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pierppasolini · 2 years
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Flesh (1968) // dir. Paul Morrissey
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blueiskewl · 1 year
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Lonesome Cowboys Andy Warhol, 1968
A set of original 16mm presentation reels of the film that sparked the “Stonewall of the South.” Six 35mm film reels housed in 2 metal flight cases. Movielab, New York, pritned ca. 1969.
On the evening of 5 August 1969, a small crowd of seventy settled in to view Andy Warhol’s Lonesome Cowboys at the recently opened art cinema at the Ansley Mall in Atlanta. About fifteen minutes into the homoerotic underground spoof on westerns featuring Warhol stars Viva, Joe Dallesandro, Eric Emerson, Meade, and Tom Hompertz, the film suddenly stopped, and the house lights went up. The police, some in uniform, others in plainclothes, were everywhere, some with cameras taking photographs of the startled movie-goers still in their seats. Those who attempted to depart quickly were blocked at the door and they too were photographed and questioned by Atlanta police officers. Other officers headed upstairs to the projection room to seize the film reels and arrest James Russ, the manager of the Ansley Mini-Cinema. The police mounted the raid not only to enforce local obscenity laws but identify “known homosexuals,” part of a pattern of harassment that members of Atlanta’s gay Midtown neighborhood routinely endured. Abby Drue, a noted LBGTQ activist, was in the audience that night. “They had everybody get up and line up,” she recalled. “We had popcorn in our mouths. I think I had a submarine sandwich I was in the middle of eating. That’s how absurd it was.”
The police raid in Atlanta occurred a little more than a month after the Stonewall riots in New York, and for many members of the city’s burgeoning LGBTQ community, the raid on the Ansley Mini-Cinema was the final straw. Several days after the raid, a group of protesters were pepper-sprayed and some arrested. These events compelled Atlanta’s LGBTQ community to form the Georgia Gay Liberation Front. That organization would mount Atlanta’s first Pride march in 1971 — an unsanctioned march in which many of participants wore paper bags over their heads to protect their identities — starkly demonstrating the risk of physical harm that was an ever-present threat. Despite local hostility, the marches continued, and Atlanta’s LBGTQ community began flourishing over the ensuing decades becoming strong and vibrant. Today, the raid has been dubbed, “The Stonewall of the South.”
Yet the Atlanta police were not the only law enforcement agency to take interest in Lonesome Cowboys. The FBI had been monitoring the film soon after it was filmed in a single day a dude ranch near Tucson, Arizona on 28 January 1968. A Special Agent was dispatched to Arizona to interview witnesses to support a potential charge of “interstate transportation of obscene matter.” The investigation had been prompted by a complaint received at the Pinal County Sherriff, that “some guests at the Rancho Linda Vista Guest Ranch were making an obscene film.” Sherriff’s deputies arrived at the ranch on the afternoon of the 28th and ordered that the filming be halted immediately. The FBI kept a copiously detailed dossier on the film’s production based on eyewitness accounts that offer a window into the chaos of the film’s production covering all aspects from various “unnatural sexual acts” to details on the license plate numbers (redacted) of those on set. One eyewitness recalled that “The movie seemed to have no plot and the actors just said anything that came into their minds.” (Vincent Canby and other critics would take a similar view.) The FBI continued to monitor the film’s production and distribution, noting that Warhol had intended it to be premiered at the Hudson Theatre in New York in late April 1968, but editing was taking longer than planned. Then in early June, Warhol fell victim to an assassination attempt, further delaying production. It finally premiered at the San Francicso International Film Festival on 1 November 1968, and FBI agents were there collecting further evidence.
Meanwhile in Atlanta, the question of whether the film could be considered obscene landed in the courts. Ultimately, Lewis Slayton, the Fulton County District Attorney, allowed the film to be shown after Cradock Films, who held the rights to distribute the film in Georgia, agreed to edit out what the county considered objectionable. By early January 1970, the Ansley Mini-Cinema was once again presenting Lonesome Cowboys. As far as the FBI’s investigation into Warhol’s activities was concerned, federal prosecutors in Arizona, San Francisco and New York ultimately declined to pursue the charges in court, as the film was not considered “obscene within the definition of that word as defined by the Supreme Court of the United States.”
The present copy is believed to have been printed as early as 1969, but no earlier. According to the FBI report on the film’s screening in San Francisco in November 1968, the film opened with “the woman [Viva] and her male nurse [Taylor Meade] on a street in the town,” but the present copy, opens with a sex scene between Viva and Tom Hompert which appears to be consistent with the currently-known copies. The markings found on the paper sleeves include a red stamp for “INTERNATIONAL AMUSEMENT CORP,” a short-lived distribution and production company based in North Carolina established in 1974. This would suggest this film was in circulation in various art houses up until at least the mid to late 1970s.
The current number of original copies used during the film’s showings in 1969 and 1970 is unclear, but the present set of reels is marked as “Print No. 10” on each of the surviving paper sleeves. Original reels of the film are known to have survived including a master print at the Andy Warhol museum and copies at the Museum of Modern Art, and the Art Institute of Chicago. It is not clear if other copies survive in any private collections.
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marcogiovenale · 11 months
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trapianto, consunzione e morte / mario schifano. 1969
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vintagecinemaart · 1 year
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Andy Warhol's Blue Movie-A Rare Original Vintage Movie Poster for Andy Warhols Romantic New York Portrait with Viva, and Louis Waldon #trash #bluemovie #andywarhol #ciaomanhattan #vintagecinemaart #vintagemovieposter #movieposter #wallart https://etsy.me/3gUpvUU https://www.instagram.com/p/Clt3NjXuBN2/?igshid=NGJjMDIxMWI=
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robbialy · 2 years
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From • @thesmithsandmorrisseyrarities The Smiths sleeves - origins ‘THE SMITHS’ (1984) Debut Album Artwork taken from Andy Warhol’s 1968 motion picture production, “Flesh”. Directed by Paul Morrissey and starring Joe D'Allesandro as a hustler working on the streets of New York City. The cover depicts D'Allesandro’s cropped head & torso from a scene with Louis Waldon. Louis didn’t miss out altogether, though, his half of the still was used by bootleggers, for several unofficial Smiths releases, most recently “Vinyl Party” - a live recording of The Smiths, from De Meervaart, Amsterdam, Netherlands. April 21, 1984 ‘Flesh’ also marked the acting debut of Warhol Superstar, Candy Darling, who would later adorn the sleeve of The Smiths 1987 single, “Sheila Take A Bow”. https://www.instagram.com/p/CeewlGSjyGnw9hfs1PS_4FSuTlPyUxiGU3AFiw0/?igshid=NGJjMDIxMWI=
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harrybyharry · 4 years
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Andy Warhol's Flesh, dir. Paul Morrissey, 1968
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lifejustgotawkward · 6 years
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365 Day Movie Challenge (2018) - #136: Flesh (1968) - dir. Paul Morrissey
Having first experienced the ineffable pleasures of Warhol star Joe Dallesandro’s horror-parody collaborations with director Paul Morrissey, Flesh for Frankenstein (1973) and Blood for Dracula (1974), both in theaters and on DVD last year, I figured it was high time I watched the first pairing of this unique actor-and-director combo. The narrative follows a day in the life of Joe (Dallesandro, wise beyond his years at age nineteen), a hustler who divides his time between lounging around in bed with his wife (Geraldine Smith), playing with and feeding their baby, and hanging out on Manhattan street corners to ply his trade. The scenes that follows are by turns funny and unsettling, simultaneously surreal and oddly realistic.
Joe’s clients include an artist (Maurice Braddell, a well-known art restorer and actor dating back to the silent era) who sketches Joe in various poses based on ancient Greek ideals; on-again-off-again girlfriend Terry (Geri Miller), a stripper who spins a bizarre and disturbing tale of being sexually assaulted by another boyfriend (I read somewhere that Miller improvised the whole monologue); and David (Louis Waldon), a former gymnast and Korean War veteran who genuinely cares about Joe and, in one of the most fascinating scenes of the film, reads aloud a smut magazine’s graphic description of a sexual encounter between two men while Joe listens with amusement. Flesh features numerous jarring cuts between scenes and shots, which I assume can be explained by the print having been picked apart by New York State censors; the scene with Joe and David is riddled with these cuts and blips, yet it still retains its unarguable impact.
The act of watching Flesh is based in understanding how Paul Morrissey and his actors were trying to upset the cinematic status quo. Patti D’Arbanville (who still works steadily, showing up on “The Sinner” and “Billions” this past year) appears in the film’s last scene as Geraldine Smith’s friend/lover, while two of producer Andy Warhol’s most famous Superstars, transgender icons Candy Darling and Jackie Curtis, appear in Geri Miller’s scene, remarking on articles and headlines in an old movie magazine with Rita Hayworth on the cover while Dallesandro and Miller’s assignation happens just a few feet away. (I was delighted to find that Jackie Curtis had as heavy a New York accent as Dallesandro does.) Morrissey’s film is all about breaking down the physical and psychological boundaries of sexual conventions, not just for viewers but for the characters within the film. How often can we see Joe Dallesandro’s naked body before he is merely an object in the mise-en-scène, a commodity like the TV in his character’s bedroom or the newspapers he peruses while waiting for tricks?
We could learn a lot from a scene midway through Flesh, in which Joe explains his philosophies on sexuality and prostitution to some fellow hustlers. “You straight?” one of the young men asks. “Nobody’s straight!” Joe replies. “What’s straight? It’s not being straight or being not straight, it’s just, you just do whatever you have to do… whatever other people think doesn’t matter, you know? If you have to care about what, you know, the straight people, what they’re gonna think, man, like, then you’re not in your bag.” It isn’t clear how much of the dialogue pertains specifically to heterosexuality as opposed to a comparison of “normal”/”abnormal” career paths; either way, the conversation is a good example of Flesh being a compelling portrait of how late-60s-era, “radical” views of sexuality and society collide in one man’s attempts to make ends meet.
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killer-klowns · 3 years
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Lonesome Cowboys / Un cowboy et une prostituée comparent leurs canines, prétexte comme un autre pour s’embrasser.
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tina-aumont · 6 years
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Tina Aumont is talking to co-star Louis Waldon during a break of Necropolis filmation. Screencap from youtube, video posted by  http://www.kinolibrary.com/ Clip ref. VA11. Although I contacted them, they couln't find the video, so that's why my screencaps are from youtube.
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dblackthorne · 3 years
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Promotional video short for Larry Wessel's Palace of Wonders documentary. 
 "Larry Wessel's Palace of Wonders is a Feature-Length Documentary and is a work in Progress (18 Years in the Making) and I have a Strong Feeling that it will be The Best Film I have Ever Made!! 
Inspired by Anton Szandor LaVey's Beautiful Recitation of the poem "Vagabond's House" by Don Blanding, P.O.W.'s Star-Studded Cast includes Korla Pandit, Coop, Dick DeBartolo, The Muse Mechanique, John Wickett and His Museum of Exotica, DEVO's Drummer David Kendricks, Jason Mecier, Gidget Gein, Mitch Miller, Jerry Snapp and His Riverside Body Farm and Wunderkammer, Paul "Indiana Bones" Koudenaris, Rosemary's Billygoat, Long Gone John, David Apocalypse, Diego Domingo, Leonard Knight and His Salvation Mountain, The "Marilyn Monroe of Burlesque" Dixie Evans and Her Exotic World Stripper Museum, XXX Adult Star William Margold, a visit to Erotica LA 2000, Andy Warhol Superstar Louis Waldon, Charles Bukowski Photographer Michael Montfort, Alex Schaefer and Mark McCloud and his Museum of Illegal Images!! 
The FUN has Just Begun!! 
Please Visit The Official Facebook Fan Page for Larry Wessel's Palace of Wonders and Press The LIKE Button for All Future Updates and Up to The Minute Late Breaking News... HERE is The Link: https://www.facebook.com/larrywessels... Please Share! Share! Share! and Tweet! Tweet! Tweet! Thanks Again!! 
All My Best, 
Larry Wessel 
Producer and Director of "Larry Wessel's Palace of Wonders"
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pierppasolini · 2 years
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Flesh (1968) // dir. Paul Morrissey
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Day 332 of 365 Photo Challenge.  One of Glasgow's oldest theatres, the Pavilion Theatre of Varieties opened on 29 February 1904 as a Music hall. The building has remained relatively unchanged in layout, although the sound and lighting systems have been updated over the years. It is now protected as a category A listed building. The theatre was designed by Bertie Crewe as one of the three Glasgow venues operating as part of Thomas Barrasford's growing chain of British Music Halls, and was regarded as luxurious for its time. (The other two were Glasgow Hippodrome in New City Road and the Palace in Main Street, Gorbals.) The owners, Glasgow Pavilion Ltd, described its decor as "pure Louis XV", featuring Rococo plasterwork across the proscenium arch and boxes, terrazzo flooring, leadlight glazing and rich mahogany wood finishing. Ventilation was ensured by an electrically operated sliding roof panel above the auditorium. The facade was designed in the French Renaissance style and finished using glazed buff coloured terracotta. The auditorium's capacity of 1449 is made up of 677 stalls, 341 circle, 413 balcony and 18 box seats. A founding director, and soon managing director was Rich Waldon of the city`s Royal Princess`s Theatre. Many of the leading music hall artistes of the early 20th century appeared at the Pavilion, including Marie Lloyd, Little Tich, Harry Lauder, Sarah Bernhardt and a then unknown Charlie Chaplin. In 1920 the Pavilion started producing pantomimes. From 1919 to 1957 the theatre and its productions and management were led by Fred Collins and his son Horace Collins and family. Star performers included Dave Willis, Jack Anthony and GH Elliot. Of their many shows, revues and pantomimes some pantomimes have been recorded on film for posterity. Glasgow University and the Orchestra of Scottish Opera have assisted the restoration and remastering of these. The Fred Collins Variety Agency was next door to the theatre in Renfield Street. Continued on Mathew Rooney Photography Facebook page #glasgow #scotland #peoplemakeglasgow #visitglasgow #photooftheday #glasgow2019 #photography #365daychallenge #Pavilion #paviliontheatre #theatre #pantoseason (at The Pavilion Theatre) https://www.instagram.com/p/B5bUpq3BPG4/?igshid=1mqmbte52ztu4
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usaian · 6 years
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THESE are their names:
From the official casualty report
LIST OF PERSONNEL LOST WHEN THE DESTROYER USS REUBEN JAMES (DD-245) WAS TORPEDOED AND SUNK BY GERMAN SUBMARINE U-552 ON OCTOBER 31, 1941:
Lieutenant Commander Heywood Lane Edwards, U.S. Navy (Commanding) Lieutenant Benjamin Ghetzler, U.S. Navy. Lieutenant Dewey George Johnston, U.S. Navy Lieutenant (junior grade) John Justus Daub, U.S. Navy. Lieutenant James Mead Belden, D-V (G), U.S. Naval Reserve. Ensign Craig Spowers, U.S. Navy. Ensign Howard Voyer Wade, D-V (G), U.S. Naval Reserve.
BAUER, John Francis, Jr., Chief Radioman (AA) Class V-3, U.S. Naval Reserve. BEASLEY, Harold Hamner, Seaman first class, U.S. Navy. BENSON, James Franklin, Machinist's Mate second class, U.S. Navy. BIEHL, Joseph Peter, Seaman second class, U.S. Navy. BOYNTON, Paul Rogers, Yeomman first class, U.S. Navy. BRITT, Harold Lelie, Coxswain, U.S. Navy. BURRELL, Herbert Ralph, Seaman second class, U.S. Navy. BYRD, Hartwell Lee, Seaman first class, U.S. Navy. CARBAUGH, Leftwich Erastus, Jr., Fireman first class, U.S. Navy. VARUSO, Joseph James, Radioman second class, U.S. Navy. CLARK, James Brantley, Fire Controlman second class, U.S. Navy. COOK, Raymond, Mess Attendant first class, U.S. Navy. COOPERRIDER, Carl Eugene, Gunner's Mate third class, U.S. Navy. COSGROVE, Lawrence Randall, Gunner's Mate second class, U.S. Navy. COUSINS, Alton Adelbert, Cheif Machinist's Mate (PA), U.S.N.R., Class F-4-C COX, Charles Beacon, Chief Torpedoman (AA), U.S. Navy. DANIEL, Dennis Howard, Yeoman third class, U.S. Navy. DEVEREAU, Lawrence Delaney, Chief Boatswain's Mate (PA), U.S.N.R., Class F-4-D DICKERSON, Leonidas Camden, Jr., Storekeeper third class, U.S. Navy. DOIRON, GIlbert Joseph, Water Tender first class, U.S. Navy. DRINKWALTER, Karl Lee, Seaman first class, U.S. Navy. DUNSTON, Nebraska, Mess Attennndant third class, U.S. Navy. DYSON, Corbon, Radioman third class, U.S. Navy. EVANS, Gene Guy, Boilermaker second class, U.S. Navy. EVANS, Linn Stewart, Fire Controlman third class, U.S. Navy. EVERETT, Carlyle Chester, Fireman second class, U.S. Navy. FARLEY, Edwin Louis, Seaman first class, U.S. Navy. FITZGERALD, John Joseph, Quartermaster third class, U.S. Navy. FLYNN, William Aloysius, Torpedoman second class, U.S. Navy. FRANKS, Hartley Hardy, Ship's Cook second class, U.S. Navy. FRENCH, Ralph George, Chief Commissary Steward, U.S. Navy. GASKINS, Lester Carson, Machinist's Mate first class, U.S. Navy. GREER, John Calvin, Chief Electrician's Mate (PA), U.S. Navy. GREY, Ernest Dwane, Jr., Seaman second class, U.S. Navy. GRIFFIN, Arthur Raymond, Signalman second class, U.S. Navy. GUNN, Donald Knapp , Seaman second class, U.S. Navy.  HARRIS, Charles Waldon, Seaman second class, U.S. Navy. HAYES, Charles Chester, Seaman second class, U.S. Navy. HENNIGER, William Henry, Gunner's Mate first class, U.S. Navy. HOGAN, Francis Robert, Gunners' Mate third class, U.S. Navy. HOUSE, Hugh, Gunner's Mate third class, U.S. Navy. HUDLIN, Maurice Woodrow, Fireman first class, U.S. Navy. JOHNSON, Joseph, Mess Attendant first class, U.S. Navy. JONES, Glen W., Chief Quartermaster (PA), U.S. Navy. KALANTA, ANthony J., Boatswain's Mate second class, U.S. Navy. KEEVER, Leonard A., Chief Machinist's Mate (PA), U.S. Naval Reserve, F-4-C KLOEPPER, Ralph W.H., Signalman third class, Class V-3, U.S. Naval Reserve. LITTLE, Joseph Gustave, Seaman first class, U.S. Navy. MAGARIS, Paul L., Radioman first class, U.S. Navy. MC KEEVER, William James, Sean second class, U.S. Navy. MERRELL, Windell Harmon, Fireman second class, U.S. Navy. MERRITT, Auburn F., Seaman second class, U.S. Navy. MILLS, Gerald Edward, Seaman second class, Class V-1, U.S. Naval Reserve. MONDOUK, Albert J., Chief Water Tender (PA), U.S. Naval Reserve, Class F-4-C. MUSSLEWHITE, Edgar W., Machinist's Mate first class, U.S. Navy. NEELY, Kenneth Cecil, Seaman second class, U.S. Navy. NEPTUNE, Aldon W., Seaman first class, U.S. Navy. NEWTON, William Harding, Yeoman third class, U.S. Navy. ORANGE, Harold J., Seaman second class, U.S. Navy. ORTIZUELA, Pedro, Officer's Cook first class, U.S. Navy. OWEN, Benjamin T., Seaman first class, U.S. Navy. PAINTER, William H., Seaman first class, U.S. Navy. PARKIN, Joseph J., Chief Water Tender (PA), U.S. Navy. PATERSON, William N., Coxswain, U.S. Navy. PENNINGTON, BUrl G., Quartermaster second class, U.S. Navy. POLIZZI, Joseph C., Seaman first class, U.S. Navy. PORTER, Corwin D., Seaman first class, U.S. Navy. POST, Frederick R., Boatswain's Mate first class, U.S. Navy. POWELL, Lee P., Pharmacist's Mate first class, U.S. Navy. RAYHILL, Elmer R., Seaman second class, U.S. Navy. REID, Lee Louis N., Torpedoman first class, Class V-6, U.S. Naval Reserve. RESS, John R., Seaman first class, U.S. Navy. ROGERS, James W., Seaman first class, U.S. Navy. RYAN, John J., Jr., Coxswain, U.S. Navy. RYGWELSKI, Clarence, Seaman second class, U.S. Navy. SALTIS, Edward Peter, Boatswain's Mate first class, U.S. Navy. SCHLOTTHAUER, Eugene, Chief Water Tender (AA), U.S. Navy. SETTLE, Sunny J., Seaman first class, U.S. Navy. SORENSEN, Walter, Gunner's Mate third class, U.S. Navy. SOWERS, Wallace L., Seaman second class, U.S. Navy. STANKUS, Anthony Gedminus, Seaman second class, U.S. Navy. STELMACH, Jerome, Seaman first class, U.S. Navy. TAYLOR, Wilton L., Fireman first class, U.S. Navy. TOWERS, George F., Chief Gunner's Mate (AA), U.S. Navy. TURNER, Lewis Aubrey, Signalman third class, U.S. Navy VOILES, Loyd Z., Seaman first class, U.S. Navy. VORE, Harold M., Fireman first class, U.S. Navy. WEAVER, Jesse, Seaman first class, U.S. Navy. WELCH, Chester L., Fireman second class, U.S. Navy. WHARTON, Kenneth R., Fire Controlman first class, U.S. Naval Reserve, Class F-4-C. WOODY, George, Jr., Seaman first class, U.S. Navy. WRAY, Edwin E., Seaman first class, U.S. Navy.
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wincatcherses · 4 years
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Éxitos rápidos: Nacionales, Cartas, Liberatore, Draft, Torkelson
Los Nacionales están entre los equipos que lanzaron a varios jugadores de ligas menores en la última semana, con Brittany Ghiroli y Emily Waldon de The Athletic (se requiere suscripción) informando que los campeones defensores de la Serie Mundial cortaron en algún lugar en el vecindario de 30 jugadores. En cuanto a los jugadores restantes en el sistema agrícola de Washington, el club les pagará $ 300 por semana hasta el mes de junio, por debajo del estipendio semanal de $ 400 que se ha convertido en la norma en todo el béisbol, según el acuerdo de marzo entre los jugadores y la liga. . "Se cree que los Nacionales son el único equipo de las Grandes Ligas que paga una cantidad de estipendio más baja", escriben Ghiroil y Waldon, aunque los Atléticos anunciaron a principios de esta semana que terminarían el estipendio por completo a fines de mayo. Del mismo modo que los Atléticos fueron muy criticados por su decisión, los Nats ya se han enfadado por el recorte de estipendio, considerando que la cantidad total de dinero que se ahorra es relativamente menor para una franquicia de mil millones de dólares. Como lo expresó una liga menor de los Nacionales sin nombre, incluso un estipendio reducido es mejor que ser liberado, pero "Para nosotros, los afortunados que todavía recibimos ayuda, es agridulce. Desearía que los propietarios realmente pesaran cuánto $ 100 que nos recortan les está ahorrando versus cuánto ayuda a poner comida en la mesa para nosotros y nuestras familias ". (ACTUALIZACIÓN: el relevista de los nacionales Sean Doolittle tuiteó que él y el resto de la lista de Grandes Ligas de Washington apoyarán a los jugadores de ligas menores de su organización al "comprometer fondos para compensar los salarios perdidos de sus estipendios semanales. Todos nosotros éramos jugadores de ligas menores en un momento dado nuestras carreras y sabemos lo importantes que son los estipendios semanales para ellos y sus familias durante estos tiempos inciertos ". Más de todo el béisbol … El intercambio de enero con los Rays que vieron a los Cardenales adquirir al zurdo Matthew Liberatore "podría ser un intercambio monstruoso" para los Redbirds, un explorador de la Liga Americana le dice a Derrick Goold del Post-Dispatch de St. Louis. "Hay un pequeño grupo de los mejores prospectos de lanzamiento en las menores, y no creo que puedas encontrar 10 mejores que Liberatore", dijo el cazatalentos, reforzando la creencia de que las Cartas han podido recargar rápidamente su joven profundidad de lanzamiento. (y su profundidad para zurdos, específicamente, ya que Liberatore y Zack Thompson de primera ronda de 2019 son zurdos). En el intercambio completo, St. Louis y Tampa intercambiaron selecciones de draft en las rondas de equilibrio competitivo A y B, las Cartas obtuvieron la menor de las dos selecciones, e intercambiaron Liberatore y el receptor de ligas menores Edgardo Rodríguez por José Martínez y Randy Arozarena. Dado que Martínez y Arozarena estaban algo bloqueados en el abarrotado cuadro de profundidad de los Cardenales, moverlos para un joven abridor muy prometedor de hecho parece un movimiento astuto para St. Louis, ya que las Cartas perdieron poco de su lista de grandes ligas. Si bien gran parte de la discusión en torno al borrador de 2020 se ha centrado en su longitud reducida, la mayor historia en cuanto a talento ha sido la cantidad de lanzamientos universitarios de calidad disponibles. "Es notable lo cargada que está esta clase en términos de armas", un explorador de área le dice a J.J. de Baseball America Cooper, con un director de exploración del equipo que también señala que "la profundidad y la cantidad de armas realmente buenas, no sé si he visto una como esta en mi vida". Como resultado, debido a la naturaleza abreviada del draft de este año, debería haber varios buenos lanzadores universitarios disponibles en la agencia libre una vez que se completen las cinco rondas del draft. Sin embargo, se espera que la primera selección general sea un jugador de posición, ya que se ha pensado cada vez más que el primera base del estado de Arizona, Spencer Torkelson, es la opción 1-1 de los Tigres. El director de exploración de Detroit, Scott Pleis, no dejó caer ninguna pista al Jim Callis de MLB Pipeline, diciendo que "seguimos hablando" sobre quién podría ser la mejor elección, con "cinco o seis hombres" incluidos en la lista final de candidatos potenciales. Más allá de Torkelson, Callis escucha de fuentes que los Tigres también están mirando a varios de los principales prospectos de consenso de la clase de este año, como Austin Martin, Asa Lacy, Nick Gonzales y Emerson Hancock. "Los funcionarios de otros clubes se sorprenderían si Detroit no toma a Torkelson", escribe Callis.
from Noticias Wincatchers https://noticias.wincatchers.com/2020/06/01/exitos-rapidos-nacionales-cartas-liberatore-draft-torkelson/
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realretroroger · 4 years
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QRKY Radio Playlist For 03/09/20
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QRKY – Quirky Radio Playlist For 03/09/20
Listen Free.  Blues, Swing, Rockabilly, Old Time Radio Shows & More.
Click on the individual song titles in BOLD below.  They’re linked to music videos or to online audio files of the old time radio shows.  Or, if you’d prefer to autoplay the music video playlist, just click HERE.  It;s all for fun and for free, so enjoy.
Going Out Of My Head -- Sergio Mendes & Brasil 66
I Found Your Keyhole -- Al Miller
Wander This World -- Jonny Lang
Danny’s All-Star Joint -- Rickie Lee Jones
King Porter Stomp -- Fletcher Henderson
Chicken Talk -- Yma Sumac
What Does It Take -- Junior Walker & the All Stars
Palmolive Soap (Retro Commercial)
Ring Dem Bells -- Duke Ellington
Bad Company -- Bad Company
I Believe I’ll Dust My Broom -- Robert Johnson
Louisiana Man -- Rhiannon Giddens
Count Me In -- Five Blind Boys of Alabama
Bada Boom Bada Bing -- King Comets
Great Garloo Toy Robot (Retro Commercial)
Pepper Sauce Mama -- Charlie Campbell & His Red Peppers
A Quitter Never Wins -- Tinsley Ellis
Harlem Gin Blues -- Ruby Smith with Sam Price & His Texas Blusicians
Honey Hush Cafe -- Joe Blessett
She Ain’t No Good -- John Mooney
Spill The Wine -- Eric Burdon & War
JUBILEE Radio Show (08/29/47) with the Saul Davis Trio
Pepsi-Cola (Retro Commercial)
Baby, It’s You -- Smith
Fixin’ To Die Blues -- Bukka White
Alligator Shuffle -- Lazy Lester
Who Will Save Your Soul -- Jewel
Caldonia -- Louis Jordan
Bacon Fat -- Andre Williams
Anyhow -- Kelsey Waldon
Autolite (Retro Commercial)
Desperados Waiting For A Train -- Highwaymen
Weekend Off -- Little Charlie & the Nightcats
Buy Me Some Juice -- Blue Lu Barker
Butterfat -- David Sanborn
I’m Gonna Move To The Outskirts Of Town -- Jimmy Rushing with Count Basie
Breathless -- Jerry Lee Lewis
Right Hand Man -- Joan Osborne
Mystery Date (Retro Commercial)
Ol’ Bobcat -- Hillbilly Hellcats
We The Cats Shall Hep Ya -- Cab Calloway
Little Bit More -- Rosie Flores
Moanin’ -- Quincy Jones
Harlan County Line -- Dave Alvin
Serve Another Round -- Five Keys
Cumberland Blues -- Grateful Dead
Smooth -- Santana
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christinamac1 · 5 years
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73 years ago today - radiation-caused death of nuclear physicist Louis Slotin, in the Manhattan Project
73 years ago today – radiation-caused death of nuclear physicist Louis Slotin, in the Manhattan Project
Paul Waldon   Fight To Stop Nuclear Waste Dump In Flinders Ranges SA, 30 May 19
Today the 30th of May 2019 marks the 73rd anniversary of the death of nuclear physicist Louis Slotin who was the second worker to succumb to acute radiation poisoning attributed to the Demon Core while working on the Manhattan Project. The nuclear coterie has continued to orate its safety record as one to…
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