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#I’m trying to work on getting better at drawing like anatomy and poses
camscendants · 1 year
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Nerd
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sabertoothwalrus · 2 years
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How did you get so good at drawing such expressive bodies/faces??? tell me your secrets!! (But srsly your skills are amazing)
AAAA THANK YOU!!
I think my initial inspiration was about 10-11 years ago watching Adventure Time and finding Rebecca Sugar’s boards. Sometimes I get a little frustrated because she gets so much more notoriety than the other very very amazing AT boarders, but….. her expressions man…. she was always able to convey so much with SO LITTLE. (SU’s expressions are on another level of course, but I think AT’s are just so impressive to me because they’re dot eyes)
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But the thing is!! I’m also a fan of deadpan. Which AT also does very well. It’s tempting to want to do BIG, extreme expressions at every moment, especially in comedic comics, but you really don’t need to. I find that characters often feel more expressive if you reel it in more often. That way, when you DO have bigger expressions, they FEEL bigger!
for example, a panel where the contrast between big and subtle expressions sells the contrast:
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I don’t really,,,, know exactly what I do that works, ?? I kind of just like, think of the emotion I wanna convey, make the expression, think about what my face feels feels like, and try to convey that. Using a mirror helps!! You’ll feel a little stupid but it’s funny.
some misc expression tips:
Definitely prioritize eyebrows, eyes, and mouths!
Noses aren’t as important BUT flared nostril can totally sell an expression, so it depends!
Remember that your upper jaw is stationary, and your lower jaw can move, and then your lips and cheeks can move all around that!
Just subtly changing the placement of eyelids and location/size of irises can completely change an expression
Don’t be afraid to make your characters look weird or stupid.
Don’t reinvent the wheel! Take reference from different media you like that stylize expressions in different ways, and find what works for you. I take a lot of inspiration from AtLA
Again, NUANCE! Like, when most people are sad, they do their very best to try NOT to cry. People hold things in. Sometimes what characters don’t say can speak louder than what they do.
some expressions I’ve done that have varying levels of nuance:
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Also framing!! You can use the composition to help project how the character feels:
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As for body language!
Having a better sense of three-dimensional form and anatomy isn’t necessary, but it sure helps a lot
Hands!! I have adhd and my family is italian so I use my hands a lot when I talk. But even still, most people don’t just leave their hands hanging loosely by their sides. People cross their arms and fidget with their zippers and put their hands in pockets.
Head, neck, and shoulders. If you can master the foreshortening of these overlapping shapes at most angles, you will be very powerful
Hips & feet!!!!! People RARELY stand straight with both feet flat on the ground with even balance. Most people will shift their weight to one hip, leaving one leg looser and at an angle. It also helps to practice perspective, because people also rarely stand with their heels lined up side by side. One leg may get kicked foreward or loosely bent backwards. I sometimes cross my legs when I stand.
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Ultimately, if you want more lifelike expressions and poses, study from life!! Don’t worry about your drawing being “good” or “bad”, instead think about what can make it successful. Ask yourself, “is this conveying the expression I want to convey?” and if it’s not, figure out what you need to change to get it there.
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artsybug0 · 6 months
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How do you draw eyes and mouth expression and hands I'm a young well not artist yet but I really could use some guidance
[sorry is this is to much I really don't wanna be a nuisance but thank you for your time]
I’m not too great at explaining but I’ll try
I’ve been told that my art style is like western cartoon and anime mixed together. Not everyone’s art style is the same. Mine has more exaggerated features and body proportions.
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It depends on the expression. Sometimes I stretch the face, other times I squish it a bit. I usually stretch the face to make a bigger surprised expression. And squish to make them appear cuter or when they’re angry.
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Also don’t be afraid to REALLY exaggerate the expression. Break their features a little. Be more cartoon and anime logic.
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It also helps to know the human body just enough to know where wrinkles are on the face. Like when you furrow your brows and scrunch up your face wrinkles appear. Adding a little bit of wrinkle to your characters face can add more to their expressions. Along with making the eyes wider and the iris smaller.
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I also like to use Millie’s eyes to make her more expressive. I make her pupils hearts when she’s adoring something. Stars when she’s super excited. I make her pupils small black dots when she’s startled, scared, mad, annoyed, and irritated. And when she’s crying I like to make her eyes a bit wobbly looking.
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Also looking up references really helps too. I recommend using the app Pinterest. It’s super useful and is what I use for references and designs.
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As for hands I don’t really know how to explain it- but getting references is really helpful and don’t be scared to sometimes trace the lines of the hand. It helps you learn the anatomy. I personally make a rough sketch, another sketch, and keep going until I feel like the hand looks good enough. It took me awhile to draw hands like this so don’t worry :) also looking at your own hand also helps sometimes!
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Also exaggerating poses a bit or a lot can help make your drawing more expressive too-
As for mouth I kinda just…draw a cat mouth and go from there lol
I think that’s all I can explain right now. I hope it helps at least a little bit! Make sure not to push yourself too much on improving your art and style. Everyone’s art journey is different. Some did art for a short time yet is better than some who has done art for a long time. It also depends on if you actually do some art studies. But drawing just for fun also helps so much. Drawing every day improves your style. Try pushing yourself out of your comfort zone sometimes too. We’re all still learning so don’t be afraid to make a few mistake. Keep up the good work! :)
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1driedpersimmon · 4 months
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hello sea i hope you’re having a great day !!!
if you don’t mind could you break down how you draw bodies? nothing in depth, just the basic guidelines ! i’m trying to get better with anatomy and i don’t think the guidelines i use right now are the best… i love the way you do anatomy and was hoping to see your process of getting an initial pose down and making sure the proportions look right :D
ty in advance and no worries if you don’t feel like explaining / doing a guide !! 💙
Ok forgive me for leaving this unanswered for months, I promise I wasn’t ignoring it I was just busy and also trying to figure out how to best answer this aljskjs
Ok anyways so I broke down the absolute basic basic steps that I like to do for my figure, but I didn’t quite get into the specifics of anatomy and stuff like that (I’d have to do a whole lecture slide and well…. That’ll take much muccchhhhh longer) but anywho!
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So I’m certainly not the be-all and end-all of anatomy/pose advice, but I’ve found that breaking down the figure like this into simple shapes is one of the best way I figure out a pose in the years I’ve taken classes/figure drawing myself. A good exercise is to do some gesture drawings with a time limit (for speedy folks like myself (hehe) I like to keep the sketches down to seconds! But if you make a nice sketch in say… 3-5 minutes, that’s a good time!) gesture drawings are literally just drawing people posing (live drawing sessions are really fun, but pictures are just as effective! I’ll say Pinterest is pretty solid for looking up dynamic poses to practice with, but if you just look up something like “dynamic poses online” you can find lots of solid sites that have collected poses over the years! Also do mind some of these have nude models option so if you are in public, at work, and if you’re a minor, please mind those options) another good method is to actually directly trace the figure itself. Not to get too into the ethics of tracing or whatever (good for practice… bad for “saying it’s yours and whatever”), but sometimes tracing the figure directly can help you understand what parts of the body connects to what, and overall would help you identify the various body parts a little better. But yeah! So that’s the gist of it. Again I haven’t gone too deep into the technicalities of anatomy as I would take much longer to do so (one day I will!) but I hope this answers at least a part of your question and helps you on your artistic journey :3
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kikker-oma · 3 months
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hi friend!
idk how you phrase this but like
How do you draw bodies
because your art style is so good and I’m trying to find mine but people just don’t make sense to me 🥲
but aside from that, how is your day been?
Line of Action - best for figure drawing practice
@mellon-soup - has an INCREDIBLE repetoir of pose references. Here's their insta handle!
PROKO - has a lot of really great drawing fundamental resources on their YouTube channel for free. They also have paid online courses that go more in depth!
PoseManiacs - I used this when I was trying to learn and practice poses as well!
@miyuliart - on Twitter (or X , whatever it is) has a lot of great posts regarding pose study and anatomy! She even has some books for purchase too.
Lovely Blare, you are so sweet!! I'm glad you like my art style ❤️ it's definitely still being developed and I'm no master, but. I'm having fun building up my skills!
See below the break for more info cus this is kinda long lol
Above I've listed just a few of the many many many resources out there to study poses. These tend to be the people I look to most for references, tho they aren't the only ones!
If you're looking to practice and get better at anatomy and the fluidity of your poses, I would suggest starting by drawing actual people first. That way you know how real bodies move and twist and turn and what masclues go where. It makes simplifying and stylizing easier down the road!
Something I did a LOT, and honestly still do a lot, is find pictures of people or art of characters whose poses I like and just try to draw what I see. I have sketchbooks fuuulll of poses I copied just to practice! Tracing can definitely have it's value as well when you're learning!
I utilize Pinterest a lot to creat difference boards for reference photos I may need, and it's come in handy quite often!
I can show you how *I * draw bodies in general, but know that I kind of flub around until something starts to feel right haha. I'm still learning and practicing as well! How I draw bodies may now work for you and that's chill! Its all about trying out lots of different styles and seeing what you like best, or what methods make sense to you.
Fair warning: this probs isn't the most accurate tutorial, I just kinda threw something down as a general example hehe. I'm preaching about references but didn't want to use one at the moment cus I'm tired haha
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Often my sketches are much messier and I just make lots of lines so I can find the "right one" lol.
These are some sketches I did for Peggys fan art!
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Basically, just keep practicing until it eventually starts to look right lol
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genericpuff · 6 months
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I don’t know if this is a silly question or not, but I saw you mention how the creator of “there are no demons” uses a 3D sculpts to make their comic. Do you use a 3D software? I have never even considered it before now, but now I’m wondering if it would help me keep consistency with different characters body types
I actually do, not so much software (I'm not a 3D modeller at all lol) but 3D assets! There are a few sprinkled throughout Rekindled, mostly involving background props and set designs (though in a lot of cases my assistant @banshriek will often just use them as references to paint over rather than use them directly if they feel it looks better, much of the backgrounds in the comic since Ep 23 can be attributed to them <3).
I don't use 3D models for my character art, not so much because I'm against it, just because I've used them in the past and while I found they helped with certain things I often struggle with like perspective and proportions, they've also started to hinder my creativity because of how stiff they can be (and tbh it made the drawing process really boring for me because I was literally spending more time adjusting poses than I was actually drawing!) I'm finding I'm perfectly capable of drawing anatomy on my own now, using 3D models for a while helped me get there but now they're more limiting than they are helpful due to my outgrowing them (kind of like training wheels on a bike, like yeah they're helpful so you can learn how to ride a bike, but you won't get to go as fast or have as much freedom of movement as you would if you learned how to ride a two wheeler). I think they're great for referencing or if I'm REALLY stuck on a pose or how a character exists in a space, but I don't like being constrained by them by using them constantly and that was what it was starting to feel like while I was using them for Time Gate so I've moved away from 3D character models and stuck exclusively to using 3D assets for backgrounds and things that aren't going to affect the overall quality of my work or how I make it.
I think the fact that a lot of people straight up don't notice that I use 3D assets in Rekindled is a testament to that LMAO Although you can tell in some of the earlier episodes when it was just me working on it and I had to balance quality with turnaround time. I've always hated drawing backgrounds and so Banshriek has been a huge help with relieving that stress and adding that extra touch to Rekindled that I just can't feasibly bring on my own :' )
If you're interested in trying out 3D models for yourself, then by all means do it! You won't know what works for you until you try it. Most of my advice stems from experience, I'm not someone who wants to spend all day messing around with 3D dolls, so using them to aid in my drawing just wound up being redundant, time-consuming, and boring. But there are folks out there who love messing around with 3D models, there are even comics out there that are fully 3D with zero drawing, using models that are handmade. Webcomics are a medium, you can do whatever you want :' )
The only advice I have to give from experience is to be aware that like with any tool, they aren't necessarily a "replacement" for the learning process, they should supplement your learning alongside other resources and references. You should still make an effort to learn foundational things like composition, lighting, color theory, dynamic gestures, etc. regardless of whether you're working in 2D, 3D, or a fusion of the two. "There Are No Demons" has a look to it that's uncanny and that's clearly the point so the 3D models help a LOT with that, but there are just as many webtoons that use 3D models poorly and wind up with an uncanny look they weren't intending to have (ex. Let's Play).
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corpsoir · 1 year
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hii!
hope it’s cool to message you, I need some art advice again.
so I wanna do a pinup style drawing of some of the jojos but I’m having difficulty finding what I want for a pose with the mens pinups. I did find it in the women’s pinup though or least closer then the guys.
My question is how do i translate it into a male character, i struggle with making men look masculine & not just some bimbofied version, i can get the pose without to much trouble but making it in a way it still reads as a guy is where I struggle?
I don’t know how else to word it shsbs but if you have any advice or tips I’d appreciate it
sorry it took me a while to answer this hehe
so yeah, first off i gotta say, whenever you see tutorials where people draw men and women like different species, click away thats not a place of honour theres nothing of value there. you know the kind of tutorials i mean, men have a thousand billion more muscles than normal and women have a thigh gap and somehow still thick thighs but also no internal organs and boobs for days. sure, muscles are fun to draw, curvy bodies are fun to draw, but everyone please trust me you will not get better at drawing if youre using these kinds of tutorials hgjdsghs you wont learn anatomy from them, theyre not only anatomically incorrect theyre also just..... bad
OKAY ANYWAYS. i based these following sketches on a painting by donald rust (i think, i dont know anything about american artists sorry) when i find a pose to use for a drawing but the person in the drawing looks different or has another body shape, i try to imagine 1) whats the skeleton inside them doing? and 2) what are the basic shapes here doing?
and to be clear i NEVER sketch things with like, lines and balls!! ive said this before but i honestly dont think thats a productive way of sketching, so i rather think in oval soft shapes for the body. if that makes sense
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so, take this pose as an example. as ive written in the sketch, pinup art is, at least as far as i can see, about pushing a pose to look more pleasing. the hips and waist are doing most of the work here, but if we want to draw say, oh, idk, a stiff lanky neapolitan cowboy with no ass and broad shoulders, we could let the upper body do most of the "pose-pushing" instead!
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this way, instead of drawing the eye to the hips and waist, the shoulders are in focus! its still the same pose and i wouldn't say its the manliest of poses, but it still reads as a man. i guess. does any of this make any sense?
on an ending note i do think bimbofying male characters are fun and we should do it more idc put that man in silly little poses or whatever. he'll loosen up with some yoga im sure
OKAYYYY i hope this helped at least somewhat! im not the best teacher but hopefully me visualising it helps a little
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kiwinatorwaffles · 1 year
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you know, i used to really hate it when people asked me “why are you so good at art?” because how the hell am i supposed to answer? it’s such a broad question! what part of “good” are you referring to? my anatomy? my colors? my faces my expressions my composition my posing my What?????? and clearly i am not the best artist around; i wouldn’t even consider myself truly good until i’ve gotten to a point where i can draw anything i want without being limited by my skill!
but then i thought about it more when more people asked me that question. clearly they mean no malice by it; they think i’m considered a “good artist” and just want to know how i got there. while the vagueness of that question does hinder some proper responses i can think of, i think i have a pretty solid answer:
practice.
well, it’s not That simple. of course everybody tells you to practice if you want to improve. but How do you practice? the way to do that is pushing past your comfort zone! the first time i tried to draw perspective in 2019, it fucking Sucked Shit. i mean, look at this!
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the foreshortening is very lacking, the body is too long from an angle like that, and the background doesn’t match very much. but guess what? i tried something new, and that’s already progress! now the only thing left to do is keep trying. i went through trial and error. i traced reference images (yes, tracing is insanely useful and should be utilized as a tool for references). i tested what worked and what didn’t, and over the course of three years, significantly improved in 2021! if i simply gave up with perspective and left it at that, i wouldn’t have been able to draw these in 2023.
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and more about pushing past your comfort zone, i was forced to improve at anatomy when i started watching jojo’s bizarre adventure. before jojo, all of my characters looked like flat pancakes on the screen with noodle arms. but after seeing my blorbos we’re now buff men, i had to adapt! i had to learn how to draw different body types and muscles! i had to find a way to actually draw five fingers! after jojo, my anatomy significantly improved because i had to change how i did things. that did mean significantly altering my style, but i bet if i went back to try and replicate my old style now, i’d have a much better grasp on anatomy and all that good stuff.
here’s a comparison my art directly before jojo and directly after (they’re both very old, but you can see a difference!)
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so yes, the short answer is practice. but the longer answer is practice what you’re not good at. it’s gonna suck for a while. it’s gonna look goddamn awful for the first few attempts, but if you trace reference images and try to replicate them time and time, you’re going to get better. art is not something entirely supported by talent; it can take you so far, but the rest needs to be carried by brute forcing practice.
and here is my best example of art improving through the years!
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(and tutorials on youtube are a godsend. personally, i recommend winged canvas and moderndayjames for useful tips!)
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duckmine · 1 year
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Hi, first off your art is absolutely stunning, it’s quickly taking over the “Bobs Burgers” folder on my phone. I love your art and your improvement is absolutely phenomenal, do you have any practices or exercises you did to improve your art skills? Thank you!!! 🍔
hi and thank you!! that genuinely means a lot! i’m honored to have my art taking over your bob’s burgers folder lol.
also yeah! i actually do have some methods that i used that really helped me improve my art! idk how much it shows but lately i’ve been trying to add more dynamic and perspective into my art! the help i got from getting that skill was through using the “box method” -
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i don’t know if that’s what it’s actually called but it helps me build the body into placement when working with different angles. it’s also helpful to break down poses or whatever you want to draw into simple shapes- i learned this from watching a LOT of ethan becker’s tutorials since he’s worked in the animation industry and understands how to work with poses.
a more personal and not *widely* talked about practice that i’m actually kinda surprised about is that, i never draw in one style. and what i mean by this is, i’m not talking about artists who have like two or three artstyles based on mood or whatever; i draw in LOTS of styles that are not my own.
it doesn’t matter if it’s not perfectly accurate or by any means good at first, but it’s a great way to identify shapes in different molds of drawing. and it also helps you build on your ACTUAL style in the process and imput all the things you like seeing in others art into your own! however this is probably only a helpful trick if you’re more confident in your skills regarding basic anatomy and such. you don’t need to be a realism artist but if you struggle a lot with certain body proportions or identifying shapes in art in general then it’s better to practice that before you start experimenting with styles.
also, and this is more from an emotional well-being standpoint but, i think it’s important to put yourself in a good mood before drawing too. i think lots of artists get frustrated when drawing because they feel a big lack in confidence with their skills and in my eyes this may cause some of the stagnation that occurs when trying to improve. if you focus only your love and appreciation towards your art and forgive yourself for not always getting certain things right, you’ll feel a whole lot better and your mind will be much more clear and focused when trying to work forward instead of backward. and you’ll feel a lot happier drawing in general.
so yea, those are the main things that helped me in my art progress! i hope these help you, and if not then don’t feel bad. some techniques work better on others and the best you can do is keep experimenting and to just have fun!
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silvermoon822 · 1 year
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Comic practice-Rough Drafts 1/3!
I spent my last week of 2022 and first month of 2023 starting my resolution of improving my comic art. I knew I wanted to finish it within January after Henson Co put out their cute “January is for Jareth” thing, and I was like “oh heck yes it is!”
One of the biggest areas I feel I am lacking in is composition/layout, dynamic poses, and pacing. I know the best way to improve on these areas is to keep working on them, and that is best achieved by drawing comics! In order to save myself from burnout, I decided to use a script I could recite from start to finish (songs included!), and therefore Labyrinth was the best choice. This scene in particular was fun to choose because of the fun variance in lighting, creating a great way to practice my values and contrast too!
What really interested me at the end of this was that you can see where I really get into the groove around pg 6 or so. Lines are more confident and the art cleans up a lot. It all still has a way to go before I would count it “print ready” though. The next step would be to go back over these pages and clean the lines up even further, fix anatomy or pose issues (plenty of those in the first couple of pages) and start setting up tones to make more cohesive scenes. By the end of the next step, it’ll be more or less “print ready” in black and white.Critique is more than welcome for these! I’m trying to improve!! One major thing that I can already see bugging me is jareth’s hair changing volume from page to page and definitely work needed on Sarah’s face…like…everywhere. I’m also looking to improve my speech bubbles here. I feel like I’m close, and I like what I did with the different styles for Hoggle, Jareth, and Sarah, but I feel like it’s still not totally “there”. That all being said, I’m pretty proud of myself for cranking out 21~ pages in around a month and around working 40-60 hours a week. I look forward to cleaning these up and making them look even better for my portfolio. I mean, the dream is to do this for a living, and even better if it’s working for Henson Co. I have my work cut out for me! 😄
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manitapaleta · 9 months
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do you have any tips on drawing and stuff? im currently doing anatomy studies and such, but i was wondering if there were any specific tips that would help? if you're willing to share that is, lol
This got p long lol
Anatomy studies r defo my #1 for learning how the body works/looks but I recommend not looking at just pictures! Look up videos of athletes (just bc their muscle structure tends to show more) in motion like runners, swimmers, boxers, yoga instructors etc. if you want references of larger physiques and how fat sits on the body I usually look up specific terms/sports like heavyweight deadlifters or boxers
There’s a lot of videos u can find on YouTube but I personally have lots of favs from TikTok of athletes who film themselves working out and sometimes just their bodies (thirst traps lol)
I think it helps bc u actually see the muscles in motion and usually watching videos will give u a better sense of how far a certain set of muscles can stretch and contract
It also helps if ur trying to draw the body from a certain angle or doing a certain motion but u don’t know how it looks bc depending on how specific ur pose is it can get really hard looking for ref pics sometimes
If ur going for a certain artstyle and want to improve ur anatomy but in a simplified/not so realistic way I also recomend looking up artists who emulate that level of realism in their art! One of my favs that I constantly look up to is noahdeaart on insta they do semi realism INCREDIBLY well and I’m a huge fan of their coloring style that looks great with the level of realism they draw
Looking at how other artists simplify very complex angles and sections of the human body is another reason to have a couple to follow and study
Also try not to just draw people staring straight on or in v static poses like in a textbook, you’ll learn more if you attempt drawing bodies in motion and in odd poses!
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iscreamkitty · 10 months
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Hello! I was wondering if I could see how you do faces or just anatomy in general. I’m not that good at art but I’m trying my best to get better!
-🪲
AAAAAAA IM SO SORRY THAT IT TOOK ME SO LONG TO ANSWER!!!
I hope this video can kind of help show how I go about drawing faces, but I’ll try to explain a little bit as well.
First of all, I draw best when I have a reference to go off of, and I learned to draw faces (even tho I’m still not the best at it lol) by doing a lot of little semi-realistic drawings based on people I just find on Pinterest. My reference for the above drawing:
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My first step in drawing a person is usually just to try and get the shape of their face out along with any other important parts of their silhouette (like hair, ears, hats, etc). After that I pretty much just have to feel out the shapes and positioning of the rest of their facial features. As you can see it took a LOT of sketching and erasing before I was happy with her eyes/lips.
For bodies, a lot of that is just trial and error for me as well. But doing action lines or weight lines (like a line going from head to the foot or area that’s holding the person up) is something I’ve found to be really helpful. It can help to work out a person’s proportions as well as making them look more naturally posed.
Thinking of the arms as chains is another good method for starting to understand how to draw arms (see below).
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Overall, though, my art style/method of drawing is very inconsistent, so my advice might not be the most trustworthy 😭
Either way I wish you nothing but the best in your drawing escapades! Anything you create will be amazing, and practice will only make that amazingness more easy to accomplish!!
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hypherr · 1 year
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Hi, I am contacting you because I saw you mentioned somewhere that you have adhd, and I was wondering how did you still reached such incredible level. I have adhd too, and drawing has always been my passion also. But despite a whole life of practice, and doodling almost all the time, I always had a very hard time to understand anatomy and other technics, and because of adhd, I can’t focus neither motivate myself consistently to learn technics. I am also very inconsistent to draw proper illustrations, and also struggle to get things finished. Because of this, I have the feeling that I will never improve, and I gave up my life dream to become an illustrator. So, I was wondering how did you reached such incredible level despite of adhd difficulties, and if you had some helpful tips. Best regards.
Hey dude! Yeah, I can totally give you some tips that worked for me up until I got medicated :D I know a LOT of folks have to deal with ADHD, so I’m more than happy to try and give you some advice. 
I will preface that I tend to hyperfixate on things like drawing, so I put 200% effort into learning about it and I enjoy trying new methods of painting/drawing/whatever else. It’s still moreso reliant on the individual artist, but the below list is what I do and have done that kept me going:
Make studying into something that is interesting. By that I mean you don’t have to simply draw/study a pose for life drawing, you can make it interesting by drawing a character in that pose/doing that action so that it becomes something you’re more invested in instead of something you’re doing to just get better. I usually draw my OCs in the poses that I’m studying from pinterest or whatever, and it makes the process a lot more fun -
Do what YOU want, not what others say you should do. Not every style or process is for everyone. Stick with what interests you and it’ll make your ADHD brain happier. Getting trapped into the idea of “Oh, I should be good at line art” or “Oh, I should be really good at drawing in X style” when you’re not really interested in either of those things will bore you to no end. Personally, I settled with the fact that I don’t have patience for line art, I loathe using opaque brushes, and I despise having a million layers on my paintings. SO, I don’t do a line art pass; I just clean up my sketch layer which becomes my line art, I don’t use opaque brushes, and I keep my layers really limited. My way of drawing and painting is kinda unorthodox and I always have to explain it to clients when I send WIPs (I’m srs the way I work confuses ppl, especially non-artists lol), but the end result is always what they hired me for, so there are no complaints. Plus, I am MUCH comfier drawing and painting in my own “unique” way, and they’re cool with that. **NOTE: I still recommend checking out tutorials and such, but don’t feel like the artist who created the tutorial is god and that you must follow their teachings to a T. Ex. I love the artist kawanocy, and I have some Patreon stuff from him. His art process is too slow and clinical for me personally, but I still take bits and pieces from his teachings to incorporate them into my own workflow/my own art hacks. -
Only study when you want to. Naturally this doesn’t apply to you being in school for art (sometimes u gotta cry and just study away for an assignment), but if you’re not in the mood for drawing/studying, just don’t do it. It’s fine to take some time off!! I’ve had periods of months w/o drawing, especially during summer when I was in Uni. Sometimes you need to wait for inspiration to find u again -
Study from artists you admire and it won’t feel like studying.  FIRSTLY do not steal from artists you admire, just study their work. It is fine to trace AS LONG AS YOU DO NOT POST IT AND/OR CLAIM IT AS YOUR OWN WORK. DO NOT DO THAT. I REPEAT, DO NOT CLAIM TRACED WORK AS YOUR OWN WORK. IT IS NOT YOUR OWN WORK. IF YOU POST TRACED WORK, YOU ARE STEALING ARTWORK AND BEING DISGRACEFUL AND DISRESPECTFUL TO THE ARTIST. Tracing is fine for STUDYING ONLY because your hand follows the path of the original artist’s hand and you get a literal feel for how they work and where their pen goes. I don’t rlly do this anymore, but I used to, esp when I wanted to do some low-brainpower studying.  The main point of #4 tho is to not be shy abt taking bits of ppl’s style and using it for yourself. Ex: I really really REALLY admire the art of  @/xafeelgood on instagram. I am particularly in love with the way they draw bodies and faces. @/chenbearpig on insta has an amazing style too, and I love love LOVE the way he paints. @/kawanocy has a very beautiful rendering style, and his lighting is v dramatic and impactful.  Obvi there are more ppl I admire than just those 3, but those were a lot of my inspirations with art when I was in uni, and they helped shape my style and made me excited to keep pursuing art and trying their styles/painting methods. You have to find artists who make you excited to keep going, and just study their art a bit, or watch a speedpaint to see how they make such glorious art. It is really fun and I always enjoy trying to breakdown how they do their art stuffs so that I can try and do smth similar!! -
Don’t give a fuck about how fast other people draw, how good other people are compared to you, or your follower count. The most helpful thing I told myself this year that has sent my career and drawing/painting ability into the next level is, “I don’t care.” So what if other people are better than me? So what if I’m not the greatest artist ever? I’m still good. I’m still getting paid. I’m loving art again. I’m still trying hard. I’m just not getting that worked up abt art anymore. It’s HARD to not give a fuck, I know that, but it’s only art. It’s really not that serious. It’s not life or death. You’re just here to have a good time and work towards getting better at illustration/drawing/whatever, yeah? It’s so cheesy, but we all have our own paths to take to get to where we want to go. I have died inside realizing that people who are like 16 are 100x better than me already. I used to feel like shit and like my progress didn’t mean anything compared to how amazing other people are, but now? I just don’t care. I’m doing my own thing and I’m vibing and enjoying my drawing time, and that is all I can hope for!!
That is all I can think of right now u3u I guess a final note to leave off on is that all of these tips probably won’t 100% work for you, and that’s totally cool. Again, it’s highly dependent on the individual, but I still hope some of these thoughts and suggestions can help you find ways to make drawing fun and interesting for you. 
I hope you keep drawing and illustrating, my dude u7u that is the best way to keep getting better
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skrillien · 4 months
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hiii skrillien i really luv ur pony art and i wanted to ask if u had any tips for drawing them? like things u usually try to keep in mind. i’m trying to get better and ur art is just so cute n fluid i had to ask!! thank u :3
ok so 1. this is the highest compliment. 2. uhhhhh?
the thing that really GOT me into drawing ponies was that i LOVED the style of the show and- this is gonna be weirdly specific but bear with me- the shapes and movement of the hooves. so when i started drawing them i naturally tried to imitate the show's style and put a lot of emphasis on the way i posed the legs/hooves. (faces are, arguably, the weakest part of my ponies).
but i think a lot of what got me to that point of fluidity is my history of furry/warrior cats art just happening to map pretty well onto ponies? while feline&canine anatomy is kind of my fucking cryptonite, the most basic parts of quadrupedal movement still apply to ponies and the art style of MLP is super simple so it just works out.
i'm pretty bad at explaining this stuff so hopefully it helps?
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dilfbuck · 1 year
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Hello! I was wondering if you had any tips on learning to draw? I haven't drawn anything in uhh ~6 years and even then I was barely learning. I just got a nice little drawing tablet so I'm gonna try with that
Also it is currently 1:40 Am as I send this so whether I remember to read your response Tomorrow remains to be seen ahfuenwjamqka
I’m the worst person to ask bc I’ve been drawing for 10 years and I still have no idea wtf I’m doing 😭 I recently had to return to basic practice skills (figure drawing from references) because I feel my own brain withering away, but I will Attempt some semblance of advice based on things I wished I knew when I was a beginner:
I think a good selection of tips is to start with some basic tutorials on youtube (thats where I started mang many moons ago) to learn stuff like figure drawing, basic anatomy/proportioning, lighting/shading, color theory, etc. I think I learned a lot from the Proko youtube channel when I was a beginner!
Also ALWAYS USE REFERENCES. I personally browse pinterest for pose & clothing ideas. and don’t let anyone tell you that using references is bad or makes you a worse artist because you cant 3d print exactly what you wanna draw from your brain. Those people are idiots. It’s also 100% fine to trace references to learn (I personally deploy the method of freehanding a reference, then tracing the reference, then freehanding it again to incorporate what I missed/did wrong. It Just Works) Just don’t trace other ppl’s art & pass it off as your own bc that’s obviously Not Okay
I’d also recommend challenging yourself to draw at least 1 thing a day. It doesn’t have to be a grandiose art project, just like a quick figure study or referencing something nearby/online to sketch. sometimes I’ll just doodle little things in the corner of a notebook while I’m watching a youtube video and that’s all I’ll draw that day. But it’s good to draw something every day bc if you don’t your brain will be like “how do draw?” the next time you pick up a pencil 5 months later (not speaking from experience or anything >.>) plus I think it helps with keeping you in the “mood” to draw so that you don’t burn yourself out as quickly drawing stuff you actually wanna draw!
It’s also good to remember that everyone learns at a different pace and some things will slowly come to you over time if you keep practicing, even if you feel like you just aren’t “getting” it. I honestly didn’t get an eye for coloring until like, last year (and I owe most of that to gifmaking tbh) and prior to that I had no idea how color theory worked, despite being constantly reminded about it in tutorials and school lmao. If you keep practicing enough some things will just “click” eventually.
Aaaaand I think the most important tip, which I am still struggling to learn, is to not measure your own art’s worth based on other ppl’s progress, because there’s always gonna be artists younger than you out there who somehow draw like professionals that will make you panic and think wtf!!!! But your art is worth making because you made it, and the only way to get better is to be unafraid of making “crappy” art, because the only alternative is to never make art at all. (plus I gaurantee all of those people who could paint like vincent van gogh before their 30s have days where they feel like complete talentless hacks, too)
Anyways yeah I hope this helped at all. somewhat. And good luck!
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nite-puff · 1 year
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ooo 1, 3, 8, and 9 for the artist ask game !! :D 🌻
1. Show your most recent WIP
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Good ol’ mondo wondo
I just realized that tumblr has yet to see how messy my sketch process can be. It’s honestly a miracle that I can discern what image my brain had when I scribbled onto a blank canvas.
But yeah, I’m very much experiencing some mondo mania right now so what better than to draw him some more.
3. What’s your least favorite thing to draw?
There’s a reason why 98.9% of all my art consists of a character or two standing in front of a simple background. That reason is that drawing backgrounds can be the bane of my existence.
I really do want to step out of my comfort zone when it comes to that. Most examples of me doing so are very simple but I still commend myself for at least trying.
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8. What do you like most about your own work?
Color was always something I wanted to crack and get good at, and I feel like I’m getting to the point where I really like the color palettes I use for my art.
I also really like how I draw facial expressions, my character design, my use of shapes, and the way I do line art. GOD, it’s so satisfying to do and look at!!!
9. What are you currently trying to improve?
Like I said earlier, I really want to step out of my comfort zone when it comes to backgrounds. I also want to work on making my poses more fluid and less stiff.
There’s also anatomy which can really kick my ass sometimes. And there’s something about my art that just makes it feel flat to me, so I want to identify and fix that.
There’s a lot, but I’m slowly working on bettering myself.
Thanks for the ask!!!
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