months

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The Great Binge: The Drug-Fuelled “Belle Epoque”

The Belle Époque or La Belle Époque; French for "Beautiful Epoch" is a period of history, usually considered to begin around 1871–1880 and to end with the outbreak of World War I in 1914. It was a period characterized by optimism, peace, economic prosperity, colonial expansion, and technological, scientific, and cultural innovations. In this era of France's cultural and artistic climate (particularly within Paris), the arts markedly flourished, and numerous masterpieces of literature, music, theatre, and visual art gained extensive recognition.

The Bar At Maxim's, Vintage Artwork By Pierre-Victor Galland

The Great Binge refers to the same period spanning 1870 to 1914 in North America. It was coined by modern historian Gradus Protus van der Belt to describe a time when drugs like cocaine, heroin, opium, absinthe, laudanum, and many more were freely available not just from your local pharmacy, tobaconists or the neighbourhood bar, but also from the barbershop, the stationers, and even confectioners.

Morphine by Albert Matignon - 1905

Georges Moreau de Tours - Les Morphinees The Morphine Takers - 1886

Between 1827 and 1842, over 27,000 pounds of opium came into the ports of the United States alone, where the drug found an unexpected distribution network of businessmen, presidential parents, and even Ivy League schools, which all had ties to the Opium trade in the late 19th century.

The Illustrated London News print of the clipper steamship Ly-ee-moon, built for the opium trade, c. 1859

“Princeton’s first large benefactor, John Green, funded his contribution through the opium trade […] Yale University’s infamous Skull and Bone society was funded by the most successful family of opium dealers in America,” reveals Harvard’s magazine, The Crimson, adding that as America’s gateway institution for the drug that soon spread to other Ivy Leagues along the East Coast, “Opium once pervaded campus life at Harvard […] throughout the 1800s, its black smoke kept the university’s veins flowing with green and its faculty and students perpetually dazed.”

The term “pipe dream” actually originates from the opium dens of turn of the century America where people smoking an opium pipe would come up with ideas, theories and fantasies whilst hallucinating.

In 1908, President Roosevelt appointed Hamilton Wright as the first Opium Commissioner in the United States to begin targeting opium dealers. The irony here is that Franklin D. Roosevelt’s grandfather, Warren Delano, was an opium peddler, and his drug trade was responsible for the bulk of the family’s fortune. Roosevelt’s mother, Sara Delano, travelled to Hong Kong with her family to join her opium-trading father in the 1860s.

Warren Delano (FDR's grandfather & Opium King)

Sara (FDR's mother) & Philippe Delano in 1864, following their return home from Hong Kong. (Franklin Roosevelt Library)

The crackdown on the Great Binge inevitably began with the signing of the 1912 International Opium Convention to suppress opium smoking and to limit it to medicinal purposes. In the 1920s, in the US, an anti-drug crusade also saw heroin cough drops and cocaine tablets to slowly disappear from stores and bathroom cabinets.

In the 1920s, in the US, an anti-drug crusade also saw heroin cough drops and cocaine tablets to slowly disappear from stores and bathroom cabinets.

During the Great Binge, the most notable drink in circulation was the Vin Mariani, an alcoholic beverage that combined both wine and cocaine.

Angelo Mariani, a French chemist who invented a very popular beverage in 1863.

Mariani tonic Wine — lithography by Jules Cheret

The French "Tonic" Wine received endorsements from Pope Leo XIII as well as many of the Belle Epoque’s most famous names, Sarah Bernhardt, Jules Verne and even Queen Victoria were all fans of the drug-infused cocktail.

Pope Leo XIII even allowed his face to be used in Vin Mariani’s marketing campaign. He was very much a brand ambassador, citing that it strengthened him “when prayer was insufficient”.

Mariani's "Tonic" would spent the following century cleaning up its act & rebranding itself to become the world’s most iconic household brand: Coca Cola

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miasiegert · 7 months

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How Cats Casting Often Works (Summer Stock)

So due to request, explaining how casting works for many regional productions of CATS. NOTE: I am not discussing ANYONE I work with, anyone I've worked with past-tense, any production I've done. This is a general explanation of how summer stock works and how incredibly difficult it is for the director/choreographer to make decisions. Because, surprisingly, the director doesn't get auditions for each character! They have to choose from already cast actors! WHAT? Yup, that's Summer stock!

The actors are contracted to do about four shows for a theatre to last for their summer season. This is subject to change, sometimes actors have to leave (injury, illness, Broadway offers (yes, that happens!)), but for those shows the bulk of the actors are already cast! So someone can't hold auditions for Mistoffelees or Victoria. They need to go with who's already there (very talented! But they might have different skillsets!)

The director needs to assess the actors, some of whom they know, many of whom they don't and see reels but a lot of instagram, and they must compare them to the entire summer stock cast to decide what's best.

For example, if someone is not a singer but a great dancer, they might be someone like Mistoffelees, Victoria, Pouncival. If someone's got an incredible belt, they might be Bombalurina. Usually Bombalurina and Cassandra are coin tosses and REALLY hard decisions (you really need a good actor for Cass to be so aloof and hold the poses). If there's a soprano, usually the more classically trained one who is not a dancer will be Jellylorum. If someone's an incredible tapper, they'll be Jenny!

You get the double threats for the ones who dance and sing (Munkustrap, Skimble) and those might be some that'd be considered for different roles--Mungo and Rumple are always double-threats but often triple threat because of acting. If someone's a rock singer, they'd be Tugger because it's HARD to do that. If someone can turn and has a strong ballet/jazz background, they're Mistoffelees (which is how one can end up with a 6'2" Mistoffelees and very panicked costume designers who have 3 weeks to create TWO full new costumes from scratch to fit their height! What, no, I'm not talking about us, what gave you that impression?).

Then there are triple threats, ones who can dance, sing, AND act, like Demeter and Munkustrap. Those are HARD roles. It doesn't always end up like that because of who's available, which is NOT shade towards any actor--when contracted for a season, they are given the best possible role to highlight their ability.

For Macavity, it's usually one of the largest dancers because of the Munk and Alonzo lift and someone who is a very lyrical mover.

This does not mean that Plato will do the lift with Victoria in the Ball. The lift goes to the person who is the best at doing lifts in the cast. US Tour V had Eddie (who was Alonzo) doing the lift because he was the best. One of the Australian tours had (surprisingly) Tumblebrutus do the lift! Yes, really!

In the US, Mungo and Rumple are usually the same size for the double cartwheels and we are very confused as to major height differences in the UK. I mean clearly it works but it's significantly harder when one's not as balanced so that's taken into consideration (Mungo NEEDS to do some tumbling).

Ensemble is where it's REALLY tough. A lot of times people assume the ensemble members are the ones who are hidden/not as good. That's absolutely false. The ensemble members ALWAYS are swings and understudy multiple roles. They need to be prepared to jump in on the spot in case of illness or injury, such as an onstage injury (there was a horrific one on the US Tour once where Pouncival had to take over during Mistoffelees as the actor broke his foot during the turns). A lot of the BEST dancers are put in the back and random spots because in order to make a good show that's cohesive, you need to have what looks like a fully in sync production. The ensemble holds everyone together and are critical for the show to be a success.

Cats is one of the rare shows where, with the fandom, since they're all their own characters, they are recognized for each thing but often not the why!

Also some characters might randomly be seen because some of the wonderful donors might have walk ons! Without donors, many regional productions would not exist! So if you see a cat that's maybe sitting around in the background, catting around, not dancing/not singing, you should 10000% appreciate them because without them, there'd be no show! Patrons are super important and it's an honor to give them some GREAT costumes to wear (and super fun for them to be cats!)

I hope that helps explain how casting works in many productions of summer stock and how difficult it is! Also did you know most productions only have one week to rehearse??? Wichita had three weeks, I believe, but most are only one, it's true!!!

Let me know if you have any questions!

Also I saw the comment asking about how we make warmers; I don't know how to reply to a reblog (sorry I am not smart at social media). Some day, we can go through a basic tutorial. But learn how to cast on/cast off, knit, purl, and stretchy decrease (tutorials online). It's SUPER easy, just time consuming... oh so time consuming. As for fluffy warmers, we use a LOT of different yarns, always at least double-strand, sometimes quadruple, lots of eyelash yarn, and while David does NOT do this, for my warmers, I will always use scraps if I'm doing the strays. Cats are mottled IRL. They won't be consistent. David likes having three colors per costume. I... am a bit more wild... yet strangely it's my muted costumes that people seem to be talking about here (buttercup Jellylorum for example!). Oh. And always Magical Misto will have black leg warmers with purple sparkles hidden in them. That's my thing. I give characters certain colors. Misto is purple, Tumble is blue.

BACK TO WRITING! I made today's deadline but PUSHING ON so I have less tomorrow!

#cats musical #cats the musical #cats cosplay #how summerstock casting works #did i hashtag this correctly?

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bobdylan-n-jonimitchell · 1 year

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Joni Mitchell & The L.A. Express at the New Victoria Theatre—BBC’s “The Old Grey Whistle Test” broadcast November 19, 1974.

#Joni Mitchell & The L.A. Express #Joni Mitchell #The L.A. Express #New Victoria Theatre #London #England #1974 #1970s #Miles of Aisles Tour #The Old Grey Whistle Test #BBC

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storyweaverofgondor · 13 days

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Cats Footlight Production 2008

I do so love stumbling across a new non-replica of my favorite musical.

It apparently took place from January 27 to Febuary 11 2008 in Geelong (I think in Ausralia?) according to one of the above articles.

@whitmerule @cryptidvoidwritings @statisticalcats2

Cast and Production team list below the cut

PRODUCTION TEAM Producer Peter Wills Director Darylin Ramondo Musical Director John Shawcross Vocal Director Anita Barlow – Burman Choreographer Jordan Punsalang Costume Design Bevan Vahland Costumes created by Ferri Bond Make Up Design Penni Nash-Gilchrist Set Design Bevan Vahland Lighting Design Shane Haugh Stage & Technical Manager Robert McKenzie

CAST Admetus Olivia Taravillo Alonzo Glenn Murray Angelica Caitlin Mathieson Bombalurina Amy Lehpamer Bustopher Jones Lachy Joyce Cassandra Bree Moyes Coricopat Jordan Middelkoop Demeter Kethly Hemsworth Electra Jessica Nash Etcetra Zoe Marsh Exotica Jess Gomularz Grizabella Sophie Collins Gus The Theatre Cat Howard Dandy Jellylorum Jocelyn Mackay Jemima Emily Jacker Jennyanydots Gail Lee Mr. Mistoffelees Casey Chisholm Mungojerrie / Macavity Joel Cooper Munkustrap Mykel Jackson-Brown Old Deuteronomy Tim Edwards Plato David Greenwood Pouncival Caleb Vines Rumpleteazer Jennifer Stirk Rum Tum Tugger Tony Wasley Sillabub Nikki Lenaghan Skimbleshanks Ian Nash – Gilchrist Tantomile Farryn Burrill Victoria Purdey Rickard

#cats the musical #cats the musical fandom #Cats Footlight Productions 2008 #cats non replica

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scotianostra · 2 months

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Happy birthday Annette Crosbie, born 12th February 1934.

Annette was born in Gorebridge, Midlothian, to strict Presbyterian parents who disapproved of her becoming an actress.

Nvertheless, she joined the Bristol Old Vic Theatre School while still in her teens. Her big break came in 1970 when she was cast as Catherine of Aragon in the BBC television series The Six Wives of Henry VIII, for which she won the 1971 BAFTA Television Award for Best Actress. In 1973, she starred alongside Vanessa Redgrave in the BBC serial, A Picture of Katherine Mansfield.

Crosbie was born in Gorebridge, Midlothian, to strict Presbyterian parents who disapproved of her becoming an actress. Nevertheless, she joined the Bristol Old Vic Theatre School while still in her teens. Her big break came in 1970 when she was cast as Catherine of Aragon in the BBC television series The Six Wives of Henry VIII, for which she won the 1971 BAFTA Television Award for Best Actress. In 1973, she starred alongside Vanessa Redgrave in the BBC serial, A Picture of Katherine Mansfield.

In 1975, Crosbie made a similar impact as Queen Victoria, in the ITV period drama Edward the Seventh, for which she won the 1976 BAFTA Television Award for Best Actress. She played Cinderella’s fairy godmother in The Slipper and the Rose, which was chosen as the Royal Film Première for 1976. In that film, Crosbie sang the Sherman Brothers’ song, “Suddenly It Happens”. In Ralph Bakshi’s animated movie, The Lord of the Rings, filmed in 1978, Crosbie voiced the character of Galadriel, Lady of the Elves. In 1980, she played the abbess in Hawk the Slayer. In 1986, she appeared as the vicar’s wife in Paradise Postponed.

After appearing in the BBC1 drama Take Me Home, Crosbie’s next major role was as Margaret Meldrew, the long-suffering wife of Victor Meldrewplayed by fellow Scot, Richard Wilson) in the BBC sitcom One Foot in the Grave for which she is best known. She also played Janet, the housekeeper to Dr. Finlay, in the 1993 revival of A.J. Cronin’s popular stories.

Crosbie’s other roles include playing the monkey-lover Ingrid Strange in an episode of Jonathan Creek, Edith Sparshott in An Unsuitable Job for a Woma, and Jessie in the film Calendar Girls. In 2004, Crosbie appeared alongside Sam Kelly in an episode of the third series of Black Books, as the mother of the character Manny Bianco. In the series six and seven of the BBC Radio 4 comedy series Old Harry’s Game, she played a recently deceased historian named Edith.

In 2008 she appeared in the BBC adaptation of Charles Dickens’s Little Dorrit, in 2009, she portrayed Sadie Cairncross in the BBC television series Hope Springs. In 2010 Crosbie appeared in the Doctor Who episode “The Eleventh Hour”. In 2014 Crosbie appeared in the movies What We Did on Our Holiday and Into the Woods. In 2015 she appeared in a BBC adaptation of the novel Cider with Rosie. In 2016 she appeared in the new film version of Dad’s Army .

In recent years, she appeared in season two of Ricky Gervais' black comedy-drama After Life on Netflix. She now resides in Wimbledon and is a campaigner against cruelty for animals.

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