San Pietro si svuota mentre il rito antico registra il boom

Corpus Domini alla chetichella in Vaticano e flop totale dell’evento organizzato dal card. Gambetti: cinque ore di spettacoli, l’ennesima dichiarazione e la piazza vuota come le chiacchiere sulla “fraternità umana”, dimostrano che i fedeli cercano qualcosa di eterno e vanno a bere ad altre fonti. Come le realtà legate alla liturgia tradizionale, la cui vitalità dovrebbe porre più di qualche…

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UNHOLY FUCK Ghesties!

THIS IS IT! The final chapter of Death and Flowers is coming at you!!!

I hope you all enjoy it!!!! Our poor Copia and Ollie have been through so much. Will they have a happily ever after?

Commissions are OPEN, please see pinned post for Carrd info!

*Special thank you to @gothdaddyissues for the banners*-hit me up ghestie I owe you a fic or something for using these.

Death & Flowers

It hadn’t been serious, it never was with him. While Papa was suave and Ollie enjoyed their time together it wasn’t meant to be. She knew it wasn’t something meant to last…something permanent but—here she was. It was only one missed pill and life forever changed.

Chapter 14: Long May He Reign

Also available HERE on AO3! Haven’t started yet? Start from the beginning HERE!

Definitely NSFW below the cut!

They didn't bother to wait for the rest of the ghouls. Copia, along with Alpha, Omega, and Aether began working their way to Saltarian’s office. The Cardinal, having finally put all the pieces together. He was angry at himself for being so blind—the answers were right there in front of him the whole time. 

“Tell us Cardinal, who is responsible for this?” Aether asked, watching as the anger inside both Omega and Alpha grew. Threatening to billow out of them like Hell fire—consuming anything and everything in their path. 

“It is those men–the League. Maybe Saltarian, I think he has been assembling them to overthrow the Ministry. The Emeritus family and the ghouls are just casualties in their pursuit of it. 

“Then… then why weren't they after you?” Aether asked, knowing the truth of Copia’s parentage. It would have puzzled Copia too, had he not overheard the conversation between Sister and Saltarian from before. Now he knew exactly why he was overlooked, despite his heritage.  

“The man has a soft spot for Sister… I am her son and from what I have learned, I was never supposed to know Nihil was my father. Blissful ignorance meant to keep me safe in favor of her. But now that has all changed.”

“This is fucking insane; how did they think they were going to keep everything in line without the support of the ghouls. Like it or not, we are essential for the connection and power from the Dark One himself.” Alpha snarled, as they walked, trying his best not to go running off on his own to fight them. The ghouls, confused and betrayed by all they thought they knew.  

“I am sure the plan was to have some of you become fodder for those hungry to condemn someone for the Emeritus family deaths, but I can only assume they never meant to imply that all of you were involved. I am certain now that this is why you were framed. Blamed for Primo, Secondo, and Terzo’s deaths.”

“How do you know?” Omega asked.

“The scent. I don’t have senses the way you do, but I have recently come into contact with the same smell Aether described. It was overwhelming on Bishop Martin… it has to be them. 

A few hours before…

Saltarian sat at his desk, head in his hands as he waited for the California Ministry to contact him. Hoping to have Copia set up to stay there for the majority of his time of touring. He wondered if he would be able to continue on as planned. His love for Elizabeth had already cost him so much and now with her carelessness, she threatened to undo everything he had worked so hard to orchestrate. 

He could hear it from down the hall as they approached. The sounds of footfalls on the tile, made with a sense of haste. Then as expected and without a knock, Bishops Mauro, Henry, and Martin came charging into his office. The looks on their faces telling him this was no casual visit. 

“What is it?” he asked them.

“We have a problem.” Bishop Mauro began, looking at the other two to see who might be next to speak.

“What problem?” he asked, rubbing his eyes. Allowing his pen to fall to his desk, and the room to grow quiet before he looked up at them. 

“We have learned some very disturbing news, your excellency.” Martin continued. 

“Seems our dear sweet Cardinal is not the father of Sister Olive’s child.” Henry smirked, a glint of evil in his eye. One that had far surpassed anything Saltarian had ever seen. The news was powerful, yet not a complete surprise to him. The most interesting part was the thought that Copia knew and still claimed the child as his own. Saltarian, now wondering if the Cardinal and Sister Imperator had conspired against him this whole time.

“He’s also Nihil’s son… a fact you seemed to be aware of, yet we are just now hearing of it. Is this true Mr. Saltarian?” Bishop Mauro asked, watching for a crack in Saltarian’s resolve. He was angered to the core—maddened. He had tried to do right by Sister Imperator. Hiding her bastard son from the eyes of those he answered to—those who also wanted the end of the Emeritus family. Only to have the bloodline kept alive and well in his child. Sure, that it was Sister Imperator who outed him as knowing the secret. 

“I see... that conniving bitch. That is preposterous.” he hissed under his breath. “You know what you need to do.” he nodded to the bishops. The men, acknowledging him as they set course to eliminate them all—Nihil, Copia, Olive and the child.

Present time

Copia rounded the corner and ran straight into Bishop Martin, he was covered in blood. Unabashed by walking around in broad daylight. His smug smile, sending a chill down Copia’s spine. 

“What have you done!” Copia yelled, the crest of his knuckles bashing into the bishop’s jawline as he threw the first punch. Sending a cascade of blood from Martin’s mouth to the floor. The ghouls standing behind them, growling and tails snapping in the air like whips. 

“You really are a fool.” Martin laughed, his face already beginning to swell from Copia’s right hook. 

“Whose blood is this? If you don't tell me what is going on, I will let them devour you whole, you figlio di puttana!” 

“All this energy over your dead brother's whore?” Martin chuckled. Leaving bloody fingerprints behind on Copia’s cassock as he tried to hold him back from another hit. 

“I’ll fucking kill you.” Omega roared, Aether and Alpha holding him down so that Copia may get answers before Omega went and tore him to shreds. 

“Oh Satanas Ollie.” Copia choked, his stomach sinking as the words left him. Scared that the blood may be hers.

“Relax Cardinal, you precious whore is fine. Though not for long. This blood… belongs to your old man.” he grinned, as Copia dropped his body to the ground. Running behind him into Nihil’s office. Only to find the old man dead in his chair–throat slit and blood decorating the walls. 

“Oh fuck.” Aether said, as he and Alpha followed him into the room. Omega, still in the hall. Sinking his teeth into the bishop's carotid before his body went completely limp in the ghoul's arms. 

“He’s gone.” was all Copia could say, quickly setting course back into the hall where he found Omega hovering over the bishop. Barely clutching onto his mortal coil.  

“She’s next.” he said, choking on his own blood. The ghouls and Copia, realizing instantly what he meant.

“We need to get to Ollie and Luss now!” Alpha growled, taking off full force alongside Copia and Aether as Omega finished off Martin. 

As they made it back to Copia’s Papal suites, there was an eerie quiet. The door cracked open and no sign of Ollie or Cumulus to be seen. Copia and the ghouls carefully crept inside. Searching for them, until finally they could hear the sound of glass breaking from within the bedroom. 

As they ran inside, they saw them. Two men, in shining silver ghouls' masks, holding Ollie and Cumulus captive. Knives to their throats and the two of them struggling against their captor’s grips. Cumulus, doing her best to try and bite them, while Ollie cried. Her hands, never leaving her belly.  

“Ollie! Cumulus!” Copia cried, attempting to run for them before watching the men adjust their blades. Stopping the Cardinal in his tracks as the ghouls continued forward. 

“Take those off! You can’t fool us you motherfuckers.” Alpha hissed, watching as the men removed the masks. Revealing themselves to be Bishop Mauro and Henry. Copia’s suspicions had been confirmed. It was the League who was responsible for the deaths of his brothers—and his father. 

“Step any closer and we will slit their throats.” Bishop Henry told them. Pressing the blade against Ollie’s neck. A string of blood, beading up along the cut as she cried out. 

“Copia!” 

“It’s alright amore.” Copia called out, the bishops laughing at his weak promises. Amused with his idea he had any control, knowing they held Ollie and Cumulus within millimeters of death.  

“We will tear you apart before you do anything to them!” Omega roared, looking into Cumulus’s eyes. Doing her best to remain calm as her life lay in the balance. Never showing her fear to them as they continued on. 

“Please you all are nothing but rabid animals. No sense or reason. You’re disposable. There are millions more like you awaiting summoning. None of them will ever know better.” Mauro smiled. The three ghouls standing their ground, teeth bared and tails swishing. Ready to pounce if they only are given the chance.

“Let Ollie and Cumulus go, take me instead. They have done nothing to you. It’s me you want. I am Nihil’s son.” Copia begged, trying his best to inch closer to them without setting them off. 

“There’s just one thing…a tiny… little… thing.” Henry said. Slowly brushing back the hair from off Ollie’s shoulder. Trembling in his grasp. “This is a problem.” he said as his free hand traveled down from her shoulder and over her chest, finally settling over the swell of her belly. 

“Don’t you fucking touch her.” Copia said, his teeth gritted and his rage boiling over. Bloodthirsty and ready to end them.  

“It’s nothing personal, Cardinal. The Ministry is just done with Emeritus. Sorry you got caught in the mix. Then again, you all are nothing but fools.” Mauro hissed. The tension was unbearable. Every second lingering as they stared each other down. Copia and the ghouls helpless but to watch until somehow, they could find a way in. 

Suddenly from the shadows, a figure appeared. Pushing past the men and bringing himself front and center. Positioning himself between them. Announcing himself as the man of the hour, the one who held all control—Mr. Saltarian.

“Not yet Henry…” he said, stopping things from moving forward until he had his final say. Wanting to draw out Copia’s torment for as long as humanly possible. Relish, in his agony as he watched his lover and child slowly be murdered in front of his eyes.  

“Ti sei rincoglionito?!” Copia growled, his white eye—blazing with fury. Chest heaving and ready to kill Saltarian where he stood.

“You know, I had a mind once to consider you a son. After all I have known you since your whore of a mother carried you.” Saltarian began, smirking at him as he crossed his arms. Lifting up a condescending brow and snickering to himself. 

“You are nothing—” Copia began before Saltarian cut him off. 

“I am everything… I have done everything. You know the whole reason this order, the League, was founded was to get rid of them. I may never have been able to become Papa myself, but I could have still had control. If your mother hadn’t been stupid enough to tell you about Nihil.”

“Don’t you dare…” Copia began. 

“I did EVERYTHING FOR HER!” Saltarian yelled back, turning around to rip away the knife from Bishop Henry. Pressing it into the side of Ollie’s belly, just hard enough to draw blood. The blood, staining her dress as she cried out. 

“Ah!”

“Please don’t hurt her!” Copia pleaded, ready to give his life for her. The ghouls snapping and snarling behind him. Waiting for an opportune moment to strike. Dying to taste the blood of the men on their tongues and pick their flesh from their teeth. 

“This is your fault Copia. Had you never been born she might have been mine. Not attached to that old bastard for so long. Even then I would have given you the Papacy to please her. Getting rid of Nihil so you could start anew with me pulling the strings—but now since she managed to ruin it all helping you and helped to protect this pathetic Emeritus whelp…” Saltarian said as he raised up the knife, “...I guess I’ll have to kill you all and take the miter myself!”

Saltarian threw Ollie to the ground and lunged towards Copia. The blade, barely missing his chest and digging into his shoulder. Copia groaned as he pulled it out, him and Saltarian struggling to take hold of it. Copia’s blood painting the floor, slick and red. 

The ghouls took their opportunity in the confusion. The bishop’s had grown comfortable, letting down their guard when Cumulus thrusted her elbow backwards into Mauro. Knocking him back onto the floor. The ghouls and ghoulette, flooding over him and ripping him apart with their bare teeth and sharp claws. Bishop Henry panting as he tried to take off. Aether, jumping over his gorging brethren to snatch him. 

The ghoul’s claws sunk deep into the flesh of the bishop’s back as he screamed. Blood curdling and powerful as he fell to the ground. Ollie, still laying on the floor, cradling her belly in her arms as she watched in horror at the scene. The ghouls devouring the Bishops and Saltarian and Copia fighting to the death. 

The ruckus in the Papal suite had alerted others, crowds of siblings and other clergy members spilling in from the halls. All too shocked and afraid to make a move. Worried that their involvement would seal the wrong person’s fate. Watching as Copia and Saltarian continued to scuffle. The knife dancing between them, always a split hair away from stabbing one or the other. 

Ollie pulled herself up, grateful to a pair of sisters who came to collect her. Surrounded by pieces of what once was the bishops. Covered in theirs and her lover’s blood. Catching Copia’s eyes for a brief moment, her tears once again began to shed. Wondering to herself if this was the last time, he would ever look at her.  

Seeing Ollie was all he needed. The thought of never seeing her again, never holding her again, gave him strength beyond measure. Toppling Saltarian to the ground and hovering over him. Knife raised high as he was ready to strike. 

“You know it's far from over. I am not the only one who wanted the power of the Ministry to be their own.” Saltarian said, spitting up at Copia.  

“Your vitriol nature has done nothing for you. How does it feel to know his son bested you after all.” Copia told him, gloating at the idea. Saltarian made one last stitch effort to get the blade. Punching Copia in the gut as he tried to take it from him. The two men, rolling on the ground over one another–until suddenly they stopped. 

The two of them, looking down to see the blade piercing into Saltarian’s heart. Immediately he began choking. Feeling his death approaching. Every beat of his heart, bringing him closer as he began to bleed out from the inside. 

“This baby will be born, and the Emeritus bloodline will continue…and one day Saltarian, he will become Papa…” Copia began, watching the light starting to fade in Saltarian’s eyes. 

“No…” Saltarian shuddered as Copia pushed the knife in deeper. Twisting it as he spoke, “And long may he reign!”

Epilogue 

A Few Years Later…

As the lights died down on the stage at the last of the Los Angeles shows, Copia remained bowed. His heart pounding in his chest and the thrill of the crowd cheering “Papa” echoing throughout the arena. Never did he imagine his life would be like this. Admired by all and revered by the Ministry. 

It had been so long since his humbler beginnings. The night of his true rise to power was long behind him. Followed swiftly by the sweet embrace of Fatherhood not long after. Becoming Papa, despite it all, in the in between.

Now that he had been in charge for some time, Copia decided that after the Imperatour he would step down. If there was one thing Saltarian got right—was that new blood was needed in the Ministry. Terzo's son—his son, would one day rise to power and until then Copia wanted the Ministry to be helmed by someone else. Copia, knowing he had done all he could there after working to reform things. 

He had worked hard to bring down all those who co-conspired in the deaths of his father and brothers. His mother was forced to step down from her position within the church. Toured for years with Ghost, and helped to foster a new wave of worthy siblings of sin and respectful members of the Clergy. Knowing that now was the time for someone else to lead.

He and Ollie had never been better, raising their little boy to the best of their ability while on the road. Never leaving each other’s side, even now. No longer haunted by the ghosts of the past as they worked to create their own family. A life, a love, something special just for them. 

As he exited the stage, he caught sight of them. The two things he cared about more than anything else, his sweet Ollie and little Giovanni were standing there waiting for him backstage. Juice boxes, held in his pair of small hands as Giovanni went running up to his daddy. Copia, hoisting him up in the air and squeezing him tight in his arms. Ollie, following right behind him, a smile spread wide across her face.

“That was incredible.” Ollie cheered, coming to plant a kiss on Copia’s smeared painted cheek. 

“I should say so, what do you think piccolo? Did daddy do a good job?” he asked Giovanni.

“I loved it!” his son cheered, throwing his arms around Copia. Juice spraying in the air and all over the back of his father’s vestments. Ollie, quickly coming to help try and help clean it up.

“Gio, you need to be more careful.” she told him. Giving him a cheeky look before dapping away at the spill.

“It’s alright cara, I won't be needing them much longer anyways. You know very soon Gio, daddy and mommy are going to take you to the country. Spend some time in the quiet… I feel it's well earned. For all of us.” Copia chuckled, sending Ollie the sincerest of smiles. Ollie was overcome with emotion. So happy to have time to enjoy just each other. The nightmares of the past behind them. She was unable to help but kiss him. Relishing the feel of his lips against hers and the sounds of their son’s giggles as she hummed in contentment. 

“That it is Papa—that it is.”

Notes: 

figlio di puttana- son of a bitch

Piccolo- Little one

Nei primi secoli del cristianesimo vi fu una diatriba a volte accesa sulla necessità o meno di studiare gli autori greci e romani (si pensi a san Girolamo o a sant’Agostino), durante il Medioevo e soprattutto nei monasteri prevalse una mentalità sostanzialmente aperta.

Bonifacio, apostolo della Germania, compose un’Arte della grammatica nella cui prefazione sosteneva che lo studio dei classici è indispensabile alla formazione religiosa. Ancora, Gerberto, divenuto poi papa col nome di Silvestro II (999-1003), che come direttore della scuola cattedrale di Reims riteneva «impossibile per i suoi allievi elevarsi all’arte oratoria senza conoscere le tecniche di elocuzione che si possono imparare soltanto leggendo i poeti». Insomma, da Gregorio Magno fino ad Alcuino, emblema del Rinascimento carolingio, fu tutto un susseguirsi di lodi verso la cultura classica.

Altro che secoli bui (...). Come l’eccezionale esperienza del Vivarium, il monastero fondato da Cassiodoro, che nel VI secolo «fornì le basi per una compiuta sintesi tra saperi pagani e sapienza cristiana». O il meno noto monastero di Eugippio, abate a Castellum Lucullanum vicino a Napoli, che già alla fine del V secolo consolidò la pratica di copiare e conservare i manoscritti antichi. Per arrivare a Rabano Mauro, che guidò l’abbazia benedettina di Fulda in Germania, autore di uno studio sull’arte del linguaggio e difensore della grammatica, e a (...) Alcuino, al quale si devono due trattati sulla retorica e sulla dialettica, ritenuti fondamentali per lo studio, ma anche per l’evangelizzazione.

Poi si spazia dall’elogio da parte di Agostino dell’aritmetica e dei numeri in quanto voluti da Dio come fondamento dell’ordine dell’universo alla passione di Boezio e di Gerberto per la geometria, per finire con l’astronomia di cui si è già riferito e con la musica, la «scienza del misurare ritmicamente secondo arte» ancora per sant’Agostino, autore di un trattato apposito, il De musica. Boezio poi la riteneva «connessa non solo con la speculazione, ma con la moralità». Un lungo percorso approdato nell’XI secolo a Guido d’Arezzo e alla sua codificazione delle note musicali.

via https://www.avvenire.it/agora/pagine/la-cultura-monastica-luce-del-medioevo

Come in tutte le rivoluzioni del pensiero, anche il cristianesimo rischiò nella sua infanzia l'implosione suicida causa massimalismo fondamentalista, cancellatore di tutta l'eredità del passato nel nome di una nuova ripartenza.

Mentre ad es. islam, blm, wokismo e ambientalismo ci cascano come pere e ne sono fatalmente vittime, il pensiero cristiano dopo qualche iniziale tentennamento - iconoclastia etc. - si salva da se sin dai primi tempi, lasciando tutti i freni fondamentalisti auto imposti alla ortodossia orientale e celebrando Dio per mezzo della CURIOSITA' DEL SAPERE, originando quindi dal suo interno e ponendo le premesse per tutto il successivo progresso positivo del mondo, dal capitalismo al liberalismo alla scienza.

WAIT THIS IS FOR THAT OTHER ANON HOLD ON HERE I HAVE A LIST OF ALL THE GHOULS AND WHEN THEY WERE THERE. I DID NOT SPEND MONTHS COMPILING EVERYTHING I KNOW ABOUT GHOST INTO OnE DOCUMENT FOR NOTHING!!! YIPPEEEE (also im 99% sure this is all correct but some things might be wrong idk) (also also i included the irl people who play the ghouls btw)

Era 1

The very first lineup of ghouls was from 2010 to 2011.

Alpha (played by Simon Soderberg)

-Lead guitar

-White Fantomen guitar (white with pointed black pickguard, curvy)

-Fire symbol on guitar

-Hand tattoos

Chain (played by Gustaf Lindstrom)

-Bass guitar

-Weirdly shaped black guitar with white edges

-Wore big chain necklace

-Bones painted onto hand

Omega (played by Martin Persner)

-Rhythm guitar

-Black Fantomen guitar (black, curvy, white outline)

-Omega symbol on guitar

Earth (played by Aksel Holmgren)

-Drums

-Left-handed

Air (played by Mauro Rubino)

-Keyboard/synth

-Air symbol on keyboard

-Stood up at all times

-Big and tall

In 2011, Water replaced Chain.

Water (played by Rikard Ottoson)

-Bass guitar

-Same guitar as Chain’s

-Wore blackout contact lenses

Era 2

From 2012 to 2014, the lineup remained the same as Era 1. In 2014, a new person began to portray Water, although the ghoul’s name remained the same. During this time, Earth was also replaced, and the new drummer ghoul was nicknamed Little Earth because of his small stature.

Water (played by Linton Rubino)

-Bass guitar (same as previous Water’s)

-Large hands

-Tall

Little Earth (played by Martin Hjertstedt)

-Drums

-Short and small

-Spun drumsticks

Era 3

In 2015, Water was replaced again. He also switched guitars, although his name stayed the same.

Water (played by Henrik Palm)

-Bass guitar (white with larger rounded black pickguard, curvy)

-No symbol on guitar

-Tall

In 2016, there was a transitional lineup change. Omega played his last show on July 2, 2016. His position as rhythm guitarist was replaced by Water, who switched to a Black Gibson SG guitar (fully black, pointed, black pointed pickguard with a white outline) without any elemental symbol on it.

From July to September of 2016, Ghost had no live bassist. In September, the first ghoulette, Mist, joined and became the bassist.

Mist (played by Megan Thomas)

-Same guitar as Water’s previous one (black and white bass)

-Looser costume than other ghouls

-Often wore nail polish

-Had slightly heeled shoes

During the “Black to the Future” tour, an unknown ghoul would occasionally come onstage and hit a cowbell during the song Ritual. He would then be shooed away by Papa.

Cowbell (played by Niels Nielsen)

-Cowbell

-Only played on one leg of 2015 US tour

In early 2017, the lawsuit happened, which involved Alpha, Water, Little Earth, and Air. During the lawsuit, the lineup of ghouls completely switched, although Papa Emeritus III remained the frontman and was still portrayed by Tobias. Omega and Mist were not involved in the lawsuit, but they still left. Tobias won the lawsuit.

Before his part in the band was revealed, Tobias went to public events and was interviewed as either his Papa persona or as a character called Special Ghoul. Special Ghoul was just a normal ghoul costume Tobias wore during interviews—Special did not perform at all.

“The Popestar Tour” consisted of an entirely new group of ghouls, which debuted in March 2017 and played until September.

2017 Popestar Lineup:

Aether (played by Chris Catalyst)

-Rhythm guitar

-No symbol on guitar

-Same black Fantomen guitar as Omega

-Larger and more muscular

Dewdrop/Sodo (played by Per Eriksson)

-Bass guitar

-Same black and white bass as Mist’s

-Short and lithe

-Right pinky finger is always bandaged

Ifrit (played by Ben Cristo)

-Lead guitar

-No symbol on guitar

-Same white Fantomen guitar as Alpha

-Very interactive with crowd

Chair/Zephyr (played by Zac Baird)

-Keyboard/synth

-Sat down while playing

-Had two keyboard setups

-Tall

-Same symbol on keyboard as Air

New Earth (played by Jan-Vincent Velasco)

-Drummer

-Wore bracelets

In late 2017, New Earth left and was replaced by Mountain.

Mountain (played by Hayden Scott)

-Drummer

-Tall

-Does not usually wear shoes

Era 4

Ifrit and Chair were meant to be temporary ghouls to replace the ones who left during the lawsuit, so they left Ghost after the end of Era 3. Dewdrop replaced Ifrit’s position as lead guitarist, using the same white Fantomen as he did. Cumulus, a new ghoulette, replaced Chair on the keyboard. A new ghoul, Rain, took over Dewdrop’s previous role as bass guitarist. Another new ghoul and ghoulette joined and took on multiple roles. For the first time in the band’s history, the ghouls began to sing backing vocals live.

Cumulus (played by Mad Gallica)

-Keyboard/synth

-Backing vocals

-Tambourine

-Short and chubby

Rain (played by Cosmo Sylvan)

-Bass guitar

-Same guitar as Dewdrop’s previous guitar

-Shy

Swiss/Multi (played by Justin Taylor)

-“Multi” ghoul

-Tambourine

-Acoustic guitar

-Backing vocals

-Dances

-Smiles often

Cirrus (played by Laura Scarborough)

-Keyboard/synth

-Keytar

-Often near Cumulus

Era 5

Throughout Era 5, the lineup remained the same as Era 4. However, a ghoulette named Sunshine also joined during this era.

Sunshine (played by Sophie Amelkin)

-Backing vocals

-Tambourine

-Slim and short

Dewdrop also switched guitars and began using an all-white, rounded guitar. During this era, Rain began occasionally using an all-black, rounded bass guitar instead of his normal one. Finally, Aether also began singing backing vocals in this era.

Thank you, stranger!

𝑺𝑼𝑬𝑵𝑨 𝑬𝑵 𝑬𝑳 𝑩𝑨𝑹 𝑴𝑨𝑺𝑯𝑰𝑹𝑨.

A través de las bocinas resuena reconocida melodía y te obliga a prestar atención: CLASSY 101 de FEID y YOUNG MIKO. En el jukebox, el mensaje es claro. Se trata de una dedicatoria de ANÓNIMO para MATSUI NARA ( @countcss ).

To' los día' te imagino Como te debes ver sin ese Valentino Con ese cuerpo asesino Divino, ma

Que yo esté pensándote para mí es normal To' lo que tienes a mí me gusta Vamos a comernos, baby, aunque no sea formal Y si nos envolvemos no me asusta

Tú tienes cara de que te gusta freaky y nasty Nada de lo romantic Tú te ves cara, bitchy, classy, en cuatro fantastic Más que problematic Tú tocándote, yo loca por entrar Tú sabes lo que me gusta Sigue cucándome que yo no vo' a fantasmear Te voy a cobrar la multa

Yeah Baby, bienvenida al party Tú eres una bandi con cuerpo de Barbie, yeah Rumbea desde que no tiene ID, se pone mis Oakley's Se sube la faldi, yeah Es otra cosa Pero mi corillo dice que es peligrosa Una experta, es una chimba A la disco que llega ella la destroza

No le pongo frenos Esas nalgas me las baja hasta el suelo She said, "Fuck that" No le gusta lo normal, to' es extremo

Déjame ver to' Yo sé que no es nada formal pero dame el OK though Very welcome Esta noche vo' a hacerte todo lo que dije por texto, yeah

Tú tienes cara de que te gusta freaky y nasty Nada de lo romantic Tú te ves cara, bitchy, classy, en cuatro fantastic Dizque problematic Tú tocándote, yo loco por entrar Tú sabes lo que me gusta Sigue cucándome que yo no vo' a fantasmear Te voy cobrar la multa Whoa

Mami, esto es un arresto Te voy a cobrar esa miradita con impuestos Saca las esposas, baby, yo me presto Y ponme en house arrest que no me molesto, yeah

Tú tienes cara de que eres una nasty doll debajo de los cobeles, yeah Oh, ninguna se compara, mami, ese culo es game over

Oh Papa, oh my God Tú te mueves así, mami, you got me stuck, hey Peligrosa pero I'm falling in love Es que no es normal, baby, what the fuck?

No la freno si esas nalgas me las baja hasta el suelo I said, "Fuck that", yeah Si se me trepa encima, me mata sin balas

Con esa cara de que le gusta freaky y nasty Nada de lo romantic Tú te ves cara, bitchy, classy, en cuatro fantastic Más que problematic Tú tocándote, yo loca por entrar Tú sabes lo que me gusta Sigue cucándome que yo no vo' a fantasmear Te voy cobrar la multa Whoa

Eh, eh, oh-oh Ferxxo, Ferxxo Caleb, Caleb, Calloway, uh-uh JULiA, ey It's Baby Miko Brr, ey, yo, Mauro

Toolroom House 2024-03-30

  DATE CREATED: 2024-03-30 Tracklist : Amfm - Alex Kenji & Jerome Robins.mp3 BEATS FOR THE UNDERGROUND - Mau P.mp3 Better World (feat. Chris Moody) - CID.mp3 Deeper (WEISS Bamboozled Remix) - Wh0.mp3 DJ Is Calling - Mike McFly.mp3 Donde Estas - DJ S.K.T, Mauro Venti & Joelii.mp3 Give It To Me - Marco Lys & Ben Miller.mp3 Good Girl, Bad Girl - MISS DRE.mp3 How I Work - Tony Romera.mp3 Like This - MOGUAI & Champagne Kenny.mp3 Mentally In Miami - Gene Farris & Basura Boyz.mp3 My Body (feat. Y&M) - illusionize.mp3 On The Ground - James Hype & Tita Lau.mp3 Ooh Yeah! - Tom & Jame.mp3 Que Mire - Antho Decks & KEFFI.mp3 Rah - Dunmore Brothers.mp3 Rattlesnake Joe - Papa Marlin & Bondar.mp3 So Dangerous - Harpoon, Needs No Sleep & Tae.mp3 That Sound (feat. Dope Earth Alien) - Deeper Purpose & Guz.mp3 There's Nothing - Thomas Newson.mp3 Validate Yourself - Hugo Cantarra, ZAC & Lazarusman.mp3 Wanna Feel Something - CASSIMM.mp3 When I Close My Eyes - Majestic.mp3 Wild Read the full article

Toolroom House 2024-03-30

  DATE CREATED: 2024-03-30 Tracklist : Amfm - Alex Kenji & Jerome Robins.mp3 BEATS FOR THE UNDERGROUND - Mau P.mp3 Better World (feat. Chris Moody) - CID.mp3 Deeper (WEISS Bamboozled Remix) - Wh0.mp3 DJ Is Calling - Mike McFly.mp3 Donde Estas - DJ S.K.T, Mauro Venti & Joelii.mp3 Give It To Me - Marco Lys & Ben Miller.mp3 Good Girl, Bad Girl - MISS DRE.mp3 How I Work - Tony Romera.mp3 Like This - MOGUAI & Champagne Kenny.mp3 Mentally In Miami - Gene Farris & Basura Boyz.mp3 My Body (feat. Y&M) - illusionize.mp3 On The Ground - James Hype & Tita Lau.mp3 Ooh Yeah! - Tom & Jame.mp3 Que Mire - Antho Decks & KEFFI.mp3 Rah - Dunmore Brothers.mp3 Rattlesnake Joe - Papa Marlin & Bondar.mp3 So Dangerous - Harpoon, Needs No Sleep & Tae.mp3 That Sound (feat. Dope Earth Alien) - Deeper Purpose & Guz.mp3 There's Nothing - Thomas Newson.mp3 Validate Yourself - Hugo Cantarra, ZAC & Lazarusman.mp3 Wanna Feel Something - CASSIMM.mp3 When I Close My Eyes - Majestic.mp3 Wild Read the full article

Rivelazione ed ermeneutica in Joseph Ratzinger: un libro di don Mauro Gagliardi

Nel volume “Rivelazione, ermeneutica e sviluppo dottrinale in Joseph Ratzinger”, don Mauro Gagliardi presenta l’approccio complessivo alla fede, alla teologia e al dogma del grande teologo tedesco, divenuto papa Benedetto XVI. Continue reading Rivelazione ed ermeneutica in Joseph Ratzinger: un libro di don Mauro Gagliardi

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SANTOS PAPIA Y MAURO, SOLDADOS, MÁRTIRES EN LA VÍA NOMENTANA

Sobre la Vía Nomentana, en el Coemeterium Maius, fueron sepultados dos soldados romanos que vivieron durante las persecuciones de Diocleciano: Papías y Mauro. Fueron martirizados por haberse convertido al cristianismo. Son los santos patronos de la Congregación del Oratorio de San Felipe Neri.

Santos Papías y Mauro, mártires

fecha de inscripción en el santoral: 29 de enero

†: c. s. III - país: Italia

canonización: pre-congregación

hagiografía: Abel Della Costa

Elogio: En Roma, en el cementerio Mayor de la vía Nomentana, santos mártires Papías y Mauro, soldados.

Los santos mártires Papías y Mauro son mencionados en casi todos los martirologios históricos antiguos (Usuardo, Adón, Notkero, Beda, Rabano, Canisio, y otros), en fecha del 29 de enero, y, con pocas variantes, se dice de ellos que eran soldados, que dieron su testimonio de Cristo en Roma ante el prefecto Laudicio, y que fueron apedreados, empalados, finalmente atormentados con plomo derretido, y que fueron enterrados por los cristianos en las catacumbas de la Via Nomentana. 

La tradición sobre ellos es antigua y firme, aunque lamentablemente se ha entretejido con unas actas legendarias que hacen hoy difícil establecer los hechos en detalle. Estas actas cuentan que Papías y Mauro eran soldados paganos, que se convirtieron en presencia del testimonio de los mártires Saturnino y Sisinio, y se pusieron a gritar "Verdadero Dios es el Señor Jesucristo"; fueron apresados, luego bautizados por el papa san Marcelo, y finalmente dieron su testimonio cruento de la fe (del que las supuestas actas dan, naturalmente, todos los detalles).

Es difícil establecer a qué persecución pertenecieron, ya que el nombre del prefecto no está atestiguado, ni las referencias a Saturnino (del siglo III) y Marcelo (del siglo IV) son coherentes; pero lo más probable es que hayan muerto en la persecución de Decio, a mediados del siglo III. Sus reliquias fueron trasladadas por el papa san Sergio, en el siglo VII, a la iglesia de los Santos Silvestre y Martino en el Monte, en el 835 una parte de esas reliquias fueron a Fulda, en Alemania, donde también son trasladadas más tarde, y una parte va a Bélgica; mientras que lo que quedó en Roma fue traladado en 1590 a la iglesia de Santa María y San Gregorio en Vallicella (la actual Chiesa Nuova en Corso Vittorio Emanuele II).

Juan Escoto Erígena

No debe confundirse con Juan Duns Escoto.Juan Escoto Eriúgena Información

personalNacimiento810

Irlanda (Irlanda) Fallecimiento877

Inglaterra (Reino Unido) ReligiónIglesia católica Orden religiosaOrden de San

Benito Información profesionalOcupaciónFilósofo, traductor y escritor Área

Filosofía Información criminalCargo(s) criminal(es)herejía [ editar datos en

Wikidata ]Juan Escoto Eriúgena o Erígena (c. 810-c. 877) fue un destacado filósofo del

renacimiento carolingio.

BIOGRAFÍA

Poco o nada se sabe de su origen excepto que era irlandés, de lo que informa su

nombre. Juan Escoto Erígena es prácticamente decir "Juan el irlandés de

Irlanda": Scoti era el nombre genérico usado en la Edad Media para referirse a

los gaélicos en general (fueran irlandeses o escoceses) y Erígena o Eriúgena

viene de Erin que es como se denominaba en el Medioevo a Irlanda.

Se trasladó a Francia hacia el año 850, para dirigir la escuela palatina de

Carlos el Calvo,​ y donde dejó influencia en Erico de Auxerre y su escuela

monástica de Auxerre . Participó en la controversia predestinacionista sostenida

entre Godescalco de Orbais por una parte y los obispos Rabano Mauro e Hincmaro

de Reims por otro. Tradujo del griego las obras del Pseudo Dionisio y las de

Gregorio de Nisa con lo que enriquece el horizonte teológico latino con las

aportaciones de estos autores orientales.

Su actividad transcurrió en tiempos del “renacimiento carolingio”: primera

unificación funcional de los poderes políticos y religiosos a partir de la idea

de Imperio Cristiano. Sus tesis, interpretadas como panteísmo a partir de su

utilización de las gradaciones neoplatónicas, fueron condenadas en el Concilio

de París de 1210. El Papa Honorio III, en 1225, exigió que todas las copias de

sus obras fueran llevadas a Roma para ser quemadas.

OBRA

Entre sus obras se encuentran:

* Sobre la predestinación. Motivada por la controversia predestinacionista.

* Sobre la división de la naturaleza . Su obra más importante.

* Exposiciones sobre la jerarquía celeste. Basada en La jerarquía celeste de

Dionisio.

FILOSOFÍA

Su filosofía se mantiene en la línea de lo que se conoce como neoplatonismo en

cuanto al platonismo y la teología negativa (o apofática). Sin embargo, Erígena

quiso explicar la realidad mediante un sistema racional y unitario que

contradecía el dualismo de la religión —Dios y mundo son dos realidades

diferentes— y los dogmas relativos a la creación y la voluntad divina.

Para Escoto, razón y fe eran fuentes válidas de conocimiento verdadero, y por

ello no pueden ser opuestas; pero si así fuera, la razón debe prevalecer. Esta

afirmación, junto al panteísmo (todas las cosas son emanación de Dios y vuelven

a Él) y al pandeísmo que sostiene su explicación Sobre la división de la

Naturaleza, le valió la condena eclesiástica por herejía, que pudo eludir

gracias a la protección real.

En su obra Sobre la división de la naturaleza, Escoto, siguiendo al Pseudo

Dionisio Areopagita y Boecio, afirma la posibilidad de creer en la existencia de

Dios, y de comprendérselo por medio de sus manifestaciones divinas otorgadas a

las criaturas (teofanías). Ahora bien, así como se puede decir algo de Dios

(Dios es bondad), así también, en realidad, al afirmarlo, se lo está "limitando

al entendimiento", y Dios no se agota en la razón humana; más bien, Dios está

más allá de la razón humana, porque desde el momento que se le atribuye una

esencia - se lo piensa en el plano del ser -, se lo determina y limita. Sin

embargo, para el Erígena, Dios está por encima del ser y de la razón humana.

Para Escoto, ni siquiera Dios podría comprender su propia esencia en tanto que

no es todo lo que se le podría predicar o atribuir. Asimismo, Dios no puede

comprender su esencia porque si así lo hiciera, necesitaría verse a sí mismo en

sus criaturas (lo creado), esto es, en sus manifestaciones que están en el plano

del ser. Ergo, "Dios se crea, creando", y por esto si se pensara a sí mismo, se

limitaría.

En esta obra Escoto divide el ser en cuatro naturalezas: 1) la naturaleza

increada y creadora: Dios entendido como origen de todas las cosas; es

inexpresable y sólo se tiene noticia de él a través del ser de las cosas que

origina (lo que en Aristóteles sería la causa eficiente); 2) la naturaleza

creada y creadora: Dios entendido como mundo inteligible de la ideas divinas (en

Aristóteles, causa formal); 3) la naturaleza creada y no creadora: el mundo

perceptible mediante los sentidos, manifestación del mundo de las ideas (causa

material); 4) la naturaleza increada y no creadora: Dios, entendido como fin

último de todas las cosas (causa final).

BIBLIOGRAFÍA

* Juan Escoto Eriugena - Sobre la naturaleza (Periphyseon) - Introducción y

notas de Lorenzo Velázquez - Pamplona, Eunsa, 2007.

Este artículo utiliza material del artículo de Wikipedia Juan Escoto Erígena,

que se publica en Creative Commons Attribution-Share-Alike License 3.0.

Continua il "PeM! Festival - Parole e Musica in Monferrato", attesi Gene Gnocchi, Flaco Biondini, il Pem Music Contest, Mauro Pagani e altro ancora

Continua il "PeM! Festival - Parole e Musica in Monferrato", attesi Gene Gnocchi, Flaco Biondini, il Pem Music Contest, Mauro Pagani e altro ancora. È in pieno svolgimento il "PeM! Festival - Parole e Musica in Monferrato", la rassegna piemontese di incontri, racconti e canzoni che farà tappa in dieci comuni, a partire dal capofila San Salvatore Monferrato, con la direzione artistica di Enrico Deregibus. Dopo gli appuntamenti con Paola Turci, Eugenio Cesaro degli Eugenio in Via Di Gioia, Manuel Agnelli, Filippo Gambetta/ Fabio Vernizzi, l'omaggio a Rosetta Loy, Emma Nolde, Matteo Bordone, il Conciorto di Biagio Bagini e Gian Luigi Carlone, si continua con una serie di serate decisamente variegate, come sempre a ingresso gratuito. Gene Gnocchi: Si comincia giovedì 14 settembre, alle 21,con un incontro/spettacolo con Gene Gnocchi a Balzola, per proseguire il 17 alle 18 con un incontro/concerto con Flaco Biondini a Camagna Monferrato. Il 20 settembre alle 21 ci sarà invece l'attesissima finale del Pem Music Contest al Country Sport Village di Mirabello Monferrato con Camilla Baraggia, Carolina Piola, Linn e Filippo Repetto e con ospiti i due vincitori dello scorso anno: Nicola Project e Roma. Il 22 settembre, alle ore 21, a San Salvatore Monferrato sarà la volta di Mauro Pagani. Si proseguirà poi fino all'8 ottobre per un totale di 18 gli appuntamenti per un festival diffuso che tocca San Salvatore Monferrato, Lu Cuccaro Monferrato, Balzola, Valenza, Mirabello Monferrato con il Country Sport Village, Alessandria, Pontestura, Rive, Camagna Monferrato e l'Ecomuseo della Pietra da Cantoni con il comune di Cella Monte. Un percorso tra le colline, le risaie e il Po, nel Monferrato, sito Unesco, e attorno al Monferrato, a un'ora da Torino, Milano e Genova. Il cartellone che propone musica ma anche letteratura, spettacolo, società. Una sorta di live journalism con spettacolo, che vedrà prossimamente protagonisti anche Guido Catalano, Ditonellapiaga, Madreblu, Marinella Venegoni e un evento dedicato al Lucio Battisti meno noto, quello dei dischi con Pasquale Panella. SCHEDE DELLE PROSSIME DATE: 14 settembre, ore 21, Piazza Papa Giovanni XXIII, Balzola (Al). Incontro/spettacolo con Gene Gnocchi. Una serata in due parti. Nella prima, l'intervista di Enrico Deregibus a uno dei comici più surreali e divertenti degli ultimi decenni, che ha fatto l'avvocato e il calciatore e ora si divide tra la carriera di comico, conduttore, cantante e scrittore. Nella seconda Gnocchi darà vita ad uno dei suoi monologhi esilaranti, con Diego Cassani alla chitarra. 17 settembre, ore 18 Piazza Piazza Sant'Eusebio, Camagna Monferrato (Al) Incontro/concerto con Flaco Biondini Argentino, arriva in Italia nel 1974 e dopo poco diventa il leggendario chitarrista (e seconda voce) di Francesco Guccini, con cui scrive anche canzoni come "Cencio" e "Scirocco". Ma ha collaborato anche con Paolo Conte, Lauzi, Capossela e vari altri. Si racconterà a Enrico Deregibus ma farà sentire anche molte canzoni, comprese alcune chicche. La serata è in collaborazione con il festival "Sut la cupola". 20 settembre, ore 21 Country Sport Village (Strada Comunia 30), Mirabello Monferrato (Al) Pem Music Contest: la finale Seconda edizione del concorso musicale per giovani cantautori della provincia di Alessandria, al Country Sport Village di Mirabello, che è anche l'organizzatore del contest. In finale si confronteranno: Camilla Baraggia, Carolina Piola, Linn e Filippo Repetto. Una occasione importante per scoprire le nuove proposte musicali che offre il territorio. Il vincitore verrà stabilito da una folta giuria di giornalisti e addetti ai lavori. 22 settembre, ore 21 Parco torre storica (via Sottotorre), San Salvatore Monferrato (Al) Incontro con Mauro Pagani Cercare accordi, andare a tempo con gli altri, improvvisare, questo fa un buon bluesman. Così Pagani ha sempre cercato nella sua vita – nelle sue vite – di andare a tempo con il mondo, di volta in volta ricominciando, rivisitando, reinventando. Lo stesso ha fatto con il suo passato in una autobiografia, "Nove vite e dieci blues" (Bompiani), di cui parlerà con Enrico Deregibus, tra video e ricordi. TUTTO IL CALENDARIO: 14 settembre, ore 21, Incontro/spettacolo con Gene Gnocchi Piazza Papa Giovanni XXIII, Balzola (Al) 17 settembre, ore 18, Incontro/concerto con Flaco Biondini ((in collaborazione con "Sut la Cupola") Piazza Piazza Sant'Eusebio, Camagna Monferrato (Al) 20 settembre, ore 21,Pem Music Contest con Camilla Baraggia, Carolina Piola, Linn, Filippo Repetto Country Sport Village (Strada Comunia 30), Mirabello Monferrato (Al) 22 settembre, ore 21, Incontro con Mauro Pagani Parco torre storica (via Sottotorre), San Salvatore Monferrato (Al) 24 settembre, ore 18, Incontro/concerto con i Madreblu (Raffaella Destefano) Ecomuseo della Pietra da Cantoni, piazza Vallino, Cella Monte (Al) 26 settembre, ore 21, Incontro con Ditonellapiaga Parco torre storica (via Sottotorre), San Salvatore Monferrato (Al) 28 settembre, ore 21, "Battisti, l'altro", omaggio a Lucio Battisti e Pasquale Panella Centro comunale di cultura, piazza XXXI Martiri 1, Valenza (Al) 30 settembre, ore 21, Incontro/reading con Guido Catalano Teatro Verdi, Piazza Castello 19, Pontestura (Al) 3 ottobre, ore 21, Incontro con Marinella Venegoni Sala polifunzionale, piazza Caduti, San Salvatore Monferrato (Al) 8 ottobre, ore 16, Passeggiata sulle Strade di polvere di Rosetta Loy e premiazione Pem Writing Contest Village, Fosseto, San Salvatore Monferrato (Al) Corrado Tagliabue, sindaco di San Salvatore Monferrato, comune capofila della rassegna, dichiara: "Oggi lo chiamiamo PeM! ma il suo nome per esteso contiene la parola "Monferrato". Per chi come me crede nel territorio e nelle sinergie che possono nascere dall'obiettivo condiviso di valorizzare questo meraviglioso angolo di mondo, significa moltissimo. Quando nel 2006 con Riccardo Massola abbiamo dato vita a PeM siamo partiti da San Salvatore e già dal nome il festival dimostrava di voler guardare lontano. Così abbiamo coinvolto tanti Comuni e insieme abbiamo creato occasioni originali per far scoprire angoli poco conosciuti e bellissimi. Quest'anno il festival lancia un inedito "contest" letterario per giovani esordienti, oltre a quello musicale nato un anno fa e accoglie due nuovi comuni aderenti. PeM promette nel nome quello che propone nella realtà: la bellezza delle parole, l'incanto della musica e la magia di nuovi luoghi da scoprire". Il festival è diventato ormai un punto di riferimento nel panorama musicale e culturale italiano, come dimostra l'attenzione della stampa nazionale e gli artisti e intellettuali che vi hanno partecipato, nomi come Diodato, Arturo Brachetti, Malika Ayane, Morgan, Pilar Fogliati, Nada, Samuel, Enrico Ruggeri, Violante Placido, Ron, Zen Circus, Tosca, Luca Sofri, Franco Arminio, Motta, Ghemon, Frankie hi-nrg mc, Luca Barbarossa, Irene Grandi, Guido Davico Bonino, Anita Caprioli, Fabio Troiano, Giovanni Truppi, Marina Rei, Vittorio De Scalzi, Carlo Massarini, Vasco Brondi, Francesco Bianconi dei Baustelle, Ensi, Ernesto Ferrero, Paolo Benvegnù, Chiamamifaro, Rosetta Loy, Gianluigi Beccaria, Natalino Balasso, Paolo Bonfanti, Roberta Giallo, Marina Massironi, Davide Longo e molti altri. Tutti gli aggiornamenti su www.pemfestival.it Il PeM! Festival è organizzato dal Comune di San Salvatore Monferrato con i Comuni di Valenza, Lu Cuccaro Monferrato, Balzola, Pontestura, Rive, Alessandria, Camagna Monferrato, Mirabello Monferrato e Country Sport Village, Ecomuseo della Pietra da Cantoni con il Comune di Cella Monte. Direzione artistica: Enrico Deregibus Responsabile organizzativo: Riccardo Massola Design e comunicazione: Corrado Tagliabue Con il contributo di Fondazione Cassa di Risparmio di Alessandria, Fondazione CRT Con il patrocinio di Provincia di Alessandria, Regione Piemonte, Paesaggi Vitivinicoli di Langhe Roero e Monferrato Unesco World Eritage Site, Alexala Sponsor e sostenitori, BBBell, Enrico Beccaria & Figli, Giovanni Ferraris Gioielli, Modugno Pizzeria dal 1974, Modugno 2.0, Angolo Blu, Di Mauro, Enosis Partner, Sut la cupola, Comitato Filo Rosso, Media Partner, RadioGold, Gruppo Fotografi Monferrini, Monferratowebtv.it Festival partner, Sui sentieri degli Dei (Agerola), Books & Blues (Casale Monferrato), Mei Meeting etichette indipendenti (Faenza), Premio Bianca d'Aponte (Aversa), Premio Bindi (Santa Margherita Ligure), Voci per la libertà – Una canzone per Amnesty (Rovigo). "PeM! Parole e Musica in Monferrato Festival" è un marchio registrato dal Comune di San Salvatore Monferrato Sito web www.pemfestival.it a cura di Mas Kreations.... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article

Pordenonelegge 2023

Pordenonelegge 2023, con la sua ventiquattresima edizione, è in programma nella città friulana dal 13 al 15 settembre e conta 570 ospiti italiani e internazionali, 334 appuntamenti e 65 libri presentati in anteprima. Sarà un evento quest’anno nel segno della leggerezza, nei libri e nella vita, perché ci sono cose leggere da leggere, ma anche perché l’interpretazione della realtà pone spesso di fronte a segnali ambigui, sempre più pervasivi, e a significati manipolabili. L’immagine delle piume è il simbolo dell’edizione 2023, nel centenario della nascita di Italo Calvino, a cui Pordenonelegge rende omaggio con un percorso di incontri. Pordenonelegge ha  l’inaugurazione affidata allo scrittore ucraino Andrei Kurkov, che ha appena pubblicato Diario di un’invasione e in anteprima assoluta presenta il nuovo romanzo Api grigie. Dalla Francia arrivano Laurent Mauvignier, Philippe Forest, Lydie Salvayre, Michel Bussi e Éric-Emmanuel Schmitt con la prima presentazione italiana della sua ultima riflessione in cui è custodita una lettera inedita all’autore di Papa Francesco. Oltre all’autrice Premio Nobel Annie Ernaux, che il 16 settembre riceverò al festival il Premio Crédit Agricole La storia in un romanzo, ci saranno Andrè Aciman, R. J. Palacio, Elisabet Benavent, Alberto Manguel, Nguyễn Phan Quế Mai; Michael Žantovský, Nino Haratischwili, Natasha Solomons, Michael Bible; Robert Perišić, Anil Seth, Sally Hayden, Ramin Bahrami. L’elenco delle grandi voci della letteratura, del pensiero e dello spettacolo al festival che hanno scelto Pordenonelegge 2023 per presentare i loro nuovi libri vede Michela Marzano, Emanuele Trevi, Viola Ardone, Paolo Di Paolo, Corrado Augias, Mauro Corona e molti altri. Saranno presenti inoltre Antonio Manzini, Giancarlo De Cataldo, Ilaria Tuti, Francesco Piccolo, Antonia Arslan, Mauro Covacich, Daniele Mencarelli, Giuseppe Culicchia, Tiziano Scarpa, Massimo Recalcati, Vittorio Sgarbi, Marco Balzano, Marcello Veneziani, Pier Aldo Rovatti, Giorgio Vallortigara, Ilaria Capua, Piergiorgio Odifreddi, Pietrangelo Buttafuoco, Toni Capuozzo, Vittorino Andreoli, Sandro Veronesi con Edoardo De Angelis, Malika Ayane, Dante Spinotti, Davide Toffolo, Sabina Guzzanti, Natalino Balasso, Massimo Cirri, Giuseppe Montesano, Matteo Lancini, Tullio Avoledo, Stefania Andreoli, Vittorio Bertola, Stefano Quintarelli, Nicola Gardini. Per le voci in dialogo, valore aggiunto del festival si confronteranno Marco Missiroli e Marco Cassardo, Andrea Molesini e Gianni Biondillo, Evelina Santangelo e Alberto Rollo, Romana Petri ed Elisabetta Rasy, Paola Mastrocola e Cristina Battocletti, Giorgio Nisini e Roberta Scorranese, Annalena Benini e Mariapia Veladiano, Matteo Bussola e Enrico Galiano, Elena Loewenthal e Franco Faggiani, Enrico Brizzi e Alessandra Selmi, Marco Malvaldi e Carlo Vecce, Romolo Bugaro e Maria Castellitto, Gabriella Caramore e Lidia Ravera, Alberto Casadei e Luca Doninelli, Sandrone Dazieri e Piergiorgio Pulixi. Read the full article

Gastronomia è andata via.

Ho lavorato parecchio nella ristorazione in Italia soprattutto anche se oramai si parla di almeno 18 anni fa, in Italia, mentre all'estero purtroppo mi trovo ancora purtroppo, ma questo lo sapete. Lo so che è un lavoro come un altro, ma negli anni ho notato diverse cose, dal cambio di direzione nella scelta del personale, un gestore a Venezia mi ha detto "io gli studenti non li assumo, non per male, ma voglio dare un buon servizio e voglio professionisti, non ragazzi che lo fanno per racimolare soldi", ma come sappiamo non tutti la pensano come lui, infatti in quel periodo la faticavo a trovare lavoro e notai che chi cercava personale aveva abbassato la papa ma di parecchio e ad un colloquio un tizio mi chiese cosa studiassi, io non studio lavoro, ahhh pensavo fossi uno studente. Poi per fortuna trovai Mauro e il suo internet point che mi salvò, perché pagare poco per fare lo stesso lavoro, ti fai il culo in stagione a Venezia, è da schiavisti. Adesso qua le cose sono diverse ma è più lungo di quel che potrebbe sembrare e quindi salto e torno all'argomento del post. Negli anni si sono verificati episodi sconvenienti per alcuni gestori, quelli denunciati, e per la ristorazione che è un caposaldo del nostro settore turistico, forse il più importante tutti devono mangiare, levando i gestori schiavisti, ma penso che chi faccia pagare 2€ per tagliare il toast e metterlo su un piattino sia anche schiavista, ci sono questi aspetti assurdi che fanno di alcuni gestori degli avidi incredibili, già pagare meno del dovuto un dipendente lo è. Ma questa è l'ultima di una linea negativa di eventi che sicuramente è più lunga e meno conosciuta, come per esempio il trucco del gondoliere che ti fa pagare per un'ora di giro ma in realtà non fa gran giro intortando il cliente con discorsi, spesso anche inventati, dei personaggi di Venezia conosciuti in tutto il mondo, muovendosi lentamente, giustamente te che sei sulla barchetta ascolti e ti fai trasportare dal racconto e non ti accorgi che avete fatto 50 metri ed è finita l'ora che hai pagato profumatamente, va bè volevo dirlo. Chissà quante castronerie si inventano alcuni gestori per guadagnare qualche euro in più, chissà quante persone truffate, perché è di questo che si parla, poi ci si lamenta che in Italia il turista scarseggia, se l'avete spellato come un pollo è logico che dice agli amici di non venire che ti fregano. Ci sono poi molti altri gestori che sono onesti, diciamolo, non tutti sono avidi e attaccati al denaro.

Cambiamo discorso va. Oggi ho notato che le notizie erano più sottili e meno a vista, quelle che dovrebbero essere importanti erano come dei trafiletti mentre le minchiate erano ben esposte, annamo bene, per informarsi cosa bisogna fare? Beh sicuramente pagando uno di quei giornali indipendenti liberi da partiti, ma amavo il giornale in carta e lo compravo spesso ma pagare adesso quando i giornali stranieri hanno molte notizie gratis, bah. Va bè facciamo finta che.

Ho notato anche che FB sta stringendo il cappio sempre più sulle parole che si possono usare, un'amica che non ha mai scritto niente di ingiurioso verso nessuno è stata bloccata per una settimana per una parola, che non ha scritto per evitare ulteriori ritorsioni, è capitato anche a me, una volta che l'algoritmo ti flagga sei preso di mira e anche una minima cazzata scatta il blocco. Sono indeciso se cancellarmi definitivamente o aspettare un pò per via della musica e anche per il fatto che oramai ho solo persone che conosco veramente e non gente che vedi nei gruppi e dici simpatico/a facciamo amicizia, che di solito si rivelano delle perdite di tempo, anche se non tutte, devo dire che nonostante questo social sia stato bistrattato in passato per via del porno, una volta era veramente un pornaio adesso qualche donna nuda qualche foto ma niente di più, e devo dire che mi sta piacendo sempre più a discapito dei colossoni, che poi saranno almeno 10 anni che sono qua, forse di più. Vedrò cosa fare in questo social dilemma che ho, vediamo intanto cosa succede quando annuncio il ritorno musicale poi decido, per esempio la petizione su Assange non l'ha cagata nessuno, oppure il sistema oscura determinati contenuti che potrebbe anche essere, d'altronde la piattaforma è di Mark non la nostra.

Toolroom House March 2024

  DATE CREATED: 2024-03-12 Tracklist : Amfm - Alex Kenji & Jerome Robins.mp3 Balcon - Twolate & Niine.mp3 BEATS FOR THE UNDERGROUND - Mau P.mp3 Better World (feat. Chris Moody) - CID.mp3 Bigger Than Me - Ruben Lasala & Kapowsky.mp3 Dance to the Music - Low Steppa & Tony Romera.mp3 Deeper (WEISS Bamboozled Remix) - Wh0.mp3 Deeper Love - Niko The Kid.mp3 Disco Tool - Maur.mp3 DJ Is Calling - Mike McFly.mp3 Donde Estas - DJ S.K.T, Mauro Venti & Joelii.mp3 Esta Pegao - Tom & Collins & Mr. Pig.mp3 Feel It Ya - Castion.mp3 Flashback - General Moses.mp3 Give It To Me - Marco Lys & Ben Miller.mp3 Good Girl, Bad Girl - MISS DRE.mp3 Move That Body - DAN_ROS.mp3 My Body (feat. Y&M) - illusionize.mp3 On The Ground - James Hype & Tita Lau.mp3 Ooh Yeah! - Tom & Jame.mp3 Palante - Sllash & Doppe.mp3 Pop That - DJ S.K.T & Marvel Riot.mp3 Powder in the Nose - James Hurr & Arthur Baker.mp3 Rah - Dunmore Brothers.mp3 Rattlesnake Joe - Papa Marlin & Bondar.mp3 Ready (Mark Read the full article

Toolroom House March 2024

  DATE CREATED: 2024-03-12 Tracklist : Amfm - Alex Kenji & Jerome Robins.mp3 Balcon - Twolate & Niine.mp3 BEATS FOR THE UNDERGROUND - Mau P.mp3 Better World (feat. Chris Moody) - CID.mp3 Bigger Than Me - Ruben Lasala & Kapowsky.mp3 Dance to the Music - Low Steppa & Tony Romera.mp3 Deeper (WEISS Bamboozled Remix) - Wh0.mp3 Deeper Love - Niko The Kid.mp3 Disco Tool - Maur.mp3 DJ Is Calling - Mike McFly.mp3 Donde Estas - DJ S.K.T, Mauro Venti & Joelii.mp3 Esta Pegao - Tom & Collins & Mr. Pig.mp3 Feel It Ya - Castion.mp3 Flashback - General Moses.mp3 Give It To Me - Marco Lys & Ben Miller.mp3 Good Girl, Bad Girl - MISS DRE.mp3 Move That Body - DAN_ROS.mp3 My Body (feat. Y&M) - illusionize.mp3 On The Ground - James Hype & Tita Lau.mp3 Ooh Yeah! - Tom & Jame.mp3 Palante - Sllash & Doppe.mp3 Pop That - DJ S.K.T & Marvel Riot.mp3 Powder in the Nose - James Hurr & Arthur Baker.mp3 Rah - Dunmore Brothers.mp3 Rattlesnake Joe - Papa Marlin & Bondar.mp3 Ready (Mark Read the full article