'Brownie' by Joan Llopis Domenech

Doom Around The World!

~By Billy Goat~

More? Your ears are hungry for more doom? Well doom I have, my beloved Doomers & Stoners. Here is a carefully curated menu of downtuned delectables from around the globe that will keep your stereo running hot and your internal organs rumbling from righteous riffs and reverberating rhythms. Enough preamble! It's time...to...DOOM!

☿

Angola

Depois da Meia Noite by Kishi

Well this is a definite first for me: doom from the Republic of Angola, which for the geographically challenged is lodged on Africa's West Coast. Doom coming straight from the African continent intrigues me. Maybe it's because it's home to so much of human history, not to mention an enduring fascination with its wildlife and unforgiving terrain that goes back to childhood. That said, stoner-doom must still be judged on the merits, so how does KISHI measure?

Well, I'm happy to say that Angola's "first stoner rock line-up" is as gritty and down to earth as you could hope for. For the first time in a review, I want to use the word idiosyncratic, too. "Song themes pass between Angolan urban legends and existential reflections," the band writes. Legends? I love legends! Kishi add that Depois da Meia Noite also explores our hedonistic tendencies, presenting a perspective on humans as "incomplete and complex," so you've got some depth to the writing there, too.

Of course, you'll need to brush up on your Portuguese to take in the message, for at least a few of the tracks, but that adds to the charm for me -- and it sure didn't stop me from banging my head! I mean, how can you resist the idea of "getting stoned with Death"? For fans of Prong and Sepultura, as well as the sludgier side of stoner-doom. Don't miss the fan video for the doomiest number on the record about the goddess of the sea, "Kianda."

Brazil

Commanded By Cosmic Forces by Son of a witch

The doom metal scene, however much it is criticized for its long marriage to witches and wizards, will always find an enduring fascination with the dark world of fantasy and the mysteries of the occult. SON OF A WITCH have at least been at it longer than some, now nearing their 12th year together, with feet planted firmly in the Black Sabbath school. Maintaining that gloomy vibe up in a place that looks like paradise (Natal, right there on the tip of Brazil, facing out into the South Atlantic waters) is in and of itself a feat worthy of respect.

The fierce, soaring vocals of Nelson Macedo are still a highlight, uniting an absolutely tight team of two incredibly capable guitarists, a bassist that looms larger than life, and a commanding drummer. If you count 2016's Thrones In The Sky among your favs, 'Commanded By Cosmic Forces' (2019) will absolutely do it for your doom fix. Don't miss the last minute-and-a-half of "Dry Leaves."

Bulgaria

Dementify II by Dementify

Even though I'm a pianist, I've always had a problem with hearing piano in my doom, unless used as a harsh, percussive instrument, all Bela Bartok style. One band may be helping to change my mind: Sofia's atmospheric collective, DEMENTIFY. I can see the appeal of the piano in this death-doom hybrid, not so much for its beauty as for how it enhances -- at times, even carries -- the narrative. In other words, there's a story-telling quality to my beloved instrument, even if the keyboard is utilized in the most fundamental (read: effective) of ways.

Canada

Sublunar Express by Sublunar Express

As this is both Doomed and Stoned, it's only fitting we look at a band that does a fantastic job of incorporating these nuances within the framework of '80s-style krautrock and shoegaze. Influenced by Mogwai and Ween, SUBLUNAR EXPRESS is a kind of perpetual motion locomotive of the psychedelic deep sea.

"The moonlight reveals a train that travels only in the darkness," writes the band in reference to the five tracks before us. "Simultaneously moving through endless space and bottomless depths, the sound of a thunderous engine disturbs the chilling solitude, and the strange creatures once lurking in obscurity." The juxtaposition of light and darkness is masterfully illustrated by Joan Llopis Doménech. A great palette cleanser in between puffs of Electric Wizard and Sleep, and a chill spin overall.

China

Old Time Revival by Ramblin' Roze

Trade wars may be at their height, but one thing China is exporting well is stoner rock. You heard me right. The ripple of the heavy underground is not dissuaded by tariffs or tough talk. It's time to rock with smooth and sassy Beijing band RAMBLIN' ROZE.

"What we want to express is very simple," the band says, "Recall the very moment when rock n' roll was sending the first shiver down your spine." A track like "Down By The River" (or my fav "Marlboro & Cherrystone") will definitely do the trick.

France

MELT by Melt

Don't let the gentle strumming and '90s alt rock beat of "Cypher" put you off your guard. This song and the band's self-titled debut reveal a fiery heart that can singe yours if you get too close. Yet here I am, like moth to flame, unable to resist Toulouse's MELT, a band "rooted in the power of metal and inspired by the tenderness and melancholia of the soul." This allure in no small part to the raw emotion of singer Shiro who can really bring the pain and tug on those heartstrings.

Germany

Teeth Fletcher by 100000 Tonnen Kruppstahl

Berlin's 100000 TONNEN KRUPPSTAHL are back and if you didn't know they'd been away to begin with, it's time you got acquainted with their back catalog, but not before you dive into this impressive monolith doom. It's themes develop and loop, not unlike the characteristic compositional style of Sleep's seminal masterwork. Impressive for a band that used to be all about one-to-three-minute gore-violence ditties.

If there's any comparison to be made with Dopesmoker, it's that this is the second caravan that followed a mirage that led straight to the Sarlac's gullet, where they are now screaming in agonizing pain (listen for it in the first movement). Trust me, all this is a good thing, for I am the Sarlac and relished every moment of this savage morsel (though I did break a few teeth on that tough Krupp steel)!

Singapore

Unstructured Dissemination by O n s e t

Atmospheric doom duo ӨПƧΣƬ was formed by Mirai "Calvin" Kawashima on guitars and darkwave prodigy Shamtos (aka Microchip Terror) on synth, bass, and drums. The band told me they "were craving to create music that had a more crawling tempo," finding that "ringed-out, sustained chords on the guitar have a very satisfying rumble."

Unstructured Dissemination, their debut EP on the Weird Truth Productions label explores themes of disease and human suffering, the two-piece sharing a particular fascination for the Black Death. If you dig the vibe, keep your antenna tuned to ӨПƧΣƬ for the release of their first long-play, coming later this year. "Perhaps some people think that playing slow music is ‘easy and boring’ to play," ӨПƧΣƬ adds, "but that’s completely untrue. It requires the same amount of focus and concentration. In fact, we’re always pretty exhausted after a rehearsal session."

South Africa

Return to Worm Mountain by Return to Worm Mountain

From Duncan Park, the mind behind South Africa's Demons from the Dungeon Dimension (which kicked off my whole fascination with the scene there, culminating in our compilation Doomed & Stoned in South Africa ), comes RETURN TO WORM MOUNTAIN.

Duncan, now collaborating with drummer Cam Lofstrand (he of Durban band Black Math), refers to the new project as "a more experimental, psychedelic, garage rock type of band." There's some punk in there, I hasten to add, and a little bit of synthwave and shoegaze. Like he said: "experimental." The music captures the trippy vibe and the Dr. Seuss ambiance of Cam Lofstrand's album art quite well. A record equally fun as it is fascinating.

RUADH - Of Scottish iron

[ Logo: Moonroot ] [ Pic: Kim Copland ] [ Artwork: Joan Llopis Doménech Illustrations ]
  RUADH (which is pronounced 'Roo-Ah' and translates to 'red') is an Atmospheric Black Metal solo-project from Glasgow, Scotland. Drawing from the vast well of history, culture and mythology, musician and songwriter Tom Perrett set out to compose music purely to taste, creating an unmistakable atmosphere with the beating heart of old school Black Metal favourites of his, such as Windir, Bathory, Burzum and others, which should also appeal to fans of Saor, Winterfylleth, Panopticon and similar acts. Tom was born and raised in one of the oldest Burghs in Scotland, which translates to 'The red glen'. The derivation of the name of the town is unclear but one theory is that the area was once a settlement of Reuther, an ancient king of the Scots, who ruled between 213 and 187 BC. "The Rock Of The Clyde" is an evolution from RUADH's debut album "Sovereign". It has a much more melodic feel, yet has more visceral elements too. Containing six tracks of epic, Scottish Atmospheric Black Metal with Folk elements, it is massive in both scope and scale, taking you through the Iron Ages in Scotland. TRACKS: 01. Embers 10:01 02. The Rock Of The Clyde 10:20 03. Winters Light 09:01 04. Fields Of Heather 10:56 05. Only Distant Echoes Reign (Part 1) 04:44 06. Only Distant Echoes Reign (Part 2) 08:54 total: 53:55 min. "The Rock Of The Clyde" also explores the history and mythology of the people of Scotland, conveying both sorrow and uplifting, almost heroic tones. LINE-UP: Tom Perrett • All Instruments, Vocals Cieti • Female Vocals Kimberly Copland • Bass Philip Morrison • Drums DISCOGRAPHY: 2019 • Sovereign (Full-length) 2020 • The Rock Of The Clyde (Full-length) RUADH is available for interviews via phone, Skype & e-mail E-MAIL: [email protected] Official PR Action: https://www.metalmessage.de/Promotion_RUADH_en.php

* Months of craft, ideas and styling have gone into our latest self-initiated project, developed and hand made at Trizz, the creative animation studio out of Barcelona known for its artful directing, design and animation on commercials. “Save Me” is a new music video that touches the soul and essence of a young boys inner creative battles and is scored with heart felt music (soon to be independently released out of Portland). The boy protagonist, Rafa, lives in the world of a sensitive, young country kid who is overloaded with imagination and confronted with the possibilities of self-expression and technology. Intentionally the core story is shaped with a naïve simplicity and hints at the places where inspiration evolves. “Save Me” started off as a 5 seconds test project. Trizz director and co-founder Oriol Puig was drawn to the musician's song, called him up for a chat which ended up triggering a 4 minute original film to the music. The design concept of mixed media, with an emphasis on photo realistic rendering, was integral to deepening the story mood. Starting with the boy character Rafa, who was modelled and animated in 3d to look like an older technique of hand made claymation, our team then built the miniature house out of wood and mini tiles and lots of glue and nestled it all within a real forest - little plants from the local garden centre that provided the set for capturing real filmed backgrounds. With the 3d animation completed, our illustrator then drew and animated the 2d “interactive sky” effects and finally everything was rendered together and composed into the master film. Visually and musically, this story speaks of the creative process in all of us - and shows that sometimes during the discovery for implementing an idea, that there are waves of inspiration, frustration, anger and surprise. In the end there is a very positive outcome, scaling a personal edge we also learn something new about ourselves. CREDITS Music by: Fernando Viciconte Track: Save Me Original Idea / Script: Trizz Director: Oriol Puig and the Trizz team Executive Producer: Chris Vulpi 3D Supervisor: Oriol Mayolas Animation Director: Hugo García 2D design and animation: Javier Vaquero Art Direction: Oriol Puig / Oriol Mayolas Set Design: Albert García Vila Set Construction: Albert García Vila / Laura Ibañez Animators: Hugo García / David Llopis Modeling: Oriol Mayolas Modeling ( hair ): Kepa Casado Additional Modeling: Ariadna Ollé / Luis Guzmán Compositing: Oriol Puig Rigging: Joan Buhigas Cloth Animation: Joan Buhigas / Ariadna Ollé Additional 2D animation: Bojan Pantelic 3D scanning: Oriol Mayolas / Ariadna Ollé Editing: Oriol Puig / Oriol Vives Making Of: Ariadna Ollé *This is a Vimeo staff pick video added automatically. So I might be interested.

Months of craft, ideas and styling have gone into our latest self-initiated project, developed and hand made at Trizz, the creative animation studio out of Barcelona known for its artful directing, design and animation on commercials. “Save Me” is a new music video that touches the soul and essence of a young boys inner creative battles and is scored with heart felt music (soon to be independently released out of Portland). The boy protagonist, Rafa, lives in the world of a sensitive, young country kid who is overloaded with imagination and confronted with the possibilities of self-expression and technology. Intentionally the core story is shaped with a naïve simplicity and hints at the places where inspiration evolves. “Save Me” started off as a 5 seconds test project. Trizz director and co-founder Oriol Puig was drawn to the musician's song, called him up for a chat which ended up triggering a 4 minute original film to the music. The design concept of mixed media, with an emphasis on photo realistic rendering, was integral to deepening the story mood. Starting with the boy character Rafa, who was modelled and animated in 3d to look like an older technique of hand made claymation, our team then built the miniature house out of wood and mini tiles and lots of glue and nestled it all within a real forest - little plants from the local garden centre that provided the set for capturing real filmed backgrounds. With the 3d animation completed, our illustrator then drew and animated the 2d “interactive sky” effects and finally everything was rendered together and composed into the master film. Visually and musically, this story speaks of the creative process in all of us - and shows that sometimes during the discovery for implementing an idea, that there are waves of inspiration, frustration, anger and surprise. In the end there is a very positive outcome, scaling a personal edge we also learn something new about ourselves. CREDITS Music by: Fernando Viciconte Track: Save Me Original Idea / Script: Trizz Director: Oriol Puig and the Trizz team Executive Producer: Chris Vulpi 3D Supervisor: Oriol Mayolas Animation Director: Hugo García 2D design and animation: Javier Vaquero Art Direction: Oriol Puig / Oriol Mayolas Set Design: Albert García Vila Set Construction: Albert García Vila / Laura Ibañez Animators: Hugo García / David Llopis Modeling: Oriol Mayolas Modeling ( hair ): Kepa Casado Additional Modeling: Ariadna Ollé / Luis Guzmán Compositing: Oriol Puig Rigging: Joan Buhigas Cloth Animation: Joan Buhigas / Ariadna Ollé Additional 2D animation: Bojan Pantelic 3D scanning: Oriol Mayolas / Ariadna Ollé Editing: Oriol Puig / Oriol Vives Making Of: Ariadna Ollé

Months of craft, ideas and styling have gone into our latest self-initiated project, developed and hand made at Trizz, the creative animation studio out of Barcelona known for its artful directing, design and animation on commercials. “Save Me” is a new music video that touches the soul and essence of a young boys inner creative battles and is scored with heart felt music (soon to be independently released out of Portland). The boy protagonist, Rafa, lives in the world of a sensitive, young country kid who is overloaded with imagination and confronted with the possibilities of self-expression and technology. Intentionally the core story is shaped with a naïve simplicity and hints at the places where inspiration evolves. “Save Me” started off as a 5 seconds test project. Trizz director and co-founder Oriol Puig was drawn to the musician's song, called him up for a chat which ended up triggering a 4 minute original film to the music. The design concept of mixed media, with an emphasis on photo realistic rendering, was integral to deepening the story mood. Starting with the boy character Rafa, who was modelled and animated in 3d to look like an older technique of hand made claymation, our team then built the miniature house out of wood and mini tiles and lots of glue and nestled it all within a real forest - little plants from the local garden centre that provided the set for capturing real filmed backgrounds. With the 3d animation completed, our illustrator then drew and animated the 2d “interactive sky” effects and finally everything was rendered together and composed into the master film. Visually and musically, this story speaks of the creative process in all of us - and shows that sometimes during the discovery for implementing an idea, that there are waves of inspiration, frustration, anger and surprise. In the end there is a very positive outcome, scaling a personal edge we also learn something new about ourselves. CREDITS Music by: Fernando Viciconte Track: Save Me Original Idea / Script: Trizz Director: Oriol Puig and the Trizz team Executive Producer: Chris Vulpi 3D Supervisor: Oriol Mayolas Animation Director: Hugo García 2D design and animation: Javier Vaquero Art Direction: Oriol Puig / Oriol Mayolas Set Design: Albert García Vila Set Construction: Albert García Vila / Laura Ibañez Animators: Hugo García / David Llopis Modeling: Oriol Mayolas Modeling ( hair ): Kepa Casado Additional Modeling: Ariadna Ollé / Luis Guzmán Compositing: Oriol Puig Rigging: Joan Buhigas Cloth Animation: Joan Buhigas / Ariadna Ollé Additional 2D animation: Bojan Pantelic 3D scanning: Oriol Mayolas / Ariadna Ollé Editing: Oriol Puig / Oriol Vives Making Of: Ariadna Ollé

SAVE ME - Concept, Design, Direction and Animation by Trizz from TRIZZ STUDIO on Vimeo.

Months of craft, ideas and styling have gone into our latest self-initiated project, developed and hand made at Trizz, the creative animation studio out of Barcelona known for its artful directing, design and animation on commercials.

“Save Me” is a new music video that touches the soul and essence of a young boys inner creative battles and is scored with heart felt music (soon to be independently released out of Portland).

The boy protagonist, Rafa, lives in the world of a sensitive, young country kid who is overloaded with imagination and confronted with the possibilities of self-expression and technology. Intentionally the core story is shaped with a naïve simplicity and hints at the places where inspiration evolves.

“Save Me” started off as a 5 seconds test project. Trizz director and co-founder Oriol Puig was drawn to the musician's song, called him up for a chat which ended up triggering a 4 minute original film to the music.

The design concept of mixed media, with an emphasis on photo realistic rendering, was integral to deepening the story mood.

Starting with the boy character Rafa, who was modelled and animated in 3d to look like an older technique of hand made claymation, our team then built the miniature house out of wood and mini tiles and lots of glue and nestled it all within a real forest - little plants from the local garden centre that provided the set for capturing real filmed backgrounds.

With the 3d animation completed, our illustrator then drew and animated the 2d “interactive sky” effects and finally everything was rendered together and composed into the master film.

Visually and musically, this story speaks of the creative process in all of us - and shows that sometimes during the discovery for implementing an idea, that there are waves of inspiration, frustration, anger and surprise.

In the end there is a very positive outcome, scaling a personal edge we also learn something new about ourselves.

CHECK OUT THE MAKING OF: vimeo.com/175832560

CREDITS

Music by: Fernando Viciconte Track: Save Me

Original Idea / Script: Trizz Director: Oriol Puig and the Trizz team Executive Producer: Chris Vulpi 3D Supervisor: Oriol Mayolas Animation Director: Hugo García 2D design and animation: Javier Vaquero Art Direction: Oriol Puig / Oriol Mayolas Set Design: Albert García Vila Set Construction: Albert García Vila / Laura Ibañez Animators: Hugo García / David Llopis Modeling: Oriol Mayolas Modeling ( hair ): Kepa Casado Additional Modeling: Ariadna Ollé / Luis Guzmán Compositing: Oriol Puig Rigging: Joan Buhigas Cloth Animation: Joan Buhigas / Ariadna Ollé Additional 2D animation: Bojan Pantelic 3D scanning: Oriol Mayolas / Ariadna Ollé Editing: Oriol Puig / Oriol Vives Making Of: Ariadna Ollé

SAVE ME - Concept, Design, Direction and Animation by Trizz from TRIZZ STUDIO on Vimeo.

Months of craft, ideas and styling have gone into our latest self-initiated project, developed and hand made at Trizz, the creative animation studio out of Barcelona known for its artful directing, design and animation on commercials.

“Save Me” is a new music video that touches the soul and essence of a young boys inner creative battles and is scored with heart felt music (soon to be independently released out of Portland).

The boy protagonist, Rafa, lives in the world of a sensitive, young country kid who is overloaded with imagination and confronted with the possibilities of self-expression and technology. Intentionally the core story is shaped with a naïve simplicity and hints at the places where inspiration evolves.

“Save Me” started off as a 5 seconds test project. Trizz director and co-founder Oriol Puig was drawn to the musician's song, called him up for a chat which ended up triggering a 4 minute original film to the music.

The design concept of mixed media, with an emphasis on photo realistic rendering, was integral to deepening the story mood.

Starting with the boy character Rafa, who was modelled and animated in 3d to look like an older technique of hand made claymation, our team then built the miniature house out of wood and mini tiles and lots of glue and nestled it all within a real forest - little plants from the local garden centre that provided the set for capturing real filmed backgrounds.

With the 3d animation completed, our illustrator then drew and animated the 2d “interactive sky” effects and finally everything was rendered together and composed into the master film.

Visually and musically, this story speaks of the creative process in all of us - and shows that sometimes during the discovery for implementing an idea, that there are waves of inspiration, frustration, anger and surprise.

In the end there is a very positive outcome, scaling a personal edge we also learn something new about ourselves.

CHECK OUT THE MAKING OF: vimeo.com/175832560

CREDITS

Music by: Fernando Viciconte Track: Save Me

Original Idea / Script: Trizz Director: Oriol Puig and the Trizz team Executive Producer: Chris Vulpi 3D Supervisor: Oriol Mayolas Animation Director: Hugo García 2D design and animation: Javier Vaquero Art Direction: Oriol Puig / Oriol Mayolas Set Design: Albert García Vila Set Construction: Albert García Vila / Laura Ibañez Animators: Hugo García / David Llopis Modeling: Oriol Mayolas Modeling ( hair ): Kepa Casado Additional Modeling: Ariadna Ollé / Luis Guzmán Compositing: Oriol Puig Rigging: Joan Buhigas Cloth Animation: Joan Buhigas / Ariadna Ollé Additional 2D animation: Bojan Pantelic 3D scanning: Oriol Mayolas / Ariadna Ollé Editing: Oriol Puig / Oriol Vives Making Of: Ariadna Ollé

SAVE ME - Concept, Design, Direction and Animation by Trizz from TRIZZ STUDIO on Vimeo.

Months of craft, ideas and styling have gone into our latest self-initiated project, developed and hand made at Trizz, the creative animation studio out of Barcelona known for its artful directing, design and animation on commercials.

“Save Me” is a new music video that touches the soul and essence of a young boys inner creative battles and is scored with heart felt music (soon to be independently released out of Portland).

The boy protagonist, Rafa, lives in the world of a sensitive, young country kid who is overloaded with imagination and confronted with the possibilities of self-expression and technology. Intentionally the core story is shaped with a naïve simplicity and hints at the places where inspiration evolves.

“Save Me” started off as a 5 seconds test project. Trizz director and co-founder Oriol Puig was drawn to the musician's song, called him up for a chat which ended up triggering a 4 minute original film to the music.

The design concept of mixed media, with an emphasis on photo realistic rendering, was integral to deepening the story mood.

Starting with the boy character Rafa, who was modelled and animated in 3d to look like an older technique of hand made claymation, our team then built the miniature house out of wood and mini tiles and lots of glue and nestled it all within a real forest - little plants from the local garden centre that provided the set for capturing real filmed backgrounds.

With the 3d animation completed, our illustrator then drew and animated the 2d “interactive sky” effects and finally everything was rendered together and composed into the master film.

Visually and musically, this story speaks of the creative process in all of us - and shows that sometimes during the discovery for implementing an idea, that there are waves of inspiration, frustration, anger and surprise.

In the end there is a very positive outcome, scaling a personal edge we also learn something new about ourselves.

CHECK OUT THE MAKING OF: vimeo.com/175832560

CREDITS

Music by: Fernando Viciconte Track: Save Me

Original Idea / Script: Trizz Director: Oriol Puig and the Trizz team Executive Producer: Chris Vulpi 3D Supervisor: Oriol Mayolas Animation Director: Hugo García 2D design and animation: Javier Vaquero Art Direction: Oriol Puig / Oriol Mayolas Set Design: Albert García Vila Set Construction: Albert García Vila / Laura Ibañez Animators: Hugo García / David Llopis Modeling: Oriol Mayolas Modeling ( hair ): Kepa Casado Additional Modeling: Ariadna Ollé / Luis Guzmán Compositing: Oriol Puig Rigging: Joan Buhigas Cloth Animation: Joan Buhigas / Ariadna Ollé Additional 2D animation: Bojan Pantelic 3D scanning: Oriol Mayolas / Ariadna Ollé Editing: Oriol Puig / Oriol Vives Making Of: Ariadna Ollé

SAVE ME - Concept, Design, Direction and Animation by Trizz from TRIZZ STUDIO on Vimeo.

Months of craft, ideas and styling have gone into our latest self-initiated project, developed and hand made at Trizz, the creative animation studio out of Barcelona known for its artful directing, design and animation on commercials.

“Save Me” is a new music video that touches the soul and essence of a young boys inner creative battles and is scored with heart felt music (soon to be independently released out of Portland).

The boy protagonist, Rafa, lives in the world of a sensitive, young country kid who is overloaded with imagination and confronted with the possibilities of self-expression and technology. Intentionally the core story is shaped with a naïve simplicity and hints at the places where inspiration evolves.

“Save Me” started off as a 5 seconds test project. Trizz director and co-founder Oriol Puig was drawn to the musician's song, called him up for a chat which ended up triggering a 4 minute original film to the music.

The design concept of mixed media, with an emphasis on photo realistic rendering, was integral to deepening the story mood.

Starting with the boy character Rafa, who was modelled and animated in 3d to look like an older technique of hand made claymation, our team then built the miniature house out of wood and mini tiles and lots of glue and nestled it all within a real forest - little plants from the local garden centre that provided the set for capturing real filmed backgrounds.

With the 3d animation completed, our illustrator then drew and animated the 2d “interactive sky” effects and finally everything was rendered together and composed into the master film.

Visually and musically, this story speaks of the creative process in all of us - and shows that sometimes during the discovery for implementing an idea, that there are waves of inspiration, frustration, anger and surprise.

In the end there is a very positive outcome, scaling a personal edge we also learn something new about ourselves.

CHECK OUT THE MAKING OF: vimeo.com/175832560

CREDITS

Music by: Fernando Viciconte Track: Save Me

Original Idea / Script: Trizz Director: Oriol Puig and the Trizz team Executive Producer: Chris Vulpi 3D Supervisor: Oriol Mayolas Animation Director: Hugo García 2D design and animation: Javier Vaquero Art Direction: Oriol Puig / Oriol Mayolas Set Design: Albert García Vila Set Construction: Albert García Vila / Laura Ibañez Animators: Hugo García / David Llopis Modeling: Oriol Mayolas Modeling ( hair ): Kepa Casado Additional Modeling: Ariadna Ollé / Luis Guzmán Compositing: Oriol Puig Rigging: Joan Buhigas Cloth Animation: Joan Buhigas / Ariadna Ollé Additional 2D animation: Bojan Pantelic 3D scanning: Oriol Mayolas / Ariadna Ollé Editing: Oriol Puig / Oriol Vives Making Of: Ariadna Ollé