Louise Abbéma (French, 1853-1927): Allegory of Spring (1902) (via Musée d'Orsay)
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Louise Abbema - Sarah Bernhardt (1891)
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Title: An Elegant, Place de la Concorde
Artist: Louise Abbéma
Date: 1894
Style: Impressionism
Genre: Portrait
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Louise Abbéma (French, 1853-1927)
Jeanne d'Arc devant Reims sauvant la France [Sarah Bernhardt?], 1914
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Louise Abbéma Portrait de Sarah Bernhardt dans le rôle d’Adrienne Lecouvreur 1880
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Je reviens à mon projet de présenter la plupart de mes 55000 photos (nouveau compte approximatif. On se rapproche du présent !). 2015....
Chez Christine à Pau. Une visite au Musée des Beaux-Arts :
- Raoul de Pibrac - "Atelier de Sandaliers”
- Edgar Degas - "Un bureau de coton à la Nouvelle-Orléans”
- Paul Eugène René Sieffert - “I Barcatori”
- Louise Abbema - "Le Déjeuner dans la Serre”
- Ernest Bordes - "Le Concierge est Tailleur”
- Vicente Basabe - "Le Baiser de Judas”
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Louise Abbéma (1853-1927) - Portrait of Renée Delmas de Pont-Jest
Oil on canvas. Painted in 1875.
32.6 x 40.25 inches, 82.9 x 102.2 cm. Estimate: US$30,000-50,000.
Sold Sotheby’s, New York, 25 May 2022 for US$138,600 incl B.P.
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"They were close friends."
The two girls cast their joined hands in bronze.
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Louise Abbema (FR 1853 - 1927), Sarah Bernhardt, 1875
Médaillon uniface en bronze, fonte
EP. 2,5 ; DM. 16,3 cm.
Legs comte Isaac de Camondo, 1911
© RMN-Grand Palais (Musée d’Orsay) / Hervé Lewandowski
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Élégante - Louise Abbema
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Louise ABBEMA
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Louise Abbéma (French, 1853-1927): Portrait of Sarah Bernhardt (1921) (via Musée d'Orsay)
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Charles Joshua Chaplin (1825 – 1891) French
“Nude”
Chaplin conducted art classes specifically for women at his studio, including Marie Josephine Nicolas(1845 – 1903) . The American artist Mary Cassatt (1844–1926), the French artist Louise Abbema (1858 - 1927) and the English artist Louise Jopling (1843–1933) were among Chaplin’s students.
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Louise Abbema, Sarah Bernhardt, 1878, marble, Musée d'Orsay, Paris.
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Louise Abbéma (French, 1853-1927)
Portrait de Sarah Bernhardt (1844-1923), sociétaire de la Comédie-Française, dans le rôle de Marie de Neubourg (Ruy Blas), ca. 1883, musée Carnavalet
Oil on wood
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Louise-Françoise Contat (16 June 1760 – 9 March 1813) was a French actress.
She was born in Paris and made her debut at the Comédie Française in 1766 as Atalide in Bajazet. It was in comedy, however, that she made her first success, as Suzanne in Beaumarchais's Mariage de Figaro; and in several minor character parts, which she raised to the first importance, and as the soubrette in the plays of Molière and Pierre de Marivaux, she found opportunities exactly fitted to her talents.
By Louis Marie Jacques Amalric, comte de Narbonne-Lara (17, 23 or 24 August 1755 – 17 November 1813), soldier and diplomat, she had one daughter Louise Amalrique Bathilde Isidore Contat de Narbonne-Lara, born at Saint Pierre de Chaillot, Paris, on 21 September 1788, who married in Paris on 2 December 1811 Dutch Jan Frederik Abbema, born in Amsterdam on 13 June 1773, and had one son Émile, vicomte d' Abbéma, who had an only daughter by his wife Henriette Anne d'Astoin named Louise Abbéma (Étampes, 30 October 1853 – Paris, 4 August 1927).
Bouillet writes of her "She played comedy to perfection and made people remark on the flexibility of her talent, succeeding equally as grandes coquettes and as soubrettes". She was part of the success of the plays of Marivaux and Beaumarchais. She left the theatre in 1808, and in 1809 married de Parny, nephew of the poet Évariste de Parny.
Her sister Marie Émilie Contat (1769–1846), an admirable soubrette, especially as the pert servant drawn by Molière and de Regnard, made her debut in 1784, and retired, in 1815.
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