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#La Danse Apache
justbusterkeaton · 1 year
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“La Danse Apache” performed in Doughboys 1930
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unjouruntableau · 1 year
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Isaac Grunewald - La danse apache, 1918.
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janelher · 12 days
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Ailes
Je tombe; je ne serai tout à l’heure qu’un paradis de peurs, et de routes atomiques. Mais jamais ne serai ton amie. Avant, j’étais si jolie avec des mots bibliques aux lèvres, toute la journée. Là, sous mon tablier, du sang sur ma peau blanche, des éclats sur mes deux genoux. Il n’est plus rien qui danse; il n’est plus rien du tout. Ton âme se dénude, ta peau jazze et me prélude. Le sable annule l’eau et le sel que les vagues des océans cyclonent. Tes soupirs se cannabissent et je les trempe dans de denses couplets. Ils me trompent avec des danses qui s’éloignent de mes rêves. Mon chant se veut violon, comme l’amour brûle les spores de la vie. Les champs en friche s’imperméablent aux détours de peurs et d’ennui.
Je susurre des sons, des désirs à l’envers. Sous l’encolure de mon manteau, se cache un petit diamant vert. La paix est un Sahara, le rêve une Grande Ourse. Mais une main tient la bride et je crève… Doucement, mon cri porte vers Dieu, et la pluie est une théière qui chante comme si ses larmes tressaient des nœuds, qu’on ne dénoue que de mort lente. Je n’éternue qu’aux lendemains de nuits à venir, et ne bois qu’un petit shot de terreurs en bouquet. Mes amis admirent ma descente. Si je cache avec un drap les lumières que phosphorent tes pas, c’est que je vois des strass tout autour de moi. Dans mes prières, j’imagine des nuits qui se calment mais au milieu du rêve, je ne suis plus vierge de malheurs. Ce plaisir fébrile fait naître une joie chrysalide: celle de cueillir une fleur et de rincer de son suc les actes manqués, celle de parler sans pourrir ma parole avec des mots qui roulent par terre. Les heures n’ont plus ce goût de miel et grincent des dents comme des grains de sel pendant que s’enraye l’engrenage des sourires, ou de tout ce qui pourrait me faire oublier que je dois vivre.
J’avais des rêves pourtant, moi. Tu mets entre mes bras des valises et des cartes, des photos tout contre mon cœur. Je n’aurai tout à l’heure que des enfants qui partent, des groupes d’amis qui se cachent, ou iront jouer les Apaches. Et dans les yeux scintillants de mon passé, la souffrance comme un tourbillon a creusé un sillon d’Histoire en déferlante. Je n’ai plus dans mes poches que des champs de blé en friche… Oh, et pourtant. Je me sens coupable de sourire sans laisser de traces dans ce tribunal à huis clos. Ces désirs me coupent des autres et défient mon reflet dans la glace. Plus je hurle et plus je vois s’éloigner l’indulgence dans les regards. Je chevauche les vagues, je fulmine des rires qui dérangent. Ma peau gémit parce qu’elle se croit aimée. Par ici, viens la nourrir de ce frisson, lumière de la lune. Toi qui fais vibrer ma voix, entoure mon regard de ta lueur ardente. Tel un volatile nocturne surgissant des ténèbres, laisse mes idées s'envoler sur des membranes translucides. Dans la pénombre, elles se meurent, effleurées par des éclats argentés, voguant dans le bleu des rêveries encore vierges. Que mon essence s'épanouisse, membrures étendues en quête d'évasion, frôlant les vallons des émois, effleurant les cours d'eau de tristesse.
Permet-moi de m'élancer du nid de mes doutes, glissant sur les alizés de l'espoir. Chaque pulsation, une propulsion face aux tempêtes du sort; chaque respiration, une barbe vibrante hissant haut mes ambitions. Tel le passereau, ma pensée s'élève vers des confins lointains, là où l'azur se confond avec l'absolu, là où la voûte céleste s'illumine d'astres tels des vœux étincelants. Que cette odyssée éthérée tisse la connexion entre le concret et le vaste, entre le tangible et l'imaginaire. Mon essence, aérienne, se livre à cette élévation majestueuse, où chaque spirale est une étreinte, chaque mouvement ascendant un engagement vers la transcendance. Dans cette chorégraphie des airs, que mon esprit découvre la trajectoire bienveillante qui le portera vers les lueurs de l'aube, surgissant de l'obscurité comme le volatile retrouve son abri au lever du jour, enrichi de mélodies inédites et de visions à peine esquissées. Si je t’aime ainsi… Si jamais je t’aime ainsi… Fais-moi taire. Je te vois tourner la tête, et dilapider les ronces qui saignent ta peau. Au moindre univers, à tout cosmos, à toute planète… Je jure de t’aimer les yeux ouverts.
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Jacques La Plumer is brooding. He snarls and grits his teeth. He Flicks away his cigarette at the approach of Helene. He narrows his blue green eyes under his thick dark eye brows eyes. which include a chiseled face with sharp cheekbones and a prominent nose. Jacques has piercing blue-green eyes that were often described as intense and expressive, presence. He has thick, dark eyebrows that give him a serious, savage look.
Upon spotting Jacques, Helen's eyes widen in fear.
Helene has a slightly asymmetrical upper lip which resembles a smirk which further enrages Jacques.
With a wink and a snarl., Jacques steps in front of Helene.
Although she is frightened by Jacques and well aware of his violent temper, Helene feigns defiance by setting her jaw. She's in a bad part of the city. Perhaps she can appear unimpressed.
Jacques is wearing a wide-brimmed hat, a striped shirt, and suspenders, while Helene is wearing a frilly blouse, a long skirt, and fishnet stockings.
Both Jacques and Helene wear boots popular in the streets of Montmarte; ankle boots of sturdy leather with thick rubber soles. The boots are useful for kicking, stomping, running and dancing.
Jacques is a well known member of a Parisian street gang involved with a variety of criminal activities, including theft, extortion, and violence against rival gangs. His gang was known for their distinctive fighting style, which involved a mix of street fighting, wrestling, and dirty tactics such as biting and gouging as well as atrocious, aggressive attacks upon young women.
Jacques imagines himself to be a seductive, sensual person. He hears a tango in his mind.
He is insulted by Helen'e display of indifference.
Helene notices Jacques rising anger and begins to tremble.
Jacques approaches Helene and softly caresses her cheek.
Helene smiles.
Jacques slaps her hard across her face.
"Poutan"
Helene tries to run.
Jacques grabs her by her lustrous hair, turns her around and slaps her heart shaped face once again with the back of his hand.
Helene feigns submission. She bows her head and momentarily lowers her eyes.
"salope"
Jacques puts his finger under Helene's chin with one hand and with the other he pulls her head back and kisses her mouth which she opens in shock and pain.
Her cheeks redden but not with rouge.
This is not an unfamiliar sight in the streets of France. A crowd begins to gather. An accordion plays in the background.
He throws her against some garbage pails. He removes the lid of one pail and begins to strike Helen with it while kicking her repeatedly and dragging her by her hair.
The crowd grows from dozens to hundreds to thousands to millions as the assault continues. Aside from moans of pain, Helene remains silent while Jacques beats and berates her.
Finally, Jacques dumps the contents of the garbage pail over the prostrate figure of Helene. He lights another cigarette. He enters a cafe as the street becomes empty again except for the sprawling body of Helene.
Then Ed Sullivan appears and calls for applause. Helene regains her feet. Jacques rejoins her. They embrace.
Ice Rivers is astonished. He was expecting tom-toms and feathers. He didn't know what the hell he had just seen but it had nothing to do with Apaches as far as he could surmise.
The Parisian Apache dance, also known as the "danse apache," is a style of dance that emerged in Paris in the early 1900s. It was popularized in the cabarets and dance halls of the city, and is characterized by its dramatic and violent movements.
The dance is typically performed by a couple, with the male dancer playing the role of the "apache," or a rough and tough street thug, and the female dancer portraying his victim or love interest. The dance often involves simulated violence, such as slaps, kicks, and throws, as well as acrobatic movements and lifts.
The music for the Parisian Apache dance is typically a fast-paced waltz or foxtrot, and the dance is often performed in a small, intimate setting. The costumes for the dance usually consist of dark, ragged clothing for the male dancer and a flimsy dress for the female dancer, emphasizing the rough and seedy nature of the dance.
While the Parisian Apache dance may be seen as controversial or even offensive in modern times, it was a popular form of entertainment in Paris in the early 1900s and is considered an important part of the city's cultural history.
[email protected] is hair pulling used in apache dance Hair pulling is not traditionally a part of the Apache dance of the Native American Apache tribe. However, in the Parisian Apache dance, which is a completely different dance style, hair pulling is sometimes used as a simulated act of violence between the male and female dancers. This dance style emerged in Paris in the early 1900s and was popularized in the cabarets and dance halls of the city. It is important to note that while the Parisian Apache dance may have included hair pulling in its choreography, it is a fictionalized representation of the real-life Apaches and should not be conflated with the Native American Apache dance.
[email protected] describe the face of Charles Aznavour Charles Aznavour was a French-Armenian singer, songwriter, and actor who passed away in 2018. He was known for his distinctive appearance, but he could also project warmth and vulnerability in his performances. Overall, Charles Aznavour was a charismatic and unique performer who had a face that was both striking and expressive.
[email protected] describe the face of Rita Hayworth Rita Hayworth was an American actress and dancer who was considered one of the most glamorous stars of Hollywood's Golden Age. She was known for her striking beauty, which included a face with high cheekbones, an elegant jawline, and a delicate nose. Hayworth had large, expressive eyes that were often described as doe-like, with long lashes and a soft gaze that could convey both vulnerability and seduction. She had a full, sensuous mouth with a distinctive upper lip that was slightly asymmetrical, adding to her unique and memorable appearance. Hayworth was also known for her lustrous, red hair, which was often styled in loose waves or a sophisticated updo. Overall, Rita Hayworth's face was a perfect combination of classic beauty and unique features that made her a timeless icon of Hollywood glamour.
[email protected] famous female Parisian Apache dancers The Parisian Apache dance was a style of dance that emerged in Paris in the early 1900s and was popularized in the cabarets and dance halls of the city. While the dance was performed by many different dancers, there were a few female dancers who became famous for their performances of the Parisian Apache dance. Here are a few examples:
Mistinguett: Mistinguett was a French actress, singer, and dancer who was known as the "Queen of the Parisian Music Hall." She was famous for her performances of the Parisian Apache dance, which she performed with various partners over the years.
Fréhel: Fréhel was a French singer and actress who was known for her performances of the Parisian Apache dance. She often performed with the singer Maurice Chevalier, and the two became a popular duo in Parisian cabarets.
Édith Piaf: While Édith Piaf was primarily known for her singing, she was also a talented dancer who often performed the Parisian Apache dance. Her performances were known for their intensity and dramatic flair.
Yvonne Printemps: Yvonne Printemps was a French actress and singer who was known for her performances in operettas and musical comedies. She was also a talented dancer who performed the Parisian Apache dance with her husband, the actor and singer Sacha Guitry.
These women helped to popularize the Parisian Apache dance and contributed to its lasting legacy as a unique and memorable dance style of early 20th century Paris.
[email protected] describe Mistenguett physically Mistinguett, whose real name was Jeanne Florentine Bourgeois, was a French actress, singer, and dancer who was known as the "Queen of the Parisian Music Hall" during the early 1900s. Physically, she was considered very beautiful and had a petite, slim build. She was known for her sparkling blue eyes, which were often described as mesmerizing, and her heart-shaped face with a small nose and delicate features.
Mistinguett had a head full of curly, blonde hair that she often styled in an updo or adorned with a decorative headpiece. Her smile was said to be one of her most attractive features, with perfectly straight teeth and full lips. Mistinguett was also known for her graceful and expressive movements on stage, and her ability to captivate audiences with her charisma and charm.
Overall, Mistinguett was considered a stunning and captivating performer, with a classic beauty and an undeniable presence on stage that made her a true icon of the Parisian entertainment scene.
[email protected] descibe Frehels physically Fréhel, whose real name was Marguerite Boulc'h, was a French singer and actress who was popular during the early 20th century. Physically, she had a unique and striking appearance that was said to be both glamorous and unconventional.
Fréhel was known for her short, dark hair that she often styled in a slicked-back bob, which was an unusual look for women at the time. She had a striking face with high cheekbones, full lips, and expressive eyes that were often described as intense and soulful.
Fréhel had a curvaceous figure that she often accentuated with form-fitting clothing and bold accessories, such as large hats and chunky jewelry. She was also known for her dynamic and energetic performances on stage, where she would dance and sing with a fierce passion that captivated audiences.
Overall, Fréhel's physical appearance was unconventional yet captivating, and her unique style and dynamic performances helped to establish her as one of the most iconic performers of her time.
[email protected] what kind of shoes did the Parisian apache dancers wear The Parisian Apache dance was a style of dance that emerged in Paris in the early 1900s and was popularized in the cabarets and dance halls of the city. The dancers who performed this style of dance wore a specific type of shoe known as "apache boots."
Apache boots were a style of ankle boot that were made of sturdy leather and had thick rubber soles. They had a lace-up front and often featured decorative stitching or metal eyelets. The boots were designed to be both durable and functional, allowing the dancers to perform the acrobatic and often rough movements of the Apache dance.
In addition to the boots, Parisian Apache dancers also often wore clothing that reflected the gritty and rebellious nature of the dance. Men typically wore flat caps, leather jackets, and high-waisted trousers, while women wore short skirts, fishnet stockings, and fitted jackets or blouses. This style of dress, combined with the rugged and durable footwear, helped to establish the Parisian Apache dance as a distinct and memorable style of dance that reflected the unique cultural and social context of early 20th century Paris.
[email protected] on what streets in Paris did the ApaCHE GANGS PROWL The Parisian Apache dance originated in the early 1900s and was associated with the criminal underworld of Paris at the time. While it is difficult to pinpoint specific streets where Apache gangs "prowled," there were certain areas of the city that were known for their rough and dangerous reputation, and where Apache activity was more likely to occur.
One such area was the neighborhood of Belleville, which was known for its working-class population and was home to many of the city's dance halls and cabarets. Another area associated with Apache gangs was the district of Montmartre, which was known for its bohemian atmosphere and was a popular spot for artists, writers, and other creative types.
It is worth noting that the Apache dance was not exclusively associated with criminal activity, and many dancers who performed the dance did so in legitimate dance halls and cabarets throughout the city. However, the dance did have a reputation for being rough and violent, and it was often associated with the criminal underworld of Paris during the early 20th century.
[email protected] what apache dancers appeared on the Ed Sullivan show in 1956 I'm sorry, but as an AI language model, I do not have access to specific information about individual appearances on television shows. However, I can tell you that the Ed Sullivan Show was a popular variety show that aired in the United States from 1948 to 1971 and featured a wide range of performers from different genres, including music, comedy, and dance. It is possible that Parisian Apache dancers may have appeared on the show at some point, as it was known for featuring diverse and eclectic acts from around the world.
[email protected] are women dragged during Parisian apache dances Yes, it is true that during the Parisian Apache dance, which originated in the early 1900s in Paris, women were often subjected to violent and aggressive movements, including being dragged or thrown around by their male dance partners. The dance was meant to mimic the behavior of street gangs and was characterized by its rough and acrobatic movements, which often included simulated fights between the male and female dancers.
The Apache dance was controversial at the time for its portrayal of violence and aggression towards women, and it has since been criticized for perpetuating harmful gender stereotypes and promoting violence against women. While the dance has largely fallen out of favor in modern times, it is still remembered as an important part of the cultural and social history of early 20th century Paris.
[email protected] did the women fight back in Apache dancing In the Parisian Apache dance, which originated in the early 1900s in Paris, the male and female dancers portrayed a simulated struggle, with the male dancer often portraying a dominant role and the female dancer portraying a submissive role. While the female dancer would typically struggle and resist the advances of her male partner, it was not common for her to fight back in a physical sense.
However, it is worth noting that the Apache dance was not meant to be a literal representation of violence or aggression towards women, and the movements were largely choreographed and meant to be performed as a form of entertainment rather than a realistic portrayal of gender dynamics. Additionally, while the Apache dance has been criticized for perpetuating harmful gender stereotypes, it is important to recognize that the dance emerged within a specific cultural and historical context and should be understood within that context.
[email protected] what other treatment was the female apache dancer subject to In the Parisian Apache dance, the female dancer was often subjected to physical treatment that could be violent and rough, including being thrown, pushed, or dragged by her male partner. The dance was intended to portray a simulated struggle between the male and female dancers, with the male dancer often playing the dominant role and the female dancer playing a submissive role.
In addition to the physical treatment, the female dancer was also often subjected to verbal abuse and humiliation by her male partner. This could include name-calling, shouting, and other forms of verbal aggression meant to further establish the power dynamic between the male and female dancers.
It is important to note that the Apache dance emerged within a specific cultural and historical context, and while it has been criticized for perpetuating harmful gender stereotypes and promoting violence against women, it should be understood within that context. In modern times, the dance is generally seen as inappropriate and offensive, and many dancers and performers have chosen to distance themselves from the style and its associated gender dynamics.
[email protected] what names might be used to demean the woman in Apache dancing In the Parisian Apache dance, the male dancer often portrayed a dominant and aggressive role, while the female dancer played a submissive and often victimized role. As part of this dynamic, the male dancer might use derogatory names or language to demean and belittle his female partner.
Some common names that might be used to demean a woman in Apache dancing include "putain" (meaning "prostitute" in French), "salope" (meaning "slut" or "whore"), "pute" (meaning "whore"), "gouine" (meaning "lesbian"), and "poule" (meaning "chicken" or "bird," but used as a derogatory term for a woman).
It is important to note that these names and the use of derogatory language were not limited to the Apache dance and were unfortunately common in many aspects of society at the time. However, the Apache dance has been criticized for perpetuating harmful gender stereotypes and promoting violence against women, and it is generally seen as inappropriate and offensive in modern times.
[email protected] did the women in Apache dancing usde words In the Parisian Apache dance, the female dancer typically played a submissive role and was often subjected to physical and verbal abuse by her male partner. While the male dancer might use derogatory language to demean and belittle his female partner, the female dancer was not typically given the opportunity to respond with words or language of her own.
Instead, the female dancer's role was largely physical, and she would often struggle and resist the advances of her male partner in a choreographed and stylized way. The dance was meant to portray a simulated struggle between the male and female dancers, with the male dancer playing the dominant role and the female dancer playing the submissive role.
It is important to note that the Apache dance emerged within a specific cultural and historical context and should be understood within that context. While the dance has been criticized for perpetuating harmful gender stereotypes and promoting violence against women, it is also an important part of the cultural and social history of early 20th century Paris.
What is Parisian Apache Dancing Parisian Apache Dancing, also known as the "Apache dance," is a dance style that emerged in the early 20th century in Paris, France. The dance was inspired by the rough-and-tumble lifestyle of the city's criminal underworld, particularly the "Apaches," a term used to describe street gangs of the time.
The dance typically features a male-female couple, with the man playing the role of the "apache" and the woman playing the role of the "victim." The dance is characterized by aggressive, theatrical movements, often involving simulated violence and struggle between the two partners. The dance can include elements of tango, waltz, and other styles, but is typically performed with a great deal of improvisation and physicality.
Despite its rough origins, Parisian Apache Dancing became popular among the bohemian crowd in Paris, and was eventually incorporated into mainstream dance styles. Today, the dance is still performed in some circles as a historical curiosity, and has been referenced in various forms of popular culture, including film, television, and music.
[email protected] who were the most famous Apache dfancers Some of the most famous Parisian Apache dancers include:
Charles Aznavour and Pierre Roche - these two popular French singers and actors were known for their Apache dancing skills and often performed the dance in their stage shows.
Mistinguett - a famous French actress and singer, Mistinguett was known for her sensual Apache dancing performances, which often featured elaborate costumes and dramatic staging.
Jean Gabin - a popular French actor, Gabin was also an accomplished Apache dancer and often incorporated the dance into his film roles.
Josephine Baker - an American-born singer and actress who became famous in France, Baker was known for her unique style of Apache dancing, which incorporated elements of African dance and jazz.
Rita Hayworth - an American actress who became famous in the 1940s, Hayworth was also a skilled Apache dancer and often incorporated the dance into her film roles.
These are just a few examples of famous Apache dancers, but there were many others who helped popularize the dance and make it a part of the cultural landscape of early 20th century France.
[email protected] what Apahe dancers appeared on the Ed Sullivan show It's difficult to determine a comprehensive list of Apache dancers who appeared on the Ed Sullivan Show, as the show aired for more than two decades and featured numerous performers. However, there are a few notable Apache dancers who appeared on the show, including:
Jacques D'Amboise and Diana Adams - in 1958, this famous ballet duo performed an Apache dance on the Ed Sullivan Show, showcasing their versatility as dancers.
The Four Step Brothers - a popular tap dancing group in the 1940s and 1950s, the Four Step Brothers incorporated Apache dancing into their repertoire and performed a number of Apache-inspired routines on the Ed Sullivan Show.
The Harlemites - this dance group, which included the famous dancer Sandman Sims, performed a number of Apache-inspired routines on the Ed Sullivan Show in the 1960s.
These are just a few examples of Apache dancers who appeared on the Ed Sullivan Show, but there were likely others who performed on the show during its long run.
[email protected] what facial expressions were used in Apache dancing Facial expressions in Apache dancing are an important aspect of the performance, as they help to convey the emotions and actions of the dancers. The facial expressions used in Apache dancing can vary depending on the specific dance and the intentions of the dancers, but they often include:
Aggression and anger - given that Apache dancing is often characterized by simulated violence and struggle, the dancers may use facial expressions to convey aggression and anger, such as by gritting their teeth, narrowing their eyes, or snarling.
Fear and vulnerability - in contrast to the aggressive expressions, the female dancer in an Apache dance may use facial expressions to convey fear and vulnerability, such as by widening her eyes, trembling, or looking pleadingly at her partner.
Seduction and sensuality - in some Apache dances, the male dancer may use facial expressions to convey seduction and sensuality, such as by smirking, winking, or biting his lip.
Overall, the facial expressions in Apache dancing are meant to be dramatic and theatrical, conveying the emotions and actions of the dancers to the audience in a vivid and engaging way.
[email protected] further female facial expressions In addition to fear and vulnerability, female dancers in Apache dancing may also use other facial expressions to convey different emotions and actions. Some examples include:
Defiance - In some Apache dances, the female dancer may use facial expressions to convey defiance towards her partner or the situation, such as by narrowing her eyes and setting her jaw.
Desperation - In certain Apache dances, the female dancer may use facial expressions to convey a sense of desperation, such as by looking wild-eyed and frantic.
Pain - Given that Apache dancing can be quite physical, the female dancer may use facial expressions to convey pain or discomfort, such as by grimacing or biting her lip.
Submission - In certain Apache dances, the female dancer may use facial expressions to convey a sense of submission or surrender, such as by lowering her eyes and bowing her head.
Overall, the specific facial expressions used by female dancers in Apache dancing can vary widely depending on the specific dance and the intentions of the dancers, but they are generally meant to be expressive and convey a sense of emotion and action to the audience.
[email protected] Is apache dancing considered politically incorrect these days There is no clear consensus on whether Apache dancing is considered politically incorrect these days. Some people view the dance as a form of cultural appropriation or romanticization of violence, given its origins in the criminal underworld of early 20th century Paris. Others argue that the dance is a legitimate part of French cultural history and can be performed and appreciated in a respectful way.
Overall, the perception of Apache dancing may depend on a variety of factors, including the specific context in which it is performed, the intentions of the dancers, and the attitudes of the audience. It's important to be sensitive to the historical and cultural context of the dance and to approach it with a critical and nuanced perspective. Additionally, it's always a good idea to consult with members of the cultural community in question to get their perspectives on the appropriateness of performing or promoting a particular cultural tradition.
[email protected] describe some Apache dance costumes Apache dance costumes typically feature a mix of traditional and modern elements, reflecting the dance's origins in the criminal underworld of early 20th century Paris. Some of the key features of Apache dance costumes include:
Traditional clothing -
Accessories - Both male and female dancers may wear accessories such as scarves, belts, and jewelry to add visual interest to the costume.
Utility items - Given the physical nature of Apache dancing, the dancers may wear items such as knee pads or elbow pads to protect themselves from injury.
Prop weapons - In some Apache dances, the male dancer may carry a prop weapon such as a knife or cane, which is used to simulate violence and struggle.
Modern elements - In some performances, the traditional elements of the costume may be mixed with more modern or contemporary clothing items, such as leather jackets or sneakers, to give the costume a more updated or stylized look.
Overall, the costume for Apache dancing is designed to convey a sense of danger and edginess, reflecting the dance's origins in the seedy underworld of early 20th century Paris. The costume can vary widely depending on the specific performance and the intentions of the dancers, but it typically incorporates a mix of traditional and modern elements to create a visually striking and memorable look.
[email protected] describe the seedy French underground that inspired Apache dancing Apache dancing originated in the seedy French underground of the late 19th and early 20th centuries. At the time, Paris was a hub of criminal activity, with a thriving underworld of gangsters, prostitutes, and other marginalized groups. This underworld was characterized by poverty, violence, and desperation, with many people turning to crime as a means of survival.
One of the most notorious criminal subcultures in Paris at the time was the Apache gang, which was made up of young men from the city's lower classes. The Apaches engaged in a variety of criminal activities, including theft, extortion, and violence against rival gangs. They were known for their distinctive fighting style, which involved a mix of street fighting, wrestling, and dirty tactics such as biting and gouging.
Apache dancing emerged as a form of entertainment in the Parisian cabarets and dance halls frequented by the city's criminal underworld. The dance was inspired by the Apaches' fighting style, and it was designed to simulate the struggle between a male and female partner. The dance often involved simulated violence, with the male dancer throwing the female partner around and dragging her across the floor, while she struggled and fought back.
Overall, the seedy French underworld that inspired Apache dancing was characterized by poverty, violence, and desperation, with many people turning to crime as a means of survival. While Apache dancing has since become a popular and respected art form, its origins in this dark and dangerous world have left a lasting impression on the dance and its cultural legacy.
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patty400 · 2 years
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chaplinfortheages · 3 years
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"City Lights" 1931
Coming to the assistance of female apache dancer fearing she is in peril.
Apache Dance or La Danse Apache originated in Paris in the early 20th century.
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alexlacquemanne · 3 years
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Mars MMXX
Films
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La Jeune Fille à la perle (Girl with the Pearl Earring) (2003) de Peter Webber avec Scarlett Johansson et Colin Firth
De Gaulle (2020) de Gabriel Le Bomin avec Lambert Wilson, Isabelle Carré et Olivier Gourmet
Dunkerque (Dunkirk) (2017) de Christopher Nolan avec Fionn Whitehead, Tom Glynn-Carney et Jack Lowden
On ne vit que deux fois (You Only Live Twice) (1967) de Lewis Gilbert avec Sean Connery, Tetsurō Tanba et Donald Pleasence
Mais où est donc passée la septième compagnie ? (1973) de Robert Lamoureux avec Pierre Mondy, Jean Lefebvre et Aldo Maccione
Goldfinger (1964) de Guy Hamilton avec Sean Connery, Honor Blackman et Gert Fröbe
Walk the Line (2005) de James Mangold avec Joaquin Phoenix et Reese Witherspoon
Tootsie (1982) de Sydney Pollack avec Dustin Hoffman, Jessica Lange et Bill Murray
Astérix : Le Domaine des dieux (2014) de Alexandre Astier et Louis Clichy avec Roger Carel, Guillaume Briat et Lorànt Deutsch
Astérix et Cléopâtre (1968) de René Goscinny et Albert Uderzo avec Roger Carel, Jacques Morel et Micheline Dax
On a retrouvé la 7e compagnie (1975) de Robert Lamoureux avec Pierre Mondy, Jean Lefebvre et Henri Guybet
Un éléphant ça trompe énormément (1976) de Yves Robert avec Jean Rochefort, Claude Brasseur, Guy Bedos, Victor Lanoux et Anny Duperey
Astérix chez les Bretons (1986) de Pino Van Lamsweerde avec Roger Carel, Pierre Tornade et Serge Sauvion
Nous irons tous au paradis (1977) de Yves Robert avec Jean Rochefort, Claude Brasseur, Guy Bedos, Victor Lanoux et Marthe Villalonga
Le Deuxième Souffle (1966) de Jean-Pierre Melville avec Lino Ventura Paul Meurisse, Raymond Pellegrin et Christine Fabrega
Twist again à Moscou (1986) de Jean-Marie Poiré avec Christian Clavier, Philippe Noiret et Roland Blanche
Hiver 54, l'abbé Pierre (1989) de Christian Ardan avec Lambert Wilson et Claudia Cardinale
Spectacle
Un amour de jeunesse (2020) de Ivan Calbérac avec Stéphane de Groodt, Isabelle Gélinas, Olivia Côte, Nelly Clara et Sébastien Pierre
Séries
Psych Saison 1, 2, 3, 4, 5, 6, 7
Voyance et Manigances - Champ de bataille - Shawn chez les super-héros - Un plat qui se mange froid - Plus menteur, tu meurs - À vos masques… - Mission Canada - Comme sur des roulettes - Sensations trop fortes - La Nuit du Loup-Garou - En avant soldat ! - L'Enfer du vendredi - Un mort au pied du sapin - Noël au balcon, tout le monde en prison - La Botte secrète - Un duo vintage - La classe qui tue - À toute vitesse - Mer agitée - En cabane au Canada - Mort de frousse - Premiers de la classe - C'est pas du gâteau ! - Espèce menacée - Immunité problématique - Very Bad nuit - Super héros - Carrément mordus ! - Tous au stade - Shawn au-dessus d'un nid de coucou - Mon père cet escroc - Enfin seuls ! - Indiana Shawn et le Trésor perdu - Complètement babas - À mourir de peur - Les Prétendants - Un crime peut en cacher un autre - À chœur et à cris - Juste Cause - Santa Barbara, ton univers impitoyable - Santa Barbara 2, l'arme fatale 5 - Le Projet BigFoot - Virée mexicaine
Brokenwood Saison 6, 1, 2
Comme un oiseau en cage - Du sang et de l'eau - Les Raisins de la colère - Pour l'amour du golf - Les Fantômes de la ligne de touche - Mourir ou ne pas mourir - Rose sang
Doctor Who Series 12
The Timeless Children
Top Gear Saison 12, 21
Les pires voitures de l’histoire - En route pour la cote d'Azur ! - Trois camions d’enfer - Abou Dabi, du sable dans le carbu
The Grand Tour Saison 4, 1, 2
The Grand Tour Presents: Seamen - Grand Tour vers le futur - Mozambique
Papa a un plan Saison 1
Argent sale - Fausse liberté - Un bébé pour Andi
Alex Hugo Saison 6
Jour de colère
Les Nouvelles aventures de Lucky Luke
Custermania
Meurtres au paradis Saison 9
Meurtre en deux parties - L'Enfant terrible - Sortie de route
Castle Saison 4
Danse avec la mort
Maguy Saison 1
Rose et Marguerite, c'est le bouquet - Babar et Bécassine se mènent en bateau - Docteur j'abuse - L'union fait le divorce - L'annonce faite à Maguy - Le coupe-Georges - Amoral, morale et demie - Cinquante bougies, ça vous éteint !
Kaamelott Livre II, I, IV, III, V
Livres
James Bond 007 Tome 13 : L'Homme au pistolet d'or de Ian Fleming
Lucky Luke : Canyon Apache de Morris et René Goscinny
Lucky Luke : Western Circus de Morris et René Goscinny
Lefranc : L'Arme absolue de Jacques Martin et Gilles Chaillet
Lucky Luke : Chasseur de primes de Morris et René Goscinny
Lucky Luke : Le Grand duc de Morris et René Goscinny
Lucky Luke : Le cavalier blanc de Morris et René Goscinny
Lucky Luke : La Guérison des Dalton de Morris et René Goscinny
Lucky Luke : Le Fil qui chante de Morris et René Goscinny
Lucky Luke : Le Magot des Dalton de Morris
Astérix : Le Devin d’André Uderzo et René Goscinny
Lucky Luke : Sarah Bernhardt de Morris et Xavier Fauche
Lucky Luke : Les Rivaux de Painful Gulch de Morris et René Goscinny
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books0977 · 5 years
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The Apache dancer, Miss Beatrice Collins. Sir Oswald Joseph Hornby Birley (English, 1880-1954). Oil on canvas.
La Danse Apache is a highly dramatic dance associated in popular culture with Parisian street culture at the beginning of the 20th century. The name of the dance is taken from the term for Parisian underworld of the time. The dance is sometimes said to reenact a violent "discussion" between a pimp and a prostitute. It includes mock slaps and punches.
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hunterartemis · 5 years
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Fantastic Beasts Characters As Classical Pieces
What if you could describe the characters of Fantastic Beasts with one Classical Piece? 
Newt Scamander: “American”-Allegro Ma Non Troppo by Antonín Dvořák: https://www.youtube.com/watch?v=JocDYVUb4kE
This particular tune was composed when Dvorak was abroad in America, working for a conservatory. ‘The American Quartet’ was composed during Dvorak’s stay in Spillville, Iowa, which he composed with great inspirations from contemporary Africa-American melodies, Native American tunes and even a songbird called “the red eyed vireo” that kept pestering him while he was composing. This reminds me of Newt’s worldwide voyages and him working on his book on his journey, inspired by people and magical beasts he sees. The piece speaks with a joy of seeing something new, the joys of travelling, meeting and being influenced by new people which is the essence of Newt’s character. 
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Porpentina Goldstein: La Campanella, Grandes études de Paganini, by Franz Liszt. : https://www.youtube.com/watch?v=H1Dvg2MxQn8
“La Campanella” or “The little bell” is called one of the difficult, most intricate piece on the piano to play. However, in it’s trilling and high notes it exudes an elegance that is both delicate, intimidating and fast. Tina Goldstein is characterized as a short fused level-headed personality. She was described as being "grounded."She was naturally ambitious, and had a desire to stand up for what was right. Her femininity is underrated, especially when she is placed beside Leta or Queenie. However, her femininity is most beautifully appreciated by Newt: the golden traces of her seen through the tracking spell, her emotional expressions when she was bidding Newt goodbye, her pouting at Newt’s “engagement”, all this highlight her unique femininity. This is what the La Campanella will capture.
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Queenie Goldstein : Dance of the Sugar Plum Fairy, By Pyotr Ilich Tchaikovsky, Nutcracker Suite: https://www.youtube.com/watch?v=zV1qLYukTH8
From the moment Queenie entered the screen she filled my mind with a mystrey and alarm. She was almost ethereal and unreal sometimes and it is sometimes hard to tell what she is thinking when she is smiling and reading about you. That creepy-ethereal sweetness is evoked by the piece ‘Dance of the Sugar Plum Fairy’. Feminine yet intimidating, this piece reminds me of Queenie. The character is both popular as a good and benevolent figure, also as a horror figure. ‘Sugar Plum’ is not a real fruit, but candied plum, and what she is seen making on screen for the first time? Strudel. 
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 Jacob Kowalski: Miroirs (mvt: IV "Alborada del gracioso") by Maurice Ravel : https://www.youtube.com/watch?v=SCKDG7w2S9c
Ravel’s ‘Miroir’ is a five-movement suite for solo piano written by French composer Maurice Ravel between 1904 and 1905. It was dedicated to his artist friends in Les Apaches (”hooligans”), who identified themselves as Avant-garde, and artistic outcast. Jacob as a non-magic folk, wants to grow as a person: from a dull employee of a canning factory to an artist of baking. From a wizard’s perspective he is a “hooligan”, in a sense: he is a no-maj who must be excluded. He is an outcast, but he celebrates it, a spirit that Ravel captures in the ‘Miroir’. The fourth movement Alborada del gracioso is called “The Jester’s Aubade” or the ‘Morning Love song of a Clown’. An Aubade laments on the lovers separating at daybreak. It can also be identified with his unfortunate separation with Queenie.
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Niffler: Danse Boheme by Georges Bizet, Carmen:   https://www.youtube.com/watch?v=7P1dquJE7mQ
Gypsies were known to nick things in the past, and they are very mischievous and caused troubles for other non-gypsies. These are also the characteristics of niffler. They are troublemakers, and they pursue after shiny objects and treasures and pinches them for their own fun. Bizet’s Danse Boheme starts with light woodwinds with small movements which later becomes grands with frequent tremolo and hectic and fast tunes on the strings. This reminds me of the niffler’s small sneaky antics and how they usually get out of hand and makes things out of control.
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Pickett:  Dance of the Reed Flutes, by Pyotr Ilich Tchaikovsky, Nutcracker suit: https://www.youtube.com/watch?v=h94BdxnheeM
Also known as the Marzipan song, the Reed-Flute song is a piece predominated by wind instruments. The piece also reminds be of birds chirping and woodland, which is considered as the seat of the Bowtruckles. The piece is very cheerful and innocent, like the bowtruckle and has a hint of mischief. 
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Theseus Scamander: Violin Concerto in D Major, Allegro Moderato, By Pyotr Ilich Tchaikovsky : https://www.youtube.com/watch?v=dNmgDEUdKlw (for convenience skip to timestamp 6:17)
Tchaikovsky composed it in  Clarens, a Swiss resort on the shores of Lake Geneva, where Tchaikovsky had gone to recover from the depression brought on by his disastrous marriage to Antonina Miliukova. The concerto was swiftly composed and Tchaikovsky wouldn’t be able to complete it without the help of his composing pupil Iosif Kotek. However Kotek later refuses to play the concerto, believing that it would damage his reputation, which caused a breach between him and his tutor. Theseus is plagued too, by the death of his fiancee, Leta Lestrange, and finds consolation by his younger brother Newt’s support. The on-and-off relationship between him and Newt reminds me of Kotek and Tchaikovsky(despite the fact that the latter two had some homosexual tension between them). The overall melody is elegant yet majestic, tender but firm and noble with intricate notes, which all together sums up Theseus’ character and magical abilities. And let’s not forget his worldwide popularity and how this concerto (despite its failures in the initial receptions) rose to the position as one of the four greatest violin concertos in the world.
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Seraphina Piquery: Bolero, Maurice Ravel. https://www.youtube.com/watch?v=r30D3SW4OVw
Boléro is a one-movement orchestral piece by Maurice Ravel. This piece begins with a soft beating of snare drums and repeats the same melody over and over again, but each time it includes a different instrument and gradually becomes grand. The melody includes the dynamics of every possible instruments in the orchestra. Seraphina is a martial heroine and an apt leader who utilities every wizard’s power in the ministry, that makes her power formidable. The meticulously crafted melody also expresses Seraphina’s calculating nature.
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Albus Dumbledore: Erlkönig By Franz Schubert.(instrumental by David Garrett) https://www.youtube.com/watch?v=X1uWr0p90EQ 
Schubert’s Erlkonig is an aria that uses the lyrics from Goethe’s poem from the same name. Erlkonig or the “Elf King” is about a father and son riding through the forest in the night. The boy hears whispers and sees the trainy veil of the Elf King floating through the air, who whispers to follow him. However the father sees nothing. When the duo reach the farm, the boy is found dead. This symbolizes that man is always flying away from death, but no matter how hard he tries death will get to him at the end. Dumbledore is a private person who is trying his hard to conceal and outrun his past, but it always gets tangled in the end. 
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Gellert Grindlewald:  Don Giovanni! A cenar teco , by Wolfgang Amedeus Mozart, Opera : Don Giovanni. https://www.youtube.com/watch?v=ciZNyQNzM7I
In the Opera, the Commendator was an old man, Killed by Don Giovanni, who wished to win the old man’s daughter Dona Ana. Thus he came back as a spirit to drag Don Giovanni in hell. It is called one of the scariest songs by Mozart, and the process in while Commendator drew Don Giovanni into hell with fire and a legion of Demons reminds me of Grindelwald conquering his enemies and destroying them completely. Both of the characters were hateful, vengeful and absolutist, although Grindelwald cannot be justified like the Commendator, who rage was justified (because his daughter was snatched by a sketchy playboy). However, Grindelwald must think he is right and have thought about muggles like that!!
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Credence Barebone: Swan Lake Op 20 introduction By Pyotr Ilich Tchaikovsky, Ballet: Swan Lake. https://www.youtube.com/watch?v=WhYnHXpDyUI
Credence strongly reminds me of the Odette/Odille Complex from Tchaikovsky’s ballet The Swan Lake. The ballet ends with a pessimistic note, in the sense that the pure and virginal white swan dies and the seductive and evil black swan wins. Up till the end of the Second Franchise, we saw that Grindelwald was able to draw Credence towards him, and I believe Rowling is aiming for a classic pathetic end for Credence, as “the innocent that gone bad” collateral. Ominous, haunting, breathtaking and beautiful, the opening of Swan Lake portrays the ravishment of Odette by an evil magician Rothbart. Credence has been manhandled by his adoptive mother and emotionally abused by Grindelwald and his journey from innocent to a dark entity is surely very Swan-Lake like. 
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Leta Lestrange: Declaration of Love by Alfred Schnittke, A Fairytale of Wandering :  https://www.youtube.com/watch?v=vAVVXff_4BM
Originally composed for the soviet dark fantasy film A Story of Voyage (1983), Declaration of Love has been getting the position of classical music. The story of the film traces the journey of two orphan children, brother and sister separated at birth. However when they two meet in the adulthood the brother has become evil and violent. Although they reach a happy ending, but their encounter is as charged as Leta-Mustafa (who is Leta’s half brother from the same mother) encounter. It could also possibly indicate Leta’s encounter with Credence who was almost professed as Corvus Lestrange. The piece is haunting, beautiful and Schnittke’s signature discords lurking about throughout the symphony makes the piece perfect for Leta.
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Nicolas Flamel : Jupiter, The Bringer of Jollity, By Gustav Holst, The Planets: https://www.youtube.com/watch?v=Nz0b4STz1lo
Flamel was a strong positive force in the film ‘Crimes of Grindelwald’. Unlike Dumbledore, who is more ‘hovering over and watching’ rather than participating in action (except in rare cases), Flamel’s presence and entrance fills the people around him with hope. Holst’s ‘Jupiter’ has a similar effect. In Indian Astrology ‘Jupiter’ is called the eldest, and ‘Adviser of Heaven’ who counsels with gods and protects the mortals from fatality and evil. Flamel’s presence was something like that.
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Nagini: The Aquarium By Camille Saint Saens, from Le Carnival des animaux.   https://www.youtube.com/watch?v=YVpl-RNzdE4
Saint Saens’ Aquarium, is a doleful piece that evokes the image of the dimly lit, and often creepy aquarium. This so called aquarium is not visited at the daytime when the people are bustling, it is visited during the nighttime when there are no people. The Snake, is a creature that is fluid, smooth and meandered like water. This piece not only reminds me of an abandoned carnival, a place where Nagini belonged as a ‘freak’, but also a dimly lit, damp space where a snake inhabits. 
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goliarda1954 · 4 years
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La Danse Apache (1935)
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shalomelohim · 4 years
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Native American Chief Joseph RiverWind in Jerusalem! EVERY TRIBE // LIVE at the TOWER of DAVID
Des chrétiens amérindiens au service de la mission 
La mission change. Les chrétiens autochtones témoignent à leur propre peuple et au-delà : l’exemple des Amérindiens.
Depuis une vingtaine d’années, on assiste à un renouveau de la mission. Dans de nombreux pays, les chrétiens indigènes deviennent des clés pour atteindre leur propre peuple et au-delà de leurs frontières, les nations, y compris l’Occident en voie de déchristianisation.
On parle de mission par la contextualisation. C’est le cas de nombreux Amérindiens qui trouvent aujourd’hui un chemin pour atteindre leur peuple blessé par une histoire douloureuse d’assimilation forcée.
Enlever les barrières ethniques
« Le ministère contextuel consiste à enlever les barrières ethniques qui empêchent l’Evangile de fleurir dans la communauté indigène », explique Robert Soto, pasteur et vice-président de la tribu des Apaches Lipans au Texas.
Il aime citer l’apôtre Paul et son invitation à se faire à tous quand il rassemble les membres de son Eglise autour du tambour pour un temps de louange « à l’indienne » ou qu’il danse en costume traditionnel afin de célébrer son Sauveur.
« Le ministère contextuel n’est pas une tentative d’amalgamer différentes croyances religieuses pour n’en former qu’une, dit-il. Dans un ministère contextuel, nous prenons le meilleur des expressions culturelles d’adoration données par Elohim et nous les rachetons pour nous centrer sur Yahshua .»
Le Chanteur Mohawk
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Chanteur Mohawk du Canada, Jonathan Maracle parcourt le monde et les réserves indiennes pour partager la libération qu’il a découverte en Yahshua.
americanindianrepublic
Le Pasteur Robert Soto
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Robert Soto, pasteur et notable de la tribu des Apaches Lipans, aime parler de Yahshua en revêtant ses habits traditionnels.
http://www.robertsoto.org/
=== L’Evangile se propage... et ça c’est une Bonne Nouvelle ! Il est intéressant d’aller à la découverte des missions des frères et soeurs autour du globe afin de constater comment Père utilise ses enfants pour toucher toutes les nations, tous les peuples, même les plus éloignées, les plus isolées, sans moyen de communication dit moderne.
Adaptez-vous aux personnes à évangéliser
« Lorsqu’ils entendirent qu’il leur parlait en araméen, ils se tinrent encore plus tranquilles » (Actes 22 :2).
Nous assistons, ici, à un aspect très intéressant au sujet du témoignage. Lorsque nous voulons servir le Seigneur dans le domaine de l’évangélisation, nous devons nous adapter à la culture des personnes à atteindre.
L’un des paramètres d’une culture, c’est la langue.
La langue représente l’un des obstacles majeurs pour la communication de l’Évangile.
Des mots que l’on pourrait croire identiques n’ont pas le même sens d’une culture à l’autre. Par exemple, le mot “Dieu” ne signifie pas la même chose dans l’esprit d’un hindouiste ou d’un occidental.
Il en est de même de bien d’autres concepts comme “le salut”, la “résurrection”, ou “vie éternelle”.
Par exemple, pour un bouddhiste “la vie éternelle” n’est pas forcément une bénédiction car l’âme transmigre éternellement de réincarnation en réincarnation. Ce n’est pas une bénédiction que l’on espère mais une condition qu’il faut supporter. Lorsqu’on dit à un hindouiste que Yahshua est venu pour lui donner la vie éternelle, cela n’a pas le même sens pour celui qui le dit que pour celui qui l’entend.  
Les mots “ vigne ”, “ agneau ” ne signifient rien pour un eskimo. Or, ce sont des mots courants dans la Bible.
Le verbe aimer en français peut être traduit par deux ou trois ou même plusieurs mots selon les cultures. On n’emploiera pas le même verbe pour l’appliquer aux animaux ou aux choses ou aux personnes ou à la nourriture…
Selon les cultures, certaines formes de communication sont mieux considérées que d’autres. Certaines considèrent que le chant est le meilleur vecteur de communication, d’autres la parole, d’autres l’écrit…
Un missionnaire qui avait amené à la foi un jeune homme d’une certaine tribu, se désespérait de voir que ce jeune homme ne témoignait à personne.
Cette tribu avait pour coutume une fois par an de faire un concours de chants. Tous les thèmes y étaient admis et on écoutait jusqu’au bout les chanteurs. Le jeune homme concourut en chantant tout le thème de l’Évangile.
Tous écoutèrent attentivement.
Dans les jours et les semaines qui suivirent, un grand nombre de gens se convertirent. Ce jeune homme avait utilisé le meilleur des vecteurs de communication pour cette tribu.
Son service porta du fruit. Il a su attendre le jour où la communication par le chant était très estimée.
Ma prière en ce jour :
Seigneur, je te prie pour que tu m’aides à trouver les meilleurs moyens pour communiquer l’Évangile à ceux qui sont d’une autre culture que la mienne. Amen !
Source : Faites des disciples
*** Autre chanson  Beckah Shae - Awake
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psyche-things · 4 years
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C'est étrange. C'est étrange et très doux. J'étais dans un tunnel depuis des mois, tout allait très vite, tout était très sombre, je me perdais, je me noyais, je voulais ma vie de Montpellier, mes habitudes, mes copains d'amour, la vie paisible et simple. Puis j'ai fait une chose que je n'avais jamais fait, quelque chose d'un peu effrayant, j'ai pris des risques pour défendre des idées. Pendant 4 jours je suis restée dans un squat, les habitants et les associations risquaient l'expulsion, les forces de l'ordre pouvaient arriver à tout moment. Alors j'y suis allée, j'ai fait des barricades, j'ai appris des techniques pour faire face aux forces de l'ordre, on nous a donné des numéros d'avocats, il y a eu des ateliers street medics, des AG plusieurs fois par jour, puis il y avait toutes ces personnes si différentes, ensemble pour protéger ce lieu si précieux. Protéger les habitants, les deux familles de migrants, les cuisines qui acceuillent chaque jour des gens qui viennent préparer des repas et les distribuer dans les rues de Paris, le grand hangars où sont rangés tentes, matelas et duvets prêts à être distribués, les stocks de médicaments prêts à être envoyés à l'autre bout du monde, les salles de répétition, la salle de théâtre, et toute l'humanité présente dans ce lieu. Alors des personnes, si éloignées, ce sont retrouvées là quelques jours. Il y avait Fa, une personne très grande, très forte, avec des dreads, un jogging Adidas et des baskets Nike, c'etait "elle". Il y avait l'homme qui dort à la rue, qui a braqué des banques, par besoin d'adrénaline, il aimerait être soigné, ne pas retourner en prison en vain. Il y avait D., il revenait à la vie D., il apprenait qu'il pouvait être respecté, écouté, entendu, qu'il existait une place pour lui quelque part et il roulait des joints aussi longs qu'un barreau de chaise. Il y avait Jo, étrange Jo, il.elle a passé une journée dans une cage, pour faire le lapin, étrange Jo. Il y avait Margaux, celle qui pensait que l'on était surveillés tout le temps. Il y avait Tristan, le doux Tristan, qui risquait de perdre sa maison et nos câlins perturbants. Il y avait les "GJ", les "XR", les journalistes, Pablo le photographe, David qui faisait de la boxe, Faustine bien différente de celle que je connaissais jusqu'alors, Julien de la caravane, Clément qui nous a remercié les larmes aux yeux, le barbecue, la porte ouverte de la chambre de T., les discussions sur la rétention, les viols, la violence policière, les suicides, les hommes, les films, les danses apaches. Il y a eu des énormes claques dans l'estomac, celles qui retournent, qui ne laissent pas indemnes, des claques de réalité, des claques de vies. Et il y avait Livio, le comédien. On a pris les claques ensemble, on a fait à manger, on a bu du bissap, on a passé de longs moments dans le silence, il a joué des extraits de son spectacle juste pour moi dans la salle de théâtre, il a lu un texte qu'il a titré "la danseuse", il me regardait dans les yeux, on a rit beaucoup, on a dansé, on a passé la soirée de la fête ensemble, à 5h du matin il est parti, et nous n'arrivions pas à nous dire au revoir, on s'est regardés dans les yeux, longtemps et nous nous sommes fait la bise. Puis il y eu hier, les concerts, la soirée loupée, le bar à République, rentrer à pieds sous la pluie, se coucher l'un à côté de l'autre sans oser se toucher, puis les caresses douces, prudes pendant de longs instants, le blanc des yeux, le premier baisé si doux, le câlin qui n'en termine jamais, le besoin de se toucher, enlacés, ses doigts sur mon visage, ses mains dans mes cheveux, la découverte des corps lente et appliquée, les souffles, les cœurs qui battent forts, le silence, les yeux dans les yeux, les corps qui se mélangent.
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shinjito · 7 years
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Evangelion 1934 : La Danse Apache
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janelher · 2 years
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« Comme un sourire dans la brume »
Je tombe, je ne serai tout à l’heure
Qu’un paradis de peurs, et de routes atomiques
Mais jamais ne serai ton amie
Avant j’étais si jolie, avec des mots bibliques
Aux lèvres, toute la journée
Là sous mon tablier, du sang sur ma peau blanche
Des éclats sur mes deux genoux
Il n’est plus rien qui danse, il n’est plus rien du tout
Ton âme se dénude, ta peau me Nouvelle Orléans
Le sable annule l’eau et le sel
Que les vagues des océans cyclonent
Tes soupirs se cannabissent
Et je les trempe dans de denses couplets
Ils me trompent avec des danses
Qui s’éloignent de mes rêves
Mon chant se veut violon,
Comme l’amour brûle les spores de la vie
Les champs en friche s’imperméablent
Aux détours de peurs et d’ennui
Je susurre des sons, des désirs à l’envers
Sous l’encolure de mon manteau,
Se cache un petit diamant vert
La paix est un Sahara, le rêve une Grande Ourse
Mais une main tient la bride et je crève…
Doucement mon cri porte vers Dieu,
Et la pluie est une théière qui chante
Comme si ses larmes tressaient des noeuds,
Qu’on ne dénoue que de mort lente
Je n’éternue qu’aux lendemains de nuits à venir,
Et ne bois qu’un petit shot de terreurs en bouquet
Mes amis admirent ma descente,
Si je cache avec un drap
Les lumières que phosphorent tes pas
C’est que je vois des strass tout autour de moi,
Dans mes prières j’imagine des nuits qui se calment
Mais au milieu du rêve,
Je ne suis plus vierge de malheurs
Ce plaisir fébrile fait naître une joie chrysalide:
Celle de cueillir une fleur
Et de rincer de son suc les actes manqués,
Celle de parler sans pourrir ma parole
Avec mots qui roulent par terre,
Les heures n’ont plus ce goût de miel
Et grincent des dents
Comme des grains de sel
Pendant que s’enraye l’engrenage des sourires,
Ou de tout ce qui pourrait
Me faire oublier
Que je dois vivre
J’avais des rêves pourtant, moi,
Tu mets entre mes bras
Des valises et des cartes
Des photos tout contre mon cœur,
Je n’aurai tout à l’heure
Que des enfants qui partent
Des groupes d’amis qui se cachent,
Ou iront jouer les Apaches
Et dans les yeux de ma tante
La souffrance comme un tourbillon
A creusé un sillon d’Histoire en déferlante
Je n’ai plus dans mes poches que des champs
De blé en friche… Oh et pourtant
Je me sens coupable
De sourire sans laisser de traces
Dans ce tribunal à huis clos
Ces désirs me coupent des autres
Et défient mon reflet dans la glace
Plus je hurle et plus je vois s’éloigner
L’indulgence dans les regards
Je chevauche les vagues,
Je fulmine des rires qui dérangent
Ma peau gémit parce qu’elle se croit aimée
Par ici, viens la nourrir de ce frisson,
Lumière de la lune,
Toi qui fais vibrer ma voix,
Offre-moi ta flamme autour de mon iris
Si je t’aime ainsi…
Si jamais je t’aime ainsi…
Fais-moi taire
Je te vois tourner la tête,
Et dilapider les ronces qui saignent ta peau
Au moindre univers, à tout cosmos,
À toute planète…
Je jure de t’aimer les yeux ouverts
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gemsonasupport · 7 years
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What is a good style of dance for a brash and sarcastic gem. Or punk dance styles?
Well if you’re not opposed to looking at older dance styles, something akin to La Danse Apache might suit your needs?-- Mod Aqua
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jeutrichesastuces · 4 years
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My Talking Angela Triche - Astuce My Talking Angela Diamants et Pieces
New Post has been published on https://jeuxtricheastuces.com/my-talking-angela-triche/
My Talking Angela Triche - Astuce My Talking Angela Diamants et Pieces
My Talking Angela Triche – Astuce My Talking Angela Diamants et Pieces Illimite
Ce nouveau My Talking Angela Triche Astuce est sorti et vous pouvez enfin avoir une excellente expérience de jeu avec. Nous sommes heureux de publier ce nouvel outil et vous verrez qu’il va bien fonctionner. Nous devons dire que celui-ci sera un bon choix pour vous et vous l’aimerez. Dans ce guide, nous vous offrirons quelques informations sur le jeu et après cela, nous verrons comment fonctionne ce My Talking Angela Astuce. Vous réussirez à vous amuser avec ce My Talking Angela Triche.
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À propos de My Talking Angela Dans ce jeu, vous devrez vous amuser avec votre animal de compagnie virtuel. Vous verrez que vous pouvez baigner votre animal de compagnie et vous pouvez également décorer la chambre d’Angela comme vous le souhaitez. Vous devrez également la nourrir avec de la nourriture délicieuse et vous devrez jouer à divers mini-jeux pour tester vos compétences et vos réflexes. Vous pouvez également collecter des autocollants élégants dans celui-ci et échanger avec d’autres joueurs. En jouant à celui-ci, vous verrez qu’Angela peut facilement sélectionner des tenues uniques parmi une vaste sélection d’articles de mode et vous réussirez à lui faire le relooking dont elle a besoin. En jouant à celui-ci, vous pourrez apprendre des mouvements de danse sympas et vous réussirez à écouter de superbes chansons. Vous aimerez toutes les chansons de ce jeu et vous essayez le ballet, la disco et même la K-pop. Angela montera sur scène et fera de la magie et vous l’aimerez certainement beaucoup. Vous verrez que parfois vous aurez besoin d’un outil qui améliorera votre expérience de jeu globale et c’est à ce moment-là que nous nous lancerons avec notre outil que vous trouverez certainement très utile. Nous sommes sûrs que notre outil vous aidera beaucoup dans ce jeu. Pourquoi est-il important d’utiliser My Talking Angela Triche? Comme vous pouvez le voir, ce nouveau My Talking Angela Triche Astuce ajoutera à votre jeu tous les diamants et pièces dont vous aurez besoin. Toutes les fonctionnalités seront parfaites pour vous et vous réussirez à vous amuser avec elles. Vous verrez que si vous commencez à utiliser ce My Talking Angela Astuce, vous n’aurez jamais aucun problème avec lui et vous réussirez à être protégé. Cela est dû au fait que nous avons ajouté une fonctionnalité anti-interdiction améliorée à celle-ci et vous verrez que celle-ci fonctionnera très bien pour vous. Vous n’aurez jamais aucun problème avec celui-ci et vous verrez que vous améliorerez votre expérience de jeu tout en l’utilisant. Nous devons dire que ce nouveau My Talking Angela Triche fonctionnera bien sur tous les appareils que vous possédez. Cela signifie que si vous décidez d’utiliser celui-ci avec votre iOS souhaité et également avec votre appareil Android, vous réussirez à avoir une expérience de jeu améliorée. Nous devons vous dire que ce nouveau My Talking Angela Triche sera également disponible gratuitement. Cela signifie que vous pourrez conserver votre argent et que vous n’aurez aucun problème avec lui. Nous ne sommes pas comme les développeurs de jeux gourmands qui ne veulent que votre argent. Nous pouvons vous offrir les fonctionnalités dont vous avez besoin pour que vous puissiez atteindre tous vos objectifs de jeu avec cet My Talking Angela Pirater. Vous pouvez être sûr que ce nouveau My Talking Angela Triche fonctionnera très bien pour vous et vous réussirez à atteindre tous vos objectifs de jeu. Pendant que vous jouez au jeu, vous verrez que notre nouveau My Talking Angela Triche sera très utile. Vous pouvez être sûr que notre équipe se concentre toujours sur vous apporter les meilleures fonctionnalités possibles et vous pourrez utiliser un outil qui fonctionne bien. Passez un bon moment avec celui-ci et réussissez à devenir vraiment bon avec. Vous verrez que vous deviendrez un très bon joueur du jeu et vous réussirez à utiliser ce My Talking Angela Triche tout de suite. Passez un bon moment avec celui-ci et utilisez-le aujourd’hui. Vous êtes-vous déjà demandé si vous pouviez trouver un My Talking Angela Triche en fonctionnement? Au fil du temps, nous avons constaté de nombreuses recherches, des personnes à la recherche de My Talking Angela triche pour Android ou iOS, My Talking Angela astuces sur Windows Mobile. Je sais que vous êtes au bon endroit parce que vous recherchez un travail de My Talking Angela triche et je peux vous dire que vous en avez trouvé un et que oui – cela fonctionne comme un charme. Passez moins de 5 minutes de votre temps et obtenez Diamants et Pieces illimité maintenant! Le générateur My Talking Angela a été conçu par un groupe de développeurs qui ont un flair pour le jeu et qui comprennent la lutte pour le Diamants et Pieces afin de pouvoir profiter du jeu au maximum. Par conséquent, ils ont créé cela et l’ont rendu disponible en ligne pour tous les appareils, allant des appareils Android aux appareils iOS tels que l’iphone et l’ipad, le téléphone Windows et le pc inclus.
Comment triche My Talking Angela?
Si vous venez juste de commencer à jouer au My Talking Angela, vous ne ressentirez pas le besoin d’avoir beaucoup de Diamants et Pieces, mais cela changera lorsque vous atteindrez un niveau supérieur. A partir de là, les devises en jeu sont extrêmement importantes. Sans eux, vous n’aurez pas beaucoup de succès. Vous serez confronté à beaucoup de temps d’attente. Pour beaucoup de joueurs c’est très ennuyeux et inutile. Par conséquent, certains d’entre nous se sont réunis et ont commencé à développer un My Talking Angela code de triche, qui peut générer gratuitement Diamants et Pieces sur chaque smartphone et tablette Android et iOS. Pour le moment, cela fonctionne parfaitement sur toutes les plateformes. Seule une connexion Internet fonctionnelle est nécessaire pour exécuter le piratage. L’ensemble du processus ne prend qu’environ une minute, mais l’effet est énorme. Cela vous fait économiser beaucoup d’argent et de temps. Tandis que tout le monde fait un effort énorme pour obtenir Diamants et Pieces, vous les obtiendrez tous gratuitement. Nous vous déconseillons fortement de dépenser votre argent durement gas astuces pour obtenir tous les Diamants et Pieces que vous voulez (gratuitement)gné sur Diamants et Pieces. Pourquoi payer plus cher quand il y a des astuces et de! Vous voulez plus de Diamants et Pieces sur My Talking Angela? Mais vous ne voulez pas dépenser votre argent réel dans le jeu tout le temps? Nous vous montrerons comment obtenir gratuitement toutes les devises du jeu avec notre My Talking Angela pirater.
Qui nous sommes?
Notre équipe de développeurs de logiciels a finalement procédé au reverse engineering des My Talking Angela codes de triche les plus recherchés. Ils ont décidé de les donner au public. Plusieurs mois ont été passés à essayer de déboguer un moyen d’obtenir Diamants et Pieces gratuit, et c’est maintenant terminé. Voici en gros un problème qui fonctionne sur les appareils actuels exécutant les systèmes d’exploitation iOS et Android. À ce jour, il n’ya eu aucune interdiction connue en raison de notre technologie extraordinaire anti-interdiction. Vous n’avez pas besoin d’un appareil enraciné ou d’un APK pour l’exécuter, car tout se passe sur nos serveurs.
Pourquoi les Diamants et Pieces sont-ils si importants sur My Talking Angela?
Avec eux, vous aurez simplement beaucoup plus de plaisir dans le jeu. Vous pouvez obtenir tous les objets du jeu. Malheureusement, ces jeux ressemblent à «Payer pour gagner». Cela signifie que vos chances de gagner sont beaucoup plus grandes si vous êtes prêt à dépenser de l’argent. C’est pourquoi nous avons développé un My Talking Angela Astuce que vous pouvez utiliser à tout moment, n’importe où. Le triche vous donne l’opportunité unique d’obtenir gratuitement tous les objets et le jeu Diamants et Pieces coûteux en jeu. Tout ce que vous avez à faire est de cliquer sur le bouton ci-dessous et vous êtes prêt. Choisissez vous-même le nombre de Diamants et Pieces gratuits que vous souhaitez obtenir. Dans quelques minutes, vous les aurez. Dans notre tutoriel, nous avons expliqué à quel point cela fonctionne facilement.
Caractéristiques de l’outil My Talking Angela Triche:
– Obtenez gratuitement Diamants et Pieces illimité – Fonctionne sur Android et iOS, les appareils Windows – Pas de téléchargement ou Jailbreak nécessaire – Aucun risque d’interdiction dans le jeu – Utilisez-le à tout moment et n’importe où – Nous mettons à jour le Triche presque quotidiennement
Quelques mots sur My Talking Angela Astuce et quelles sont les étapes à suivre:
1. Cliquez sur “Accès Triche ICI” bouton ci-dessous! 2. Ecrivez votre nom d’utilisateur ou l’email de jeu et choisissez la plate-forme que vous utilisez actuellement iOS ou Android, Windows. Dans certains cas, vous pouvez même utiliser fb si vous êtes connecté de cette façon. De plus, si vous avez un nom d’utilisateur (player918310), vous pouvez le saisir si vous ne l’avez pas changé auparavant. 3. Lorsque vous mettez vos informations de jeu, cliquez sur Continuer et attendez une seconde, vous serez connecté au serveur My Talking Angela. Il vous connectera instantanément au serveur Apache car il fonctionne avec un algorithme de la dernière génération. 4. Une fois que vous êtes connecté au port My Talking Angela Triche, vous devez choisir la quantité de Diamants et Pieces que vous souhaitez générer et attendre d’être généré! 5. Maintenant, vous devez confirmer que vous êtes humain et que vous n’êtes pas ici pour abuser de ce My Talking Angela Truc, cela signifie que vous devez compléter une offre de la liste. C’est tout, lancez votre jeu et amusez-vous! Le tutoriel ci-dessus vous montre cependant comment obtenir illimite Diamants et Pieces en utilisant My Talking Angela Astuce. Ce triche My Talking Angela est flambant neuf et fonctionne extrêmement bien – pas de crash ni d’erreur. Cela n’a jamais été aussi simple, il suffit de suivre les instructions et vous terminerez étape par étape le processus de génération. Vous auriez vos ressources gratuites. Cela prend approximativement quelques minutes, alors je peux parier que c’est au moins 100 fois plus facile que de jouer à ce jeu pendant très longtemps et d’en collecter Diamants et Pieces.
Devrais-je utiliser ce My Talking Angela Astuce?
Eh bien, si vous voulez devenir le meilleur joueur de votre jeu préféré et obtenir un Diamants et Pieces illimité? Je pense que votre réponse sera OUI! Ce serait bien de ne pas envoyer de spam. Nous recommandons à tous les joueurs d’utiliser intelligemment cette astuce, c’est-à-dire deux ou trois fois par jour au maximum. Merci de votre compréhension! Sur Jeuxtricheastuces.com, nous avons également d’autres astuces pour vous où vous pouvez également trouver des astuces premium. Si vous recherchez des astuces et des conseils normaux pour les jeux, vous pouvez consulter notre site Web. Encore plus de triches et astuces utiles ici!
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